frankly I'm offended. +8x effect slots with stuff Waves Soundgrid has been doing for years and years. this is an example of A&H dragging their feet and holding us back. Just to clarify, if I have 8x singers that all need auto-tune (they do), I have NO fx-racks free for the other stuff like harmonizer. This is just dumb. Excellent demo music tho
You were talking about switching from the Dante to the Analog input on wireless. Is there enough sonic advantage to go with the Dante input if it's prone to possible failure? I have always plugged in via analog since I don't own any units that have Dante outputs.
I'd say any workflow that exists in the "real world" is prone to possible failure - it just depends on what variables in the possible signal chains you trust most and what is most critical to the show. The "safest" (least variables) would be going analog out of the wireless unit directly into the console IO, then the console IO feeding speakers. That would bypass a stagebox or any network audio transport protocol altogether. But since wireless units often live near the stage, we're almost always using a stagebox of some kind. And now more and more shows have a built in network structure and needing sources to feed multiple destinations, audio over IP isn't going away anytime soon. By going Dante you are more easily able to pick off those Dante outs from the wireless and send them other places - a monitor console, a comm unit for IFB feeds, broadcast desks, etc. You could go analog first, but then would use tie lines to other destinations to make that happen. Bottom line, we can't zero out risk, but we can help mitigate it by having a backup.
Hi man. The effects busses are added with the card upgrade. The firmware update will include the workflow improvements. The hardware upgrade will include the effects busses that host the new effects. Hope this helps
@@eflizotte With the RUFX card the dLive has 64 variable busses (which can be assigned to a main bus, PFL, auxes, groups, matrices, and "normal" fx buses) PLUS eight additional stereo RUFX buses that are dedicated to the eight RUFX slots. You cannot reallocate those to serve as an aux, for example. However, you can change the new RUFX slots to be an insert vs a send/return.
frankly I'm offended. +8x effect slots with stuff Waves Soundgrid has been doing for years and years. this is an example of A&H dragging their feet and holding us back. Just to clarify, if I have 8x singers that all need auto-tune (they do), I have NO fx-racks free for the other stuff like harmonizer. This is just dumb. Excellent demo music tho
Great demo. Thanks Sound Pro.
Definitely the plate verb. Love the simple interface
Congrats on the first decent demo of this update of hardware\software. And with those audio examples youre a winner for sure! Great work!
I had a blast putting together and appreciate the support I had from both the SoundPro and A&H teams.
Some great additions that’s for sure
You were talking about switching from the Dante to the Analog input on wireless. Is there enough sonic advantage to go with the Dante input if it's prone to possible failure? I have always plugged in via analog since I don't own any units that have Dante outputs.
I'd say any workflow that exists in the "real world" is prone to possible failure - it just depends on what variables in the possible signal chains you trust most and what is most critical to the show.
The "safest" (least variables) would be going analog out of the wireless unit directly into the console IO, then the console IO feeding speakers. That would bypass a stagebox or any network audio transport protocol altogether. But since wireless units often live near the stage, we're almost always using a stagebox of some kind. And now more and more shows have a built in network structure and needing sources to feed multiple destinations, audio over IP isn't going away anytime soon.
By going Dante you are more easily able to pick off those Dante outs from the wireless and send them other places - a monitor console, a comm unit for IFB feeds, broadcast desks, etc. You could go analog first, but then would use tie lines to other destinations to make that happen.
Bottom line, we can't zero out risk, but we can help mitigate it by having a backup.
So you can actually save In Ear mixes in the library?
You're exactly right, very similar to how it might work on a ME1/Aviom system, but from the FOH desk.
To be clear, eight new effects in the update or eight slots to host effects?
Hi man. The effects busses are added with the card upgrade. The firmware update will include the workflow improvements. The hardware upgrade will include the effects busses that host the new effects. Hope this helps
@@TrainingJarl2 thanks for the response. How many total busses are added in with the upgrade?
@@eflizotte With the RUFX card the dLive has 64 variable busses (which can be assigned to a main bus, PFL, auxes, groups, matrices, and "normal" fx buses) PLUS eight additional stereo RUFX buses that are dedicated to the eight RUFX slots. You cannot reallocate those to serve as an aux, for example. However, you can change the new RUFX slots to be an insert vs a send/return.