Thanks for watching! 🎬 If you found this tutorial helpful, don't forget to like and subscribe for more DaVinci Resolve tips and cinematic color grading techniques. Let me know in the comments if you have any questions or what you'd like to see next! Your feedback means a lot. 🙌
If possible a link to the footage you used in above video will be very helpful as I follow you through the tutorial and practice grading simultaneously. 🙌
Thank you so much for the awesome feedback! I'm thrilled to hear the content is valuable and easy to follow. Looking forward to sharing even more-stay tuned!
well done and thank you for this video; I am French and I have followed you since the beginning of your channel; you do remarkable work and you help all enthusiasts like me; I am 63 years old and I continue to learn thanks to people like you; long life to your channel and thank you again
Thank you! 🙏 I’m really glad you’re enjoying the content. A split toning tutorial sounds like a great idea-I’ll definitely add it to the list! Keep an eye out for it soon. 👍
Simply beautiful...!! 😍 Love your channel man, thank you for all the great tutorials and your time, really appreciate it...! Wanted to know is it possible to get a link for all the above footage you have used for grading practice?
im your new subscriber, this is Great Tutorials you made, would you ask my question.. what if you use ACES cct color management rather than Davinci YRGB.. cause im using ACES than when i follow your tutorial here, all the result is very different. I wanna reach color like this tutorial, but im using ACES
Is there a particular reason behind why you didnt have Kodak film print applied before you began to colorgrade your clip? You started with exposure, contrast, temperature and then later you included dehancer.
There isn’t a particular reason why I didn’t start with the Kodak film print LUT this time. Typically, I do apply it first, as it directly impacts exposure and contrast, setting the foundation for the rest of the grade. However, for this clip, I chose to go with a more linear approach initially to streamline adjustments and avoid toggling back and forth. It’s a great observation, though! Applying the LUT first generally provides a more cohesive base to build on, especially when working with Kodak profiles, as they shape the tonality early in the process.
@@MediabeeColorLab I see, thank you for explaining your thoughts process for this one. Where can I learn more about how different film profiles effect shape of the image? I have Dehancer myself and I want to understand more in detail how they work. I know that Dehancer have alot of useful information on ther blog and website.
@@fjouper You're very welcome! To dive deeper into how different film profiles affect the image's shape and feel, Dehancer’s blog and website are excellent resources, as you mentioned. They offer detailed breakdowns on each film profile, covering how aspects like contrast, grain, and tonality influence the final look. In addition to Dehancer’s resources, I'd recommend experimenting directly within Dehancer by applying various film profiles and comparing the results side by side. This hands-on approach will help you develop a more intuitive understanding of how each profile shapes the image. If you’d like more technical insights, studying film theory and color science can also be incredibly beneficial. Let me know if you have any specific questions as you explore!
Hi, the footage I use in my tutorials is all copyrighted, so I cannot share them. However, you can find high quality footage for color grading in camera manufacturers' websites. Here is one for your reference: www.red.com/sample-r3d-files
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Thanks for watching! 🎬 If you found this tutorial helpful, don't forget to like and subscribe for more DaVinci Resolve tips and cinematic color grading techniques. Let me know in the comments if you have any questions or what you'd like to see next! Your feedback means a lot. 🙌
Great tutorial but you go through your moves so fast it's really hard to follow.
If possible a link to the footage you used in above video will be very helpful as I follow you through the tutorial and practice grading simultaneously. 🙌
@@CM-ft9ep Thanks for the feedback. I will pay more attention to the pace of my videos in the future.
@@aniruddhnaik Hi, here is the link: artgrid.io/story/20535/traditional-india
What an amazing video! Great job!
@@Dehancer thank you so much 🙏❤️☺️
You post, I click, I learn… it’s that simple and thank you for the immense value.
Thank you so much for the awesome feedback! I'm thrilled to hear the content is valuable and easy to follow. Looking forward to sharing even more-stay tuned!
well done and thank you for this video; I am French and I have followed you since the beginning of your channel; you do remarkable work and you help all enthusiasts like me; I am 63 years old and I continue to learn thanks to people like you; long life to your channel and thank you again
@@dominiqueLemaitre-s8v I appreciate your support🤩. Im glad you found my tutorials helpful👍.
You now what you do👍👍
Thank you!
جدا رائع طرقتك سهلة في العمل
Glad you found it helpful. Sukran!
Nice tutorial..!❤️
Thank you ❤
please could you make a toturial about split toning !!!!! genius bro~~
Thank you! 🙏 I’m really glad you’re enjoying the content. A split toning tutorial sounds like a great idea-I’ll definitely add it to the list! Keep an eye out for it soon. 👍
Why is it free to watch this masterpiece 😂
Simply beautiful...!! 😍 Love your channel man, thank you for all the great tutorials and your time, really appreciate it...! Wanted to know is it possible to get a link for all the above footage you have used for grading practice?
Thanks so much for your kind words! The clips are from Artgrid.io
Here is the link: artgrid.io/story/20535/traditional-india
im your new subscriber, this is Great Tutorials you made, would you ask my question.. what if you use ACES cct color management rather than Davinci YRGB.. cause im using ACES than when i follow your tutorial here, all the result is very different. I wanna reach color like this tutorial, but im using ACES
Thank you for your kind words. I noted your request. I will try to address it in future tutorials. Stay tuned. Best,
Is there a particular reason behind why you didnt have Kodak film print applied before you began to colorgrade your clip? You started with exposure, contrast, temperature and then later you included dehancer.
There isn’t a particular reason why I didn’t start with the Kodak film print LUT this time. Typically, I do apply it first, as it directly impacts exposure and contrast, setting the foundation for the rest of the grade. However, for this clip, I chose to go with a more linear approach initially to streamline adjustments and avoid toggling back and forth.
It’s a great observation, though! Applying the LUT first generally provides a more cohesive base to build on, especially when working with Kodak profiles, as they shape the tonality early in the process.
@@MediabeeColorLab I see, thank you for explaining your thoughts process for this one. Where can I learn more about how different film profiles effect shape of the image? I have Dehancer myself and I want to understand more in detail how they work. I know that Dehancer have alot of useful information on ther blog and website.
@@fjouper You're very welcome! To dive deeper into how different film profiles affect the image's shape and feel, Dehancer’s blog and website are excellent resources, as you mentioned. They offer detailed breakdowns on each film profile, covering how aspects like contrast, grain, and tonality influence the final look.
In addition to Dehancer’s resources, I'd recommend experimenting directly within Dehancer by applying various film profiles and comparing the results side by side. This hands-on approach will help you develop a more intuitive understanding of how each profile shapes the image.
If you’d like more technical insights, studying film theory and color science can also be incredibly beneficial. Let me know if you have any specific questions as you explore!
nice one
@@traveler360 🧡🙏
I can't find the color slice in my panel, please help me 🙏🏾
Please make sure you have the latest version of Davinci Resolve, i.e., 19.
@@MediabeeColorLab Thank you!! I'm using Resolve 18 🫠
Can I ask for a sample video from you to study? I hope you agree and send it to me
Hi, the footage I use in my tutorials is all copyrighted, so I cannot share them. However, you can find high quality footage for color grading in camera manufacturers' websites. Here is one for your reference: www.red.com/sample-r3d-files