Pedagogy-“the method and practice of teaching, especially as an academic subject or theoretical concept.”There are hundreds maybe thousands of piano study teachers on RUclips who have their own particular piece of the musical pie but can’t teach worth a damn. As someone who taught at a Community college I can spot the good from the bad. Tony tops the good list. His casual manner conveys information to me that sticks.Thanks Tony for all you do.
Indeed his teaching skills, techniques are no no non sense. Practical , honest and clear . Reminded me of my piano teacher back in Manila , Philippines when in my teens
Hi Tony, About the Lydian Augmented, playing in C the phrase inThe Beatles song Yesterday sounds "all(E) my(F#) trou(G#)-ble(A) seemed(B) so(C) far(B) a(A)-way(A)"...I don't think Paul had the Lydian concept in mind but the melody came first and that's why it last forever in the greatest music ever written. To the pleasure !
@@TonyWinston Yes, you're right, both the A melodic minor and the D Lydian dominant have the same notes as well the Lydian augmented that for a moment I thought give it a second chance but is more judicious to say that the song is built in this case with the A melodic ascending that should be in a real version in D. Always a pleasure following your clear map scales. Thanks
Thanks for your insightful comments on the topic; made for a fun and amusing refresher. Will need to practice the 1/2 - whole diminished, ascending melodic, and lydian dominant scales a bit more. Great advice on investing into the diminished series of scales for improvising. Time to "explore and be the melody" , what a great ending! Thanks for the Syllabus!
I thought I was a theory nurd!!! Haha 😛 but this scale list is over the top. I think you are a great teacher. Along with kent Hewitt you guys are the best out there. Melody is king. Use the rest of the chromatic scale to embellish. All notes are fair game chosen wisely as you hear it. Thanks Tony!
11:49 "Okay, never really thought of it that way before, probably will never think of it that way again but you know what? I think that's pretty valid" 🤣
Wow! Your theoretical knowledge is quite impeccable and thorough. I subscribed to your channel because of the wealth of useful knowledge you are sharing so thank you! However, some of the scale combinations that you deemed unusable are quite usable and interesting in some playing styles and genres. Your musical genius even in this lesson perhaps has exceeded your exposure to things outside of your norm. Anyway, I appreciate what you share so thanks again!
Thank you Tony. This is my 3rd time reviewing these great scales - with the intention to continue on until I gleefully complete the 300 Zillionth Trillionth Time 😁 ✔️✔️ PS. Harmonic Minor Rules ! ! ! 🤩 ! ! !
Tony. I've played blues for years. This is for those struggling for a new sound. I found that C blues has more flavor if A blues scale is played over it. This takes a bit of getting use to.. Btw..this can be done at an extreme speed..You can start descending or ascending or just play as the inspiration comes. Say we are playing the C7 1 chord. Descend with C6 arpeggio.. C A G E..this is where all those classical arpeggios come into play... those notes put the thumb on E (the third of C)..Now you probably will practice this HS.(Hands Separate) I'll just concentrate on the right hand..Now keep the descending speed. The 4th finger will hit Eb.. I don't use the 3rd finger..Now you can think of this as a #9 of C7..but your left hand will probably be playing the 4 chord of the blues progression F7..When learning just keep hitting the the first inversion (ACEb F). For those learning..the Eb note is now the b7(flat 7) of the F scale. Now what's really cool is that the next note (D} is a 6. Now I am guessing, but I am usually playng these notes 200+ bpm..which means that the 6 is a fast 13, that the brain picks up. ..Ill stop there. Also I have noted that with just the C blues scale (C Eb F Gb G Bb C) l, that over the 1 dominant chord C7..it sounds like it is already resolved.. Btw If I am playing blues in the of F...I often play D blues. D is a minor third of the F scale..(1 and half steps down). Much faster than counting up in the major scale of F F G A Bb C (D) E F.. prefer to just think F E (D).
