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@@heavenonlinearchive just hiss back at it.

@@jimistubbs5269 might be, that video was a few years ago. When you're making videos in your spare time it doesn't always go as planned 😉

@@StevenAnthonyGuitar its always the damn G string, its become a running joke for my les paul performances because it literally changes with the weather now

@@mmfs1919 wouldn't surprise me 🤣

@@blueharland Appice has always mostly been a big fan of himself 😜

@@jeffbabcock8675 I'll check him out!

@@omegapointil5741 West really knew what he was doing.

@@johnnevin6663 check out the live version of Nantucket Sleighride from their Twin Peaks album. I think that version is awesome, but you have to like long jams 😉

@@StevenAnthonyGuitar Thanks Steven, I will get that live record soon. I love long jams. Ever hear the 9-minute version of Radar Love from Golden Earring? Another underrated band.

@@johnnevin6663 I also love long live versions. Might have to check something by them live, being a Dutchman myself.

@@jeffreymars8062 must've been an awesome experience!

@@carminelombardi9575 for me it would defeat the purpose to own a guitar and not gig it. Maybe that could be the culprit.

@@StevenAnthonyGuitar I agree, gigging with it can lead to having it stolen, I know many guitarists that will gig with the Epiphone Les Paul for gigs that aren't secure.

@@luismanz0 the drive is all comimg from the amp, that's the Dr. Z Z-Wreck Jr in the background. And congratulations on your Firebird, these are really great!

@@StevenAnthonyGuitar Lovely sound! 😎

@@luismanz0 thanks! That guitar and amp are really a great combination.

And many more did the same, and rightly so! Both LP and SG Juniors are awesome.

@@johnsmith-ug5tp whatever you want to call it, he for sure pioneered a brand of raw rock! 🙂

@@StevenAnthonyGuitar Yes indeed 😉 Btw, great presentation. Over 10 years ago I watched a live performance of mountain from like 1970 and West was riffing out and soloing in between songs and thats when I said, This is where it all began, The precursor of all the soon to be stadium rock gods that would following through out the 1970s and early 80s.

@@johnsmith-ug5tp I wish I could've been there during the heyday of rock and roll. It's become so much of a niche now in comparison that even I feel like a dinosaur at 34.

@@StevenAnthonyGuitar A young dinosaur 😉 At least you appreciate actual music and play it. I just missed it, I was still too young to go to concerts in the 70's. In 79 my brother or sister had to go with me. ha By then, alot of 70s bands were burnt out and breaking up. However, I am glad even as a kid I was able to grow up listening to it at the time.

@@hapax87 for sure. Still a lot that people can learn from what he did back then.

@@poodie2814 thanks!

@@markn4526 for pedals it's the Studio JTM all the way. I actually went with a Studio JTM combo, which is a great all purpose grab and go amp. The Studio Vintage is a great rock and roll amp, but it mainly does that one thing very well.

@@StevenAnthonyGuitar I already have a '72 Super Lead (which I love), but it's too loud to use at band practice or for gigs even with the PPIMV. I still use it sparingly at home though as not to disturb the neighbors. I'm torn between the combo and head/cab version of the Studio JTM. The cab would have a closed back, which I think I'd prefer to get more thump, but the combo is an attractive solution as you've said. I do wonder why Marshall chose to use Creambacks for the JTM and Vintage Studio Series. You'd think they would have opted for Greenbacks.

@@markn4526 the Vintage actually has V-Type speakers. I much prefer the Creamback. Usually I prefer heads, but I like the JTM combo better than the head, it somehow makes more sense to me for what it is. But you'd still need an attenuator with the Studio JTM. For your Super Lead I can highly recommend the Tone King Ironman II, that's what I use with my 1987x.

@@StevenAnthonyGuitar Yeah, I'd take the Creamback over the V-Type too. The master volume reigns in the Super Lead somewhat, but you still have to get the volume to a certain point for it to really shine. I've tried a Hotplate, a Weber and an Ultimate attenuator and couldn't stand the coloration they all added. I've heard that the Ironman is really, really good though. I think they use a different way to attenuate the signal that's more transparent than the others. I like the Tone King amps too...especially the Royalist.

