- Видео 60
- Просмотров 402 938
eddie leonard
Добавлен 1 фев 2022
This is for music producers, beatmakers & mixers who understand that no song is ever finished. On this channel, I'll resurface incomplete beats from my old mpc 3000 and use modern analog gear I couldn't afford in the '90s to hopefully bring them back to life. I'll also conduct live experiments using lab test equipment, old mixers, samplers and drum machines to find new sonic textures difficult to achieve in a DAW.
What's the rush??? Beats Take Time.
Seems like music makers are always rushing. Always working against the clock. But I think TIME can be a good thing. It can be an ingredient in our process.
Time stamps below if you want to skip to the beat making and see my camera FALL while filming...
0:00 - 6:38 - reflections on time, rushing, and the benefits of slowing down
6:39 - 7:03 - sampling vinyl into the akai s3000xl
7:04 - 7:34 - pitching samples down
7:35 - 10:30 - making beats on the mpc 3000 + 3000xl via midi
10:31 - 10:37 - watching my camera FALL DOWN
10:38 - 14:00 - final jam (no edits)
weekly beats:
patreon.com/eddieleonard
ig:
_eddieleonard
releases
eddieleonard.bandcamp.com
Time stamps below if you want to skip to the beat making and see my camera FALL while filming...
0:00 - 6:38 - reflections on time, rushing, and the benefits of slowing down
6:39 - 7:03 - sampling vinyl into the akai s3000xl
7:04 - 7:34 - pitching samples down
7:35 - 10:30 - making beats on the mpc 3000 + 3000xl via midi
10:31 - 10:37 - watching my camera FALL DOWN
10:38 - 14:00 - final jam (no edits)
weekly beats:
patreon.com/eddieleonard
ig:
_eddieleonard
releases
eddieleonard.bandcamp.com
Просмотров: 2 865
Видео
A proposal for Teenage Engineering -- EP133
Просмотров 3,1 тыс.28 дней назад
First, a quick boom-bappy beat using the very fun double K.O. 2 setup (syncing two EP-133's and tracking them through a Tascam 424 4-track tape cassette recorder. (drums sampled from @phdirac phdirac.bandcamp.com/album/deep-funk-percussion) Second, an idea I've been thinking about. Something I wish Teenage Engineering would consider, for the hardcore synth and drum machine enthusiasts. A new de...
Channel your inner RZA -- MPC 3000 + '70s cinema
Просмотров 9 тыс.2 месяца назад
Today I sampled a '70s Japanese exploitation film directed by Shunya Itō and made a few '90s style lo-fi boom bap beats entirely with sounds from the score. This is a technique used by Boards of Canada, VHS Head, RZA and countless others sample-based producers. This movie is hard to categorize lots of extreme zooms, dramatic lighting, lush '70s colors, trashy nudity, questionable plot, & over-t...
I still make beats like its the '90s (pt. 2) -- vinyl + MPC3000
Просмотров 58 тыс.3 месяца назад
Woke up. Sampled some vinyl. Chopped it up in the MPC, & ended up with some classic '90s dusty boom bap. 0:00 - 0:59 - "i just want to make something" intro 1:00 - 1:46 - sampling vinyl 1:47 - 2:18 - micro chopping samples 2:19 - 2:50 - exploring patterns 2:51 - 4:25 - making the beat 4:26 - 6:58 - turning up the BPM & finding the root sequence 6:59 - 7:35 - mumble rap ad libs 7:36 - 7:44 - pea...
I practice daily on my MPC
Просмотров 10 тыс.4 месяца назад
Putting in practice on this MPC, just like any other musician would with their instrument. Not always making songs, often just searching... 0:00 - 1:14 - my approach to practice 1:15 - 4:06 - live beat making on the MPC 3000 4:07 - 5:02 - creating a few b-sections 5:03 - 6:07 - layering bass lines with 16 levels 6:08 - 7:49 - closing reflections on why mastering your samplers matters 7:50 - 8:2...
