What Is Underpainting?! You HAVE To Try This!
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- Опубликовано: 16 сен 2023
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Underpainting is cool. It encompasses a lot of things not just what he was doing. Anytime you do painting underneath dernith and then paint on top of it, it is an underpainting. My favorite way to use this technique is to put yellow down. When I paint over the yellow it makes the whole painting luminescent. So cool. Try it out!
Yep, my botanicals almost always start with benz yellow for this effect.
Like you're idea.
I usually put yellow under all red to make it more vibrant too.
Shadows are rarely brown. They are a darker tone of the item's color and/or reflection of the local color.
Very cool.
Thanks so much for the shout out! Underpainting can definitely be a little hit or miss. Sometimes it just seems to muddy things for me, other times it seems to work well. Probably something to do with complementary/analogous colors, but it's worth testing out! 🙂
Also, what I’ve been learning is that the underpainting is less about the complementary colors, and more about the color of light radiating from the sky (blue) that often tint the shadows. Interesting stuff!!
@@dannydrwing
Ahhhhh….
Yes, it’s super interesting!
I’m going to check out some of your paintings to see the difference.
Later
Check out @colornerd he has several videos that will BLOW your mind about color theory! Heading over to watch your vid now 😊
I like it. Definitely looks more realistic
I found your IG!
I studied all of what you're saying in Art school. You said it correctly when you said, "I could do this all day." That's the answer. Doing it all day is how you get past the awkward feelings and muddiness, etc. I also recommend painting from Nature or plenne aire. Once I started doing this and learning more and more about color theories, I started getting better and better at it and my paintings started to look like what Nature was doing with light and shadows and colors. I love your attitude and enthusiasm. I'm in my 70's now and still love it as much as I did when I was 5! And I'm still learning new things!
I really love both of them but the blue under painting gives more depth & dimension to the pumpkin. Very interesting concept & technique. Thanks for sharing this with us!
Yes i think the one with the blue underpainting does look more realistic, i like them both though. Thanks for sharing this, I’m definitely going to try this
Think it is better with the under painting. I am impressed
I would love to see a full composition done with this technique. I'm new to painting and wonder if you'd have to use this technique throughout your painting or would the two styles compliment each other? 🤔
I picture the top pumpkin used in a fun way, with Halloween decor and props, whereas I see the underpainted pumpkin in a more fall scene, like with fall flowers and a rocking chair on a porch lol. Both are amazing!
So true Emma, the under painted pumpkin with blue looks more realistic, but both painting are cool!! … wow… thank you for sharing!🎉❤🙏🏾💜✨
I like both pumpkins. As to which one is best may depend on the context in which they are placed. In other words, the use of either one depends on the background, other items, focal point, use of light etc.
The blue underpainting one looks so real compared to the other one.
I use underpainting a lot when I work with gouache or acrylic. It really helps to set values for shadows and lights. I think it really gives depth to the entire picture.
I love both pumpkins, but you’re right, it’s a stylistic choice. I prefer the under painted one, but that’s because I think pumpkins = muted & earthy. I really liked the “grittiness” of the ultramarine blue. It would be a fun experiment to try underpainting with different blues and oranges!
First, I need to learn how to paint a pumpkin.
Cute.
I’ve been dabbling at a Domestika course on watercolor portraits . Her work is stunning and she always starts with a blue layer before she works in the skin tones.
I personally like the brighter orange pumpkin on the top. If you were painting one of those grayish-green Jarrahdale pumpkins, I think it'd work (for me, anyway). I just like very bright and happy pumpkins - especially like the Cinderella pumpkins (a bright orangish-red).
Underpainting is actually putting in your values. Values are key to your painting, and is the most overlooked.
I prefer the under painting approach, that is the way I was first taught but then I went for the😮 more modern direct approach. I think the under painting makes a more complex, sophisticated work. As the French say A chacon a son gout - to each his own taste!
Emma your pumpkins have beautiful shape. My vote is your usual style! Thank you!
This is very interesting from the perspective of cognitive science that you did the painting side by side. The thing is our brain looks for patterns and performs patterns. But it does not like or is comfortable with the aesthetics of patterns. When you use premixed colours, everything is consistent and hence the entire painting has the same pattern. In case of an underpainting, the entire painting does not have the same depth or the same colour or the same hue which is why people like it so much. And it is more realistic because in nature, colour, hue, depth etc. vary even on a single object.
Fantastic review. Thank you.
Both versions are gorgeous 🎃🎃 but the under painted one does look a little more realistic I think but for my personal taste I would paint your version 🥰
As a pastelist I work from dark to light and wondered how watercolour could be so different. This is interesting to see.
My understanding is because watercolor is transparent and pastel is not.
it's a com'letely different medium
The light pigments don't layer like that, they're completely different than oil based pigments.
