It’s probably better to transform the color space in the project settings (which is using a calculation, not a lut matrix application). Alternatively, you can use the colour space transform effect on a timeline node - especially if all your footage is the same source. In your video, you created a second serial node for the transformation using a lut. It’s better to transform it in the first node and then in a second node do a primary grade. A primary grade on a log works different than when you’re in a linear space (although resolve has a good solution for it). I think that using luts for color space transformations that are properly supported are a bit strange. Maybe if you use premiere pro or other nle where the transformation is not supported, you need a lut to do the work. In this case, it would be more interesting to check out luts that emulate a specific film stock or cinematic look.
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Good job and straight to the point. Exactly what in was looking for. Thanks Doc
I'm glad you enjoyed it. Thanks for the positive feedback!
What is the camera you filming with ? And what software do you use to record your screen ?
My camera is the Sony zv-e10 with a Sigma 16mm lens and the software I used to record in this video was Camtasia.
It’s probably better to transform the color space in the project settings (which is using a calculation, not a lut matrix application). Alternatively, you can use the colour space transform effect on a timeline node - especially if all your footage is the same source. In your video, you created a second serial node for the transformation using a lut. It’s better to transform it in the first node and then in a second node do a primary grade. A primary grade on a log works different than when you’re in a linear space (although resolve has a good solution for it). I think that using luts for color space transformations that are properly supported are a bit strange. Maybe if you use premiere pro or other nle where the transformation is not supported, you need a lut to do the work. In this case, it would be more interesting to check out luts that emulate a specific film stock or cinematic look.
That’s a great method. Thanks for sharing!