It’s mid 2023 as I write this; I’m 78 years old and just stumbled across this video. I play just enough guitar to wish I could play better, but this has been a favorite song of mine for nearly 60 years. I greatly appreciate what you’ve done with it - not just your guitar work, but your entire arrangement of the song. Your voice is perfect for this song and the vocals are as good as any I’ve ever heard. Really well done; I’m impressed! 👏
One of the Stones’ best riffs. I didn’t know Brian wrote it. I figured all of the most memorable riffs came from Keith. There’s a lot more going on than I realized. Thanks for the tutorial.
That D chord in the solo is in the wrong position. It should be at the 7th fret. You can see Keith play it on The Ed Sullivan Show performance. Also Brian plays banjo-roll arpeggios in the chorus on the A bar chord 5th fret and D bar chord 10th fret.
Surely Brian deserved a song writing credit for his riff contribution which makes the song, Keef!! Without it what have you got ? ... nothing that special Brian R.I.P.
Philip Jones Exactly! The only thing original on this song that Keith stole from the Staple Sisters is Brian’s guitar. If anyone deserves a credit for this song it was Brian. His guitar makes the whole song the hit it was.
If only Brian had been alive to tell his side of the story... along side with his musical talent he probably would have blown half the Stones myth apart.
I agree that Brian Jones's guitar riff is a huge part of this song, but writing or playing a riff doesn't necessarily mean songwriting credit - the Kinks "You Really Got Me" is another example of no songwriting credit going to the person who played the main riff. The song "You Really Got Me" is given sole songwriting credit to Ray Davies, but Dave Davies plays the main guitar riff. You can still play "The Last Time" the way Keith is playing it - that's actually the melody. Giving Brian Jones songwriting credit is something they could have done if they wanted to but I don't think they had to.
Brian was a superb musician when it came to arrangements. Probably that was his beef with Mick and Keith, that most Jagger/Richards songs never included him in arrangements: The Last Time, 19th Nervous Breakdown, Under my Thumb, Ruby Tuesday, 2000 Light Years from Home, Paint it Black, We Love You, She’s a Rainbow, etc
You'd think Brian would have written or co-written something, wouldn't you? Makes you wonder if he got ripped off or pushed out somewhere along the way.
I like the Stones since 50 years. Now i want learn to play guitar. And this song is not so difficult to play. And this video is a very good lesson for me. Thank you Alfred !
Very nice lesson. Easy too. I am a product of the sixties. I grew up listening to The Stones, Beatles, The Byrds, Shocking Blue, Rare Earth, Iron Butterfly and a lot of other great groups. Just good ole Rock N' Roll but its all gone now and another group will never ever grace the stage like The Beatles or Stones. Don't forget Tommy James and the Shondells either. We had the best. Great groups, great music and great times.
In 1960s Britain, there was practically ONE national broadcaster (the BBC or British Broadcasting Corporation). Only TWO TV channels - BBC 1 and BBC 2. For Radio, the BBC had that mostly covered with 'Radio 1' and 'Radio 2' and Radio One played Popular music so I grew up with Elvis, Johnny Cash, the Beatles, Stax, Motown, Rolling Stones, Merseybeat bands, Frank Sinatra, American pop/Soul/R'n'B, LOTS of white bread pop, Cliff Richards, the Shadows - all very white and mostly very polite and reserved! Still, a veritable Golden age of music.
I learned this in 1965 when it came out, my guitar teacher back then taught me the signature lead part but your way is better, and he didn't know the lead guitar riffs, now the song is much more fulfilling and fun to play got it down perfect. thanks again.
N J Brian is seen playing this in multiple videos. Keith would have never thought of this riff. Satisfaction is a simple riff. This one is more complex. Plus Brian plays it on an unusual position. This can be played in an open position as well.