@@joseynoyb9467 that makes a lot of sense to me
@@alma-wi true that
I’ve done underpainting with acrylics, but for some reason, never thought about doing it with watercolor. I’m pretty new to watercolor. So, I’mma give this a try! thanks! I think they both look pretty realistic. Top one looks like a pumpkin in the noonday sun. The underpainted one looks more like a pumpkin in the shadows of a porch. And, you’re right, the bottom one didn’t get the white highlight that the top one has. Both are terrific!
I love the idea of painting a small pile of pumpkins in both ways. I like the variety in a painting with angles, lighting, etc.
I agree, the pumpkin with the blue background looks more realistic. That’s a very cool technique.
Oh yes the blue under painting makes a more exciting effect. Definitely worth it.
I find the blue under painting gives the pumpkin appealing depth and an artistic look.
It's also very important to not forget the innate colour in the shadow. The blue is there to make the colour darker, but the orange should be there too.
Love the complimentary underpainting. Has a rustic charm. Thanks for sharing.
Love what you did with the blue underneith. Suggestion; you really don’t need to talk constantly, it’s soothing to just watch you paint!😊
It definitely added more depth and created a rich image. I using it would depend heavily on your mood. For example, the pumpkin at the top might be sitting in a bright harvest scene or on a table with yellow flowers. The one at the bottom has a pumpkin patch feel or is surrounded by leaves and vines on the ground. Undertone really helps a lot in creating a mood.
I’ve done under painting in both my traditional Chinese painting as well as my “fusion” paintings..MOST Have been, for example, a bright Cad yellow, then a transparent red, orange or magenta..OR in landscapes, blues and greens, or ink first and often a more opaque blue or green over the ink. My tutor manages to do it so that it looks as if the mountains in the distance are almost glowing blue, green or blue-green…I haven’t mastered that one yet (but if you saw my fridge right now..I’m TRYING 😂. My landlord walked in a few days ago..”oh! You’re working on our Christmas painting? Wait…what?” As he tilts his head in every direction trying to figure out what these 6-7 partial paintings are supposed to be “they aren’t flowers?” 😂🤷🏼♀️)
One day….😁
I love both of them . Thanks for share !
This was awesome! Thank you for demonstrating ❤
Love the way this came out! I'll definitely have to give this a try! TY for sharing Danny's info too!
This was very satisfying to watch! Thank you!
Wow!my eyes automatically gravitate to the underpainting pumpkin. Can’t wait to try this method out. I also saw the video from Danny drawing on insta and got inspired to try underpainting as well. Thanks for sharing!
I love it that the teacher is learning! Thank you for all you do!
This is amazing! I love it! Very useful information
I love it too. It makes me think of vintage illustrations. I'm so going to try this. My sketchbook this time of year is filled with pumpkins. Thanks so much, Emma!
Love this. Really interesting concept. Thank you!
I enjoyed watching this so much, loved the comparison paintings and how you showed the versatility of the watercolors. It’s amazing medium and so fun to watch you learn while you teach. That too is pretty amazing. Can’t wait to try this too.
Thank you for this. I loved watching you do the comparison.
Love the blue under tone especially after you brightened it up with a third layer of orange.
This is a really cool technique! Can't wait to try this.
I love this. As someone who can struggle with getting the color right on my shadows, this seems like it would be MUCH easier! Thanks for sharing.
I love how this looks. Next time I get my watercolors out I'm definitely going to try this! I mostly work with acrlyic and will mess around and see if i can get a similar effect with it. Thanks for the great class.
Love both techniques. Thanks for sharing.
Very interesting! Thanks for sharing!! I love this technique!!
I love them both, but the blue looks more realistic for sure!💖
I love both techniques. Thank you, so much, you are a fabulous teacher!
I can't wait to try this. I love the contrast and the ending color specs. Both are pretty, but I'm partial to the bottom one for sure.
I like the blue/orange pumpkin better. Thanks so much for this lesson.
LOVE THIS!!!! I subscribed to your channel after watching this!! Super cool and YES, more realistic, yet stylized!!!
I love both of them, but the blue one looks more real, solid. Especially when you finished it with the yellow 😊
I would never have thought of this but I like the effect. It does look more natural.
I like them both. The underpainting looks more natural but the top pops!! Thanks for sharing!!!
This is going to be fun! Thank you!
Brilliant! It brings out the depth of the pumpkin curves.
I love the results with underpainting! Thank you for sharing your journey and excitement!!
Hi Emma. I’m a newbie at watercolour and love learning from people like yourself. I tried this technique and was amazed at how good my pumpkins turned out. Will definitely try this using it again!! Thank you xo
So realistic!! Love this!
So cool, I'm going to try this!
Love the new technique! It looks so....professional!
Fantastic idea I am loving your new brushes and have really enjoyed your subscription kits ! ❤
Love them...I don't think the underpainting makes it more realistic...but it looks like an old master!!!!
Wow
Yeh! I totally see what you mean! 👍🍰🌻
Love it! Just learned something new!
Thanks for sharing, this gives many many ideas to ponder. I liked the underpainting on all of your paintings here.
