Portrait Painting Tutorial | Make it Realistic
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- Опубликовано: 11 окт 2024
- In this week's portrait painting video we will be exploring realism. In this case we will refer to it as "classical realism" (Please don't confuse this term with anything other than what I'm telling you). This means we will use a "classical" painting approach to create a "realistic" oil painting. Let's remember the goal is here is never to copy a photograph. It is about interpreting visual information to create a painting.
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The materials used in this video are listed below,
Canvas: 11x14” Centurion OP DLX Deluxe Oil Primed Linen (This was my absolute favorite canvas)
Oil Paints:
Williamsburg- Flake White
Winsor & Newton- Titanium White
Gamblin- Alizarin Crimson Permanent
Winsor & Newton- Cadmium Red Medium
Gamblin- Yellow Ochre
Winsor & Newton- Ultramarine Blue
Winsor & Newton- Ivory Black
Mineral Spirits: Mona Lisa brand
Painting Medium: Gamblin Neo-Megilp
Brushes Used:
Master's Touch size 6 filbert bristle synthetic mix (the drawing brush)
Master’s Touch Size 1 Round and 0 Round (the tiny orange brush)
Princeton Summit 2 Round 6100R (the green one)
Master's Touch Size 6 Flat Bristle Brush and 4 filbert
Princeton Catalyst Polytip Bristle Size 4 Filbert
Always learning, always picking up some advice, knowledge, tip. Thank you so much for lending your talent! All the best.
I loved watching this...i couldnt stop watching...beautiful.
Dear Yupari- I have a couple of books on painting by prominent painters explaining the classical way. However, to be honest your tutorials make it easier to learn by actually following along. THANK YOU.Therefore in my opinion it is way better. The only thing for me that I would like is that when you are painting please explain the planes and changes in the muscle structure and also your use of the landmarks. I know that you have done this before, but as you go through it the drilling practice helps alot. Maybe you will also consider some tutorial portrait paintings that emphasise the changes in the face (muscles) and planes with different facial expressions.
.master artist. Humble soul. God bless you.
WOW! EUREKA!!! I would email this to you but don’t know how. I HAD A GRAND AWAKENING! I got it! Your teaching methods, your words, specifically “...I see a little angle there...”, turned on the lights in my theater of a mind! I see what you are showing us. I don’t mean I see EVERYTHING you are showing us, but I had my FIRST MAJOR BREAKTHROUGH IN PAINTING for a long time. I really did! I’m totally blown away by what I see. The “sculpture” concept or image somehow clicked, and I saw what I’d been doing, sort of dripping hot wax onto a bust! I mean, my life-long mentor who passed a few years ago...like, I’m painting his portrait and watching you teach in between painting sessions, and suddenly I saw the lights in the room where he had been sitting in the reference photo I was using, and I saw the shape of his entire head suddenly pop into focus! I THANK YOU A ZILLION TIMES. I’ve been looking for a key to unlock things for a long long time, and I got it, courtesy of your free videos. I’ll be haunting your halls from now on, Mister! YUPARI! You are such a fantastic teacher. I was a professor in grad school for decades, parallel to my other career teaching creativity workshops, and I always strove to do what you do, give openly fully of myself. I cannot express...the gratitude. MAN...I love insights! You’re the absolute best!
Thanks so much for sharing your knowledge and experience with us. My portraits are falling short on the side of realism. I've been told not to blend and after watching you, I realize I just need to soften my edges. I cannot wait to start on my next portrait! Thanks again😍
Well Done, I found the close up working of the eye particularly interesting ( and useful)
This was a very good demo of the under painting process. The color layering, or what we actually do afterwards was very helpful. (Just wish we could have seen you paint the eye that was in shadow, her right eye…that is such a tricky area to make it appear like an eye without leaving just a dark shape. Any comments about what your process was with that area?) Thanks so much for this professionally made video!!!!
Thank you so much for this tutorial and for showing us what you are doing in real time. It was incredibly useful.
Well done, Yupari. Love your approach to painting in a loose manner and tighten up a bit as you get near the end. Soft edges is nice too. :)
Excellent! Enjoyed every minute of this. Will watch again several times. So much learned and to learn. Thanks once more Yupari.
excellent work. I wish I could paint like you. thank you so much for the lesson.
Wow Yupari you’re absolutely amazing !!! I’ve been painting for 2 years with acrylic and try oil every once in awhile but struggle ... I really think I’ll be able to get a successful painting now after this amazing video !!! Thank you so much for painting and for making videos bro much love to you 👌🏾
Learned so much from your demonstration! Thank you
really enjoyed that so much, very calm and encouraging! Beautiful portrait, thanks so much!
Thankyou for sharing your art😍😍 I really love your arts .. Its amazing 👏🏻
Fantastic master. One of the best on youtube in the world. What a beauty painting.
Fantastic work Yupari, thank you for sharing your process
thank you so much for these videos! Yes they are very helpful
Gorgeous rendition. Loved the closeup and soothing commentary.
Thank you! This is so interesting. The details in painting the eye were very helpful.
Amazing work! thank you so much for sharing you knowledge.
Illuminating.
I have watched your videos for a while and they are great. Would you consider doing a video discussing hard and soft edges in portrait paintings?
Thank you for once again giving us your wisdom for portraits. By the by...at 31:02 the model (painted) subject looks like Julia Roberts. :)
The painted version looks like Demi Lovato😊 Very nice work!
Excellent vid thanks
The paint (even in the underpainting) appear more saturated and luminous than usual in this video...was it the oil primed canvas or did you adjust your studio lighting? Thanks!
Nice video to watch! thanks
Maravilloso. Maestro.
Thanks for detailed information. The only question is about the timings for drying in between layers. Is everything done wet on wet?
He literally specified that it wasn't wet-on-wet!
Need better understanding of the placement of warm and cool colors in the skin. Please explain. :)
Yes! That's what I'm struggling with
Прелестьная картина !!!
FANTASTIC!!!
Very beautiful.👏👏👏
how do you plan your pallette? is it basically an educated guess/decision, or are you checking it somehow against the photo reference?
Yupari are you able to do a elder person with wrinkles? when you have the time of course.
Yupari
So far your method makes the most sense.
Love your common sense approach to a portrait. I've been beating myself over one minute areas and felt failed but I am going to try this method your method and see how I survive my frustration.
BIG THANK YOU🤗
Great art working
I think I know that model , haven't seen her in years .
Thank you so much
when you say that value is the key to realism, would you say that is 'value order' rather than 'value accuracy'? it seems to me by your paintings that you are not necessarily looking to replicate the exact values of the reference, rather you are doing your own thing with it, but at the same time getting them in the right order
I can’t find your materials list. You say it is at the bottom of the screen but I can’t find it. Please help.
What is the medium u used for oiling out sir??
Can we use linseed oil instead of nealmcgill gell
Do you ever do the drawing stage in charcoal instead of dark paint?
Yes he does
Why you aren't use any of blues ??
Upload more video portrait
shoulder heights are off
Que se pueda traducir
You keep saying easy but is it that easy
She has a distinctive lip shape. The painting mouth is too narrow!
Ojo derecho, labios y barbilla te ha quedado muy mal colega, tienes que practicar más; a tu técnica le faltan muchos hervores.
jose perez u have to realize that the camera is at an angle over his left shoulder....probably the reason for the distortion u c....what the hell have u been doing to help other artists....quit with the criticisms....