The his is real interesting theory!!! Thanks for posting this. I sure am not trying to be overwhelmed,,, but I sure do understand Most you talking about. But this is a very generous tutorials! Thanks Tony. You are such a great teacher!
C major pentatonic. Arround 2004 I playing the notes of the C maj. pentatonic. C D E G A C.. found. notes to ..I-saw_ mom-my kiss-ing..Helps with ear training too. Major 3rd C to E and min 3rd E to G. I do keep perfect piano app on my phone..to doublecheck as I go...I set it for 8 notes..Change to other keys by the pic of the onscreen piano.
Hi, Tony enjoyed this. Thought a good exercise would be to write or re-harmonise a piece of music 'only' using the scale and chords you were less keen on. Would kind of stretch our minds a little! Cheers Chris
Hey Tony, I found your channel a few months ago and i have learbed so much from your videos. I especially liked the videos where you went in depth about some songs e.g. the one about lullaby of birdland. Is there any chance you're going to make a video about "my favourite things" or "all the things you are"? I'm practicing those right now and would love to hear your take on these songs :D
Wrote this out. Below..3 jazz minors Same ascending and descending. Ill do it in C first. next F. I'm texting. Might make typo.error. First F major scale (F G A Bb C D E F) Btw all 3 minors have same 1st 5. The 7 note is the note that changes. Since all minor chords have a b3 or lowered scale degree 3..lets start. M melodic N natural H harmonic. M. (F G Ab Bb C) (D E F) N. (F G Ab Bb C) (Db Eb F) H. (F G Ab Bb C) (Db E F) Notice that all the first five notesare from Ab scale. Ab Bb C Db Eb F G Ab.. It is only scale degrees 6 and 7 that change...best to write this out for C naturalminor..it uses the notes from Eb. up a min. 3rd interval from C. Also as above..go to the C minor triad and the major 3rd will be a minor third. that is a way to find the parent key.
Here are all the scales I could find, that we use in Greek traditional music: Καρτσιγάρ D E F G Ab B C D 2-1-2-1 - 3-1- 2 Κιουρντί D E F G A B C D 2-1-2-2 - 2-1-2 Λοκρικός D Eb F G Ab Bb C D 1-2-2-1 - 2-2-2 Λυδικός D E F# G# A B C# D 2-2-2-1 - 2-2-1 Μιξολυδικός D E F# G A B C D 2-2-1-2 - 2-1-2 Νιαβέντ D E F G# A Bb C# D 2-1-3-1 - 1-3-1 Ουσάκ D Eb F G A Bb C D 1-2-2-2 - 1-2-2 Πειραιώτικος D Eb F# G G# A Bb C# D 1-3-2-1 - 1-3-1 Ποιµενικός D E F G# A B C D 2-1-3-1 - 2-1-2 Ραστ (upwards) D E F# G A B C# D 2-2-1-2 - 2-2-1 Ραστ (downwards) D E F# G A B C D 2-2-1-2 - 2-1-2 Σαµπάχ D E F Gb A Bb C Db 2-1-1-3 - 1-2-1 Σεγκιάχ D E# F# G A B# C# D 3-1-1-2 - 1-3-1 Ταµπαχανιώτικος D E F# G A Bb C# D 2-2-1-2 - 1-3-1 Χιτζάζ D Eb F# G A Bb C D 1-3-1-2 - 1-2-2 Χιτζαζκιάρ D Eb F# G A Bb C# D 1-3-1-2 - 1-3-1 Χουζάµ D E# F# G A B C# D 3-1-1-2 - 2-2-1 Χουσεϊνί (upwards) D E F# G A B C D 2-2-1-2 - 2-1-2 Χουσεϊνί (downwards) D E F G A Bb C D 2-1-2-2 - 1-2-2 Νικρίζ D E F G# A B C# D 2-1-3-1 - 2-2-1 Ουζάλ D Eb F# G A B C D 1-3-1-2 - 2-1-2 Σουζινάκ D E F G# A Bb C D 2-1-3-1 - 1-2-2 And here is a famous Greek composer, demonstrating a few of them with improvisations: ruclips.net/p/PLzq7V4wHsl9xm43bMPg7wefymldTMMxkB
Very cool. I like a lot of what I heard. I worked a few jobs with a Greek wedding band . I enjoyed it a lot but I didnt know the songs very well and the rhythms were hard.