@@Rudhnejdbehdhdjdhebdbbdnennd not to mention honky tonk woman which is an AMAZING and complex riff as well. To play it right, literally no one was playing like that its a strong riff. Rocks off, rip this joint, angie, wild horses, stray cat blues, let it loose...so many great ones from keith
@@wiretom i mean i have myself do lot of riff like this, when i played guitar for a country songwriter girl, and it ´s easy for a musician to create such things what is difficult is to do a song which become a hit, then people use to like riffs and other parts bass or whatever but the most important is the song and there are thousand of riff like this as well chord progressions. by the way this wheel is long time before this song already invented ;-) have fun the vid is good and sure lot of people enjoy learning to play this. thanks. and sorry if i have worried you. the song is great. if you like this style of riff my fav. guitarist for that i love is The Smith ´s guitarist very cool more difficult to play but cooler. he use capo on second fret if you want train your ears and try Johnny Marr
I still prefer the early Stones' pop songs to their later stuff like Brown Sugar, etc. Probably showing my age saying this as I grew up halfway thru' the 1960s which was a good time for music!
Richard Boydston Jagger maybe! Nick Kent wrote about meeting the band early on backstage after a gig and noticing Jagger glowering at Jones sitting with two girls on his lap! Jones had fathered two children by the time he was sixteen , apparently.
A suggestion - play the the E chord at the ninth position, then the D chord at the 10th position then play the A chord at the 9th position rather than the fifth position gives it more bite and sounds like the recording.
CHECK AT 1 MIN 33 SECS ruclips.net/video/kvIIM2AZgCA/видео.html Looks like he's just doing A shape forms E and D at the 9th then 7th fret then playing A chord like the guy here does. of course your way will sound more like two guys playing.
Countless players, including me, sweated this lick for decades trying to figure out how Brian got that sound (Larry Campbell even talks about it in the recent bio series on Amazon). Now it's just click-click BAM on YT and Bob's yer uncle. Great lesson that breaks it down accurately.
THIS MAN IS TRULY THE EPITOME OF GUITAR TEACHERS!!! YOU ROCK "BOSS"!!!!! 5-SOLID GOLD STARS! & KUDO'S FOR THE LATE GREAT "BRIAN JONES" FOR MAKING IT HAPPEN!!!
Great stuff...I'm a 70 year old son of the 60s and been a solid Stones fan since I first heard You better move on...I'm not a musician but can appreciate your skills in putting that version across...Really enjoyed that..Thanks
Best version of the intro I've seen, based on the old black and white video I saw. Nobody else seems to have that right. Been playing this song in a tribute band for years. Thumbs up
OMG the amount of nit picking that's going on here. The guy showed you the most important part because it's a little bit subtle and something that could be missed and that was the hammer ons during the riff. As for the gauge of string used, the lbs per square inch applied to the bends and the underwear worn by the sound engineer - they are merely superfluous.
I'm pretty sure this is wrong. Watch Jones play it, the finger never hits the 6th string in that riff. Doesn't sound right to me. The original slides into it in a more relaxed groove
thanks for clearing that up....this makes much sense. I had to learn all these songs the old fashioned way -- by wearing out the LP and I played along with it over and over. I was tough to even find a songbook with the chords. U never got the thing 100 percent. Folks today have it easy -- but that's akin to saying: "when i was your age, I had to walk 5 miles in the snow to school......" LOL -- getting old
you teach this stuff better than anybody on youtube and the second guy is a distant second...i've been playing that wrong for 40 years, and never could figure out what i was doing wrong. i got the chords right, i was trying to do the first on the g and b strings lower on the frets. thanks.
that's a good point about having a feeling for the song. I've watched many younger folks play these classic beatles and stones songs note for note, beat for beat, but in many cases the covers lack passion. I know these folks love the songs, but they lack the soul it takes to pull them off.
For the most part, a very good tutorial. I don't know if it was for simplicity's sake, but you left out what I think is an important element. On the chorus, Brian doesn't just strum the chords. Instead he plays them as arpeggios while Keith plays his part. If you listen closely to the recording and watch live performances you can hear and see this. Otherwise, a good job overall.
they were heavily influenced by the blues.and the significant thing in blues is,,playing comlicated sounding riffs in an mostly easy way.if you learn to play the blues first you have to learn THAT.
Glad I'm not the only one that thinks this is important. Brian picking the arpeggios just adds more to this great song, and is my favorite part. Most people do not notice this, and most tutorials ignore it.