Analog EQ's on the Mix Bus -- Chandler Limited Germanium Tone Controls
Просмотров 2,4 тыс.4 месяца назад
These discontinued analog EQ's can be a bit heavy handed, and I've usually used them conservatively on kick, snare, bass or on drum bus. Today, I threw them on the master bus to see how they would affect an entire track. Some interesting results..they're like a baby Curve Bender. download the track: patreon.com/eddieleonard ig: _eddieleonard
Sampling with new "old" machines - MPC 3000 + Yamaha AW4416
Просмотров 6 тыс.4 месяца назад
Much thanks to everyone who helped me get this MPC 3000 back. I'm beyond grateful for the opportunity to play and explore on this machine again. Quick video testing the new setup, using an old school DAW the Yamaha AW4416 Digital multitrack recorder to mix & record tracks from AKAI MPC3000. full video: patreon.com/eddieleonard ig: _eddieleonard
Beat making on cassette - MPC2000 + Tascam 424
Просмотров 9 тыс.5 месяцев назад
Made a beat. Ran it through tape. Pitched it down a bit too much. Pardon the hiss. 0:00 - 2:24 - laying the track on the MPC 2:24 - 2:36 - recording it into the tape machine 2:37 - 3:25 - pitching it down 3:26 - 4:08 - pitching it waaaay down weekly beats: patreon.com/eddieleonard ig: _eddieleonard
Akai S700 sampler -- a gem for '90s hip-hop
Просмотров 4 тыс.6 месяцев назад
Quick demo of the filter in the Akai s700 rackmount sampler. It's a 12 bit, 16khz sampler released in '87 with a sound similar it's big brothers, the akai s612 and s950/s900. patreon: www.patreon.com/eddieleonard ig: _eddieleonard bandcamp: eddieleonard.bandcamp.com 0:00 - 1:08 - intro 1:09 - 1:27 - sampling 1:28 - 1:34 - pitching the sample 1:35 - 2:29 - final beat on mpc 2000
Making beat tapes with 2 K.O. II's + Tascam 424 Portastudio tape machine
Просмотров 10 тыс.7 месяцев назад
Another quick breakdown on syncing two Teenage Engineering K.O. 2's (EP-133) together and recording them to 4-track tape cassette recorder. While experimenting with alternate setups, this was a favorite for making weird sounding beat tapes for a solid month while waiting on my replacement mpc3000. The best part about these tapes is that I can re-sample them (like mpc stems) by playing individua...
How I create B sections in beats -- AKAI MPC 2000 workflow
Просмотров 4,3 тыс.7 месяцев назад
You sample something. Program a groove. After a while, it feels repetitive. Here's a quick process breakdown of how I copy paste sequences to create alternate baselines and variations of the samples I have in my mpc programs. It's a starting point for keeping your beats engaging & structuring songs. 0:00 - 0:55 - intro 0:56 - 2:37 - first jam on the mpc 2000 2:38 - 3:22 - midi with akai s3000xl...
I can't stop making beats -- Akai MPC2000 + s3000xl
Просмотров 7 тыс.7 месяцев назад
Huge thanks to everyone for supporting me during this difficult time. This video is just a quick update on where I've been creatively and a quick demo of some of the new gear I've been using as I wait to replace my stolen MPC 3000. Vintage rack mount samplers have always intrigued me. I spent the past month learning the Akai s3000xl and I really love the way it handles samples and sound design....
My studio got broken into last night :(
Просмотров 17 тыс.9 месяцев назад
..they stole my MPC 3000, my Yamaha SU700 and my iMac computer. 0:00 - 1:45 - what items they took 1:45 - 3:20 - every instrument has its own story (a history of my akai mpc) 3:20 - 3:35 - wear and tear 3:35 - 4:44 - repair history (bruce forat, roger linn) 4:45 - 5:13 - what's next 5:13 - 7:31 - how you can help patreon: patreon.com/eddieleonard
Connecting 2 Teenage Engineering EP-133 together -- K.O. II x 2
Просмотров 3 тыс.9 месяцев назад
Quick demo showing the the possibilities of dawless jamming with two EP 133 synced together. The limitations of Teenage Engineering's new KO ii sampler are a fair design choice, but the sampler becomes so much more interesting with 8 groups, 24 voices and the ability to more creatively route master effects. Syncing is easy, simply plug a 3.5mm jack from the sync out of one unit to the sync in o...
