If it wasn’t for you, these techniques would be so out of reach for me. Just the fact that you can recreate the sample chop shows how skilled you are as a producer. Thank you for giving such quality content. 🙏🏼
Wow, I’m actually really honored that you used my vid for garbage pale kids, this is nuts. I’ve never had my stuff used in this way before. Clean video and very nice editing. Keep it up my guy, and thank you again.
I was expecting the GARBAGE PALE KIDS sample analysis to be a stretch referencing the lyrics or something but I was impressed with how you approached the rhythm and melody, and the beat you made out of the random sounds exactly like something that would be on STH! You clearly know what you're talking about.
In electronic music, specially in IDM, downtempo or ambient the idea of repurposing the samples is actually quite common. Specially the ideas of finding rhythmic patterns in rhythmic patterns (by applying stretching, chopping and/or granular processing) and using rhythmic elements of tonal samples as a percussion sounds. Like imagine that you have a set of drone sounds with a rhythmic modulation going on and you are creating a 'beat' by layering those modulations. Another thing that immediately comes to mind is creative usage of delays to create a pulse, or using very long delay feedback to create a 'looper' effect. Also the 'foleys' that you've sampled from Disney sound design team are essential for many EDM producers. My personal favourite technic is to stack simple hi-hat patterns with a heavily high-passed jazz/funk drum loops and layering the reversed short sound of closed hat, which I design with a white noise on a Minimoog. So that way you have a static clear pulse going on with a simple closed hat pattern and also a rhythmic grooving texture underneath. The craziest idea that I've stumbled across comes from a modular synthesists circle and this blown my mind away. So the 'traditional' way to make music is to use multiple instruments (voices) and sum those voices together in a one single wave. Now, the modular synthesists decided to flip the process itself upside down and start by creating a single wave, with only one voice and then make the whole music piece by subtracting from this single wave. The possibilities of current music production tools are almost endless and so we have so many creative ideas just flowing in the air, waiting for being explored. Music is a process of exploration. Damn I love when hip-hop producers are getting experimental with their tools. I'm an IDM producer, but hip-hop music had a HUGE impact on my production style and artistic choices. From the sound of Bristol's 90s underground to the rough off-beat lyricism of early Eastern London to the Kanye's Graduation and Heartbreak.
@@Unkraut Sure. So the main idea is to have 1 synth, one trigger sequencer and a complex polyphonic CV sequencer to use it to CV the hell out of that synth. Basically, with a modular synthesizer everything is a voltage and you can control any parameter of the synth in any given time. Let's say that you want to have a kick and a hat hitting at the same time. You don't create those sounds separately and layer them on top of each other. You need to think about: "How does the kick and hat sound like already on top of each other" and then design that sound for that exact step. Okay, now you want to add a bass. You should design the completely new sound of kick, hat and bass combined. So your thought process is going to be a 'reversed approach' when you don't think about how to stack different instruments, but rather - "how the instruments would sound like combined". It sounds way harder than it is, tbf. Here's the video of the most basic setup you can use to produce music this way. ruclips.net/video/IWy9FggKP88/видео.html
Garbage pale kids is genius. The first time I heard that transition to that nasty distorted guitar in the b section too, I got goosebumps. This video is gold!
Peggy is a freak. He will sample literally ANYTHING and make a banger from it. One of his samples is just someone knocking a lollipop against their teeth.
I guess they could come off as “brutal” if you’re not focusing closely to the instrumental but it’s not like they’re just an immediate cut. They almost always have some sort of incredibly purposeful buildup and I definitely wouldn’t describe them as “brutal”.
yeah, plus i actually think part of the magic of a beat switch is exactly that, the surprise of getting a switch when you don't expect it to, a bridge instead just connects the the part A with part B instead of making a part A that seemlessly seems to continue on part B. that said, the video it's still helpful and show tricks that can be useful while making beats. interesting shi.
@@theactualjosi how does "brutal" imply that there's no build up? Baby I'm Bleeding has build up but it's still a brutal beat switch when the original beat explodes into a million kicks
Even though this approach usually doesn't work, I thought the rigid transition at 9:01 was actually pretty cool, though the bridge is indeed better overall.
Your tutorials are really something else that I don't find a lot of other people teaching on this platform. And they're really on point with the reference material. Thank you so much!