Here's a question: what about the arpeggiated part in the chorus? I hear them clearly under the acoustic on the mono and stereo mix. Something else. The sheet music doesn't show the inherent swing feel for the notes. I think it's triplet-feel shuffle time. Playing is straight sounds stiff.
Everyone gets this wrong. The riff starts on G#. Watch Brian Jones on the Ed Sullivan performance. His hand barely moves. It is hammer-on 1st finger to 2nd finger for G# to A, then 3rd finger slide from A# to B. Yes 4 notes all played in one big slur before the D is played. The rest is correct. Thanks!
Great lesson of a track I've always wanted to work out. What is strange is that it's 48 years old. 48 years old!!! But the format of Bass; Drums; Two Guitars and a Lead Singer is still used today. Yeah I know that we've had Disco; Electro; Punk; Hip Hop and countless others - but we've still got Bass; Drums; two Guitars and Lead Singer going strong.
James: We create our own recordings for 3 reasons. 1) Yes, licensing the rights for the original would make the product cost prohibitive. 2) What we are presenting is an "easy" play-along intended for the average guitar player to sound like the original without the slavish attention to minutiae that may turn off the casual fan. 3) When we create our own recordings, we are able to present on the book/DVD a player that allows the consumer to mute tracks and create custom mixes (e.g. mute vocals).
Fantastic lesson of an amazing song! PS: I have a hunch that Brian Jones plays an arpeggio style in the chorus rather than the same rhythm as Keith, don't you think?
Great tutorial. One comment on the Solo: Richards plays the D with the same fingering as the E. He slides the shape down 2 frets. Watch Live on Ed Sullivan. Otherwise perfect. Thanks.
Thank you for the time spent on this tutorial! It helped me greatly for a recent cover of this song!! It's also really interesting to hear your insight about comparing Satisfaction and The Last Time.
Very nice. And thanks for clearing up an argument going on over whether Brian or Keith was playing that riff! Great performance by Brian, as well as the others. It all came together beautifully.
thanks for that wonderfull help i always played it right,but in a ,much more ,,complcated ,,position.grippin with my indexfinger in the 2nt fret e 5 ,and the ring-mid-and pinkiefinger played the melody on the high e-h-and g side.THIS one sounds better and is WAY easier to play.its so important for me,cause its an alltime favourite from stones,and this version is much better for a single guitarist to fake 2 guitars.-again, thank you !
I always thought it was A7 in the chorus. Sure sounds like it on the record. Could just be my ears.But the solo was spot on I think better than the other YT ones. Thanks!
NinetiesYouth: "Inaccurate" is a somewhat broad brush and why are you commenting on "Jumpin' Jack Flash" on the video for "The Last Time"? If you could, please be more specific about any issues (tuning, fingerings, harmonies, etc.) you feel are inaccurate and we'll be glad to address them on that video. Please bear in mind that the "Jumpin' Jack Flash" tutorial is based on the original studio recording, not on any subsequent live performance. Thanks.
It’s mid 2023 as I write this; I’m 78 years old and just stumbled across this video. I play just enough guitar to wish I could play better, but this has been a favorite song of mine for nearly 60 years. I greatly appreciate what you’ve done with it - not just your guitar work, but your entire arrangement of the song. Your voice is perfect for this song and the vocals are as good as any I’ve ever heard. Really well done; I’m impressed! 👏
One of the Stones’ best riffs. I didn’t know Brian wrote it. I figured all of the most memorable riffs came from Keith. There’s a lot more going on than I realized. Thanks for the tutorial.
That D chord in the solo is in the wrong position. It should be at the 7th fret. You can see Keith play it on The Ed Sullivan Show performance. Also Brian plays banjo-roll arpeggios in the chorus on the A bar chord 5th fret and D bar chord 10th fret.
Surely Brian deserved a song writing credit for his riff contribution which makes the song, Keef!! Without it what have you got ? ... nothing that special Brian R.I.P.
Philip Jones Exactly! The only thing original on this song that Keith stole from the Staple Sisters is Brian’s guitar. If anyone deserves a credit for this song it was Brian. His guitar makes the whole song the hit it was.
If only Brian had been alive to tell his side of the story... along side with his musical talent he probably would have blown half the Stones myth apart.