Pedagogy-“the method and practice of teaching, especially as an academic subject or theoretical concept.”There are hundreds maybe thousands of piano study teachers on RUclips who have their own particular piece of the musical pie but can’t teach worth a damn. As someone who taught at a Community college I can spot the good from the bad. Tony tops the good list. His casual manner conveys information to me that sticks.Thanks Tony for all you do.
Indeed his teaching skills, techniques are no no non sense. Practical , honest and clear . Reminded me of my piano teacher back in Manila , Philippines when in my teens
Thankyou...your making everything possible and understandable..I'm 73 and I'm learning alot from you Tony..thankyou very much..you're great
Never seen any other videos like this of such good quality - thanks!!
Lots of scales!!! OMG!!! Liked your last statement most. Be the melody
‘ oh I don’t know about that one ‘. 😂😂😂
You’re so straight forward funny!
Oh yeah!!! Do more of these please and thank you. 👍
Hi Tony, About the Lydian Augmented, playing in C the phrase inThe Beatles song Yesterday sounds "all(E) my(F#) trou(G#)-ble(A) seemed(B) so(C) far(B) a(A)-way(A)"...I don't think Paul had the Lydian concept in mind but the melody came first and that's why it last forever in the greatest music ever written. To the pleasure !
E7 - Am.........I think that is really the A melodic minor ascending. ( The D Lydian dominant scale is derived from that scale.
@@TonyWinston Yes, you're right, both the A melodic minor and the D Lydian dominant have the same notes as well the Lydian augmented that for a moment I thought give it a second chance but is more judicious to say that the song is built in this case with the A melodic ascending that should be in a real version in D. Always a pleasure following your clear map scales. Thanks
Thanks for your insightful comments on the topic; made for a fun and amusing refresher.
Will need to practice the 1/2 - whole diminished, ascending melodic, and lydian dominant scales a bit more.
Great advice on investing into the diminished series of scales for improvising. Time to "explore and be the melody" , what a great ending!
Thanks for the Syllabus!
I thought I was a theory nurd!!! Haha 😛 but this scale list is over the top. I think you are a great teacher. Along with kent Hewitt you guys are the best out there.
Melody is king. Use the rest of the chromatic scale to embellish. All notes are fair game chosen wisely as you hear it. Thanks Tony!
Yes!!! Makes your improv your own. Hehe
11:49 "Okay, never really thought of it that way before, probably will never think of it that way again but you know what? I think that's pretty valid" 🤣
Tony's the man. Much love to you.
Love listening to you. If I live to 120 ( who knows I might) I’ll have time to master most or some of this!
Love your work, watching from South Africa
How are things looking in SA? Any idea when foreigners can come back?
This went beyond amazing 😍😍😍😍
Wow! Your theoretical knowledge is quite impeccable and thorough. I subscribed to your channel because of the wealth of useful knowledge you are sharing so thank you! However, some of the scale combinations that you deemed unusable are quite usable and interesting in some playing styles and genres. Your musical genius even in this lesson perhaps has exceeded your exposure to things outside of your norm. Anyway, I appreciate what you share so thanks again!
Thanks, I agree, they are all usable and there are genres where are they are very applicable,. Beyond my knowledge and experience.
Thank you Tony. This is my 3rd time reviewing these great scales - with the intention to continue on until I gleefully complete the 300 Zillionth Trillionth Time
😁 ✔️✔️
PS.
Harmonic Minor Rules ! ! ! 🤩 ! ! !
