All my colleagues are calling me dumb because I don't understand how to harmonize a melody but with the help of this video I will show them tomorrow in exam
You are a great teacher! I played classical piano growing up but only have very basic knowledge of music theory. I can only digest music theory in bits and pieces 😅. I like how you explained the process in this video. What I’ve been looking for for a long time! Thank you!
It seems slightly complicated but the easiest way to think of it (for me) is that a 6th below is the same note as a 3rd above. Just figured it out. Hope that helps. With the left hand, start with the missing note that is not played in the right hand and just repeat the notes played in the right hand ie with the 1st example @6.33 (C A). If using the F chord in left hand, play F C A, C A. If harmonising with E, play E C A, C A. So you're just repeating the notes used in the right hand in the left but with an extra note in the left.
Wonderful demonstration, thank you. I just learned my major minor scales and diatonic chords… If I didn’t know that this would be very difficult…… I love how you also are showing it on the grand staff, That’s very realistic.❤
Thanks much, Assaf, once more, for a very useful & clear lesson. And... thanks again for uploading on 'Yom Hol', so that we could enjoy it as well. Blessings and all the best.
THE ONLY VIDEO I UNDERSTAND HARMONY FOR BEGINNERS LIKE ME!!! YOU ARE SO CALM AND GENTLE TEACHER. THANK YOU! I DON'T SKIP THE2 FINAL 3MINUTE-ADS. HEHEHE
This is really helpful because i often find it difficult to understand how to harmonize some melodies that i created. Already search for tutorials but still not getting the core of harmonization. Even some suggest to make the left hand part first then make the melodies on right hand part, which is more difficult for me. Thanks man for this magnificent guide
Wonderful tutorial Mangold, your explanation, delivery and set out is straightforward and easy to grasp. Thank you Sir. Love the use of the word Wonky - I am a funny talking Texan from Yorkshire and use if often lol.
Wow this is amazingly well explained ! Would you do a followup of this method to go in more advanced harmonization, namely how to integrate 4sus, 2nd, 7th, borrowed chords. I wonder how from this method go beyond. Thank you dear, i enjoy your teachings 😊🎉
Very good lesson. Thank you! One suggestion: Wish the video started the melody with the C note in your example vs starting with A. Gets confusing when you use the key of C but start with A. Feels like a mode (conceptually, in my mind)
Yeah, probably in retrospect I should've done that. If there's anything I've learned on RUclips is that if anything can be misinterpreted or misread, it will.
Absolutely wonderful sir. I think I'd double the melody note (for my right hand). Thanks for this wonderful video.. Hope for an advance version of this
I could not agree with gourmet53 as I understand voicing at the piano - a life’s journey in extracting rich sounding chords. This demonstration also will allow me now to accompany say a you tube song by playing a harmony pitch. So for me, this has been a great “a-ha moment”. Thank you very much. A long time follower of the channel.
Well, that was extremely and enlightening. I do wish you would have closed with an actual rendition of Mary Had A Little Lamb. It would have closed the book in my mind, which remains open to the question of whether or not you can really do all that fast enough to keep the melody notes from falling apart into an unrecognizable string of unrelated notes (for the record I assume you can, I just can’t hear it in my mind’s ear yet, which is a shame after a fine lesson like that). Thanks!
Conclusion: 1. Pick any note in a C major 2. Down 7,8,9 semitones 3. Omit notes not in C major 4. Left hand choose a chord that contains the two notes you in the write hand 5. Left hand start with note that wasn't in the two notes in the right hand 6. Play along the arpeggios progression and omit the 2nd and the 4th note 7. Its done
To simplify harmonizing on the right hand just play any note that makes up the left hand chord you are playing with that note on the right. So if you are playing A on the right hand with a left hand C chord you can harmonize with a C an E or a G on the right hand. The note must come from the left chord you are playing. So even if you play Bb on the right and C chord on the left the harmony note will be C E or G. After a while it becomes automatic for the right hand to do this. Automatically when you see the chord above the note you are playing your choices are right there and after sometime and practice it’s far easier than this video . The key with this method is that the harmonizing note or notes come from the chord that is to be played with the right hand note or notes. The video teaches something more complex for students
That's actually not bad at all :) My approach ensures that you get a good amount of spacing between the notes and avoids muddiness, but yours would work too.
in the demostration you use a rithm patters really complex and theres no explanation of that, i feel like you make this look really easy to have more views
Not to get bogged down into too much theory but I am curious if you always get intervals of 5th, 6th, 3rd, then 6th always when using this method? Thank you for sharing the method 👍
You'd have to be more specific: intervals of 5th, 6th, 3rd, then 6th between what? Do you mean between the set of five notes played? No. For example, you can play a G major with a D in the melody as B G D G D which has no 3rd interval.