@@Ovalvox and the Staples "stole" it from the 5 Blind Boys of Alabahma you recorded it 1 year before and released it on the Specialty label.
Brian Jones. Genius. It's been over 50 years, and I still cannot get over the loss of Brian.
I agree that Brian Jones's guitar riff is a huge part of this song, but writing or playing a riff doesn't necessarily mean songwriting credit - the Kinks "You Really Got Me" is another example of no songwriting credit going to the person who played the main riff. The song "You Really Got Me" is given sole songwriting credit to Ray Davies, but Dave Davies plays the main guitar riff. You can still play "The Last Time" the way Keith is playing it - that's actually the melody. Giving Brian Jones songwriting credit is something they could have done if they wanted to but I don't think they had to.
Brian turned common folk songs into epic hits with simple but pretty clever arrangements
Brian was a superb musician when it came to arrangements. Probably that was his beef with Mick and Keith, that most Jagger/Richards songs never included him in arrangements: The Last Time, 19th Nervous Breakdown, Under my Thumb, Ruby Tuesday, 2000 Light Years from Home, Paint it Black, We Love You, She’s a Rainbow, etc
K .
very true and very sad.. he was the true Rolling Stone
You'd think Brian would have written or co-written something, wouldn't you? Makes you wonder if he got ripped off or pushed out somewhere along the way.
Brian Jones the real rolling stone.The one that put it all together and the best of all.
Nice job breaking down this song, great player! RIP Brian We Love You!
I like the Stones since 50 years. Now i want learn to play guitar. And this song is not so difficult to play. And this video is a very good lesson for me. Thank you Alfred !
Very nice lesson. Easy too. I am a product of the sixties. I grew up listening to The Stones, Beatles, The Byrds, Shocking Blue, Rare Earth, Iron Butterfly and a lot of other great groups. Just good ole Rock N' Roll but its all gone now and another group will never ever grace the stage like The Beatles or Stones. Don't forget Tommy James and the Shondells either. We had the best. Great groups, great music and great times.
could have explained way more of finger positions with string and fret locations. but I'm sloooow
In 1960s Britain, there was practically ONE national broadcaster (the BBC or British Broadcasting Corporation). Only TWO TV channels - BBC 1 and BBC 2. For Radio, the BBC had that mostly covered with 'Radio 1' and 'Radio 2' and Radio One played Popular music so I grew up with Elvis, Johnny Cash, the Beatles, Stax, Motown, Rolling Stones, Merseybeat bands, Frank Sinatra, American pop/Soul/R'n'B, LOTS of white bread pop, Cliff Richards, the Shadows - all very white and mostly very polite and reserved! Still, a veritable Golden age of music.
Ronno4691 who cares what color the guitar player was? Just listen!
@@MVos-md3rp Dunning-Kruger effect...
I learned this in 1965 when it came out, my guitar teacher back then taught me the signature lead part but your way is better, and he didn't know the lead guitar riffs, now the song is much more fulfilling and fun to play got it down perfect. thanks again.
“A killer riff by the late great Brian Jones.”
elementary
I thought it was Keith’s riff lol
N J
Brian is seen playing this in multiple videos. Keith would have never thought of this riff. Satisfaction is a simple riff. This one is more complex. Plus Brian plays it on an unusual position. This can be played in an open position as well.
Ovalvox tbh keef came up with can’t you hear me knocking,Bitch,Shattered. I’d say it’s equal
@@Rudhnejdbehdhdjdhebdbbdnennd not to mention honky tonk woman which is an AMAZING and complex riff as well. To play it right, literally no one was playing like that its a strong riff. Rocks off, rip this joint, angie, wild horses, stray cat blues, let it loose...so many great ones from keith
Prooves how good Brian Jone's guitar playing was. Very nifty.
Mick and Keith STOLE Brian's band
stupid total, it is a very easy riff and nothing otherdworly in creative focus, keith is lot more cool and Mike Jagger is the band alone
If Jones hadn't died these buffoons would be slating him as much as they do Mick And. Keef.
@@nandoblondemobydick5438 so what if it's easy. Wheels aren't exactly difficult to build but hey , the most important invention to man .