Glad it was helpful!
Tony. I've played blues for years. This is for those struggling for a new sound. I found that C blues has more flavor if A blues scale is played over it. This takes a bit of getting use to.. Btw..this can be done at an extreme speed..You can start descending or ascending or just play as the inspiration comes.
Say we are playing the C7 1 chord.
Descend with C6 arpeggio.. C A G E..this is where all those classical arpeggios come into play... those notes put the thumb on E (the third of C)..Now you probably will practice this HS.(Hands Separate) I'll just concentrate on the right hand..Now keep the descending speed. The 4th finger will hit Eb.. I don't use the 3rd finger..Now you can think of this as a #9 of C7..but your left hand will probably be playing the 4 chord of the blues progression F7..When learning just keep hitting the the first inversion
(ACEb F). For those learning..the Eb note is now the b7(flat 7) of the F scale. Now what's really cool is that the next note (D} is a 6. Now I am guessing, but I am usually playng these notes 200+ bpm..which means
that the 6 is a fast 13, that the brain picks up. ..Ill stop there. Also I have noted that with just the C blues scale (C Eb F Gb G Bb C) l, that over the 1 dominant chord C7..it sounds like it is already resolved.. Btw If I am playing blues in the of F...I often play D blues. D is a minor third of the F scale..(1 and half steps down). Much faster than counting up in the major scale of F
F G A Bb C (D) E F.. prefer to just think F E (D).
Thank you for credible
and useful knowledge
and your labor...Doc
Thanx, Tony, for your magnificent work for the music community. 🌹🌹🌹❤️
The his is real interesting theory!!! Thanks for posting this. I sure am not trying to be overwhelmed,,, but I sure do understand Most you talking about. But this is a very generous tutorials! Thanks Tony. You are such a great teacher!
Thanks Olivia!
Thank you, Tony !
greatly in depth! Thank you sir!
C LOCRIAN. Unique sound...Tony you always challenge me. Ive had jazz guitar and jazz piano. This one video would have helped me tremendously.
Major b6 was a favorite of Cole Porter
C major pentatonic. Arround 2004 I playing the notes of the C maj. pentatonic. C D E G A C.. found. notes to ..I-saw_ mom-my kiss-ing..Helps with ear training too. Major 3rd C to E and min 3rd E to G. I do keep perfect piano app on my phone..to doublecheck as I go...I set it for 8 notes..Change to other keys by the pic of the onscreen piano.
Hi, Tony enjoyed this. Thought a good exercise would be to write or re-harmonise a piece of music 'only' using the scale and chords you were less keen on. Would kind of stretch our minds a little! Cheers Chris
So good. I like this class.
finally a clear explanation thank you !
Glad it helped!
This is extensive, will need one year
So clear and especific, thank you
“What the hell is this one?” Lol 😂 4:55
Thanks for the video !
Everything you don't know or haven't heard of you cross out... Great way to learn.
Thanks for subscribing. Appreciate the comment
LIVE THE MELODY, BE THE MELODY!!! (and jive up the rhythm anyway ya wanna). Got it, Chief. 🤔😎😀
Wow, amazing video! Thank you
Hey Tony, I found your channel a few months ago and i have learbed so much from your videos. I especially liked the videos where you went in depth about some songs e.g. the one about lullaby of birdland. Is there any chance you're going to make a video about "my favourite things" or "all the things you are"? I'm practicing those right now and would love to hear your take on these songs :D
my man really throwing shade at Lydian Augmented 😢
I have banished that scale!! 😉
Thank you for doing this!!
Impecable !!! gracias
Buenisimo gracias
If i were at a party, i would choose to hang out with you.
I think the spanish/jewish is the phrygian mode
Good observation that. C spanish or C jewish scale using the F harmonic minor scale.
Wrote this out. Below..3 jazz minors
Same ascending and descending.
Ill do it in C first. next F.
I'm texting. Might make typo.error.