I may be wrong, but basically you are representing the use of VI interval along with the melody line, staying with the V interval along with the melody gets to sounding crazy...or is this the solution to keep from crazy sounding intervals, or clashing ?
So as I understand, you harmonize any note Z with XYZYZ, where Y is a 5 or 6 below Z, and X is the third note of the cord allowed in the scale. Is X a 5 or 6 below Y? Or not that simple? Thank you anyway.😊
E.g. at 9:18 you have FCACA. X=F, Y=C, Z=A. The first rule is at 1:50. My guess is that X is about the third of the chord, bud an octave lower, so 6th below Y. Or something like that. (I like quantum phisics too.😃)
You mean your can only operate one hand? Hmmm this requires a good local in person teacher who will rethink how playing is taught. I suggest you seem one out.
You can start on any note. I just started on A because I liked how it sounded. I should've likely started from C just to keep things more pedagogically sound.
A 5th switched around is gonna become a 4th, and a 3rd switched around becomes a 6th, and vice versa. Unless you switch up the notes. For example if you play an A and then a D belolw it, that's a 5th, but if you play a D and an A below it, that's a 4th. But if you switch the A for a G (or the D for an E) then you have a 5th again.
What if one doesn't want to harmonize every note in the melody? Would this method still yield sound results if every other note in the left hand melody was played as a single note, perhaps with the previous right hand harmony occasionally sustained beneath it?
Not sure I'd summarize it that way. The LH plays a three note arpeggio, not a 10th, and the RH sometimes plays a major or minor 6th (what's an inverted 5th? is it a perfect fourth?).
On hiatus. We basically finished diatonic harmony, and the next batch of lessons should be on non-diatonic harmony. But the series overall has been a bit of a flop in terms of views so I'm not inclined to pick it up in the near future. On a positive note, there are some in-depth theory lessons coming up, including a 35 minutes video on so-called "Barry Harris chords" (that will drop on May 24). Stay tuned!
It's indeed great tutorial, but not for absolute begginners, bc hormony is not for absolute begginners. I'm late begginner/early intermedate in piano, so I think it can be useful for me. If this tutorial is too difficult for you - learn basic theory first. Scales, chords, intervals.
I find it a bit limiting to stay within the framework of only one mode all the time. Besides, harmonizing every note of a melody is excessive. The real magic happens when you create your own principle of harmonization distribution-applying it to one note here, to a group of notes there, and seamlessly slipping in chords structured over other modes.
I used to watch your lessons almost 6 years ago.
Took a long break from piano from 2020 to 2024.
I'm so glad you are still making videos.
Thanks! 2020 was my best year ever, with COVID hitting and everyone rushing to RUclips to learn how to play piano.
All my colleagues are calling me dumb because I don't understand how to harmonize a melody but with the help of this video I will show them tomorrow in exam
You are a great teacher! I played classical piano growing up but only have very basic knowledge of music theory. I can only digest music theory in bits and pieces 😅. I like how you explained the process in this video. What I’ve been looking for for a long time! Thank you!
It’s very amusing that he decided to call it simple.
This is a comedy channel after all.
It seems slightly complicated but the easiest way to think of it (for me) is that a 6th below is the same note as a 3rd above. Just figured it out. Hope that helps.
With the left hand, start with the missing note that is not played in the right hand and just repeat the notes played in the right hand ie with the 1st example @6.33 (C A). If using the F chord in left hand, play F C A, C A. If harmonising with E, play E C A, C A. So you're just repeating the notes used in the right hand in the left but with an extra note in the left.
Great lesson man. It would be cool if you could do a series where the harmonization gets progressively more and more advanced. Cheers
That's a good idea. In the meantime try this:
ruclips.net/video/9qSET19oZW8/видео.html
@@MangoldProject Please reply to me so I can find this easily
As a classical player, it is fascinating or difficult without a score in front of me! Thank you!