First batch of EP-133 KO II beats
Просмотров 6 тыс.10 месяцев назад
Even with a malfunctioning fader, the Teenage Engineering EP 133 KO II is a more than capable sampler. The build quality is cheap, but the design and UI is the closest thing there is to a true vintage sampler/drum machine.
10 min of beat making on the MPC 3000 (no edits, no talking) --
Просмотров 5 тыс.10 месяцев назад
10 min of beat making on the MPC 3000 (no edits, no talking)
First session with Chompi -- a quirky lo-fi sampler + looper + sound designer
Просмотров 2,1 тыс.11 месяцев назад
First session with Chompi a quirky lo-fi sampler looper sound designer
A book about painting inspired these beats -- mpc 3000 + jack whitten
Просмотров 2,1 тыс.11 месяцев назад
A book about painting inspired these beats mpc 3000 jack whitten
Chopping samples is where the magic happens -- MPC 3000 + Yamaha SU700
Просмотров 2,7 тыс.Год назад
Chopping samples is where the magic happens MPC 3000 Yamaha SU700
Flipping a 1979 BBC documentary into a beat tape - MPC 3000 + Tascam 424
Просмотров 20 тыс.Год назад
Flipping a 1979 BBC documentary into a beat tape - MPC 3000 Tascam 424
What's your beat making batting average?
Просмотров 2,3 тыс.Год назад
What's your beat making batting average?
Really fast MPC 3000 Session -- finding a groove
Просмотров 2,9 тыс.Год назад
Really fast MPC 3000 Session finding a groove
DAWless hip-hop mixing session - mpc + chandler tone control + tg12345 + little devil + minim pedal
Просмотров 3 тыс.Год назад
DAWless hip-hop mixing session - mpc chandler tone control tg12345 little devil minim pedal
Why don't more beat makers use pedals?? -- AKAI MPC 3000 + OBNE Minim Reverb Delay & Reverse pedal
Просмотров 3,4 тыс.Год назад
Why don't more beat makers use pedals?? AKAI MPC 3000 OBNE Minim Reverb Delay & Reverse pedal
I still make beats like it's the '90s -- vinyl + MPC 3000 + patience
Просмотров 11 тыс.Год назад
I still make beats like it's the '90s vinyl MPC 3000 patience
Grimey beat on the MPC 3000 -- all analog, all vinyl samples, 3 layered snares getting gritty
Просмотров 2,8 тыс.Год назад
Grimey beat on the MPC 3000 all analog, all vinyl samples, 3 layered snares getting gritty
The Mark II era -- How long is your new gear break-in period in the age of endless updates??
Просмотров 2,4 тыс.Год назад
The Mark II era How long is your new gear break-in period in the age of endless updates??
Layering samples with Akai MPC 3000 + iPad MiniMoog
Просмотров 1,7 тыс.Год назад
Layering samples with Akai MPC 3000 iPad MiniMoog
Bro I'm just finding out that you can make bootleg versions of passive di boxes from power adapters that got transformers in them. Its a really interesting idea, reusing Old items. What
My fault browser yt don't got edit. What was bootleg might not have 8 inputs without 8 channel mixer. Alright fam stay up
DIG, can hella relate to the topic and what you shared.. beats were fyyye!
Letting time becoming an ingredient is a beautiful way to put it. On a non musical scale and relating to your point. This last year I collected a lot of VHS and DVD and now at Christmas it’s nice to see my kids grabbing the tapes and putting them on to watch movies. A lot of these processes have been lost in music. I have no desire to get the newest gear or software but rather I’ve been saving to get another sp1200 because I miss that workflow.
