Contents: 00:05 Analog vs. digital mixers 01:46 Mixer overview 05:53 Input connectors 07:00 Channel strip tour - mono and stereo channels 10:42 Gain setting procedure 14:34 Pad and HPF switches 16:35 Compressor knob 17:00 Equalization (EQ) section 22:43 How to set the semi-parametric midrange (boost-sweep-cut technique)
Hello, you did a great video many thanks. what options would I have to record out from this mixer, I see your recorder right on the side and I would be interested to record clean sound from the mixer?
Bruno your simply a Legend!!! Thank you so much for this. I have the MG12XU. I have watched many tutorials online & learned very little. I have learned everything I need to know here in 20 minutes. I said it before and I will say it again, "You were born to teach!"
just picked up the MX16XU. I'm pretty well versed in using mixing boards for live band settings and studio settings, I mainly came here to learn the specifics about the yamaha MX series. Thank you to this wonderful presenter for explaining the mixing process simply and clearly, fantastic video!!!
I've been out of the mixing/recording world for a long time and I am just buying gear to get back into it in a small way. I've yet to make up my mind which one to buy but I am already convinced that I ought to buy one of the Yamaha MG series. It is great to see them so comprehensively described. Most of the tricks in your series were once familiar to me but much of the detail was forgotten, so thank you for these videos. I watched all of the ones covering the MG mixers and got loads of reminders and even learned some new tricks.
Glad the videos were helpful! Analog gear has not changed that much in the last 20 years, aside from the addition of USB connectivity and the ability to record internally to an SD card for some mixers.
thank you bruno, you are the one of best sound teacher, very clear and very slow , not like other teachers and youtube tuts they are too fast and they blabber more than to teach... thank you ..I been mixing wrong my whole life, you cleared it up for me.
This three part series is remarkable and I would recommend anyone doing sound watch it, no matter what level of experience. We use many of these exact techniques in our setup. Thank you for posting this!
The first time i used mixer, i was somehow good but not perfect because there were things which was Disturbing me while i was using. But after Learning your Lesson here, am now perfect and good to use it. Thank you so much and Be Blessed
This has explained a lot not just for using the mixer, but the real truth of audio feedback. Lol, there's no headache like testing your sound, then during a wedding, all of a sudden a new feedback frequency rises up depending on a person's voice pitch. Thank you for this.
Wow👏🏼What a neat and clear tutorial! I appreciate the creator/team of this video for his effort to present us such a good video presentation👍🏼 I am sure many beginners will whole heartedly appreciate your video.. keep doing more lessons on advanced levels and how to have a trained ear to understand how to set each frequencies. It requires pretty serious skill set to become a good sound engineer.
Just a great video. The Yamaha user manual tells you how to do something but unfortunately does not explain why you should want to do it. I can now see a picture emerging out of the fog! Many thanks for your simplistic and informative approach.
Very Nice.......Even your so called "Old" videos are great, including this one. I've watched them all and learned a great deal. You should have way more eyeballs on your work....... :)
Great video, sir! I've watched all of your tutorials, and have found them all to be extremely well done and informative. Great detail that's easily understood by guys (like me) who are still learning how to use this equipment. I own several Yamaha MG series mixers, and I really like them. However, the one thing I absolutely HATE about my MG20XU is the channel strips that offset to the right at the top. That has caused so much confusion, since I don't use it frequently. I understand that they did this in order to squeeze 20 channels into the same size chassis as the MG16 mixer, but it's still annoying! Keep up the good work!!
Yup that channel misalignment is a major compromise, as is the lack of an FX return fader and the inability to send the effects to the monitors. Glad the video was helpful, thanks for watching!
I own the 16 channel version of this mixer and have been getting very good sound out of it already for my band live but still like watching videos to learn better strategies. I also just watched another video on the same series of Yamaha mixers where like yourself the controls were explained very well but the 2 of you differ greatly in setting the gain. The other man put the channels slider to unity then achieved his final level with the gain knob , you have the slider off then set the gain with a large amount of gain , anytime I have tried to add that much gain it has run into feedback issues , I tend to keep those gain knobs below or maybe in the grayed out section around 20% of the available sweep on the gain knob so any input on those 2 different strategies so myself and anyone reading these comments can have a sound reasoning behind setting a channels fader and gain would be helpful.
That's a great question! The short answer is that the method of setting gain I show will give you the best possible signal to noise ratio at the mixer - final system volume is then determined using the level controls on the power amplifier and/or powered speakers. If you are experiencing feedback using my method, I suggest you try turning down the level of your power amplifier by 6-10dB.
