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Dry-Brush Portrait of Jaime French on Acrylic & Oil Paper | works well!
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- Опубликовано: 26 сен 2020
- I was asked if we can use oil paper instead of watercolor paper for dry-brushing with oil paints. And yes, we can! It behaves similarly to watercolor paper, one small difference I mention in this video. But I can definitely recommend it, and I will use it again!
Materials I used:
- Canson Oil and Acrylic paper (290 gsm) (... the one with similar texture to cold-pressed watercolor paper, not the one with canvas texture)
- Winsor & Newton Artisan water mixable oil colour in Lamp Black
- brushes suitable for oils/acrylic (and a make-up brush)
- masks cut from plastic cards
- different erasers
Inspiration for today's portrait: Jaime French
Her channel:
/ @jaimefrenchofficial
#drybrushportrait #oilonpaper
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This is just amazing! 😍 It looks like a photo! 🤩👍💪
Thank you, Jen! So sweet of you. 😚 To be fair: I usually start from a traced outline for these portraits because it is hard to correct mistakes when starting the dry-brush process and I'm a messy sketcher who leaves ugly marks on the paper, which disturb the final product. 😅 I love the minimalist look. 🤗 (I leave sketching and free-hand drawing mostly for practice, even though I have free-handed dry-brush pieces too.)
It's so beautiful!
Thank you! 🤗🌸
Wonderful painting 😊
Thank you! 😊
Superb
Thank you, Sarosh! 🌺☀️
@Steffi do you ever mix in sowing machine oil or water into the lamp black Winsor & Newton Artisan water mixable oil colour?
Very good work and instruction on dry brush by the way 🤩👍
I have tried sewing machine oil before, but so long ago that I don't remember if I can recommend it or not, sorry. 😅 As far as water goes: If you want a very dark layer, you can stretch the paint with water, but then it doesn't blend well anymore and you lose the erasability to a great extent. It's as if the paint seeps into the paper more when mixed with water. I have used it on dark hair sections before, and mixing with water can save you time for larger dark areas. Hope this helps! 🌼
@@oilonpaper Thanks for the reply Steffi. I noticed on the Dry brush portrait - Audrey Hepburn video, you use a drop of Winsor and Newton Diluent, i am wondering if that is meant to have the same effect as the sowing machine oil but for the Winsor & Newton Artisan water mixable oil colours, or is it for some other purpose? I am interested in if you prepare your oils and what your favorite paper is for dry brush.
I am also a big fan of Audrey Hepburn, love her movies Roman Holiday and Sabrina.
@@clintjaques8327 I have tried different mediums to mix in with the oil paint to see their effect. The thinner is similar to water, so it's not great for blendability of the paint, and I struggled with the paint during the Audrey portrait. I prefer the paint to be a bit oilier (buttery) because it helps the paint glide better. Adding a tiny bit of water for the really dark areas (with caution). That's where I'm at now, but I don't claim to have discovered it all yet. :) Hope this helps! Happy dry brushing!
Your drawing dry brush is so good. Please tell me what brand of colour and brush should I use for dry brush ?
Hi! I have used different oil color brands, which all worked well, so I think you'll probably be fine with whatever is available to you. I usually use water-mixable oil paint for easier clean-up, the Winsor&Newton Artisan line.
As far as brushes, I don't have a particular brand. Important is that the bristles are relatively stiff, but smooth at the same time, meaning the brush has good snap/springback and stays in shape, but feels soft. For larger brushes the snap isn't as important, and I use make-up brushes (blush/powder brushes) because they are much cheaper than art paint brushes of the same size. Hope this helps! :)
@steffi I am traveling at the moment but am thinking of trying Archers oil paper when i stop traveling www.dickblick.com/products/arches-oil-paper-pads/ I might experiment with the Winsor & Newton Artisan Fast Drying Oil Medium as well www.eckersleys.com.au/winsor-newton-artisan-fast-drying-oil-medium I might wind up using a paper that is 70 to 80 GSM because they are a more tranparent paper for using with a light box, i know some people use up to 190 GSM with a light box ( generally speaking the lower the GSM the more transparent the paper) and i will try coating the paper with a self leveling gesso/primer called Golden Fluid Matte Medium ruclips.net/video/_U09vWREyEU/видео.html www.dickblick.com/products/golden-matte-mediums/
Interesting plan. I guess you'll try the fast drying medium because you already have it on hand? Because with dry brush, you definitely don't have to worry about slow drying times. ;)
@@oilonpaper To clarify, in the above video around 2:25 more oil sitting on top of the paper in the darker areas may be a problem when rolling up the paper. So i thought if i use the Golden Fluid Matte Medium as the primer/gesso on paper then the oil may take longer to dry because the Golden Fluid Matte Medium wouldn't be absorbent or as absorbent as unprimed paper. That is why i have been thinking of using the Winsor & Newton Artisan Fast Drying Oil Medium for halving the drying time in addition to it improving the flow of oil. I haven't tried it yet, all my art stuff is currently in storage for a few months whilst travelling here in Australia. You could wait for the oil to dry but (i am guessing) that wouldn't really be a good option if you are doing live portraits of people outdoors. I haven't bought Winsor & Newton Artisan Fast Drying Oil Medium yet but i think it would need to have a similar viscosity to sowing machine oil or at least have a similar effect.
What do you think 🎨?
@@clintjaques8327 Hmm.... If you are planning on doing live portraits outdoors, I'd just go with traditional watercolor paper. It's sturdy enough to handy the little bit of oil, and you wouldn't trace in that situation anyway.
As far as the "studio situation": thinner paper with gesso could work, but then rolling it up might be tricky (if that's needed at all), and then the fast drying medium wouldn't really be necessary, I suppose.
You have some interesting ideas. :) I don't have access to my art supplies at the moment either, otherwise I'd test the fast-drying medium (I THINK I have a bottle of this, but I'm not sure). Right now I can't really help with concrete data, it's all a guess. Sorry! :)