Thanks for this video. Very cinematic shots and nice color grade. I have the SIRUI 35mm f/1.8 Anamorphic lens. I haven't used it on my FX30 yet. But, after seeing your video, I think I will take it out for a spin. Cheers.
might be a dumb question cause i’m just getting into videography, but can you shoot SLog3 footage with an anamorphic lens or does the lens effect the Slog3 color?
Thanks man. I do have black mist filters, but I haven't had an opportunity to use it yet. I suppose this could have been a good opportunity but I really wasn't sure how the video would have gone before I shot it :P I'm sort of waiting for a situation where I'm in the woods with beautiful flowers or something lol.
@@noisackda2564 the last video I used a 1/8 mist filter. I liked the results. I'm thinking the 1/4 mist filter would look super cool with some night footage where it could bloom out the lights. I'll try that next.
Awesome job. The shots remind me a lot of anime b-roll. I agree with the others, the lens flare is not my thing, but everything else is fantastic. Gonna end up broke watching your channel. I ended up getting the 15mm and should arrive today. FX30 is on the horizon lol. My one sticking point with it is my wife wants me to still do some photography, which from my understanding FX30 is only 10MP and has some other kinks in that department. Would love to see how the 24mm looks out and about.
Anime B-Roll. I feel like I missed out on an opportunity to put some Anime Lofi music to it :P. Sorry for making you broke. If it makes you feel any better, I'm also going broke. The 15mm is godlike. I love it so much. You're right about photos. The FX30 isn't probably the best choice but it isn't bad really unless you're printing posters.
Looks super cinematic. I understand your dilemma between using the Anamorphic and doing simple run and gun vlogging. For me, I'm on a lower level. I'm trying to figure out if putting my ZV-E10 and 11mm f/1.8 on my Crane M3 and just leaving it there is worth the hassle. I figure if Casey Neistat and Peter McKinnon can carry around their larger Canon cameras and those Gorilla pods then I should be able to handle the Gimbal and ZV-E10. I think I can make it work. I don't mind the higher shutter speed for Catalyst but if I need lower shutter speed for lowlight, it will already be on the gimbal.
Thanks Tim! Yeah, it's always a give-and-take situation which tells me one thing. There's a lot of room for improvements beyond the current tech we have and that's really exciting. For me, a gimbal is just too much. I would sacrifice shutter speed and IQ over stability. I think in a couple of years we will have that perfect camera that can do it all. There is a camera out now but I can't seem to remember what it is that has insane IBIS. Almost action cam levels. Let me try and find it.
@@noisackda2564 The new Panasonic S5ii is known for having the best IBIS at the moment. All the demos I've seen point to that conclusion. The S5ii is on my radar, even though I'm currently shooting with the Sony FX30.
@@noisackda2564 Maybe the Panasonic S5 II? I think Olympus also has had really good stab over the years, but auto-focus and some other features made Sony a better choice.
This is a tough call. Depends what you are going to be shooting. The 24mm is for tight areas like filming in a car. It's more versatile IMO but it is also worse in low light since it's an f2.8. It's also massive. The 50 is not as usable for me. I can't really use it indoors but it is faster at f1.8. I feel under the right circumstances it does look more cinematic because of the bokeh it creates. There's also another option that might be best actually and that is the 35mm f1.8. If i had a choice and didn't have any of these I might go for that actually.
You have inspired me. I love your style of cinematic vlogging and have been waiting for a video to pop up that pushes me over the edge and makes it feel like it’s a possibility. After seeing your video I went ahead and invested into the Fx30 and 15mm Sony 1.4 lens. I’m curious if you use a handle when vlogging or mic? I want thinking about getting the Sony shooting grip and ECM-B10 mic. I’m a minimalist in life. I want the least amount of gear possible :)
Amazing! Just do what makes you happy and who cares what others think. We all have different motives for why we create. For me, I love cinematic videos. That's why I vlog this way. As for the mic. I'm very self-conscious when I vlog so I keep a very low profile. The handle is ridiculous to me and would be overkill. I've seen people buy it and immediately sell it. Again it depends on how serious you want to get with this. It may come in handy but as you can see with my vlogs. You don't need it. In fact! If I had the handle attached to it I would never use this camera. Too big and fancy for me. Congrats on the camera :) The FX30 and 15mm is a match made in heaven :)
@@noisackda2564 We have a lot in common. I was just invisioning me walking around talking to a camera with a mic and stick. Cringe!!! But this leads to my next question.. why the rig??? I’m assuming it for your studio setup? Because I’m certain you can attach that handle without having the cage wrapped around the camera lol
@@NathanJudson-fh5nf Haha! You mean the Cage? Simply cosmetic haha! But also for protection. I'm always dropping stuff. I do like it a lot thought because of the handle. Way easier to hold and vlog with.