Thank you for making this video it's quite informative. My question is do you recommend turning up each channel volume fader to 0 and then bringing up gain to see where is hits 00, or turn up gain to at least 12 O'clock position and then bring up the volume faders for each channel?
You're welcome Andrew. Actually I recommend the following for each channel: depress the PFL button and input signal to the relevant channel. Monitor the meters while turning up the gain knob, and stop when the meters read around 0dB - this will provide the most accurate gain setting for that specific channel.
Great info............ for me anyway. I have the Allen Heath Zed Sixty 14FX that we discussed a couple of years ago and you recommended. It fits my application. So far, so good and still learning. Your continued information is appreciated on how to operate mixers. JimE
Hi there, great review of this mixer. I'm looking to get a 16 channel mixer and I was debating between a Mackie or a Yamaha. What would be a good choice?
You would need to compare the models that fit your budget and choose the one that has the features that you need for your application - you can't decide based on brand alone.
This is a fabulous analog mixer lesson! perfect progression and all the details just at the right time! Too bad I didn't need an analog mixer lesson since the 80's... Do you think you could do a lesson of this quality for all that routing on an SQ-5?? I have it for 2 Years now and I still have problems with routing and switching banks is also jarring... I'd just buy that Yamaha mixer you talked about, but I got the SQ5 because I wanted to have individual high end FX per channel. If I could somehow turn off the routing and invisible channels, I would! I ...16 channels suffice for me - the invisible 24 channels and their routing just cause me trouble...
Thanks for the suggestion! Yes, digital mixers are a different ballgame - it's almost as though they suffer from 'tyranny of choice' when it comes to how they present information to us. It's true that they are unsurpassed when it comes to functionality and features but sometimes just finding the one you want can take half a song...
6:50 combos are good because you can "dodge" the phantom power on a port by using a TRS instead of XLR on boards where one button turns on phantom for either ALL inputs or NONE. Sending phantom power to equipment that is not designed to receive it can destroy that equipment in some cases.
That can also be done with older mixing consoles that use a separate quarter-inch connector for the line input. And yes, global phantom power can be troublesome!
@@caiaphasflagg673 No idea what that is ;) I'll check it out. I have no lack of creativity - quite the opposite, as a matter of fact - which can be a doubleedged sword.
It was a very informative video Sir Thank a lot for uploading it waiting for the 2nd part plz help me with the connection to get Stereo effect in mixer
Your videos have been absolutely invaluable in understanding my new MG12XU. Thank you so much. You have a great voice and cadence for explaining complex topics. Just curious, what country/region is your accent from? I can't quite pick it.
Thank you for this helpful video! Generally would you set the boost-cut-sweep technique for midrange first before tweaking the highs and lows if necessary?
In the case of this mixer the EQ bands do not really overlap so I would adjust the low, mid and high bands separately. You can use also use the boost-sweep-cut technique to find possible feedback frequencies in advance.
Dear Bruno, thanks for your RUclips explanation about the Yamaha MG20UX. I understand that I cannot use internal effects for Aux. Can you give me a diagram of how I can connect an extra delay/echo module to get an effect in my aux monitor? Yours sincerely,
You would use Aux 4 output to send signal to the external effects unit and then return the signal into any of the stereo channels - this will allow you to send the FX to any of the mixer's outputs, including the stage monitors.
Phantom power sends +48V DC current down pins 2 and 3 of the microphone cable in the opposite direction to the audio signal - this provides power for condenser microphones and active DI boxes.
Hi, great tutorial, Ive set my MG16XU using your guide and no longer have any sound issues. I have a question. I recently saw another vid about setting up a mixer. The young engineer set his Master volume to 0, then he set all faders to 0 *BEFORE he adjusted the gain. He was using a different mixer and powered speakers, is this ok to do or only with powered mixers? It doesnt seem right to me, your way works and I havent had any feedback or other sound issues using your tutorial.
The problem with the method you describe above is that it does not give the best signal to noise ratio, although it can still yield acceptable results. In the real world there are actually several sources of signal gain in your sound system: channel gain, EQ, channel fader, master fader etc. However the one I show in the tutorial is the one I have found to deliver the cleanest results.
