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Thank you so much for your support!

❣👌

Thanks for your support!

Thank you! Please stay tuned for future tutorials ;)

@@nadernefzi994 lens info has not been provided

@@gsmartcreation5655 thank you for your support ☺️

@@MediabeeColorLab I should thank you. You always post what I want to see.

@ 🙏❤️

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@@Star-Trekking thank! It is Blackmagic footage but shot in Apple ProRes format. I will do a color grading tutorial for BRAW footage in the coming weeks. Best,

@MediabeeColorLab Thank you very much. I will wait.

Noted. Thanks

You can purchase and download it here: artgrid.io/story/29333/beautiful-elderly-woman

Noted. Thanks for the idea.

Thanks for sharing your idea!

Yes, she is ☺

@MediabeeColorLab the eyes, the smile, the lips, the nose, so nice! Please It Is possibile a video for color grading braw?

@@Star-Trekking Noted. Thanks!

Thank you for your kind words. I noted your request. I will try to address it in future tutorials. Stay tuned. Best,

@@Dehancer thank you so much 🙏❤️☺️

@@muwanguziroland8986 ruclips.net/video/Y102S_MuGL4/видео.htmlsi=87NC3zhl7ByQU5vt

Thank you 🙏

Hi, thanks! Moving from Rec.709 to DCI-P3 with a trim pass is an interesting approach, though typically the process goes the other way: colorists often start with a DCI-P3 grade (or another wider color space) and then adapt it to Rec.709. This approach preserves as much color fidelity as possible from the start. If you’re working in Rec.709 and need to make final adjustments in DCI-P3, you can try adding a Color Space Transform (CST) node at the end of your node tree in DaVinci Resolve. From there, make any necessary tweaks to adjust for the DCI-P3 look, keeping in mind that moving from a narrower to a wider color space may limit the color expansion. I appreciate the suggestion and will keep it in mind as I plan future tutorials. Thanks for tuning in, and I hope this helps!

Noted. Thanks!!

​@@MediabeeColorLab sir i have a footage , my own sony a7Miii camera . In sony s- log3 and sony s-Gamut3.cine picture profile ..so I share the footage in your mail for cinematic colour Grading (orange and teal if possible) tutorial?

@@ashokdhar7216 While I appreciate you wanting to share your footage, I’m currently focused on producing tutorials that cater to a broader audience and general techniques that can be applied to any footage, rather than grading individual files of my subscribers. Thanks for your understanding.

​@@MediabeeColorLab thak you sir...!❤

Noted. Thanks!!

There isn’t a particular reason why I didn’t start with the Kodak film print LUT this time. Typically, I do apply it first, as it directly impacts exposure and contrast, setting the foundation for the rest of the grade. However, for this clip, I chose to go with a more linear approach initially to streamline adjustments and avoid toggling back and forth. It’s a great observation, though! Applying the LUT first generally provides a more cohesive base to build on, especially when working with Kodak profiles, as they shape the tonality early in the process.

​@@MediabeeColorLab I see, thank you for explaining your thoughts process for this one. Where can I learn more about how different film profiles effect shape of the image? I have Dehancer myself and I want to understand more in detail how they work. I know that Dehancer have alot of useful information on ther blog and website.

@@fjouper You're very welcome! To dive deeper into how different film profiles affect the image's shape and feel, Dehancer’s blog and website are excellent resources, as you mentioned. They offer detailed breakdowns on each film profile, covering how aspects like contrast, grain, and tonality influence the final look. In addition to Dehancer’s resources, I'd recommend experimenting directly within Dehancer by applying various film profiles and comparing the results side by side. This hands-on approach will help you develop a more intuitive understanding of how each profile shapes the image. If you’d like more technical insights, studying film theory and color science can also be incredibly beneficial. Let me know if you have any specific questions as you explore!

Could you please clarify what you mean by "beds"? Thanks

Thanks so much for the support! I’m glad you’re enjoying the tutorial. When using the DaVinci Film Look 2383 D60, if the greens are shifting to blue, it’s often because the color space isn’t set up to match the 2383 LUT’s intended workflow. This LUT is designed to work in the Cineon Film Log color space, so before applying it, try using a Color Space Transform (CST) node to convert your footage to Cineon Film Log. This should help retain the correct color balance, including the greens. Give it a try, and let me know how it works out!