First F major scale (F G A Bb C D E F)
Btw all 3 minors have same 1st 5.
The 7 note is the note that changes.
Since all minor chords have a b3 or lowered scale degree 3..lets start.
M melodic N natural H harmonic.
M. (F G Ab Bb C) (D E F)
N. (F G Ab Bb C) (Db Eb F)
H. (F G Ab Bb C) (Db E F)
Notice that all the first five notesare from Ab scale. Ab Bb C Db Eb F G Ab..
It is only scale degrees 6 and 7 that change...best to write this out for C naturalminor..it uses the notes from Eb. up a min. 3rd interval from C. Also as above..go to the C minor triad and the major 3rd will be a minor third. that is a way to find the parent key.
, thank you
Uah! Bravo
@21:40 Those three notes played is the start of the X files theme. 😝
9:25 "I think that was pretty useful but I don't know if I'd call it a Jewish scale... maybe" 😂
Agreed.
hi, which book are you using?
jamie aebersold volume 6
@@TonyWinston thanks a lot
tony winston is the kind of American people make me love this country (compared to Donald trump)
Here are all the scales I could find, that we use in Greek traditional music:
Καρτσιγάρ D E F G Ab B C D 2-1-2-1 - 3-1- 2
Κιουρντί D E F G A B C D 2-1-2-2 - 2-1-2
Λοκρικός D Eb F G Ab Bb C D 1-2-2-1 - 2-2-2
Λυδικός D E F# G# A B C# D 2-2-2-1 - 2-2-1
Μιξολυδικός D E F# G A B C D 2-2-1-2 - 2-1-2
Νιαβέντ D E F G# A Bb C# D 2-1-3-1 - 1-3-1
Ουσάκ D Eb F G A Bb C D 1-2-2-2 - 1-2-2
Πειραιώτικος D Eb F# G G# A Bb C# D 1-3-2-1 - 1-3-1
Ποιµενικός D E F G# A B C D 2-1-3-1 - 2-1-2
Ραστ (upwards) D E F# G A B C# D 2-2-1-2 - 2-2-1
Ραστ (downwards) D E F# G A B C D 2-2-1-2 - 2-1-2
Σαµπάχ D E F Gb A Bb C Db 2-1-1-3 - 1-2-1
Σεγκιάχ D E# F# G A B# C# D 3-1-1-2 - 1-3-1
Ταµπαχανιώτικος D E F# G A Bb C# D 2-2-1-2 - 1-3-1
Χιτζάζ D Eb F# G A Bb C D 1-3-1-2 - 1-2-2
Χιτζαζκιάρ D Eb F# G A Bb C# D 1-3-1-2 - 1-3-1
Χουζάµ D E# F# G A B C# D 3-1-1-2 - 2-2-1
Χουσεϊνί (upwards) D E F# G A B C D 2-2-1-2 - 2-1-2
Χουσεϊνί
(downwards) D E F G A Bb C D 2-1-2-2 - 1-2-2
Νικρίζ D E F G# A B C# D 2-1-3-1 - 2-2-1
Ουζάλ D Eb F# G A B C D 1-3-1-2 - 2-1-2
Σουζινάκ D E F G# A Bb C D 2-1-3-1 - 1-2-2
And here is a famous Greek composer, demonstrating a few of them with improvisations:
ruclips.net/p/PLzq7V4wHsl9xm43bMPg7wefymldTMMxkB
Very cool. I like a lot of what I heard. I worked a few jobs with a Greek wedding band . I enjoyed it a lot but I didnt know the songs very well and the rhythms were hard.
@@TonyWinston This is a style of music that goes beyond the "Equal Temperament": ruclips.net/video/sJCJZbOLZNU/видео.html
Sound good Jewish scale
Are you jewish for I saw you wear collott or something like that
I'm not Catholic or Jewish, I just wore that because it is a religious song
Jesu Joy of Man's Desiring
He he