Wow really great deconstruction of the jpegmafia sample technique. Your bridge explanation and the examples was on the point thank you for that. Great content 💯💯💯
I think a video about the production of Lil Ugly Mane/Shawn Kemp would be good, especially MTI. I would say it’s the peak of the southern style of production.
hey dude loved ur work on my friend pedro and ur ass showed up on my home screen! i had to check to see it was you! so cool to see a fire musical artist have a yt channel, keep it up!!!
i remember when i first heard the Garbage Pale Kids beat i though it sampled some obscure cult music or some shit like that, i laughed so much when i discovered what it really was
something i love that peggys doing is involving EDM and DnB stuff into his tracks, really adds this genrebending, otherworldly, internetcore vibe to it lol
Dope man! And what a great album him and Danny Brown made together. Did you see jpegmafia’s tweet saying he made all those beats on a SP-404 MKII? Wild shit!
gotta talk about how this album was produced entirely on a 303 sampler. makes the production so much crazier
404*
@@JUSTGREGCHANNEL u right
Goes to show that a good producer' style and techniques is transferable. Peggy with the SP-404 and Metro using the MPC 2000 XL recently.
@@traplover6357 tbh im not entirely impressed by metro using an mpc 2000 lol but i do think its cool hes using it
@@zip5644how come?
1 zillion likes and I will do a full breakdown of how I made the beat at 3:54
Need this🙏
It definitely needs a Beat Making Overexplained!
Sounded like a filthy frank beat ngl
please do!!!!
Damn Navie
If it wasn’t for you, these techniques would be so out of reach for me. Just the fact that you can recreate the sample chop shows how skilled you are as a producer. Thank you for giving such quality content. 🙏🏼
Now Imagine coming Up with it. Especially in todays world where Most unique stuff is already Out there.
Jpegmafia is incredible. I've listened to his album so many times since it came out. Great work Navie!
Wow, I’m actually really honored that you used my vid for garbage pale kids, this is nuts. I’ve never had my stuff used in this way before.
Clean video and very nice editing. Keep it up my guy, and thank you again.
Bro you're goated
@@randomdude1345fr
Ayyy
guy should have given way more credit
The thing with the transition is really cool. Never tried to extend a transition between two beats like this before. Def gotta try it out!
It definitely makes the transition more palatable
I was expecting the GARBAGE PALE KIDS sample analysis to be a stretch referencing the lyrics or something but I was impressed with how you approached the rhythm and melody, and the beat you made out of the random sounds exactly like something that would be on STH! You clearly know what you're talking about.
Hell nah dude fumbled his note transcription abysmally, he didn't even catch the harmony somehow, and called it "vaguely musical". Bro's sped bro
@@basedmod2139brodie i might be slow but idk wtf ur saying and why u using so much big words
yea u slow@@Lxrzo
@@Lxrzosee like i mostly agree with you but damn none of those words were remotely big you might be slow for real
In electronic music, specially in IDM, downtempo or ambient the idea of repurposing the samples is actually quite common. Specially the ideas of finding rhythmic patterns in rhythmic patterns (by applying stretching, chopping and/or granular processing) and using rhythmic elements of tonal samples as a percussion sounds. Like imagine that you have a set of drone sounds with a rhythmic modulation going on and you are creating a 'beat' by layering those modulations. Another thing that immediately comes to mind is creative usage of delays to create a pulse, or using very long delay feedback to create a 'looper' effect. Also the 'foleys' that you've sampled from Disney sound design team are essential for many EDM producers.
My personal favourite technic is to stack simple hi-hat patterns with a heavily high-passed jazz/funk drum loops and layering the reversed short sound of closed hat, which I design with a white noise on a Minimoog. So that way you have a static clear pulse going on with a simple closed hat pattern and also a rhythmic grooving texture underneath.
The craziest idea that I've stumbled across comes from a modular synthesists circle and this blown my mind away. So the 'traditional' way to make music is to use multiple instruments (voices) and sum those voices together in a one single wave. Now, the modular synthesists decided to flip the process itself upside down and start by creating a single wave, with only one voice and then make the whole music piece by subtracting from this single wave. The possibilities of current music production tools are almost endless and so we have so many creative ideas just flowing in the air, waiting for being explored. Music is a process of exploration.
Damn I love when hip-hop producers are getting experimental with their tools. I'm an IDM producer, but hip-hop music had a HUGE impact on my production style and artistic choices. From the sound of Bristol's 90s underground to the rough off-beat lyricism of early Eastern London to the Kanye's Graduation and Heartbreak.
@emily u welcome
can you elaborate on that subtractive process you talked stumbling upon? i wonder how these guys go about creating multiple layers from one
nice one ! do you have any links to the modular thing ?