Wonderful demonstration, thank you. I just learned my major minor scales and diatonic chords… If I didn’t know that this would be very difficult…… I love how you also are showing it on the grand staff, That’s very realistic.❤
Thanks much, Assaf, once more, for a very useful & clear lesson.
And... thanks again for uploading on 'Yom Hol', so that we could enjoy it as well.
Blessings and all the best.
Not intentionally, mind you, but you're welcome. I always try to upload on Friday morning.
@@MangoldProject Your honesty is much appreciated as well. A man of truth is precious.
Welcome Back Mangold. I miss your brilliant piano delivery n tutorials
Its really been long since i last watched your videos here.. great u are back❤
Thanks for sticking around!
THE ONLY VIDEO I UNDERSTAND HARMONY FOR BEGINNERS LIKE ME!!! YOU ARE SO CALM AND GENTLE TEACHER. THANK YOU! I DON'T SKIP THE2 FINAL 3MINUTE-ADS. HEHEHE
There is a special place in heaven for viewers who don't skip ads :)
You are a rare type, a great teacher, easy to follow with instant visible result in my playing. Thank you!
Absolutely Brilliant. Thank you once again Mr Mangold.
Glad you enjoyed it
Thank you for this great lesson. I love it. I had to watch it three times because English is not my first language.
From Brazil.
This lesson was an absolute game changer for me 🙏🏽thank you
I play saxophone, your tutorial is profoundly instructive and elucidated much for me, in terms of harmony and how to approach same. Thank you.🎵🎶🎵🎵🎶
This is really helpful because i often find it difficult to understand how to harmonize some melodies that i created. Already search for tutorials but still not getting the core of harmonization. Even some suggest to make the left hand part first then make the melodies on right hand part, which is more difficult for me.
Thanks man for this magnificent guide
I'm new to keyboard, but as a singer, I have a feel for music. I have found your lessons inspiring and will be searching out more.
Welcome aboard!
@@MangoldProject Thanks! I enjoy your work!
I appreciate your clearly explained instruction
on this topic.👍🏽🎶
Glad it was helpful!
Awesome framework. Adding 7thz and 9ths and I am jazzing it beautifully
Wonderful tutorial Mangold, your explanation, delivery and set out is straightforward and easy to grasp. Thank you Sir. Love the use of the word Wonky - I am a funny talking Texan from Yorkshire and use if often lol.
Not sure where I picked it up - never been to either Texas or Yorkshire!
Wow this is amazingly well explained !
Would you do a followup of this method to go in more advanced harmonization, namely how to integrate 4sus, 2nd, 7th, borrowed chords. I wonder how from this method go beyond.
Thank you dear, i enjoy your teachings 😊🎉
The things I learn on RUclips...Just fabulous. Thanks
Thanks for yet another great lesson! :)
Thank you so much! You are such a blessing!
I understand this intellectually, but playing it is another lesson.
This was way too cool. And it sounds great. Merci.
Very good lesson. Thank you! One suggestion: Wish the video started the melody with the C note in your example vs starting with A. Gets confusing when you use the key of C but start with A. Feels like a mode (conceptually, in my mind)
Yeah, probably in retrospect I should've done that. If there's anything I've learned on RUclips is that if anything can be misinterpreted or misread, it will.
Absolutely wonderful sir.
I think I'd double the melody note (for my right hand).
Thanks for this wonderful video..
Hope for an advance version of this
So good. Giving it a shot now!
This is awesome, thank you!!
Thank you. It is a mind opening lesson, excellently explained!
Glad it was helpful!
Thank You! I'm going to have fun trying this out.
That was much needed, Thankyou Assaf.
You are doing wonderful job ❤️
Awesome!
Excellent explanation. Thank you very much.
GOLD! PURE GOLD!!!! Thank you so much!!!
Glad it helped!
Great lesson! Could you please do a lesson on using just the 1,4 and 5 chords to harmonise a tune !!
This help me a lot😊 thanking u
Awesome! Thank you sir
I could not agree with gourmet53 as I understand voicing at the piano - a life’s journey in extracting rich sounding chords. This demonstration also will allow me now to accompany say a you tube song by playing a harmony pitch. So for me, this has been a great “a-ha moment”. Thank you very much. A long time follower of the channel.
Glad it helped you out.
Very cool., thank you for your always excellent insight and instruction!
Glad it was helpful!
Great teacher and great jog simple and very sounding
This is a brilliant lesson. Thank you very much for this.
You're welcome!
