I'm a great fan Stijn Jazz teaching because I respect his method on guide tones. He's just a brilliant teacher I have ever encountered on youtube on this subject. Thanks.
Your explanation and presentation of Jazz concepts and ways to practice them is absolutely THE BEST on all of youtube! You are also a very generous person sharing your extensive knowledge and providing us with clear and concise written resources. Would you mind sharing where you went to school? Thank you for all you do for us frustrated Jazz Pianists!
I love all your tutorials ! I say it in french : "pas de blabla" ! juste ce qu'il faut ! Efficace ! Méthodique ! Musical ! Merci beaucoup ! Vous êtes un excellent pédagogue, certainement un passionné car vous êtes généreux
Dankjewel, Peter! Ik had idd heel veel materiaal opgenomen waar ik nadien uit zou kiezen, maar ik heb uiteindelijk toch alles in de video gepropt.. :-)
Thanks again for your great tutorials, Stijn! As with the first exercises of your "Shell voicings" tutorial, one question comes to my mind: being a pattern, it's relatively easy to play along with you without knowing exactly what I'm doing. So I'm wondering if it has any value for me (at my stage...) if not played *super slowly*, saying the chords and guide tones at the same time. Don't get me wrong: I'm not saying it has no value. :) Just wondering if I'm missing something. One of my "short term" goals is to be able to play root+shell or guide tones instantly when I see the name of any chord, in any direction, with one or two hands. So, I'm trying to *memorize*, for example LH:1-3 RH: 7 (thumb!), LH: 1-7, RH: 3 (thumb!) in all keys around the circle of 5ths, saying the name of the chords and notes out loud. Is it a waste of time, in your opinion?
Thanks a lot! As far as your concern, both exercises or approaches are very useful! Playing chords and shells very slow while saying the name of the notes is very important, but since a lot of standards are based on II V I or other circle of fifths progressions, it’s also useful to practice them as a pattern so you can play the chords (shells) automatically without thinking (motorically). So I would suggest to practice them both ways! :-)
Listening to your Left Hand (Walking Bass Line) on Jordu, what exercises would you recommend to attain such fluency and accuracy? I'm wondering if you practiced Bach a lot - some of those left hand patterns were reminiscent of his approaches (from a visual point)
Hi, I have practiced some pieces by Bach in the past, so it’s possible they helped me to play basslines, but surely not in a direct way.. However, I did practice some typical LH walking patterns in all keys (turn around, II V I, chromatic approach notes,...) from which I benefited directly. I’m planning on making a tutorial on walking bass lines soon..!
In the bossa feel II-V-I for example when going from Dm7 to G7 in the score you make the anticipation in the right hand but not on the left. But when you play you make the anticipation in both hands (you play G instead of D). Which one is correct? Thanks!!
You’re right! I didn’t notice this before, so thank you for pointing this out..! I would say they are both possible and correct, but apparently I anticipated the bass note together with the chord! You could try both, and see what works best for you..
I'm a great fan Stijn Jazz teaching because I respect his method on guide tones. He's just a brilliant teacher I have ever encountered on youtube on this subject. Thanks.
The best Tutoral in RUclips. thk
Thanks a lot!
Your explanation and presentation of Jazz concepts and ways to practice them is absolutely THE BEST on all of youtube! You are also a very generous person sharing your extensive knowledge and providing us with clear and concise written resources. Would you mind sharing where you went to school? Thank you for all you do for us frustrated Jazz Pianists!
So refreshing seeing other people put out content like this! I'll be warming up with that first Bossa style exercise today - all the best!
Thanks a lot! Glad you like the content!
This is so helpful and brilliantly presented. THANK YOU Stijn Wauters !
Thank you so much! Glad you like this video!
Gonna take a while but i have to learn that walking bass...love it
I enjoyed th theme of Jordu too and walking base of I'l Remember April😍
Phantastic, how condensed and informative your videos are. Huge thanks Stijn !
Thank you! Glad you like the content!
I dig th Groove Merchant 😍🎶
I love all your tutorials ! I say it in french : "pas de blabla" ! juste ce qu'il faut ! Efficace ! Méthodique ! Musical ! Merci beaucoup ! Vous êtes un excellent pédagogue, certainement un passionné car vous êtes généreux
Merci beaucoup!