Hell sir, this is Jeevan, I had this problem while live streaming in church on Sundays, everything is fine with the camera and video but the we connect an aux from the mixer (phones port to camera). We used basic Sony 1080 p camera, recently we upgraded our laptop from Dell to HP, previously, we used to connect directly to laptop 3.5 mm jack, and a dialog used to appear to consider the input aux as 'Line in' but in our new laptop HP vicuts gaming, ryzen 5, with RTx 3050 specs, the dialog isn't appearing, so we directly connect to the camera usb port through a video capture card but so much disturbance is coming from this, so we have to use some noise suppression filters in OBS studio, but still the problem isn't solved.. this iss the exact mixer we do use.. So, it would be really great if you have any idea about this situation and if possible for suggesting any software for audio noise supression, monitoring and for the changing the type of input we put to the laptop..
Hello Jeevan I'm afraid that I'm not a livestreaming specialist so cannot help you with this issue. I always recommend getting clean audio to begin with rather than attempting to repair it using software.
Hey Bruno, I want to thank you so much. You are such a Legend you explain everything so simple and clear. I have a question. I have been following different youtube videos regarding to digital recording. In digital recording, other videos says we should keep the meters around -18dB because analog interface of digital systems expect a signal around that level. At 12:32 you are talking about to keep the meter around 0dB. Now I am a little bit confused. I know the signal is not cut because it is not so hot but do you think we should keep the gain around -18dB or 0dB for best practice during recording?
Hi Deniz, that's a very good question and I should do a video on it! In short, setting gain for live sound and recording is a little bit different: in live sound you want the meters to be around zero because that gives you the best signal to noise ratio - most analog consoles will clip/distort around +18dB, and this is generally enough headroom (safety level) for live sound applications. With digital recorders, the recorder will clip at 0dB, hence why you set levels at -18dB, to give you the same amount of headroom. In live sound occasional clipping is acceptable - in recording it is not! So if you are using this mixer to feed an external recorder, I would set gain on the mixer to be around 0dB, and then set the input level on your recorder such that 0dB on the mixer equals -18dB on your recorder. Does that make sense?
Great job on this series... can you let me know if there is a way to route effects to monitors on MG20XU... there seems to be separate controls to do this on the 16 channel version? Thanks for your help
The best mixer is the one that has the functions and features that you need, at a price you can afford, with good after-sales service and support. I have a video on how to work though this process: ruclips.net/video/Jb-Hfgo3kck/видео.html
There are several ways of doing this, but I would use the groups to create a custom monitor/headphone mix for the performer, that is not send to the LR outputs.
Hi sir thanks for good coaching I tried to listen effect back in aux there is no effects so how I can listen effects in aux 1 or 2 in Yamaha mg 20 xu please reply Thanks 🙏 GOD BLESS YOU
Thanks for great explanation. Really appreciated. I am new to this and want to ask about cable for connection for stereo input for example channel 13/14. Can I use 1/4 inch TRS or I must use 1/4 inch TS. I want to connect DJ controller to it.
I just taught this exact topic in one of my face to face classes! I don't have a video on it, hopefully one day after the pandemic when I get back to posting content 😅
Hi very informative and useful video. I have 1 question, do I need to press the Pad button when I connect wireless microphone phone, cause when I connected the Shure wireless, even the gain was almost to the zero the sound was very loud , and the fader was also very low. I would love to hear your advice and suggestions. 🙏🏻 Thank you
Hi there Raju. This situation is exactly when I would use the pad button - not just on wireless mic receivers, but on any source where you have too much gain even with the gain control fully counter-clockwise. Alternatively, you can reduce the output level on the wireless mic receiver.
Is it possible to connect this to a Yamaha Music cast soundbar to transfer music via a network to 3 music cast 50 devices? I also have 2 guitar inputs and 2 microphone inputs with active speakers that need to function at the same time.
I love the MG series mixers for its design and sound quality. But it discouraged me by not adding any INSERTS. Why Yamaha did so? Without an INSERTS how we can use guitar EXCITERS or EXTERNAL COMPRESSOR and EXTERNAL VOCAL EFFECTS.
You will need to write to Yamaha and ask them directly. It is relatively rare for current generation entry level mixers to have analog insert points on all channels. If you need this feature you will need to move up to their MGP series.
Like always! Another great video! I really want suggestions on how to equalize a digital piano/keyboard to where it sounds natural but cuts through the mix without being to twangy or muddy
A lot of that has to do with the range in which you play and the arrangement of the song - if you're playing in the same range as the guitars and vocals you'll never cut through. One very experienced keyboard player told me that he always 'spreads his hands' when playing in band - by playing below the guitars and up above the vocals he always was able to be heard without making any EQ changes.
