Such a breath taking solo, so many seminal moments of jazz seem wrapped up in this one stretch. The famous rising triplet motif, William’s change to straight quavers, the fluidity of the form, at once traditional yet totally free. Absolutely a high water mark in jazz ensemble improvisation. Thanks for pointing out the work of Carter as well, he’s under appreciated, but all of those effects I just mentioned wouldn’t have worked without him.
Excellent transcription! Herbie's use of the triplet in the RH during the 60s stuff, both with Miles and on Blue Note, creates such a nice sense of swing.
Hancock actually did this twice in the early 1960s - there's an earlier version on the 1963 live album Miles in Europe/Antibes. His solo on that one is a lot more complex, but this one is probably more melodic and is still quite inventive with a clear classical influence, a clever use of contrary motion and a great Peterson-like passage in bars 79-81. It's amazing to think that two solos on the same song just a year apart could be so different - I wonder, did these improvisations come on the spot following years of practicing jazz licks and playing in bands, or did he spend a lot of time on this particular number, exploring the possibilities of melody based on the chord changes and what he learned from his great predecessors (Tatum, Peterson, Powell, likely wind giants like Parker and Coltrane) and structure?
His solo from the 1st track My Funny Valentine is positively hallucinogen. It's amazing impressionist diffusion of the architecture awash with color untill it starts swinging man all the solos including how miles plays the head Jesus Christ man it's genius .
thanks greatjob!! i think the last Bb flat note in bar 27 should be on the first downbeat of next bar(28) so the next d flat is on the second downbeat ,i would make shorter a nd g in bar 28 i think thank you again
Thank you!! I attended your 2017 masterclass in Seoul, and that experience still influences my musical perspective, and ultimately life :) I respect your humanistic approach to music and warm heart 💚
Yo Dawg, sure Hancock propelled Miles’ 2nd great band to new heights; however, just about everybody is still “sleep in’ on that magical Memphis sound flowing from the horn of one George Coleman - soon departed from the group. Wayne Shorter would fill big shoes in the 3rd great band for Miles.
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The way Herbie's piano locks in with Tony's ride cymbal is a magic that words cannot do justice to.
Fantastic transcription of one of Herbie's greatest solos. 🙏🏼
Thank you!! You are my hero :)
You are awesome. Love you're Open Studio courses!
this solo is nothing short of a miracle
And you get the feeling that the ideas would have kept on going forever except they eventually had to stop the song and play another one.
Absolutely ! Seems an endless creative flow. Just brilliant
Such a breath taking solo, so many seminal moments of jazz seem wrapped up in this one stretch. The famous rising triplet motif, William’s change to straight quavers, the fluidity of the form, at once traditional yet totally free. Absolutely a high water mark in jazz ensemble improvisation.
Thanks for pointing out the work of Carter as well, he’s under appreciated, but all of those effects I just mentioned wouldn’t have worked without him.
Perhaps the best recorded piano solo of all time.
Lost count of how many times I've replayed this.
Excellent transcription, thanks !
Thanks for the great transcription - it really demonstrates how Herbie is a master at using left hand voicings to complement his solo
Excellent transcription! Herbie's use of the triplet in the RH during the 60s stuff, both with Miles and on Blue Note, creates such a nice sense of swing.
GENIAL TRANSCRIPTION
Fantastic! Just loving how the 8th note triplets are used!@! __ 🎹 Lovely transcription (( 👍🏽)).
The fact that you transcribed this so accurately means that you are a genius...
Legendary performance
Aloha Kim Jungsoo!
Wow! Too Cool! Appreciate your class and generosity!
Malama (Take Care)!
HERBIE !!!! STONED SWINGING GENIUS !!!BEST OF THE BEST !! ULTIMATE RELAXED INTENSITY !!!
Incredible work, congratulations
thank you so much, your transcription of this legendary solo is so precise and usefull .
You nailed it! Terrific transcription! Thanks for sharing!
thanks, wonderful work
this solo is so compelling.
Hancock actually did this twice in the early 1960s - there's an earlier version on the 1963 live album Miles in Europe/Antibes. His solo on that one is a lot more complex, but this one is probably more melodic and is still quite inventive with a clear classical influence, a clever use of contrary motion and a great Peterson-like passage in bars 79-81. It's amazing to think that two solos on the same song just a year apart could be so different - I wonder, did these improvisations come on the spot following years of practicing jazz licks and playing in bands, or did he spend a lot of time on this particular number, exploring the possibilities of melody based on the chord changes and what he learned from his great predecessors (Tatum, Peterson, Powell, likely wind giants like Parker and Coltrane) and structure?
You are very generous! Thanks for the transcription.
Great job! What an incredible solo
Thanks so much for this!
His solo from the 1st track My Funny Valentine is positively hallucinogen. It's amazing impressionist diffusion of the architecture awash with color untill it starts swinging man all the solos including how miles plays the head Jesus Christ man it's genius .
A very special performance, the planets must have aligned on that night.
Masterpiece! Thanks for this. Great transcription!
You are a master! Gamsahamnida!
Excellent work 👍😁👍😁
The perfection in one solo, Thanks for your great work of transcription, very precious. What software do you use for engraving scores?
Thank you so much for your work on this!
Great job!!
Fantastic job and great ear!
Nice work! Such a great solo.
Merci, merci, merci !!!!!!!
Thank you!
thanks greatjob!! i think the last Bb flat note in bar 27 should be on the first downbeat of next bar(28) so the next d flat is on the second downbeat ,i would make shorter a nd g in bar 28 i think
thank you again
thankyou !!.
잘 듣구 갑니다
ㅋㅋㅋㅋㅋㅋㅋ누나땡큐~~
솔로 넘 좋다 진짜..피터 마틴좌에게 댓글 받은 정수좌...
1:45
💚
Thank you!! I attended your 2017 masterclass in Seoul, and that experience still influences my musical perspective, and ultimately life :) I respect your humanistic approach to music and warm heart 💚
Yo Dawg, sure Hancock propelled Miles’ 2nd great band to new heights; however, just about everybody is still “sleep in’ on that magical Memphis sound flowing from the horn of one George Coleman - soon departed from the group. Wayne Shorter would fill big shoes in the 3rd great band for Miles.
Great job! Unfortunately the link for the PDF download is not working :(
Fixed the link!
👏🏻👏🏻👏🏻👏🏻👏🏻
ㅋㅋㅋㅋㅋ감사합니다 예원님🙏
아 참, 제작년 생일파티 영상도 잘 봤습니디^^
Wonderful transcription. I would love to study it closely, but unfortunately the link in the description does not seem to be working.
Just fixed the link. Enjoy!
@@jungsoo_hancock Thank you so much for fixing the link. You have made me very happy. I will certainly enjoy it !