@@Unkraut Sure. So the main idea is to have 1 synth, one trigger sequencer and a complex polyphonic CV sequencer to use it to CV the hell out of that synth. Basically, with a modular synthesizer everything is a voltage and you can control any parameter of the synth in any given time. Let's say that you want to have a kick and a hat hitting at the same time. You don't create those sounds separately and layer them on top of each other. You need to think about: "How does the kick and hat sound like already on top of each other" and then design that sound for that exact step. Okay, now you want to add a bass. You should design the completely new sound of kick, hat and bass combined. So your thought process is going to be a 'reversed approach' when you don't think about how to stack different instruments, but rather - "how the instruments would sound like combined".
It sounds way harder than it is, tbf. Here's the video of the most basic setup you can use to produce music this way. ruclips.net/video/IWy9FggKP88/видео.html
@@sarahrothfuss3005 yo, here's the simplest setup you need to achieve this.) ruclips.net/video/IWy9FggKP88/видео.html
Garbage pale kids is genius. The first time I heard that transition to that nasty distorted guitar in the b section too, I got goosebumps. This video is gold!
Really appreciate that you show us personal examples instead of just saying “try this, try this”
Peggy is a freak. He will sample literally ANYTHING and make a banger from it.
One of his samples is just someone knocking a lollipop against their teeth.
i might not be able to afford your classes yet, but your yt videos always make me wanna learn new things, thank you so much for inspiring me
Glad I can help any which way possible dude
8:02 saying Peggy transitions from one part of beat to another flawlessly really made me laugh😂😂 His beat switches are often BRUTAL.
yeah I dunno if this guy has listened to an album passed Scaring the Hoes. Esp Vet or Cornballs
yeah this guy knows fl but sounds like hes only been described a jpegmafia song through chatgpt
I guess they could come off as “brutal” if you’re not focusing closely to the instrumental but it’s not like they’re just an immediate cut. They almost always have some sort of incredibly purposeful buildup and I definitely wouldn’t describe them as “brutal”.
yeah, plus i actually think part of the magic of a beat switch is exactly that, the surprise of getting a switch when you don't expect it to, a bridge instead just connects the the part A with part B instead of making a part A that seemlessly seems to continue on part B.
that said, the video it's still helpful and show tricks that can be useful while making beats. interesting shi.
@@theactualjosi how does "brutal" imply that there's no build up? Baby I'm Bleeding has build up but it's still a brutal beat switch when the original beat explodes into a million kicks
Even though this approach usually doesn't work, I thought the rigid transition at 9:01 was actually pretty cool, though the bridge is indeed better overall.
that funny sound beat was lowkey fire though 😂
I am selling it for $5,234,632 in case you're interested
Your tutorials are really something else that I don't find a lot of other people teaching on this platform. And they're really on point with the reference material. Thank you so much!
Thank you so much for this deep analysis video. Been a big fan of Peggy since 2018 and his sound’s been evolved since
I also appreciate that you explain and then give your own examples. New sub!
The way you used the techniques in Garbage Pale Kids and assembled your in beat is absolutely nuts. Yours equally goes hard as hell
the last beat is crazy
Wow really great deconstruction of the jpegmafia sample technique. Your bridge explanation and the examples was on the point thank you for that. Great content 💯💯💯
I think a video about the production of Lil Ugly Mane/Shawn Kemp would be good, especially MTI. I would say it’s the peak of the southern style of production.
yes!!
i've got most of volcanic bird in my spotify playlist it's that good
I need that beat transition 💎. Appreciate you Navie
🙏🙏
I just applied some of these elements to a beat I made was it was insane these tips helped a lot
hey dude loved ur work on my friend pedro and ur ass showed up on my home screen! i had to check to see it was you! so cool to see a fire musical artist have a yt channel, keep it up!!!
Thank you Karim Benzema from helping me to take my music production to the next level ✌
Great, smart, nicely explained! Very thoughtful!!
This was genuinely inspiring probably one of your best videos, Peggy the goat 🐐
Always inspiring to hear that there's always something different to utilize in different ways
navie really the best out here 🔥
Thank you Xerxes da goddd
i remember when i first heard the Garbage Pale Kids beat i though it sampled some obscure cult music or some shit like that, i laughed so much when i discovered what it really was
THIS VID WAS 🔥 I love the videos where you break down production techniques and that beat with the Disney sound effect you made was 🔥🔥🔥🔥
Hahah thank you Heath! Good to see you my man, I hope you submit to the BB contest dude
something i love that peggys doing is involving EDM and DnB stuff into his tracks, really adds this genrebending, otherworldly, internetcore vibe to it lol
So well-edited and well done, know a lot of work went into this a+
the call and response idea here is key
Navie D and Cxdy Cxdy are my FAVORITE youtubers. They both help me so much.