@@wiretom i mean i have myself do lot of riff like this, when i played guitar for a country songwriter girl, and it ´s easy for a musician to create such things what is difficult is to do a song which become a hit, then people use to like riffs and other parts bass or whatever but the most important is the song and there are thousand of riff like this as well chord progressions. by the way this wheel is long time before this song already invented ;-) have fun the vid is good and sure lot of people enjoy learning to play this. thanks. and sorry if i have worried you. the song is great. if you like this style of riff my fav. guitarist for that i love is The Smith ´s guitarist very cool more difficult to play but cooler. he use capo on second fret if you want train your ears and try Johnny Marr
I still prefer the early Stones' pop songs to their later stuff like Brown Sugar, etc. Probably showing my age saying this as I grew up halfway thru' the 1960s which was a good time for music!
62-66 were their best years
+il Solano You hear the R&B influence Brain brought to the Stones.
Damn shame Jones was shafted by the band.
Jones shafted himself by ending up dead in the bottom of his swimming pool.
I always wondered if Jagger and/or Richards might have helped Brian into the pool. With both their ego's, wasn't any room left for Brian
Richard Boydston Jagger maybe! Nick Kent wrote about meeting the band early on backstage after a gig and noticing Jagger glowering at Jones sitting with two girls on his lap! Jones had fathered two children by the time he was sixteen , apparently.
You can never go wrong by using E, D, & A for a rock song!
+TheOldOakSyndicate midnight rambler with a capo and a B
I love that video of that guy teaching you how to play The Last Time by The Rolling Stones it's perfect two thumbs up and a billion stars
A suggestion - play the the E chord at the ninth position, then the D chord at the 10th position then play the A chord at the 9th position rather than the fifth position gives it more bite and sounds like the recording.
CHECK AT 1 MIN 33 SECS ruclips.net/video/kvIIM2AZgCA/видео.html Looks like he's just doing A shape forms E and D at the 9th then 7th fret then playing A chord like the guy here does. of course your way will sound more like two guys playing.
Countless players, including me, sweated this lick for decades trying to figure out how Brian got that sound (Larry Campbell even talks about it in the recent bio series on Amazon). Now it's just click-click BAM on YT and Bob's yer uncle. Great lesson that breaks it down accurately.
The bass guitar in this arrangement blew me away....👍
thank you. I've been playing that lick wrong for 44 years
Exceptional lesson: Accurate, perfectly presently, no waffle, not too fast . . . kudos!
THIS MAN IS TRULY THE EPITOME OF GUITAR TEACHERS!!! YOU ROCK "BOSS"!!!!! 5-SOLID GOLD STARS! & KUDO'S FOR THE LATE GREAT "BRIAN JONES" FOR MAKING IT HAPPEN!!!
Very good guitar lessons I must say, keep them coming love the Stones..
It truly is a awesome song! I bought "Out Of Our Heads" for Satisfaction but quickly became hooked on this gem.
1965 was a fuckin' good year for popular music, wasn't it?
Great stuff...I'm a 70 year old son of the 60s and been a solid Stones fan since I first heard You better move on...I'm not a musician but can appreciate your skills in putting that version across...Really enjoyed that..Thanks
One of my favorite songs of all time.
Best version of the intro I've seen, based on the old black and white video I saw. Nobody else seems to have that right. Been playing this song in a tribute band for years. Thumbs up
OMG the amount of nit picking that's going on here. The guy showed you the most important part because it's a little bit subtle and something that could be missed and that was the hammer ons during the riff. As for the gauge of string used, the lbs per square inch applied to the bends and the underwear worn by the sound engineer - they are merely superfluous.
You sure told them ! Take a bow .
I totally agree, but what if the sound engineer was going "KOMMANDO"? That would have affected the acoustics in the room.
@@TheDesertwalker :)
I'm pretty sure this is wrong. Watch Jones play it, the finger never hits the 6th string in that riff. Doesn't sound right to me. The original slides into it in a more relaxed groove
@@DC-js4gk I don't see this guy playing the E string?
thanks for clearing that up....this makes much sense. I had to learn all these songs the old fashioned way -- by wearing out the LP and I played along with it over and over. I was tough to even find a songbook with the chords. U never got the thing 100 percent. Folks today have it easy -- but that's akin to saying: "when i was your age, I had to walk 5 miles in the snow to school......" LOL -- getting old
I believe Brian Jones actually plays the A and D chords on the chorus as arpeggios on the 5th and the 10th fret.