Thanks for those words.🙏 I think part of being an artist is the fact that most of the time you enjoy the process, and you can take lessons in the crafting, and that takes some time. For me one of the biggest difference between being an artist or trying to "sell" a product is love for the craft. ✨
💯 agree humans are transcending more to the machine hive mind, no emotions just the quick hit 👍🏾
Agree 100% ✅
You nailed it with the novel/footnotes analogy
Every thing u said is what’s wrong with music today, movies too❤❤
I battle with this all of the time
I appreciate what you’re saying. I can’t stand the “How many beats can I make in a certain amount of time” videos. However you don’t wanna take so long that you don’t commit to something or else you’ll end up making Detox. 😂
🎯!!! Always appreciate your words 🙏🏾👊🏽
Interesting video. Thanks. Every time I bingemake beats half of them sound like shit. The flow of making a lot of beats in a short time feels good but the result is far from satisfying. I will try to change my workflow. Maybe it will give me new ideas. And I might end up with something new. Not making the same type of beats over and over again.
We are rushing because that’s how things are consumed these days…to keep up and remain under the scope, we need to perform in a certain way. Indeed, quality takes time but to have an impact we need to adapt and push things the way things are pushed nowadays…
I really like your videos and the style of music you make. Excuse me for my question but what are main styles/genres of music you sample the most? They always sound like charm but when I try to search something close to it I always seem to get lost
Slower... I get it, tho the memo's always helpful. Many thanks Eddie for all that you've shared. Much peace and significant forward motion now, and in 2K25.
I can’t make beats fast because it feels like all my life experiences up until that point is channeled into the music. I can’t make something new without experiencing something new.
Man! I'm a jazz/neo-soul/gospel pianist/keys player. This is the second video of yours I've seen and you're speaking my language again haha.
Man, this really shines a light on something that's been haunting me. It both breaks my heart and motivates me to hear you address it so clearly haha. I've been trying to address this tendency within myself to just rush mindlessly through the music making process and I'm glad to hear you highlight this. Since the world doesn't look like it'll be slowing down in its path to be absorbed by the digital, I can, as an individual, at least resist the urge to trade convenience for value. That's what I got from this. Thanks for your insights. And for sharing your musical exploration.
It isnt that faster is better, Dr Dre took his time and it drove artist crazy but when there music dropped they were hits and classics. The problem is everything, the entire world is moving faster and ppls attention spans is micro short. So do you keep up and give your self 5 seconds to catch someones ear? Or do you take your time and get completely dusted and overlooked?
🚧🤜🏿💥💎💥🤛🏿🚧
Sm🧠rt 🎨rt!
Man I deal with the back and forth of this mindset a lot in my music making. In the past I was always searching for that "perfect sampler" or piece of gear that made what I want to do as easy as could be. Now that I own an MPC One, I pretty well have that but I find myself dissatisfied at times with the workflow and my end product. Some of what I consider to be my best work was all done on the simplest machines, like an SP404 OG. Making entire tracks using resample and the constant, constant playback of those loops and trimming them to get them JUST RIGHT is so tedious but part of the magic that you get at the end. You feel even more connected to those tracks, you hear every single nuance and see every color.
I totally agree brother, life inspires creativity. Content shouldn't be forced. It takes away from validity when done that like. It way more rewarding when done with timing. Happy Holidays yo.
Really inspiring stuff, really made me realise there is no rush. As a new producer I always feel like I need to rush and improve constantly, but the times where I enjoy making music the most are when I don’t put too much thought into it and don’t just try to get things ‘finished’
I'm glad this resonated with you. It's important as you start out to really reflect on why you're doing this and what works best for you. Taking time may not suit everyone, but I find that it can lead to better, more fulfilling experience overall. Cheers!
Golden message here! New tech/all tech has the ability to slow cook, but it's just not marketed that way. I got into a two-day argument with a few guys online about this. Which I never do anymore, but felt the need to make a point. Every year forward there's something new that eliminates the process. The process is the human experience. It gives us purpose, and gives the world our purpose. I think some of this boils down to originality. That used to be the underlying factor in artistry. Now the marketing is, "You can do this and that faster and sound like.....(insert name)". It's the wrong message. Oddly enough, I skipped the music just to write this message. And you wanted to skip your talking segment to make the music lol. So I guess we all have a rush factor in us now. But thankfully 🙏🏼 we still love to slow cook music.