Contents:
00:05 Analog vs. digital mixers
01:46 Mixer overview
05:53 Input connectors
07:00 Channel strip tour - mono and stereo channels
10:42 Gain setting procedure
14:34 Pad and HPF switches
16:35 Compressor knob
17:00 Equalization (EQ) section
22:43 How to set the semi-parametric midrange (boost-sweep-cut technique)
Hello, you did a great video many thanks. what options would I have to record out from this mixer, I see your recorder right on the side and I would be interested to record clean sound from the mixer?
I must point out that listening to you is really fun. You have a very pleasant and unique way to deliver! Keep it up!
Thanks Eli, teaching has always been my first love :)
@@GLBProductions And you do a Great job Sir!
Ja? Lol love it
His voice punches at the right stress points in words to make it very clear to hear him. And he has an entertaining accent! Bravo!
This is THE BEST video on this subject on RUclips.
Thanks for watching Raj!
Bruno your simply a Legend!!! Thank you so much for this. I have the MG12XU. I have watched many tutorials online & learned very little. I have learned everything I need to know here in 20 minutes. I said it before and I will say it again, "You were born to teach!"
You're welcome KC, many thanks for your kind words and for supporting the channel. Very glad the video was helpful - two more parts to come 😃
I have the MG12XU also, FuNkLe SkUnKlE
! Can I ask you a question, please?
just picked up the MX16XU. I'm pretty well versed in using mixing boards for live band settings and studio settings, I mainly came here to learn the specifics about the yamaha MX series. Thank you to this wonderful presenter for explaining the mixing process simply and clearly, fantastic video!!!
You're welcome Eric, thanks for watching :)
I came here for a board review and learned how to set gain, use the pad switch and what PFL is for, you are the VP sir, thanks.
You're most welcome William.
I've been out of the mixing/recording world for a long time and I am just buying gear to get back into it in a small way. I've yet to make up my mind which one to buy but I am already convinced that I ought to buy one of the Yamaha MG series. It is great to see them so comprehensively described. Most of the tricks in your series were once familiar to me but much of the detail was forgotten, so thank you for these videos. I watched all of the ones covering the MG mixers and got loads of reminders and even learned some new tricks.
Glad the videos were helpful! Analog gear has not changed that much in the last 20 years, aside from the addition of USB connectivity and the ability to record internally to an SD card for some mixers.
thank you bruno, you are the one of best sound teacher, very clear and very slow , not like other teachers and youtube tuts they are too fast and they blabber more than to teach... thank you ..I been mixing wrong my whole life, you cleared it up for me.
You're welcome Jayson, so glad the videos have been helpful!
Your teachings are the best one can find on youtube. Simple and clear . I view your tutorials again and again without being tired. Thank you so mush.
You're welcome Raphael!
This three part series is remarkable and I would recommend anyone doing sound watch it, no matter what level of experience. We use many of these exact techniques in our setup. Thank you for posting this!
You're welcome Wrong Turn, thanks for watching!
The first time i used mixer, i was somehow good but not perfect because there were things which was Disturbing me while i was using. But after Learning your Lesson here, am now perfect and good to use it.
Thank you so much and Be Blessed
You're most welcome Kipruto, all the best with your music!
Just bought an MG12XUK. Am learning MORE than weeks of youtube searches. Thank you, sir! You're a lifesaver!
Great to hear that! I have a series coming out soon on the MG12XU - should be even more helpful 😊
This has explained a lot not just for using the mixer, but the real truth of audio feedback. Lol, there's no headache like testing your sound, then during a wedding, all of a sudden a new feedback frequency rises up depending on a person's voice pitch. Thank you for this.
You're welcome Ba Bore, thanks for watching.
Me,I'm just a thirteen year old boy who aspires to be a studio engineer and I love this video you do a very good job of explaining mixing
Welcome to the channel Kyvros! All the best with your music and above all, look after your ears so you can have a long and happy recording career 😊
@@GLBProductions thank you
thanks for the tutorial ... i have Mgxu10 last 2yrs ........ but today more than than what i learn last 2 yrs ......
That great news Maan, glad the video was helpful!
Im glad to back watching this channel. I feel like ive learned the most from this guy.
Thanks for watching, again! 😊
Wow👏🏼What a neat and clear tutorial! I appreciate the creator/team of this video for his effort to present us such a good video presentation👍🏼 I am sure many beginners will whole heartedly appreciate your video.. keep doing more lessons on advanced levels and how to have a trained ear to understand how to set each frequencies. It requires pretty serious skill set to become a good sound engineer.