@@NathanJudson-fh5nf Wait what set up? Did you receive the camera? Cine EI is the secret to all the wonderful things :) Without it, it's sort of an average camera really. Make sure you preload some luts into that thing and feel the magic.
Thank you :) And thanks for the sub. I'm using my own custom Lut, but to get a good look you can look at Roman Hense on youtube. He inspires a lot of how I color grade and he sells his own luts.
It does have a nice look to it. For my VERY personal taste the flares are too strong and not a fan of blue flares, but that is just me. I didn't get to see the focus breathing, but love the softness it has. And nice color grading :) subtle.
Thanks so much. I would have to agree with you about the blue flares. I think it's fine in night scenes but for day shots it seems out of place. With that said, I really want to create a video tailored around these blue flares. Maybe something with a lot of energy shot in the city.....hmmmm.
Beautiful! And I agree, a 15mm 1.4 anamorphic would be.. ahhhh *chef kiss* lol. Enjoying the content!
One can dream. I would pay a lot of money for a lens like this. Thanks for the support :)
this is great, i have a sirui 50mm as well. loving it
Thank you. It is such a great lens. I'm just collecting them at this point. Would be nice to have the set.
Yah, it does look magic.
Thank you! Right!?
The colours look great 👍
Would love to see the 24mm on this camera.
I can do that. I'm dying to use the 24mm again :)
Thanks for this video. Very cinematic shots and nice color grade. I have the SIRUI 35mm f/1.8 Anamorphic lens. I haven't used it on my FX30 yet. But, after seeing your video, I think I will take it out for a spin. Cheers.
No! Thank you as always. you should definitely take it out for a spin. Challenging to shoot with but so rewarding.
might be a dumb question cause i’m just getting into videography, but can you shoot SLog3 footage with an anamorphic lens or does the lens effect the Slog3 color?
Not a dumb question at all :) The type of lens does not affect Slog3 color. Just make sure your exposure isn't too dark or too bright and you're good.
@@noisackda2564 thanx a ton!!
Wow! Beautiful! ❤️ Love the color grade on this also. Do you ever use the black mist filters at all? I have 1/4 black mist filter I wanna try out.
Thanks man. I do have black mist filters, but I haven't had an opportunity to use it yet. I suppose this could have been a good opportunity but I really wasn't sure how the video would have gone before I shot it :P I'm sort of waiting for a situation where I'm in the woods with beautiful flowers or something lol.
@@noisackda2564 the last video I used a 1/8 mist filter. I liked the results. I'm thinking the 1/4 mist filter would look super cool with some night footage where it could bloom out the lights. I'll try that next.
@@jakenotfromstatefarm Ahhhh you're right. That would be sick! Such a good idea. I'll let you do it. I won't steal the concept :P
@@noisackda2564 😂😂😂
Awesome job. The shots remind me a lot of anime b-roll. I agree with the others, the lens flare is not my thing, but everything else is fantastic. Gonna end up broke watching your channel. I ended up getting the 15mm and should arrive today. FX30 is on the horizon lol. My one sticking point with it is my wife wants me to still do some photography, which from my understanding FX30 is only 10MP and has some other kinks in that department.
Would love to see how the 24mm looks out and about.
Anime B-Roll. I feel like I missed out on an opportunity to put some Anime Lofi music to it :P. Sorry for making you broke. If it makes you feel any better, I'm also going broke. The 15mm is godlike. I love it so much. You're right about photos. The FX30 isn't probably the best choice but it isn't bad really unless you're printing posters.
@@noisackda2564 Definitely a nice serene vibe, makes the suburbs a lot more interesting. *taking notes* Also live in the suburbs.
@@draftzero I'm sorry to hear 🤣
Was this shot in Ontario? Brampton native here!
Yes. Richmond Hill :P
Great! How did you stabilise it at the end? Thanks
Thank you. I just held it very steadily.
Looks super cinematic. I understand your dilemma between using the Anamorphic and doing simple run and gun vlogging. For me, I'm on a lower level. I'm trying to figure out if putting my ZV-E10 and 11mm f/1.8 on my Crane M3 and just leaving it there is worth the hassle. I figure if Casey Neistat and Peter McKinnon can carry around their larger Canon cameras and those Gorilla pods then I should be able to handle the Gimbal and ZV-E10. I think I can make it work. I don't mind the higher shutter speed for Catalyst but if I need lower shutter speed for lowlight, it will already be on the gimbal.