You bring up something crucial that I forgot to mention in this video. It's absolutely true that new gear has the ability to slow cook. It's all in how you approach it, and how you choose to use the machines. If I could re-record this, I would add that an old school mindset with new technology is actually the best of both worlds. (that's how i work on the K.O. 2's) The ability to do things faster actually enables MORE creativity, but as you pointed out, the marketing has ruined that. And the intention of a lot of newer makers is to rush to the finish line, and while they skip the process, they're abandoning the "old school" ways and create tracks that sound like the machines basically made it for them. Ultimately, everyone has to find their own path, equipment, instruments and work flow that benefit their creative process. I had to share this video because I'm noticing a shift in mine, and I'm craving the pleasures that come with slowing down and putting more care and attention into the sound and the craft, rather than moving fast and keeping up with everyone else.
@@eddieleonard6925 Word. Whatever you left out is fine. It was a pretty important and comprehensive take on the subject. You usually cover a lot of good ground in your videos. The point is made and inquiring minds are pondering. Regarding that best of both worlds aspect, I think some things are best kept a secret. Help and guidance is love, but as you know, having a secret weapon is what separates us in this sport. We can't give it all away or we will become what AI is to the new producer. Just my opinion.
@@djReason19 true true.
thank you, sir!
thanks for watching.
I've read that (author) Franz Kafka had a sign above his writing desk that said... "Wait." "You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet." - Franz Kafka
That's real. I love this idea. Often, if you rush and try to 'grab' life, it eludes you. Patience is key. Thanks for sharing this.
Been thinking about this alot too, thanks for so eloquently vocalising it.
Thanks brother! It's been on my mind a lot, and I don't want to get caught up in the rat-race without taking a second to really evaluate my actual intentions with the creative practice.
Most definitely. At the start of the journey I think optimising for quantity while you build the muscle with all the parts of the process has its merits, but there are obvious pitfalls and bad habits there. Once those fundamentals are second nature, it’s really about what we want to express and how we want to define ourselves as artists. The pursuit of which takes time to understand and develop through experimentation with our tools, techniques and ingredients. I was a DJ first and early on I fell into the trap of trying to churn out bangers to hit some arbitrary deadline to “make it” before I got too old. Once I let go of that my ideas became more unique/creative and am starting to see those successes more as a byproduct than a hard fought goal. The process is the reward that we should fall in love with.
@@DiegoFuego87 well said. totally agree. especially the part about taking time to understand your tools, your craft and developing your sound. that simply does not happen overnight.
meanwhile kids doing speedruns on fl studio for making trapbeats😆 i also prefer a slower workflow. i use an mpc 1000 and an ensoniq eps classic atm
facts. I absolutely love the sound of the eps classic. It's too big to fit on my desk, but I love running sample thru that thing.
@@eddieleonard6925i love it too! but i will buy an asr 10 when i got the money
Just when you started speaking, it made me think of what's usually called the Death of the Novel. Slow burn in literature can be more rewarding than a fast paced plot almost trying to hold your attention. I think the difference between stuff that burns slowly vs processed food in music or literature is what the artist expects from the consumer (and whether the artist believes a consumer is intelligent enough to grasp slow burn). You're like the Carl Sagan of beat making dude - always making me want to go back to the MPC.
This is a great point, brother. I always appreciated when artist respected their audience and gave us the full scope of their work and trusted that some of us would want the full depths. It's ultimately a decision each of us have to make for ourselves in our own process, our work, and our relationship with whatever audience we have. There's something crafty about simplifying a message so that it's easier for your audience to digest it. it's not as easy as it looks. But there's also something satisfying in layering and not filtering what you have to say, and really giving your all to something, even if it may be harder to digest.
@@eddieleonard6925 closer home in India we have music traditions like Carnatic and Hindustani which are devotional in nature - and expect the viewer to be on the journey to meet God. Another tradition is Qwawalli where a 'song' can last upto 45-60 minutes. Considering how a lot of art forms are rooted in Shamanic rituals in all hemispheres, a case can be made for artist's highest calling in challenging the viewer, listener and taking them on a journey. In that zone, the audience is a fellow traveller, and less of a consumer - and I believe there's some merit to looking at things that way. That's why your video hits so hard, Kudos!
@@screamchand love this!
