Yes-so cool how much he’s either directly outlining the changes or using blues scale-and really swinging with those elements! A nice takeaway for those of us learning!
Never really listened to Mehldau’s blues before. I like how he dives in with his style and comes back out, ending with “classic” blues feelings. Nice job :))
And Timmons’ shout phrase is actually a direct quote of the melody from “I Ain’t Mad at You Pretty Baby”-so both Timmons and Mehldau are quoting that head! ruclips.net/video/N82mE6Qv8yI/видео.htmlsi=4zZAMEVK7MVEaN-8
Hey Jungsoo, I did a transcription of Brad doing another solo on Blues on Sunday but from a year later in 1994 at Klaviersommer in München, Germany. I did both hands and some crazy stuff happens in choruses 9 and 10. Check it out if you're curious to see how his approach to Joshua's blues changes in 1994!: ruclips.net/video/b4SiFHwLCeI/видео.html
If only to transcribe right hand, it takes about half a day or less. The speed accelerates over time, and the real problem is hearing "voicings". That takes bunch a lot of time. (I personally believe hearing the left hand is the most demanding job and a way to develop as a jazz piano man.)
it's quite possible brad checked out Oscar Peterson's solo (also on an E flat blues) on "The Smudge"..especially brad's second chorus. One of oscar's best solos IMO...simple yet swinging very hard and great use of space throughout
You really should add the Left Hand. I know it's just the blues, but The Right hand wouldn't mean anything if I played it over the chords to "Stranger in Paradise." Well, on second thought. . . .
I thought that the phrase was indicating the imminent end of the solo(not the immediate end). The reason why I thought that way was that both the harmonic tension(moving to the stable note of Bb) & rhythmic tension(16th note into half note) were resolved at the end of the phrase. I also thought fill-ins of Brian Blade reflected that. I believe there can be various interpretations to music, and your opinion may be right:)
Some of the most inside playing I've ever heard from Mehldau.
Yes-so cool how much he’s either directly outlining the changes or using blues scale-and really swinging with those elements! A nice takeaway for those of us learning!
But they’re playing an outdoor festival?
@@TJATJA1982 I see what you did there.
So true! Everyone starts somewhere
Never really listened to Mehldau’s blues before. I like how he dives in with his style and comes back out, ending with “classic” blues feelings. Nice job :))
Sweet solo, and paid a little bit of a homage to the great Red Garland!
McBride is awesome here. What a quartet.
the catchy shout chorus is actually a quote from Bobby Timmons's solo on Spontaneous Combustion (Cannonball Adderley - Live in San Francisco)
Wow, thanks for mentioning!
Great catch!!!!
And Timmons’ shout phrase is actually a direct quote of the melody from “I Ain’t Mad at You Pretty Baby”
@@jonrubin60 thanks for this! I didn't know that
Christian McBride just swings so hard!
Nice of Brad’s dad to lend his son a suit for the big gig.
😂
3:14 “I ain’t mad at you pretty baby, don’t be mad at me" 👌😁
Yup-Timmons and Mehldau both directly quoting this head-that really swings! ruclips.net/video/N82mE6Qv8yI/видео.htmlsi=4zZAMEVK7MVEaN-8
He reminds me of Jungsoo. His outfit, playing style, articulation.. I have no doubt that Jungsoo is Brad Mehldau in Korea🎹
ㅋㅋㅋㅋㅋㅋㅋ야 이러면 내 연주영상 숨겨야한다구
ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ 잘 보고 갑니다
Man this was so valuable, and I cannot imagine all the work that went into this. Thank you very much for posting and I hope you'll do more of these.
Thank you for your kind words :)
Amazing transcription-thank you!
I must say they are so young!!!
This is fantastic, thank you!
Classic V7/IV Bop lick @ bars 39-40 at the 1:51-2 marker.
That shout at 3:15 is a Bobby Timmons quote from a live album of the Cannonball Adderly Quintet.