It's Keith playing the arpeggios . Remember Keith ? Brian is not the only musician in the band !
Boże, jaki to jest cudowny, kojący duszę utwór, cudo po prostu, można słuchać bez końca
you teach this stuff better than anybody on youtube and the second guy is a distant second...i've been playing that wrong for 40 years, and never could figure out what i was doing wrong. i got the chords right, i was trying to do the first on the g and b strings lower on the frets. thanks.
AML, you have the right tone and phrasing for this great Rolling Stones song ! You did a great job and you make it easy to learn the song. Thanks !
He got the intro tone PERFECT! Nicely done...
At last! Someone who plays it the way Brian played it! Other than me, that is!!
One of the best lessons I have seen. Thanks.
That is just an amazing piece of playing guitar. First time I have been here.
Just great playing,but whole thing is so cool,tempo,instruments and your voice is magnific,brillant
that's a good point about having a feeling for the song. I've watched many younger folks play these classic beatles and stones songs note for note, beat for beat, but in many cases the covers lack passion. I know these folks love the songs, but they lack the soul it takes to pull them off.
Fantastic job. I booked marked your lesson. A great one by the Stones and one heck of a lesson; just like the original. Thank you.
My favorite song of the stones.
For the most part, a very good tutorial. I don't know if it was for simplicity's sake, but you left out what I think is an important element. On the chorus, Brian doesn't just strum the chords. Instead he plays them as arpeggios while Keith plays his part. If you listen closely to the recording and watch live performances you can hear and see this. Otherwise, a good job overall.
they were heavily influenced by the blues.and the significant thing in blues is,,playing comlicated sounding riffs in an mostly easy way.if you learn to play the blues first you have to learn THAT.
Glad I'm not the only one that thinks this is important. Brian picking the arpeggios just adds more to this great song, and is my favorite part. Most people do not notice this, and most tutorials ignore it.
Boy, I love that sound ! One of my top 25 of all-time.
Here's a question: what about the arpeggiated part in the chorus? I hear them clearly under the acoustic on the mono and stereo mix. Something else. The sheet music doesn't show the inherent swing feel for the notes. I think it's triplet-feel shuffle time. Playing is straight sounds stiff.
Don't know if you're still here, but thank you...One of my favs...I'm showing my age, and I don't care...Thanks again...
Fantastic, you do it better than the stones, this is one of my favourite licks of all time. Thanks.
Everyone gets this wrong. The riff starts on G#. Watch Brian Jones on the Ed Sullivan performance. His hand barely moves. It is hammer-on 1st finger to 2nd finger for G# to A, then 3rd finger slide from A# to B. Yes 4 notes all played in one big slur before the D is played. The rest is correct. Thanks!
Gotta love those Vox guitars!
What Guitar is that ? pick ups ? cheers
nice lesson...i know some people think it is too fast ...but that gives them an opportunity to go practice more to get up to level....
Great lesson of a track I've always wanted to work out. What is strange is that it's 48 years old. 48 years old!!! But the format of Bass; Drums; Two Guitars and a Lead Singer is still used today. Yeah I know that we've had Disco; Electro; Punk; Hip Hop and countless others - but we've still got Bass; Drums; two Guitars and Lead Singer going strong.
VERY WELL DONE ! ! ! Nice job guys,.... tutorial or otherwise ! ! ! The BASS is GREAT ! ! !
Just realized today that I've been playing this the wrong way for 50 yrs. Thanks so much for clarifying.
Neat..... I can't play a note but its great seeing how much genius and talent went into these popular songs.
James: We create our own recordings for 3 reasons.
1) Yes, licensing the rights for the original would make the product cost prohibitive.
2) What we are presenting is an "easy" play-along intended for the average guitar player to sound like the original without the slavish attention to minutiae that may turn off the casual fan.
3) When we create our own recordings, we are able to present on the book/DVD a player that allows the consumer to mute tracks and create custom mixes (e.g. mute vocals).
