Hello from Brazil! Congratulations on capturing the audio where in post-production we have evidence of the instruments. Congratulations on the interpretation in the conductor's performance. No less, the energy and elegance from us musicians. Hugs, Egon João Pessoa, Paraíba, Brazil
Okay, the whole orchestras' movement was not let's say refined enough to let's say keep a patrons cultivated knowledge of this work from being distracted not by the good playing, but culturally, I'm thinking smooth movements, in and out cues . It is nit simply "Alright it's my turn to perform" or solo. You know?
my favorite symphony and there's real bells - a treat - kudos
Hello from Brazil! Congratulations on capturing the audio where in post-production we have evidence of the instruments. Congratulations on the interpretation in the conductor's performance. No less, the energy and elegance from us musicians. Hugs, Egon João Pessoa, Paraíba, Brazil
Thank you these kind words, and thank you for watching!
49:39 I haven't heard this bassoon quartet solo with such a clear and precise staccato in years.
Marvelous, exciting performance! And all of the repeats too. I know y’all love that. Congratulations to all of my friends and former colleagues.
Clarinet Excerpts:
32:11
48:12
55:41
💐👏🏼
32:11
36:43
48:12
It sounded rustic French enough. Real good job there. But the overall look appeared excuse me, Bosnian.
?
Okay, the whole orchestras' movement was not let's say refined enough to let's say keep a patrons cultivated knowledge of this work from being distracted not by the good playing, but culturally, I'm thinking smooth movements, in and out cues . It is nit simply "Alright it's my turn to perform" or solo. You know?
@@ronaldwilliams9266 you are absolutely making no sense
@@whatafreakinusername Let's say then that the New York Philharmonic would have looked better at performing this piece.
@@ronaldwilliams9266 looks are completely irrelevant. Conversation over!