You saving my life with these tutorials Mr Benzema🙏🏽
Not to be that guy, but sped up samples have been a staple of dnb and garage since the start of the genres
Dope man! And what a great album him and Danny Brown made together. Did you see jpegmafia’s tweet saying he made all those beats on a SP-404 MKII? Wild shit!
Wow. Fantastic breakdowns of these cool sampling techniques
Great breakdown.
As soon as the beat came on I was like damn those some nice drums, then you said where the drums came from. Thank you!
"The words are spoken in an almost musical way" that's singing, bro
great video tho lol
That 3rd beat you made for the Jack Harlow combo meal example is crazy
Bless up yourself everytime bro may God continue to bless you bro
awesome video! thanks for your work. this really helped me understand the genius behind peggy and also my producers' obsession with him
Navie you really are the goat. When I get my grammy you're in the thank you speech!
Great video. Thank you so much brother
That last beat tho 😢🥺🙏🏽🙏🏽
kingdom hearts key is my joint
Now we need Jpegmafia to sample this video
never before have i felt so deeply pegged. thank you navie d
10:34 onwards sounds like it should be the theme song for Perc Angle
This video was great and that beat at the end 🔥
Peggy, Skrillex and Kenny Beats are my favorite producers rn
Ahh I hear Skrillex's new album was pretty good
peggy, j dilla, ye
Listen to atrocity exhibition if you haven't. Danny Brown is one of Peggy's favorite producers/ rappers
Louie was great
@@NavieD quest for fire by skrillex is like one of my albums of the year along with the peggy and danny brown album. Mindblowing producers fr
6:33 My first beats sound very similar 😅😅
In ableton you can do this with the slice to midi function in 10 min. Love this function
i was just tryna learn this production style, but man the guy making this video is insanely talented.
Damn Peggy
Peglorddd
That japanese commercial is so fire, how did they even find that
Navi D is becoming my favorite producer! I can't believe it's already been 2 years🎉
great content
I’ve been doing the best switch technique for a while without knowing it
Thanks man. Very useful tips 💡🥂🙏🏾
Just want to say bro, your content is really good
3:55 imma flip this 🔥🔥🔥
Jpeg deserve a whole documentary on his production.
❤
I learned a lot from ur vids man. Keep it up!
You're such a jpeg stan and I love it
Thank you for the lesson 🙆
Your Peggy videos are always bangers
Damn, great breakdown and nice tips. Glad I found this channel. Also that second beat bangs
Wie gut dass die Roadmap nicht in der Beschreibung ist, sondern nur die Notegrabber Ad
Incredible.... Peg is Huge Underground.. Underground but to huge to be underground
What a gem of a channel, I love this kind of analysis
Better Beatmaker gang, represent!
bbGang hold me down!
thank you for the sauce and gems sir
Respect
Respect to you too
useful tutorial for those just starting
if the master green, beats ii clean
Been waiting for this video ever since you asked us if you should make one about him.
ayyo that second beat sounds gnarly 💀
great video!! thank u
A video about Sounwave would be nice.
i searched for "ALL CAPS NO SPACES" just once and now my whole feed is just JPEG
you should do a dj rozwell video
bro you tight as fuk at making beats ima sign up to the online beat class
Nice, but you forgot to mention the fact that he also takes influences from Industrial music.
Someone is really missing out by not using your production.
Bro forget about the beat breakdown - give us the bicep routine
You got Xpandi2 in fl studio? I thought that was a pro tools thing only. Thats awesome
The next beat was actually crazy
Please do one on Nujabes
Heck yeah
I dunno if I approve of that naughty language!
kick bass rolls 🔥
could be nice if make a video on william crooks production
I have used a door slamming making random noises in my beats multiple times!
Why is every youtube music channel just an overblown ad to sell loop packs, tutorials, etc.
cuz youtube doesnt pay creators anymore
wow this is so well done
Navie is King👑👑
And you are my queen
@@NavieD oh cheeky😧😘
they jacked that beat with 2 sides style from Hit Boy he been doin it we need to get this kinda info correct originators need their flowers
Can you please do a pink siifu type beat tutorial or technique tutorial