Maravilloso, gracias por compartir tus conocimientos, hay muy pocos como tu en youtube THANK YOU
Jeasus christ 5min and i'm already exhausted
Wow this is exactly what I was looking fr, I finally found it, thank you so much 😍
Thank you! Glad you like the video!
este es el mejor canal para aprender jazz,gracias
Thanks a lot!
sin duda , todo esta cristalino y hermosamente explicado en tiempo real
Merci, Merci, Merci, Bien à vous,
Thank you, thank you, thank you, best regards !!!!!
Merci beaucoup!
This is great. Thank you so much Stijn!
Thank you so much sir ❤️
Simple finalement thanks you
Thanks so you much! It is Very great and Enriching! Thank you for sharing your knowledge with us.
Thanks for watching the video!
Wooh I am amazed, It so clear
Thanks a lot!
Knap werk Stijn! Oefenmateriaal voor weken... Opnieuw super bedankt! Moet veel werk geweest zijn....
Dankjewel, Peter! Ik had idd heel veel materiaal opgenomen waar ik nadien uit zou kiezen, maar ik heb uiteindelijk toch alles in de video gepropt.. :-)
Great exercise. Thank you.
Thanks a lot!
Buenísimo
the lesson is great, as usual.
Thanks a lot
Thanks a lot!
Merci beaucoup pour ces exercices qui sont très utiles
Wonderful!
Thank you!
You should definitely start a patreon
Many thanks.
Thank you!
Gracias, excelente trabajo.
Thanks a lot!
Woww. Thank you!! It would be possible to do a video about how to construct walking bass lines?
Thanks! I will try to make a tutorial on walking bass lines too!
7:00
wow! maybe a bit overwhelming for just one video! Thanks a lot for sharing all this knowledge you are doing a great job
Thank you!
Could you do some practice stuff on diminished scales and how to use them
That’s a great idea! I will try to make a tutorial on that topic..!
@@StijnWauters I really enjoy your site I'm trying to get to know how jazz work I play a lot of gospel the diminished scales elude me thank you
Why on earth you only have less than 4k followers
Because the majority of people are binging Netflix....
🌟🌟🌟🌟🌟
Thanks again for your great tutorials, Stijn!
As with the first exercises of your "Shell voicings" tutorial, one question comes to my mind: being a pattern, it's relatively easy to play along with you without knowing exactly what I'm doing. So I'm wondering if it has any value for me (at my stage...) if not played *super slowly*, saying the chords and guide tones at the same time. Don't get me wrong: I'm not saying it has no value. :) Just wondering if I'm missing something.
One of my "short term" goals is to be able to play root+shell or guide tones instantly when I see the name of any chord, in any direction, with one or two hands. So, I'm trying to *memorize*, for example LH:1-3 RH: 7 (thumb!), LH: 1-7, RH: 3 (thumb!) in all keys around the circle of 5ths, saying the name of the chords and notes out loud. Is it a waste of time, in your opinion?
Thanks a lot! As far as your concern, both exercises or approaches are very useful! Playing chords and shells very slow while saying the name of the notes is very important, but since a lot of standards are based on II V I or other circle of fifths progressions, it’s also useful to practice them as a pattern so you can play the chords (shells) automatically without thinking (motorically). So I would suggest to practice them both ways! :-)
@@StijnWauters Thanks a lot for your kind reply, Stijn! :)
КЛАССНО!!!
👍
Listening to your Left Hand (Walking Bass Line) on Jordu, what exercises would you recommend to attain such fluency and accuracy? I'm wondering if you practiced Bach a lot - some of those left hand patterns were reminiscent of his approaches (from a visual point)
Hi, I have practiced some pieces by Bach in the past, so it’s possible they helped me to play basslines, but surely not in a direct way.. However, I did practice some typical LH walking patterns in all keys (turn around, II V I, chromatic approach notes,...) from which I benefited directly. I’m planning on making a tutorial on walking bass lines soon..!
@@StijnWauters Thank you!
In the bossa feel II-V-I for example when going from Dm7 to G7 in the score you make the anticipation in the right hand but not on the left. But when you play you make the anticipation in both hands (you play G instead of D). Which one is correct? Thanks!!
You’re right! I didn’t notice this before, so thank you for pointing this out..! I would say they are both possible and correct, but apparently I anticipated the bass note together with the chord! You could try both, and see what works best for you..
just feel it 😎
Add a patreon offer, too much knowledge for free distilled in your videos. My 2 cents.
I'd disagree with Don't Know Why being a pop tune
Crossover ?