Thanks for watching Srijith :)
You have a real ability to be clear, straight to the point. Thank you so much
You're welcome Emile 😊
Thank you so so much for your tutorials, I’ve learned lots. This was just what I was looking for. My God bless you always
You're most welcome Celene, all the best with your live sound!
BRILLIANT tutorial. One of the best tutors here on You Tube!
Just a great video. The Yamaha user manual tells you how to do something but unfortunately does not explain why you should want to do it. I can now see a picture emerging out of the fog! Many thanks for your simplistic and informative approach.
You're welcome Sam - glad the video cleared some things up for you.
Very Nice.......Even your so called "Old" videos are great, including this one. I've watched them all and learned a great deal. You should have way more eyeballs on your work....... :)
Thanks Jocko, I'm definitely a 'quality over quantity' sort of guy 😊
🥰🥰🥰love the way they conduct the lectures
its more clear and easy to understand
That was excellent. Thank you Mr Luse. The clean up technique for the mids is new to me and I'll give it a shot in future!
You're welcome Alan - yes the 'boost-sweep-cut' method is a good one to have in your toolbox :)
Just purchased this board and this series is hugely helpful! Big thanks!
You're most welcome Christopher!
How beautiful is that Dynamic mic sound on that board !
Thank you so much for taking your time to explain how this mixer works properly... best tutorial I've seen 👌
You're welcome! Thanks for watching.
Great video, sir! I've watched all of your tutorials, and have found them all to be extremely well done and informative. Great detail that's easily understood by guys (like me) who are still learning how to use this equipment. I own several Yamaha MG series mixers, and I really like them. However, the one thing I absolutely HATE about my MG20XU is the channel strips that offset to the right at the top. That has caused so much confusion, since I don't use it frequently. I understand that they did this in order to squeeze 20 channels into the same size chassis as the MG16 mixer, but it's still annoying! Keep up the good work!!
Yup that channel misalignment is a major compromise, as is the lack of an FX return fader and the inability to send the effects to the monitors. Glad the video was helpful, thanks for watching!
I own the 16 channel version of this mixer and have been getting very good sound out of it already for my band live but still like watching videos to learn better strategies. I also just watched another video on the same series of Yamaha mixers where like yourself the controls were explained very well but the 2 of you differ greatly in setting the gain. The other man put the channels slider to unity then achieved his final level with the gain knob , you have the slider off then set the gain with a large amount of gain , anytime I have tried to add that much gain it has run into feedback issues , I tend to keep those gain knobs below or maybe in the grayed out section around 20% of the available sweep on the gain knob so any input on those 2 different strategies so myself and anyone reading these comments can have a sound reasoning behind setting a channels fader and gain would be helpful.
That's a great question! The short answer is that the method of setting gain I show will give you the best possible signal to noise ratio at the mixer - final system volume is then determined using the level controls on the power amplifier and/or powered speakers. If you are experiencing feedback using my method, I suggest you try turning down the level of your power amplifier by 6-10dB.
Thank you Bruno,It’s a very well detailed explanation. Very knowledgeable.
You're welcome Constancio!
GLB Productions ❤️
Wow. U really explain well. I learned more in 1 minute than some others !
Abang, great material! I can't believe I just stumbled over this!
Welcome to the channel Andrew!
thank you I'm trying to mic my drum in home studio and this was helpful
You're welcome :)
Thank you for making this video it's quite informative. My question is do you recommend turning up each channel volume fader to 0 and then bringing up gain to see where is hits 00, or turn up gain to at least 12 O'clock position and then bring up the volume faders for each channel?
You're welcome Andrew. Actually I recommend the following for each channel: depress the PFL button and input signal to the relevant channel. Monitor the meters while turning up the gain knob, and stop when the meters read around 0dB - this will provide the most accurate gain setting for that specific channel.
Thank you I really appreciate your advice and guidance
Great info............ for me anyway.
I have the Allen Heath Zed Sixty 14FX that we discussed a couple of years ago and you recommended. It fits my application. So far, so good and still learning. Your continued information is appreciated on how to operate mixers. JimE
You're welcome Jim, always good to hear from you and glad the A&H is still serving you well 😄
Brilliant video. Thank you so much for clearly explaining and adding in some good techniques.
You're most welcome Louis 😄
Teaching clarity as usual. Thanks for your tutorials😊
You're welcome Stephen!
GLB Productions - you really are a joy to listen to. It’s very easy to understand complex themes with your style of teaching. 😊
Thank you so very much! You are a fantastic teacher. Love your videos.