@@ythinder it for sure is.

@StevenAnthonyGuitar One of my favourite albums is "Rythmeen" the tone Billy puts out on that album is like gritty Texas molasses 🤘🏻

@@ythinder that what is underrated! Some nasty heavy tones.

@@predigr it seems that mine wasn't just a lemon then.

@@tonvandervegt7462 dank je! 😉

@@asafeyal I always have all my effects in front of the amp, I never use an effects loop. So I do the same with the Lion: effects --> Lion --> power amp + cab or internal cabsim to interface. Works great for me!

@@98grand5point9 my list is still ongoing, so who knows who might pop up in the next videos! 😉

@@giovannivento3828 check the follow-up video I did with the Tone King Ironman. That one is actually worth the money.

@@StevenAnthonyGuitar thanks!!

@@Davidmeinhorn UMC1820 interface going into Cubase. The Lion and the CAB-M+ were plugged straight it in, the cabinet was miced with an SM57 and a MXL R144, both with Fethead preamps.

@@Davidmeinhorn just a cheap Behringer UMC1820 interface going into Cubase. The Lion and CAB-M+ were plugged straight in, the cabinet was miked with a SM57 and MXL R144 with Fethead preamps.

@@arseniclullaby87 I disagree, some them live this July and thought they were great, just played a bit too short.

@@justinsheppard84 I have the CAB-M+, so the OPUS is not something I need right now. But since I made this video I've loaded an acoustic IR in the Helix and that works fantastic!

I'm currently tossing up between the Boss either Gx100 or Gt-1000 core and the HX Effects and using OPUS/Tonex for amps and cabs

@@myuncle2 exactly that! I've sold it right after shooting this video last year.

@@StevenAnthonyGuitar I would have done the same thing, hehe. On the other hand the new Suhr SL67 MkII it's a totally different beast. But If I had to buy a new amp I would go for the DIY route with Ceriatone or Modulus.

@@myuncle2 I've tried so much that at this point, if I want a Marshall, I'd just buy a Marshall. But they're a lot cheaper in Europe than in the US.

@@fabianpalmerin I was finally able to see them live in July this years! They were great, it was just a bit of a short show.

Thanks! These guitars were good value for money, my wife uses this one now.

@@ggar9623 the Studio Vintage would do the trick, although I think the 1987x sounds better, but is less practical. I've been using both and you can do everything with the guitar's volume.

@@onlyusernameleft2 at least this one ain't fizzy! 😉

@@StevenAnthonyGuitar I've been messing around with it for a couple of hours now and decided it sounds good towards the end of my chain of dirt pedals. I have trouble making decisions so I have like 6 drives, a Big Muff and a compressor at the front. It has a nice amp-like breakup at low gain and a rumbly compression. It works well to boost into it with a KoT-style drive for more saturation then clean boost and EQ shape afterwards with a Klone or a transparent drive. I have an old solid state Fender Princeton that I usually plug into the effects return via a standalone modeller with a deluxe reverb model. I ran the pedal into the front end and that amp sounded better than it ever has. It never sounded bad, it was just a clean fender sound but kind of flat. This gives it dimension.

@@onlyusernameleft2 yeah that pedal for sure has some character. If you get a chance, try a Red Llama as well!

@@StevenAnthonyGuitar next on my list is finding a replacement for my busted Fat Rat clone but something by Way Huge is pretty far up there too

@@kaputme Caline Pure Sky, a Timmy Clone.

@@StevenAnthonyGuitar So you are using it as a Volume pedal in the Fx loop?

@@kaputme kind of. I turn down the volume and use the gain and EQ to compensate.

@@ShawnShipstad I don't really get your point? Mesa Boogie is (or used to be) a boutique brand itself and Dr. Z's are a totally different thing... but also on average less expensive. Both heads and the 2x12" cabinet were all ubder 4000 bucks as well 😉

@@shagotasagota435 I'm glad I could help!

@@myuncle2 for me as well.