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Dude, I knew he(they) was using a lot of Fairlight. I read in many interviews that Al doesn't give af about production and he's just making music without changing shit with the gear he has at that time. Which some artist should do today 0_o haha anyways If you could contact me at that email I'd be very grateful!! thank :)) info@tonepusher.com

😂😂 I 100% understand your point, but you can ask most people if they know 1 industrial metal band. Chances are they'll say Rammstein. And by "most people" I'm not talking about that true cult industrial head. I wouldn't...but most people would that you like it or not 🤷🏻‍♂️

@@Tonepusher I understand.this is the way of the ''flock'',yeah.Even the samples on the vid ,for their tracks, has nothing to do with industrial.More, like Amiga sounds 😄

yeah man, same here. Probably my favorite snare sound ever haha

haha such an iconic drum machine 🤘

100% although it's not my favorite, it was used a lot

hey thanks man :)

really? after Skinny puppy now its F242. That's sad... I'll be there for sure hehe

hey np man :) 🤘

yeah they are... haha

haha yeah, proud to be 🇨🇦

I agree soooo much, creating unique original music is a lost art. I blame the easy access to production (which is a good thing at the same time) and the ''fast food'' plugins/sampling services like...hey buy this plugin and become the next rockstar. limitations=creativity

yeah the H3000 is mentioned everywhere in interviews! And I agree with you that more outputs would be great...Companies be like 9000 voices, 500 fxs, 10 osc ... 1 mono output 🤡

@@Tonepusher EXACTLY!!

@@Tonepusher all the synth swells on belief/showtime are h3000 ultratap which is basically echoboy in rhythm mode set to time not beats. you can read the h3000 manual section on ultratap and see its almost identical to echoboy, including the pan and decay shapes

@@Tonepusher reznor, flood, al jourgensen... lots of overdriven neve preamps into h3000

i even like the behr pro one copy... its not bad for $200

nice! haha thanks to you :)

de rien ! 🤘

depending on the style you're going for yes that could be one of the ways of doing it. Lately I'm more into the ''less is more'' kind of production. Most of the time samples are already processed af. But if you're going for that ''aggressive sound design'' sound yeah Always be careful with distortion though, can easily fuckup your mix haha

haha yeah! classic 🤘

thanks :)

I love that sound. It’s good to know how to recreate it. I have a tr707 the behringer clones, and a Simmons sdsv. I have tge r8 samples. Maybe I need to buy an actual unit. Thanks for posting a video on this!

@@benjaminframe5530 hey np man :) yeah you definitely have everything you need to make some dope music :)

Well that's pretty much what they did back then too hehe I think we lost that part throughout the years. I say bring back the 90s!! haha

@@Tonepusher I agree. Being a HIGE Phil Collins and Genesis fan myself I give mad props to Phil for the gated snare. Their 1991 album used backwards echo to exquisite effect in the track Dreaming While You Sleep. Check it out.

Hey man! yeah good question!! I used to use Battery for that. Then idk why I stopped lol and I went back to the old ways of using audio files. I'm just used to it haha Sometimes I'll use the Cubase sampler if needed. At the end of the day you're 100% right I should use a sampler. lol Just used to my old way of working.

@@Tonepusher in the end you do what works best for you! I just found it easier (for my Synthwave tracks) to use Groove Agent. Also changing samples, stacking samples, all that stuff works great. Also the option to random alternate pitch in percentages works great. Especially when you want to make, say your hihat a bit more alive, or mimic tape wobble.

@@DEADLINETV oh totally, I mean from time to time I'll use a sampler. But that pitch randomizer thing you just brought up makes me want to use it haha

@@Tonepusher just explore it! Thank me later! :D

Well, that's the equivalent of saying. It's easy to draw, just take a pen and a sheet of paper lol haha But I get what you mean tho.

@@Tonepusher I know the textures of those machines, the Roland R-8 is a monster. But back in the day (I am 49 now), I had my Ensoniq ASR 10 sampler and one of the best things I did was sampling the Janet Jackson "Rhythm Nation" album. It was not as dry as "Construction Time Again" but what makes those sounds solid is basically no release time. I then added a bit of distortion from the Yamaha 01V digital console I had and I went nuts. It made the entire song, NIN. And that is the beauty of sound design.

​@@DF-eg8vl oh totally man! love sound design hehe I think we lost that art with the internet and all the sample services...Which are good things in a way but also bad haha People are getting lazy and they all sound the same.

@@Tonepusher I remember back in the day I used to use Digital Performer, the measures were blocks. Before that Masters Tracks Pro in a Atari ST. When MOTU updated DP with colors and more visible data inside each measure something was lost. Now the "equations" are not in your own brain but in your eyes. When you have the info in your brain, you patch in your brain and you get brighter. When things turned visuals... now you get distracted and in a way "serviced". That pushed the decay of the knowledge. So today people buy out of hype or aspects, but they do not know what to do with the gear, they do not even have their own sound. Is very shallow, they say "vinyls are better", no, they are not. Some are good, depends on how they were produced, the majority are just low quality. So, those drums are nice but today you can do the same with Logic pro just fine.

ohh I completely agree. We want less quantity and more quality! haha

I just have a MASSIVE collection of drum machine roms.

yes ! ⚙⛓💪

there's plenty....

haha thanks 🙏

thanks 🤘🤘

hey! not sure what they were using but they were produced by Gorgio Moroder so I'm pretty sure with that info you could find interviews with him about gear and production, since it's a huge album hehe (Flaunt it)

8 bit gets a bit too crunchy for me. A 12 bit bit crushed effect mixed in sounds great though imo

I thought that until i got my hands on the ensoniq Mirage ,use it for percussion so its about it sounding electronic, it has two sets of curts voltage controled amp and filter chips, memory and processing was so expensive win it was made that it was cheaper to use one set of chips for first stages of the envelope and one for the decay, the operating system loads on the disk ,so there are 3erd party o.s. for it that throws away the sample function and opens it up as a 16 voice wavetabe synth with 14 lfo's per voice ,you dump samples into via midi sample dump , the thing sounds cool goes well with the ppg 2.2 and the ensoniq sq-80 I don't know what gear you are working with but software and a lot of newer remake just dose not compare to the original machines ​@DSPsWifesBf

Oh man I know the exact file, I used to have It. I now use the vintage machines pack from reverb, pretty much the same thing.

@@devendasmusic dude I wasn't even aware of that pack 0_o haha and free on top of that...mind blown!

I actually have a far more complete set. Those plus about 275 it didn't have. :) Also: the German dude that runs that project is a douche.

haha thanks man!! 🤘🏻

haha do it! 👀

haha yeah such a great machine, sometimes we have to sell our gear. But in the end we should never! haha At least it's not THAT expensive...yet!

Sure, I'll put that on the list :) 🤘🏻

@@Tonepusher awesome! Thank you very much.

@@Tonepusher awesome! Thank you very much.