You're most welcome, thanks for watching!
Wonderful explanation, easy to understand.
You're welcome Jagajit.
great to be back :) / cant wait to see part 2 its really benefit me thanks
Part 2 is coming soon!
Hi there, great review of this mixer. I'm looking to get a 16 channel mixer and I was debating between a Mackie or a Yamaha. What would be a good choice?
You would need to compare the models that fit your budget and choose the one that has the features that you need for your application - you can't decide based on brand alone.
This is a fabulous analog mixer lesson!
perfect progression and all the details just at the right time!
Too bad I didn't need an analog mixer lesson since the 80's...
Do you think you could do a lesson of this quality for all that routing on an SQ-5??
I have it for 2 Years now and I still have problems with routing and switching banks is also jarring...
I'd just buy that Yamaha mixer you talked about, but I got the SQ5 because I wanted to have individual high end FX per channel. If I could somehow turn off the routing and invisible channels, I would! I ...16 channels suffice for me - the invisible 24 channels and their routing just cause me trouble...
Thanks for the suggestion! Yes, digital mixers are a different ballgame - it's almost as though they suffer from 'tyranny of choice' when it comes to how they present information to us. It's true that they are unsurpassed when it comes to functionality and features but sometimes just finding the one you want can take half a song...
You are simply the BEST
Thanks for watching Preetam.
6:50 combos are good because you can "dodge" the phantom power on a port by using a TRS instead of XLR on boards where one button turns on phantom for either ALL inputs or NONE. Sending phantom power to equipment that is not designed to receive it can destroy that equipment in some cases.
That can also be done with older mixing consoles that use a separate quarter-inch connector for the line input. And yes, global phantom power can be troublesome!
Thanks a lot GBL Productions.
You're welcome Ricardo!
we've just bought mg20xumixee and dont have ideas how to operate.learning more
Good for you!
Thank you lots, i will be waiting for another video
You're welcome John.
Nice. I have the little brother: the MG10XU, great little mixer.
Yes the entire MGXU series are great value for money.
Have you entered any Metapop competitions? Great for creative motivation! See you there!
@@caiaphasflagg673 No idea what that is ;) I'll check it out. I have no lack of creativity - quite the opposite, as a matter of fact - which can be a doubleedged sword.
It was a very informative video Sir Thank a lot for uploading it waiting for the 2nd part plz help me with the connection to get Stereo effect in mixer
You're welcome, part 2 is coming soon.
Wow! Dear sir! Excellent explanation!
Many thanks Sironmani.
Your videos have been absolutely invaluable in understanding my new MG12XU. Thank you so much.
You have a great voice and cadence for explaining complex topics.
Just curious, what country/region is your accent from? I can't quite pick it.
Thanks for watching Bernard, I'm from Singapore 😄
Great video Sir! Can't wait for the next part
Thanks Rebecca, part two is coming soon!
Thank you for this helpful video! Generally would you set the boost-cut-sweep technique for midrange first before tweaking the highs and lows if necessary?
In the case of this mixer the EQ bands do not really overlap so I would adjust the low, mid and high bands separately. You can use also use the boost-sweep-cut technique to find possible feedback frequencies in advance.
Great explanation, thank you so much. 😊
You're welcome, and thanks for the superthanks!
Very useful tutorial, thank you!
You're welcome Benjamin!
Sir, thanks for your nice tutorial. It's very helpful for me 👌💚
You're welcome James.
Dear Bruno,
thanks for your RUclips explanation about the Yamaha MG20UX.
I understand that I cannot use internal effects for Aux.
Can you give me a diagram of how I can connect an extra delay/echo module to get an effect in my aux monitor?
Yours sincerely,
You would use Aux 4 output to send signal to the external effects unit and then return the signal into any of the stereo channels - this will allow you to send the FX to any of the mixer's outputs, including the stage monitors.
Thank you, Bruno.
I first have to buy an external effect.
I Think I will buy the Behringer FX 2000 3D Fx.
Thank you for the video, very helpful. 🙏
You're welcome Anna!
Your video is very useful sir 🙏
please explain phantom power supply details...
Phantom power sends +48V DC current down pins 2 and 3 of the microphone cable in the opposite direction to the audio signal - this provides power for condenser microphones and active DI boxes.
This is a fun tutorials, love it.
Your class is very nice
Thanks for watching :)
Very cool teaching am leanings very well.
Thanks for watching Alfred.
