One of my greatest role models once told me: “For most of our childhood, we exist in power over systems of community where we are conditioned to believe we are incapable of making meaningful choices. We know what we want, but it becomes harder and harder to recognize our want as our purpose because it becomes silent as a result of being silenced. By the time we become adults, we've forgotten who we are and no longer recognize we have the right to live in our truth because we spent so many years having that right taken from us.” Shoutout to all of those searching for meaning and true belonging, most especially those of us out to escape the triviality of buttfuck nowhere small towns. The silence is often deafening.
mmtokyo I got love & Pop and Kamikaze Girls/Memories of Matsuko.. and I’m 110% sure I’m correct. This guy applied arguably just as much Nakashima to his work as he did anno
Now I feel like whatever comment I say doesn't matter lol. I laughed at 13:24 thought it was really well implemented to what the movie was trying to tell. Some scenes felt a bit odd, where Umi says how she hates everyone or something, I mean it didn't really suit the atmosphere, but it's just my opinion in the end, a scene where she was all alone could have shown it in a more natural way. But I enjoyed to the last bit, with this persistent feeling of satirical despair. Thank you for reading my comment.
Loved it. My only gripe is that it feels like Hideaki Anno and Tetsuya Nakashima. Not a very big gripe. Literally 2 of my favorites. I just think the director has some work to do in finding his own voice
You can and should use elements of cinematography and storytelling from the filmmakers you look up to, but to take one cult film from 20 years ago (Love & Pop, 1997) and copy the story, edit style, camera work, and even entire scenes...._and_ not mention anywhere that it is an homage or interpretation...that is where inspiration becomes theft.
They have completely different plots? You could’ve just suggested that film for people who liked this short. But instead you chose to be an asshole with an easily disproved argument
One of my greatest role models once told me: “For most of our childhood, we exist in power over systems of community where we are conditioned to believe we are incapable of making meaningful choices. We know what we want, but it becomes harder and harder to recognize our want as our purpose because it becomes silent as a result of being silenced. By the time we become adults, we've forgotten who we are and no longer recognize we have the right to live in our truth because we spent so many years having that right taken from us.”
Shoutout to all of those searching for meaning and true belonging, most especially those of us out to escape the triviality of buttfuck nowhere small towns. The silence is often deafening.
this is amazing, i come back to this at least one a month, and still feeling it so fresh and sad and full of dead hope
In the end, nothing will change
In the end, what we did was meaningless.
If you were hoping to see beautiful goldfish, I'm sorry.
If my 14 year old self were a film this would be it
best short i've ever watched so far
a Perfect Visual + Storytelling, 1st time wathcing and has been one of my Favourite Short Films!.
loved the story and the cinematography
one of the most craziest yet so relatable films ive ever seen
the stylistic choice is very endearing. good job!
You might enjoy a film called Love & Pop then.
Gosh. This has my heart
watching this makes me feel like i am a teenager. well i still am even though i'm in my 20s.
been a month i was looking for this film.. i hope u guys for the best
My favorite short film
i keep coming back to this for some reason...
omfg this is so good
i’m sad but feel understood.
I'm in love with this movie 💛
God i love this film so much
Great film thank you
SOOOOOOO good
Sweet film.. Reminded me of 'Mary is Happy, Mary is Happy'
You might want to check the director's other movies like Hearth Attack and Happy Old Year. There's also that commercial he made titled Friendshit.
I really enjoy this film 💕👌🏻 I love the style and the story
At 15.24, It's so beautiful that it looks like an animated oil painting.
まじで好き
beautifully captured 💞💞💞
what is the name of the song they are singing???
17 by Saori Minami
I really liked this one!
What is the song that plays at 21:00? Thank you
it's called 17 sai but i can't find the version/artist they used ;-;
This is great! Very glad i stumbled upon this :)
Hideaki Anno - Love & Pop
mmtokyo I got love & Pop and Kamikaze Girls/Memories of Matsuko.. and I’m 110% sure I’m correct.
This guy applied arguably just as much Nakashima to his work as he did anno
on a different level
まりんちゃん超可愛い
さっきこのニュース流れてきた
does anyone know any other films like this?
try with "japanese girls Never Die"
Love and Pop by Hideaki Anno
we are little zombies is the same director
mary is happy, mary is happy
@@pedroalagoa4496 I LOVE THAT MOVIE
sugoi...
love it
THIS WAS INSANE
Now I feel like whatever comment I say doesn't matter lol. I laughed at 13:24 thought it was really well implemented to what the movie was trying to tell. Some scenes felt a bit odd, where Umi says how she hates everyone or something, I mean it didn't really suit the atmosphere, but it's just my opinion in the end, a scene where she was all alone could have shown it in a more natural way. But I enjoyed to the last bit, with this persistent feeling of satirical despair.
Thank you for reading my comment.
so refreshing... !
INCREDIBLE INCREDIBLE INCREDIBLE
increíble
西本まりんちゃん超かわいい、大好き
What is the song name?
WAH
anyone know the tracklist of this?
Esto está geniaaaaaaaaaaaaaaaaaaaaaaal
wow!!
what's the name of the song
사야마의 변하지 않는 여름
まりんちゃんが可愛すぎる、まりんちゃんが大好き(♡˙︶˙♡)
to be a highschool girl!
name song
❤️❤️❤️😁
어라.. 나 눈물 나네
Damn litterally teenager's voice...
Loved it.
My only gripe is that it feels like Hideaki Anno and Tetsuya Nakashima. Not a very big gripe. Literally 2 of my favorites.
I just think the director has some work to do in finding his own voice
can anyone recommend me some more stuff like this?
movie by the same director, we are little zombies
where are the goldfishes?
まりんちゃんかわいい可愛い可愛い大好きまりんちゃん
Nowhere...or NoW.here
You can and should use elements of cinematography and storytelling from the filmmakers you look up to, but to take one cult film from 20 years ago (Love & Pop, 1997) and copy the story, edit style, camera work, and even entire scenes...._and_ not mention anywhere that it is an homage or interpretation...that is where inspiration becomes theft.
I guess it's still a bit different.
David Lynch couldn't agree MORE
www.filmedinether.com/features/interview-makoto-nagahisa-and-so-we-put-goldfish-in-the-pool/
He is referring to it
i thought the same thing when i watch this
They have completely different plots? You could’ve just suggested that film for people who liked this short. But instead you chose to be an asshole with an easily disproved argument
me ha gustado el vídeo, 👍💙. ENRIQUE. VALENCIA. ESPAÑA, 27 # 4 # 2017
常看常新，其实那些所谓有意义的事情也都无意义，我们被困在鱼缸，泳池，或者水族馆里，只是玻璃大小的更换而已。
nowness