True Rock-n-Roll
Fantastic lesson of an amazing song! PS: I have a hunch that Brian Jones plays an arpeggio style in the chorus rather than the same rhythm as Keith, don't you think?
All of your lessons are just awesome! Very accurate, good explanations with a nice voice, thanks again....
Nice one! I learned this the day it was released...!!
Great tutorial. One comment on the Solo: Richards plays the D with the same fingering as the E. He slides the shape down 2 frets. Watch Live on Ed Sullivan. Otherwise perfect. Thanks.
Great lesson all aspects of the song well covered I wish they were all like this one
My all-time favorite riff.
Great Lesson I really enjoyed the layout of the slides nice job and it's always nice to revisit this song thanks for keeping it posted!
Great cover of so many people's favourite song ❤
Good lesson--Great song!!!!!! Brian Jones was vastly underated-
There's a lot more going on in the chorus than just strumming. I clearly hear Jones playing arpeggios.
It's Keith playing the arpeggios . Who said ? Keith said. Look for other covers where it's done correctly .
This is just so, so good. Thank you for this!
Very beautiful music! Excellent taken!
Funny how every time I hear AC/DC’s Have a drink on me I hear this song, is it just me?
Love the Jones stones days!🎶
Really outstanding lesson - thanks for such a complete and helpful breakdown - always wanted to play this
Thank you for the time spent on this tutorial! It helped me greatly for a recent cover of this song!! It's also really interesting to hear your insight about comparing Satisfaction and The Last Time.
I always thought Brian played banjo-style arpeggios during the chorus...?
He does. The A to D bar chords are basic outlines.
Very nice. And thanks for clearing up an argument going on over whether Brian or Keith was playing that riff! Great performance by Brian, as well as the others. It all came together beautifully.
So Brian Jones thought up the famous melodic riff and played it too?
Excellent tutorial, much better than many of the hacks who upload their own slipshod versions. Kudos!
great singing as well
thanks for that wonderfull help i always played it right,but in a ,much more ,,complcated ,,position.grippin with my indexfinger in the 2nt fret e 5 ,and the ring-mid-and pinkiefinger played the melody on the high e-h-and g side.THIS one sounds better and is WAY easier to play.its so important for me,cause its an alltime favourite from stones,and this version is much better for a single guitarist to fake 2 guitars.-again, thank you !
Really enjoyed this video, great lesson and great song!
Excellent ! I may just pick up my guitar again , thanks to you !
Awesome guitar lesson clean and perfect !!!!!!!!!
I love these tutorials... great job guys. Would love to see the bass section too
Svaka ti čast, najbolji si od svih cover-a!!!
Fantastic. I have no words. Thank you very much.
Nice lesson! Thanks! I always wondered how he played that!
Good job, but one big thing missing: The little string squeak when going from A to D!!
That just 'makes' the track...used to think it was Keith Richards' finger work but only recently discovered it was Brian Jones on the Teardrop.
great lesson!!! thank B.J
VERY VERY NICE!!!!!
great instructions
great playing
Joseph
great lesson thanks john
of allthe players this is top notch
In my opinion- the stones way is the hardest hard man Rock n roll riff of all time
Beautifully laid out and presented.
I always thought it was A7 in the chorus. Sure sounds like it on the record. Could just be my ears.But the solo was spot on I think better than the other YT ones. Thanks!
Too tremendous for words.
Thank you! I had been trying to figure that out for years!
NinetiesYouth: "Inaccurate" is a somewhat broad brush and why are you commenting on "Jumpin' Jack Flash" on the video for "The Last Time"?
If you could, please be more specific about any issues (tuning, fingerings, harmonies, etc.) you feel are inaccurate and we'll be glad to address them on that video. Please bear in mind that the "Jumpin' Jack Flash" tutorial is based on the original studio recording, not on any subsequent live performance. Thanks.
Great lesson, thank you!
Excellent job, Brilliantly Done, Cheers Mate😎
Excellent video. Great, Great!!!! Thank you!!
Very nice job Sir
Well done. I was doing one note wrong.....since 1966
Brilliant and great tutorial many thanks
Alex
Maybe now I'll nail that riff!
Nicely done, very easy to follow video. Thanks!