Hi, great tutorial, Ive set my MG16XU using your guide and no longer have any sound issues. I have a question. I recently saw another vid about setting up a mixer. The young engineer set his Master volume to 0, then he set all faders to 0 *BEFORE he adjusted the gain. He was using a different mixer and powered speakers, is this ok to do or only with powered mixers? It doesnt seem right to me, your way works and I havent had any feedback or other sound issues using your tutorial.
The problem with the method you describe above is that it does not give the best signal to noise ratio, although it can still yield acceptable results. In the real world there are actually several sources of signal gain in your sound system: channel gain, EQ, channel fader, master fader etc. However the one I show in the tutorial is the one I have found to deliver the cleanest results.
@@GLBProductions the way you show us I believe is best, I was a novice when I first got the mixer, your tutorials help me big time. Thank you
You're welcome Mike, glad the videos have been helpful :)
great explanation very clear
Thanks Kei!
Hell sir, this is Jeevan, I had this problem while live streaming in church on Sundays, everything is fine with the camera and video but the we connect an aux from the mixer (phones port to camera). We used basic Sony 1080 p camera, recently we upgraded our laptop from Dell to HP, previously, we used to connect directly to laptop 3.5 mm jack, and a dialog used to appear to consider the input aux as 'Line in' but in our new laptop HP vicuts gaming, ryzen 5, with RTx 3050 specs, the dialog isn't appearing, so we directly connect to the camera usb port through a video capture card but so much disturbance is coming from this, so we have to use some noise suppression filters in OBS studio, but still the problem isn't solved.. this iss the exact mixer we do use.. So, it would be really great if you have any idea about this situation and if possible for suggesting any software for audio noise supression, monitoring and for the changing the type of input we put to the laptop..
Hello Jeevan I'm afraid that I'm not a livestreaming specialist so cannot help you with this issue. I always recommend getting clean audio to begin with rather than attempting to repair it using software.
Very good instructor 👍👍
Thanks James.
Bruno I hope that you have a video of a digital mixing console like yamaha 01V. It’s ok if you have one. Thank you again Bruno.
Yes I have training videos on several digital consoles - just search the channel.
Thank you again Bruno
Hey Bruno, I want to thank you so much. You are such a Legend you explain everything so simple and clear. I have a question. I have been following different youtube videos regarding to digital recording. In digital recording, other videos says we should keep the meters around -18dB because analog interface of digital systems expect a signal around that level. At 12:32 you are talking about to keep the meter around 0dB. Now I am a little bit confused. I know the signal is not cut because it is not so hot but do you think we should keep the gain around -18dB or 0dB for best practice during recording?
Hi Deniz, that's a very good question and I should do a video on it! In short, setting gain for live sound and recording is a little bit different: in live sound you want the meters to be around zero because that gives you the best signal to noise ratio - most analog consoles will clip/distort around +18dB, and this is generally enough headroom (safety level) for live sound applications. With digital recorders, the recorder will clip at 0dB, hence why you set levels at -18dB, to give you the same amount of headroom. In live sound occasional clipping is acceptable - in recording it is not!
So if you are using this mixer to feed an external recorder, I would set gain on the mixer to be around 0dB, and then set the input level on your recorder such that 0dB on the mixer equals -18dB on your recorder. Does that make sense?
You are epic guy keep up the good work
Thanks Jude!
GLB Productions is learning to be the sound guy for a local band and these videos help so much
That's great - don't be afraid to make mistakes, let me know if you have any questions 😊
Very good explanation..I can understand.
Glad to hear that!
Great great video. Thank you so much. I really appreciate your work in general.
You're welcome, thanks for supporting the channel.
Excellent class!
Thanks for watching!
Great job on this series... can you let me know if there is a way to route effects to monitors on MG20XU... there seems to be separate controls to do this on the 16 channel version? Thanks for your help
Not possible on this particular model - the internal FX can only be routed to the main LR outputs. Thanks for watching!
@@GLBProductions that confirms what I thought..thanks for your reply.
Please I want lectures on MGP16X thanks... U doing a good job
Thanks for the suggestion!
Thank You for the best tutorial, please do let me know how to add fx effects into monitors? Thanks in advance
You're welcome! On this particular model the internal FX can only be routed to the main LR outputs.
The way u explained even an illiterate will understand...thank u
You're welcome, thanks for watching 😊
I grew up in Singapore... you have a Singapore-English accent! Any correlation with Singapore in your past history?
I'm Singaporean 😊 Thanks for watching!
Which is the best among these.