💯
Thanks!
there is something to be said for both methodologies, fast can give you a particular rawness....slow can provide a particular introspect
Very true. I forgot to mention this in the video...there's nothing wrong with moving fast. It's good to follow your gut and make quick decisions.
I think people who want fast want the paycheck more than they want the experience.
Yea, and I can't be mad at people getting paid. But they're losing a little something in the process.
@@eddieleonard6925 100%, and it’s a shame cuz this music creating experience adds a certain quality of life to the human experience.
people tryin to be fast is why music today has no feeling
That's a big part of it.
Man this is REAL HIP HOP✊🏾💪🏾💯
This the era I grew up in.
@eddieleonard6925 I wish music didnt get so washed up nowadays cause this is REAL MUSIC, I was born in 93 & I only listen to OLDSCHOOL. Thats where all the GEMS are Fam💯
This is REAL PRODUCER TALK Salute Eddie✊🏾💪🏾💯
Respect.
the terror on your face when the camera starts falling 💀
ah man...coulda been a disaster.
You nailed it! I'm annoyed by all these ,,see how this producer makes 3 fire beats in 10 minutes in FL studio''
Agreed. I'd rather have 1 beat with substance than 10 crappy quick ones.
Respect on the words at the top of the vid my guy
Thanks for listening fam.
Yeah I don't get what's good about making a beat in ten minutes. That said I feel for a while I have been trying to make music quickly just to get tracks finished so I can start another one. Been forcing myself to spend a few days with a track. Make the rough outline of it with a rough arrangement. Come back each day and flesh it out, add some switch ups and transitions etc. Feels more like making music again instead of just cranking out beats, if that makes sense.
This is EXACTLY what i've been doing lately too. Give a track a few days, keep making edits, and then move on, instead of making everything in one session. I think it leads to better, more complete, and thoughtful music. Hows it been working for you so far?
Ur not alone sir. People have long since traded fidelity for convenience. In everything from the medium we listen on, the hardware we use to play it on and to your point, the creative process itself. It’s no wonder that art is treated as disposable now…people have allowed raw consumption to replace meaningful experience.
well said. i'm definitely in the minority of people who don't believe in making that compromise at all. If i like an artist, i'll support them directly and listen to their music or viewing their art as it was intended. I know how much goes into making it. It's really a shame that this tradeoff is becoming the norm.
I really like the concept of just taking my time and sitting with my music, project I make now take me longer and making beats taking me longer to do and I absolutely love it because during that time I’m taking time to appreciate what I make instead of making it and discarding it. You hit the point so well we listen to music and discard it so quick. So when I was tell people I take my time because I give my tracks to shine and I also get a chance to get life an opportunity to enjoy each day
amazing perspective and outlook. i'm glad you're able to keep this both in your creative practice and (more importantly) your life.
Perfect assessment bro! The substance is truly the art of what we do. Enjoying the experience no matter how long it takes is the beauty.
facts. i'm glad i'm not the only one who looks at it this way. leads to better music, too
13:15 Piano stabs and Jazz drums giving a nice Deep House vibe. Add another kick under that snare and it’d pass as a late 90’s/early 00’s Moodymann track.
thanks! that's the vibe i've been on lately. using old equipment probably helps.
The S3000XL is so underrated.
facts.
Preach! 🙌. “Fast” and “convenient” should never dictate artistic expression.
right? there's nothing wrong with moving quickly, but that shouldn't be the goal.
Agree 100%. Your understanding of this is exactly why I contributed to your new studio without hesitation. Great content bro!
yo, thanks so much for the support. every time i make something on this new mpc i think of all the people who chipped in to help me out of that tough spot. it's not taken for granted. much appreciation. cheers,
Eddie is a real dawg!
appreciate you g
I think slow cooked is better but not constantly standing over the pot. So patiently letting the beats come to you, but in those moments acting quickly and not getting into tunnel vision / perfectionism. Taking breaks, keeping it fresh. Thanks for ur thoughts as always 🙏
spot on. this is something i wished i touched upon in the video. exactly as you said, slow cooked doesn't mean noodling endlessly, but rather moving with a mix of patience and intention. thanks.
I love you man 🙏.
glad you dig the message. appreciate the support!