Thanks Tim! Yeah, it's always a give-and-take situation which tells me one thing. There's a lot of room for improvements beyond the current tech we have and that's really exciting. For me, a gimbal is just too much. I would sacrifice shutter speed and IQ over stability. I think in a couple of years we will have that perfect camera that can do it all. There is a camera out now but I can't seem to remember what it is that has insane IBIS. Almost action cam levels. Let me try and find it.
@@noisackda2564 The new Panasonic S5ii is known for having the best IBIS at the moment. All the demos I've seen point to that conclusion. The S5ii is on my radar, even though I'm currently shooting with the Sony FX30.
@@noisackda2564 Maybe the Panasonic S5 II? I think Olympus also has had really good stab over the years, but auto-focus and some other features made Sony a better choice.
@@AllThingsFilm1 That's it! Now I'm on youtube looking at this camera getting nothing done. :/
@@TimBrownTown Yeah that's it! Autofocus is why I went Sony funny enough. Didn't anticipate bad rolling shutter and crap image stability Doh!
do you have a preference between the 24 and 50 and why? I've been eyeing these lens too and leaning towards the 24.
This is a tough call. Depends what you are going to be shooting. The 24mm is for tight areas like filming in a car. It's more versatile IMO but it is also worse in low light since it's an f2.8. It's also massive. The 50 is not as usable for me. I can't really use it indoors but it is faster at f1.8. I feel under the right circumstances it does look more cinematic because of the bokeh it creates. There's also another option that might be best actually and that is the 35mm f1.8. If i had a choice and didn't have any of these I might go for that actually.
You have inspired me. I love your style of cinematic vlogging and have been waiting for a video to pop up that pushes me over the edge and makes it feel like it’s a possibility. After seeing your video I went ahead and invested into the Fx30 and 15mm Sony 1.4 lens. I’m curious if you use a handle when vlogging or mic? I want thinking about getting the Sony shooting grip and ECM-B10 mic. I’m a minimalist in life. I want the least amount of gear possible :)
Amazing! Just do what makes you happy and who cares what others think. We all have different motives for why we create. For me, I love cinematic videos. That's why I vlog this way. As for the mic. I'm very self-conscious when I vlog so I keep a very low profile. The handle is ridiculous to me and would be overkill. I've seen people buy it and immediately sell it. Again it depends on how serious you want to get with this. It may come in handy but as you can see with my vlogs. You don't need it. In fact! If I had the handle attached to it I would never use this camera. Too big and fancy for me. Congrats on the camera :) The FX30 and 15mm is a match made in heaven :)
@@noisackda2564 We have a lot in common. I was just invisioning me walking around talking to a camera with a mic and stick. Cringe!!! But this leads to my next question.. why the rig??? I’m assuming it for your studio setup? Because I’m certain you can attach that handle without having the cage wrapped around the camera lol
@@NathanJudson-fh5nf Haha! You mean the Cage? Simply cosmetic haha! But also for protection. I'm always dropping stuff. I do like it a lot thought because of the handle. Way easier to hold and vlog with.
Wow I’m blown away by this setup. I can’t get it out of my hands. I have a question for your settings you are shooting in. Are you using Cine EI?
@@NathanJudson-fh5nf Wait what set up? Did you receive the camera?
Cine EI is the secret to all the wonderful things :) Without it, it's sort of an average camera really. Make sure you preload some luts into that thing and feel the magic.
I like your video brother, what’s your tip to get the color look? I’m new subscriber
Thank you :) And thanks for the sub. I'm using my own custom Lut, but to get a good look you can look at Roman Hense on youtube. He inspires a lot of how I color grade and he sells his own luts.
@@noisackda2564 awesome thanks
It does have a nice look to it. For my VERY personal taste the flares are too strong and not a fan of blue flares, but that is just me. I didn't get to see the focus breathing, but love the softness it has. And nice color grading :) subtle.
Thanks so much. I would have to agree with you about the blue flares. I think it's fine in night scenes but for day shots it seems out of place. With that said, I really want to create a video tailored around these blue flares. Maybe something with a lot of energy shot in the city.....hmmmm.
@@noisackda2564 Right. A simple trick to make them look more neutral is simply to desaturate the color blue. Done!
@@akcine Funny enough, I boosted the blues in this vid, Doh!
Is the 15mm Sony 1.4 still
Number one for you?
Yes absolutely! :)
Is this on the full frame or super 35 Sirui lenses?
Super 35