1.Yamaha MG20XU
2.Soundcraft signature 22
3.Soundcraft signature MTK 22
4.Soundcraft UI24R
5.Allen & Heath ZED 22FX
The best mixer is the one that has the functions and features that you need, at a price you can afford, with good after-sales service and support. I have a video on how to work though this process: ruclips.net/video/Jb-Hfgo3kck/видео.html
Shall i use both Master Stetero out xlr L-R and 1/4 " TRS L-R Bal OUT Similtenously.
Yes you can do that.
Great video. But
What is the Chevron marking on the input gain knob for?
I'm sorry but I can't find any chevron marking on the knob itself - could you be more precise?
This is so good!!!! Subscribing!
Thanks for watching David!
How to listen only track thru headphones in live performance thru this mixture. Not disturbing live singing output.
There are several ways of doing this, but I would use the groups to create a custom monitor/headphone mix for the performer, that is not send to the LR outputs.
Hi sir thanks for good coaching I tried to listen effect back in aux there is no effects so how I can listen effects in aux 1 or 2 in Yamaha mg 20 xu please reply Thanks 🙏 GOD BLESS YOU
That is not possible on the MG20XU - the internal effects can only be sent to the main mix.
Thanks for great explanation. Really appreciated. I am new to this and want to ask about cable for connection for stereo input for example channel 13/14. Can I use 1/4 inch TRS or I must use 1/4 inch TS. I want to connect DJ controller to it.
Hello Praveen, thanks for watching. You can use either TS or TRS plugs to connect to the 1/4" inputs on the mixer.
@@GLBProductions thanks 😊
Amazing tutoring
Thanks for watching David.
Very impresive
Thanks for watching :)
Hi, great video’s. Do you have one setting up amp speaker volumes and sound check tips please in relation to desk master fader and channel faders?
I just taught this exact topic in one of my face to face classes! I don't have a video on it, hopefully one day after the pandemic when I get back to posting content 😅
@@GLBProductions thanks for taking the time to reply. I look forward to your next videos then 👍.
Hi very informative and useful video. I have 1 question, do I need to press the Pad button when I connect wireless microphone phone, cause when I connected the Shure wireless, even the gain was almost to the zero the sound was very loud , and the fader was also very low. I would love to hear your advice and suggestions. 🙏🏻
Thank you
Hi there Raju. This situation is exactly when I would use the pad button - not just on wireless mic receivers, but on any source where you have too much gain even with the gain control fully counter-clockwise. Alternatively, you can reduce the output level on the wireless mic receiver.
Thank you very much for your help
Is it possible to connect this to a Yamaha Music cast soundbar to transfer music via a network to 3 music cast 50 devices? I also have 2 guitar inputs and 2 microphone inputs with active speakers that need to function at the same time.
You could probably use the analog input on the soundbar but you would need appropriate adapter cables.
I love the MG series mixers for its design and sound quality. But it discouraged me by not adding any INSERTS. Why Yamaha did so? Without an INSERTS how we can use guitar EXCITERS or EXTERNAL COMPRESSOR and EXTERNAL VOCAL EFFECTS.
You will need to write to Yamaha and ask them directly. It is relatively rare for current generation entry level mixers to have analog insert points on all channels. If you need this feature you will need to move up to their MGP series.
i got MGXU 16 sir...thanks. I wanna know like how this cubase (steinberg) works..thank you
Cubase is a computer program used for recording audio, also known as a Digital Audio Workstation or DAW - similar in function to protools or Audacity.
Good teacher
Thanks for watching Roland.
Thank you for the info!
You're welcome Slade!
Excellent thanks.🇬🇧
You're welcome :)
For the first 14 minutes I thought he was explaining it to me lol 😂
That the idea 😄 Thanks for watching!
Like always! Another great video! I really want suggestions on how to equalize a digital piano/keyboard to where it sounds natural but cuts through the mix without being to twangy or muddy
A lot of that has to do with the range in which you play and the arrangement of the song - if you're playing in the same range as the guitars and vocals you'll never cut through. One very experienced keyboard player told me that he always 'spreads his hands' when playing in band - by playing below the guitars and up above the vocals he always was able to be heard without making any EQ changes.
Thank you Bruno! 🙋👍
You're welcome Rene!
Great vid.
Thanks for watching!
Hi Bruno, can 2 different brands of speakers all be daisy chained? 2 Ev's with 2 turbo sound speakers?
Sure no problem, as long as you follow all the other rules when it comes to calculating combined impedance, power handling etc.
😊 thanks Bruno always great tutorials/demonstration s
I'm learning. I bought this product, but I've not started using it
All the best!