Tony makes jazz accessible. Sometimes when watching this channel I feel like Tony is a magician revealing the best kept jazz secrets. Great jazz, now that takes years of dedication, but I'm amazed at how good this sounds with just a few simple principles in play. It's a way in that doesn't seem beyond someone like me who's a novice, and that's thrilling. Thanks Tony!
Subscribed. I know nothing about this stuff but you made it clear enough that I can sit down with a chord sequence and noodle some scales and actually learn something. Too often in tutorials I hear the words "of course..." and there follows an assumption of prior knowledge and I'm left stranded. Not in this case so thanks for this.
My difficulty now is make , different phrases , i repeat the same every key ..maybe i don't have a good knowledge on my guitar's freatboard, i need to practice a lot , doing technique too.
Very interesting video. It's interesting that you consider a chromatic connection to simply be a half step into the next scale, not a series of half steps or perhaps a note that is not in either scale but is a half step between two scales. I'm wondering if the idea could be extended to have a "diminished" connection between two scales which might involve a minor 3rd outside the original or subsequent scale that leads to the the 1/2 step "chromatic" into the following scale. If you find this confusing it could be.
All the other notes in the chord imply a G7b9 (B, F, D, Ab) and so the chord functions the same. This implies a bass player is playing the with you leaving the root of the chord to them, which is why when he played the chord as written he reached over and played a low G, it's being played somewhere else in the band
What's up Tony! I would like to know if you have any videos in which you organize the efficient study of jazz. I am overwhelmed by the amount of content to assimilate and I am not sure where to start ... I have a large number of Aebersold volumes, modern harmony books as well as some Real Books. As I said before, I do not know how to use them or how to be aware of what progress. I simply need a good plan to follow that covers as many aspects as possible, it would be of great help. A big hug, I love your videos!
Some kind of path to follow throughout your videos, from the basic to the most complete, above all, applicable to standards. Scales, chord, scale-chord relationship, voicings, comping ... Studying and practicing Bach, which is written, has nothing to do with jazz ... 🤣
They are called 'play-along' tracks or 'backing tracks'. There are many good ones on youtube. ruclips.net/user/PhilWilkinsonMusic ruclips.net/user/Learnjazzstandards
Tony makes jazz accessible. Sometimes when watching this channel I feel like Tony is a magician revealing the best kept jazz secrets. Great jazz, now that takes years of dedication, but I'm amazed at how good this sounds with just a few simple principles in play. It's a way in that doesn't seem beyond someone like me who's a novice, and that's thrilling. Thanks Tony!
Thanks from France.
Nice, musical, concise presentation of the concept! 🤙🏼
Just what I was searching , and i thing too , for a better expression and more fluid, natural, using near notes
Awesome
Never tried doing lots of chromatic. I’m gonna use your guide with simple Bossa Nova. Thank you so much. I’m glad I found your chanel👍
Hey Tony, trust you’re well, sounding great. Thankyou for another great video
As always, great video! I absolutely love your style and I want to get the same sound, these videos are perfect.
Your videos are revitalising my playing, thank you so much Tony!
Merci David your videos are so interesting. We can feel you want to help us. You are very generous and so talented.
Great tutor! 👍🎶
Hello Tony thank you so much
sounds great. makes simple scales sound hip. thanks.
I love that way you explain everything and then put it into practice. Big fan!
👍🏼👍🏼👍🏼
Great Tony!!!!
As always, great explain thatching thank u master
Hey Tony, I'm a guitar player and I find your videos very informative. Thanks so much!
Thanks !
good explanation👍
Subscribed. I know nothing about this stuff but you made it clear enough that I can sit down with a chord sequence and noodle some scales and actually learn something. Too often in tutorials I hear the words "of course..." and there follows an assumption of prior knowledge and I'm left stranded. Not in this case so thanks for this.
Very helpful, thank you.
The Brooklyn Bridge ! Cool.
You‘re the man
Impecable, muy claro todos los consejos, no hay dudas que es el mejor ! todos los videos son buenisimos !!!! Gracias !!!!
모든 걸 이해하진 못해도 정말 도움이 되요
고맙습니다♥
Awesome video Tony! Can't wait for your album :) Cheers from foggy SF.
Impecable
I have that book, I need to revisit it...
Aka Voice leading ….nice job
Thanks for the effort in making this video~
Thanks.
Thanx, Maestro 🌹🌹🌹
inteesting Stuff...Aebesold...i did the arrenging book...so this is somegow familiair but al new stuff so Thanks a Lot!!!!
Excelente ilustrativo, titulé en español por favor
good.
My difficulty now is make , different phrases , i repeat the same every key ..maybe i don't have a good knowledge on my guitar's freatboard, i need to practice a lot , doing technique too.
👍
Very interesting video. It's interesting that you consider a chromatic connection to simply be a half step into the next scale, not a series of half steps or perhaps a note that is not in either scale but is a half step between two scales. I'm wondering if the idea could be extended to have a "diminished" connection between two scales which might involve a minor 3rd outside the original or subsequent scale that leads to the the 1/2 step "chromatic" into the following scale. If you find this confusing it could be.
Sure, those all sound like interesting concepts.
Where do I get the book online ? Or in Pdf?
Hello, how can you play a G7b9 without a single G in the chord ? thanks for your video
All the other notes in the chord imply a G7b9 (B, F, D, Ab) and so the chord functions the same. This implies a bass player is playing the with you leaving the root of the chord to them, which is why when he played the chord as written he reached over and played a low G, it's being played somewhere else in the band
Tony, on the G7b 9..... how does the Bb come about? Whole tone scale from the Ab ( flat9)?
Deus abençoe
What's up Tony! I would like to know if you have any videos in which you organize the efficient study of jazz.
I am overwhelmed by the amount of content to assimilate and I am not sure where to start ... I have a large number of Aebersold volumes, modern harmony books as well as some Real Books. As I said before, I do not know how to use them or how to be aware of what progress. I simply need a good plan to follow that covers as many aspects as possible, it would be of great help.
A big hug, I love your videos!
Some kind of path to follow throughout your videos, from the basic to the most complete, above all, applicable to standards. Scales, chord, scale-chord relationship, voicings, comping ...
Studying and practicing Bach, which is written, has nothing to do with jazz ... 🤣
I like Abersold's Major/ Minor book as a starting point.
@@JoeLinux2000 Thank you! I appreciate all sort of advice :)
Mark Levine- The Jazz Piano Book is a goldmine (dont underestimate the density of each page/topic)
@@charlesstilez8484 Allright, thank you :)
Tony where do I buy a background beat similar to yours? Can you send link. I have no idea what to even call it.
They are called 'play-along' tracks or 'backing tracks'. There are many good ones on youtube. ruclips.net/user/PhilWilkinsonMusic
ruclips.net/user/Learnjazzstandards
@@TonyWinston thanks !
How people can read that awful music notation? So old and obsolete.
I'm really not sure what you are complaining about.
@@JoeLinux2000 It is private. The "standard" notation - it is awful by design!