Thanks for a lovely leddon.💖🤗
Great Video! Never heard it before. Thanks so much. 👍
Glad you enjoyed it!
Very informative and precised but not for the beginners..
Thank you for the great secret.
Thank you very much. Regards
This is awesome
Mary Had a Little Lamb suddenly becoming a tearjerker hymn 😭
In the next lesson we'll turn it into a hair metal anthem.
@@MangoldProject Mary had a Baaad Black Sheep 🤘🏼
Thanks sir.
This was very enlightening! Thanks
Thank you. I found this useful.
Glad it was helpful!
thanks master...............
New subscriber here 😊
Loved ur Videos ❤ hoping to hear more from ur updates 😀✨
Wanderfull teacher
Well, that was extremely and enlightening. I do wish you would have closed with an actual rendition of Mary Had A Little Lamb. It would have closed the book in my mind, which remains open to the question of whether or not you can really do all that fast enough to keep the melody notes from falling apart into an unrecognizable string of unrelated notes (for the record I assume you can, I just can’t hear it in my mind’s ear yet, which is a shame after a fine lesson like that). Thanks!
Did you watch the video until the very end? There IS a rendition.
Thank you, you explained it very well.
You are welcome!
Interesting. Thank you. You should add a donation option to your videos.
Thank you, this is so helpful. Subscribed ❤
Thank you, great lesson.
Conclusion:
1. Pick any note in a C major
2. Down 7,8,9 semitones
3. Omit notes not in C major
4. Left hand choose a chord that contains the two notes you in the write hand
5. Left hand start with note that wasn't in the two notes in the right hand
6. Play along the arpeggios progression and omit the 2nd and the 4th note
7. Its done
0:32 ❤ 12:55
To simplify harmonizing on the right hand just play any note that makes up the left hand chord you are playing with that note on the right. So if you are playing A on the right hand with a left hand C chord you can harmonize with a C an E or a G on the right hand. The note must come from the left chord you are playing. So even if you play Bb on the right and C chord on the left the harmony note will be C E or G. After a while it becomes automatic for the right hand to do this. Automatically when you see the chord above the note you are playing your choices are right there and after sometime and practice it’s far easier than this video . The key with this method is that the harmonizing note or notes come from the chord that is to be played with the right hand note or notes. The video teaches something more complex for students
That's actually not bad at all :) My approach ensures that you get a good amount of spacing between the notes and avoids muddiness, but yours would work too.
I love this channel.
in the demostration you use a rithm patters really complex and theres no explanation of that, i feel like you make this look really easy to have more views
Would have enjoyed you playing an example of a couple simple common melodies at the end using it. Great moderate complexity method tho.
Great, thank you very much. ❤
You're welcome 😊
Can you explain to me the theory behind why you chose the 6th &p5th intervals please?
I love the kids playing in the background,❤
Haha, at least that's one of us! There's a school across the street ... Can't tell you how many takes I had to throw out because of them :)
I was wondering about the child noise. Thought you had a soundtrack running...
Great! But can you make just a short video with more applications?
I will try!
What exercises would you recommend to get my fingers to move like that?
Hanon is always a good start (you can find free PDFs of this book of exercises on the internet - truly free, since it was written over a century ago).
BRAVO essentials...
Not to get bogged down into too much theory but I am curious if you always get intervals of 5th, 6th, 3rd, then 6th always when using this method? Thank you for sharing the method 👍
You'd have to be more specific: intervals of 5th, 6th, 3rd, then 6th between what? Do you mean between the set of five notes played? No. For example, you can play a G major with a D in the melody as B G D G D which has no 3rd interval.
@@MangoldProject thanks for explaining
Maravillosa su lección,sería tan amable de poner subtítulos al español,un saludo 😂
But I don't know Spanish ... :(
I may be wrong, but basically you are representing the use of VI interval along with the melody line, staying with the V interval along with the melody gets to sounding crazy...or is this the solution to keep from crazy sounding intervals, or clashing ?
Clashing between what?
So as I understand, you harmonize any note Z with XYZYZ, where Y is a 5 or 6 below Z, and X is the third note of the cord allowed in the scale. Is X a 5 or 6 below Y? Or not that simple? Thank you anyway.😊
That was funny
I can do quantum physics and I still can't follow you.