And Timmons’ shout phrase is actually a direct quote of the melody from “I Ain’t Mad at You Pretty Baby”-so both Timmons and Mehldau are quoting that head! ruclips.net/video/N82mE6Qv8yI/видео.htmlsi=4zZAMEVK7MVEaN-8
I love the comments you’ve put into the transcription it’s a sub from me !
love the small describtions on the sheet~
This is such incredible analysis. I don't know how this video doesn't have millions of views!!!! Thanks for all the work you put into this!
Because quality isn't popular...
Hey Jungsoo, I did a transcription of Brad doing another solo on Blues on Sunday but from a year later in 1994 at Klaviersommer in München, Germany. I did both hands and some crazy stuff happens in choruses 9 and 10. Check it out if you're curious to see how his approach to Joshua's blues changes in 1994!: ruclips.net/video/b4SiFHwLCeI/видео.html
Great video with the transcription, I'd love more of this!
Thank you!
Thanks for the transcription, I look forward to trying to learn it. 🎶😀
Wow amazing analysis
Wunderschöne Transkription, abonniert!
Wonderful analysis. Thanks!
3.14 Bobby Timons riff, Yeah!!!!
very valuable work, thank you very much!
Good job transcribing!!! Great job
Que buen video! Felicidades!
The Ending is so good
정수행님 감사해요..
Nice Solo.
God bless you
Great job! i would love the pdf!!
drive.google.com/file/d/1xbr1ovjwMRprttDYmNLCzW2rEh1mVUZI/view?usp=sharing
@@jungsoo_hancock wow! Thanks a lot! :)
Bloody decent!
His 1st two choruses definitely come from inspiration from Oscar Peterson's solo on "The Smudge"....same key, same blues
Ace!
Like and sub, amazing job!
Thank you very much for this video.
is that Gregory hutchinson on drums? brian blade?
Well done! Thanks for doing this, any chance you could share pdf of the transcription?
Thanks! Here's the link:
drive.google.com/file/d/1KOCHVnJSMtCSjf9MHA0b1ObWTmWH6U3q/view?usp=sharing
@@jungsoo_hancock .....thanks, you're marvelous
How long did it take you to transcribe this?
If only to transcribe right hand, it takes about half a day or less. The speed accelerates over time, and the real problem is hearing "voicings". That takes bunch a lot of time. (I personally believe hearing the left hand is the most demanding job and a way to develop as a jazz piano man.)
3분 14초 정도에 턴어라운드는 Eb 이 아니고 Db부터 떨어지는거 같네요
갠적으로 2:35에서 전에 쓴 모티브 다시 튀어나오는 게 젤 소름인듯..ㅎㅎ
0:53 0:54 0:54
Left hand ?
it's quite possible brad checked out Oscar Peterson's solo (also on an E flat blues) on "The Smudge"..especially brad's second chorus. One of oscar's best solos IMO...simple yet swinging very hard and great use of space throughout
Yes it sounds of OP in a number of ways. OP one of the all time masters of piano 12 bar blues playing
2:16 reminds me of sandu..
brian looks so much older than 23
You really should add the Left Hand. I know it's just the blues, but The Right hand wouldn't mean anything if I played it over the chords to "Stranger in Paradise." Well, on second thought. . . .
ruclips.net/video/fi66sPslU5k/видео.html 이것도 분석해주세요 ㅎㅎ
그거 어려워서 이걸로 대신한겨 ㅋㅋㅋㅋㅋ 나중에 해볼께
Why did you think his solo sounded like it was ending there? It was building energy.
I thought that the phrase was indicating the imminent end of the solo(not the immediate end). The reason why I thought that way was that both the harmonic tension(moving to the stable note of Bb) & rhythmic tension(16th note into half note) were resolved at the end of the phrase. I also thought fill-ins of Brian Blade reflected that. I believe there can be various interpretations to music, and your opinion may be right:)
0:46
1:46
1:05
0:53
2:40
Wrong rhythm at measure 9
He's not even trying SMH haha
정신나갈것가태
2:52
0:56
0:55
0:55
0:54