Thank you for sharing! I've heard about underpainting, but you have inspired me to try it myself now!
Great technique! I wish I remembered whose tutorial demonstrated the difference between mixing colors, and glazing one over the other. Fascinating!
Love what is happening. Thank you so much!
I want to say this is a great tutorial. Thank you! I've used this technique with colored pencils but never thought of using it for watercolor. I love the look I feel it gives it an antique vibe.❤
The "blue" punctuate the form of the pumpkin. I like it😊
Thanks for sharing this! The blue undertone give the pumpkin a much more earthy tone (from which the pumpkin comes!). Love it!
Very interesting. I will play with the technique. I think it's all in what you are going for in a painting. Thanks for sharing!
You´re an amazing Painter. Love your works !!!
Looks great Emma. More realistic…and subtle. Love it.🙂❤️
I have always loved your pumpkins tuts. This is interesting and I want to try it. The bottom pumpkin is more authentic but I still love the top one.
Love the underpainted pumpkin, Im looking forward to trying it.
That was very interesting. I'm not sure which one I liked better. I look forward to trying this out myself to see if I can manage keeping it from going muddy. Thanks so much for all of your inspiring and informative tutorials.
I'm just learning, so I'd be thrilled with either result!! Thanks for all of your amazing tutorials. It inspires me!
Hope you don't mind if I give a few tips :)
Apologies if you already knew ^^ But I really want people to succeed
@@Dao_TuiGreat advice! 👍🍰🌻
@@Dao_Tui Fabulous advice, and I very much appreciate the time you've taken to list so many points! I am finding out quickly how to mix colors - biggest struggle are browns that I like - since I am starting out on a budget. Just got my first 100% cotton 140 lb paper - it does some of the work for me!
Biggest struggle at the moment is having the right amount of pigment to water on my brush to get the effects I want. It takes practice, but I am hooked!
Thanks again!
@@thewestras You're very welcome. Mixing does take a bit of practice to get the exact colours you want if you have a limited palette. Try make yourself a swatch 'mix' chart :) so you know what you can make with all your colours and the ratio of one colour vs the other.
100% cotton paper does indeed a lot of the work for you. It absorbs the pigments better, so they are more vibrant, can handle more water but also stay damp longer so you have a bit more time for wet on wet.
For the techniques/effect you want to achieve :) just youtube them ;) see if you can find tutorials of many different artists to help you out. I love Emma's work, but also Jenny Rainey and Makoccino as well as Kirsty Partridge, Kalliopi Lyviaki and even Shibasaki (I don't understand him at all haha, but I love his work) but also Nianiani, AhmadArt and Paul Clark, Karen Rice and Cailey的小尾巴.
If you can't find one or more and wish to, let me know and I'll give you a link.
@@Dao_Tui Thanks! I'll check them out.
Interesting process. It turned out beautifully.
definitely gives more depth! great idea!
Absolutely beautiful! I love the under painting! It looks so realistic!
Love this method!!
new subscriber. I am learning and that is always a plus. Thanks!
Thanks Emma. I love painting pumpkins as well and my biggest challenge is getting shadows that don't make the flesh of the pumpkin look like it is rotting. I think it's an orange challenge.
The blue underpainting looks realistic. A good technique. Learnt something new. Thank you Emma. Love all your tutorials.
Thankyou for introducing me to this technique 😊
I've painted some melons, an apple and now a pomegranate and I LOVE the effect
I never saw underpainting before. I love it! I liked the 1st pumpkin but when I saw the 2nd one with blue i really liked it more. Thanks for showing us that method. I hope you can show us more.
Good evening Emma. I tried this technique this afternoon. Wow! So happy with the results. I also tried the banana and apple. I’m hooked!
Thank you, Emma. I tried this over the weekend and was very pleased with the results. I think I will use this technique a lot!
What you are doing with the blue is called a grisaille. It is when you do a value study as an underpainting. When I learned portraiture, we usually used green for olive skin times or blue for fair to ruddy tones. An old masters technique for sure!
I love both ❤. The blue pumpkin has a vintage look ❤❤❤
This is fantastic ! And the comments are so good 👍 great tutorial.
I have really never learned underpainting, but you bet I’m going to try it now! Thanks for teaching this style, because you are an amazing teacher! Pumpkins forever! Thanks, Karen Dirmish
Totally love the underpainting. I've been intrigued by this as well! Thanks Emma!
I love it, looks more realistic and has more depth.
I really like it. It gives it a whole different look.
This definitely is more realistic. Love your lessons. I have learned so much from you. Thank you.❤
I really like both - it would just depend on my mood. Will definitely try the underpainting - thanks for the inspiration!
Wow, love that Emma, thanks!
Thank you for your videos. I’m having a lot of fun trying watercolour for the first time. I like under painting to create a glow.
Because you are so accomplished, I love them both very much!!. The under painting appears to give more depth and just an entirely different style. I always use Pains Gray for my shadows. Thank you for sharing this interesting concept. ♥️