E.g. at 9:18 you have FCACA. X=F, Y=C, Z=A. The first rule is at 1:50. My guess is that X is about the third of the chord, bud an octave lower, so 6th below Y. Or something like that. (I like quantum phisics too.😃)
What is that device called you is tapping with them fingers. It looks easy for sure
You mean the piano? ...
I've just gotten a piano. I can only use 1 hand and was wondering if you could give me advice on how to learn?
You mean your can only operate one hand? Hmmm this requires a good local in person teacher who will rethink how playing is taught. I suggest you seem one out.
If you are running chords consecutively you create parallel fifths
So?
@@MangoldProject those are one of the big no-no's you mentioned Parrallell 5ths and octaves
@@mistermornevanderberg Did I say not to use parallel fifths? That doesn't sound like something I would say.
Wow, fantastic and so helpful in my journey to be less dependant on classical sheet music!
Very interesting ideas. May I ask you, you said you play in C major, but you did not start on C chord. You suggested to start on Dm or Am.
You can start on any note. I just started on A because I liked how it sounded. I should've likely started from C just to keep things more pedagogically sound.
you should talk about the patter rithm also, otherway is frustrating
There's only so much that can be discussed in a 15 min YT video I'm afraid.
I saw that some professionals can composing the speaking of people by harmony knowledge can you make a video about that and how thay are doing that?
Send a link here and I'll take a look.
@@MangoldProject guy moskovich
So 3rds and 5ths must be above or can harmony be 3rds and 5ths below the main melody?
A 5th switched around is gonna become a 4th, and a 3rd switched around becomes a 6th, and vice versa. Unless you switch up the notes. For example if you play an A and then a D belolw it, that's a 5th, but if you play a D and an A below it, that's a 4th. But if you switch the A for a G (or the D for an E) then you have a 5th again.
It does say beginners in the title!
That is undeniably true.
Why dont you do a Bosa Nova vershon. Ove this🤔🤔🤙
Maybe I will!
Hello. Question for you. Is there any particular reason why you decided not to say maj/min 3rd, instead saying min/maj 6th
You can do many things, but you gotta start somewhere. This is just a first lesson.
What if one doesn't want to harmonize every note in the melody? Would this method still yield sound results if every other note in the left hand melody was played as a single note, perhaps with the previous right hand harmony occasionally sustained beneath it?
Passing notes (usually non chord tones) can probably remain unharmonized, and just continue on the previous harmonization.
So the gist of this is that you are playing an inverted 5th in the right hand and the corresponding chord in the left had as a 10th.
Not sure I'd summarize it that way. The LH plays a three note arpeggio, not a 10th, and the RH sometimes plays a major or minor 6th (what's an inverted 5th? is it a perfect fourth?).
@@MangoldProject yes not inverted 5th. Perfect 4th.
These are not for the.....Beginners sir...
Learn what intervals sound like, and you'll hear the music in your head. It won't be a choice, just what works for the segments.
Wait has d jazz piano course finished
On hiatus. We basically finished diatonic harmony, and the next batch of lessons should be on non-diatonic harmony. But the series overall has been a bit of a flop in terms of views so I'm not inclined to pick it up in the near future. On a positive note, there are some in-depth theory lessons coming up, including a 35 minutes video on so-called "Barry Harris chords" (that will drop on May 24). Stay tuned!
Whats the name of that program ?
ChordieApp
It's indeed great tutorial, but not for absolute begginners, bc hormony is not for absolute begginners. I'm late begginner/early intermedate in piano, so I think it can be useful for me. If this tutorial is too difficult for you - learn basic theory first. Scales, chords, intervals.
I assume this cannot work for more complex melodies that require a non-trivial harmony
Not trivially. You won't be harmonizing any Snarky Puppy melodies this way.
At first I thought I was tripping but I clearly hear the children playing in the background
Yup! You are certainly not tripping.
I find it a bit limiting to stay within the framework of only one mode all the time. Besides, harmonizing every note of a melody is excessive. The real magic happens when you create your own principle of harmonization distribution-applying it to one note here, to a group of notes there, and seamlessly slipping in chords structured over other modes.
Well it's just a beginner's lesson! You gotta start out somewhere.
@@MangoldProject Agreed.
So in other words, just play the chord in octaves then?
No. That's not what I say.
Not simple when you get into either or... then ... after that... still interesting
I thought this was going to be a singing video 😂😂
So did I, until I remembered I can't sing. :)
@@MangoldProject 😂😂