Thank you for your comment!

Thank you! Glad to hear that!

Please feel free to check out my other tutorials in my RUclips channel. I have specific ones where I work with Davinci Resolve's built-in tools only.

Thank you for your kind words, Richard! The reason I set the output of the Color Space Transform (CST) to 10,000 nits is to avoid any pre-applied tone curve in the highlights and shadows before I even start grading, giving me more control over the contrast from scratch. However, if you find that setting the output to 100 nits works better for your workflow, especially with sRGB gamma, that makes sense for achieving a more balanced look in SDR. It’s great that you’re adjusting settings to fit your specific needs, especially when working with Magic Lantern RAW files. Each setup can vary, so experimenting like this is the best way to find what works for your footage and display environment.

@ thank’s for reply again. Good to know about these settings. I was always wondering why. Now it is clear to me. So I continue with these settings. That’s the good thing about Davinci, lots of possibilities but that’s also confusing. Thank’s again and keep on going. Cheers Richard

Thank you for watching!

Thank you!

Please i need your help

@@clemsmedia8410 Hi, please let me know your question.

@@kiranraj5395 ❤️🙏

Please make sure you have the latest version of Davinci Resolve, i.e., 19.

@@MediabeeColorLab Thank you!! I'm using Resolve 18 🫠

Thank you so much for the compliment! You’re absolutely right-lighting, composition, and location all play a huge role in achieving the overall look. The color grade brings it all together, but the foundation starts with a well-thought-out setup. Even subtle lighting changes or finding the right setting can make a big difference. Appreciate you noticing that part of the process!

I'm so glad you found it helpful! Welcome back to Resolve-it can feel like a lot to dive into again, but once you get the hang of it, it's incredibly rewarding. Let me know if you have any questions along the way. Happy grading!

Thank you! 🙏 I’m really glad you’re enjoying the content. A split toning tutorial sounds like a great idea-I’ll definitely add it to the list! Keep an eye out for it soon. 👍

Thank you so much for the awesome feedback! I'm thrilled to hear the content is valuable and easy to follow. Looking forward to sharing even more-stay tuned!

@@richardrem ❤️🙏

@@MediabeeColorLab Actually my big problem of color grading is what to do. Where and what should I enhance. Is it color, is it mood, or what ever. I look at the picture and I know something is missing but difficult to find out what. So I start playing but next day I think this is robbish. I think this is the main problem of many people what to do. You have any suggestions. Or is it just experience. Thank's again for your tutorials. The colors you create are excellent. Greetings Richard

@@richardrem Hey Richard, I completely understand where you're coming from-that feeling of knowing something's missing but not quite being able to put your finger on it is something every colorist encounters. Honestly, we’ve all been there, and it’s a natural part of the learning curve in color grading. My approach has always been to start with the story or mood that the shot is meant to convey. Is it supposed to feel warm and inviting, or cold and distant? Once you have a sense of the mood, you can start identifying what elements to enhance-maybe it's the shadows for a darker tone, or the highlights to bring in warmth. From there, I usually go for balanced skin tones as a foundation and gradually introduce contrast or color shifts to support the mood. Experience does play a role, but so does trusting your instinct and training your eye to see the subtle changes that impact the mood. And remember, walking away and coming back to your work with fresh eyes can make a huge difference. It’s all part of the process, so don’t be too hard on yourself! Thanks for your kind words!

@@MediabeeColorLab ​​⁠Wow, that’s what I call being interested in somebody’s problem. Great explanation. And what concerns me a very useful information. I will follow your advise. Thats a great idea what mood do I want. Most off the time I do not care if it looks like film. I just want to actieve Nice warm deep colors. Your tutorials did help me a lot. Your idea of grading movies are brilliant. Thank you so much for this huge explanation. I look forward for your next tutorial. Greetings from the Netherlands Richard.

@@richardrem Thank you, Richard! I'm really glad the advice resonated with you, and it’s awesome to hear you’re finding the tutorials helpful. Keep going with those warm, deep colors! Greetings back to the Netherlands, and stay tuned for more.

I don't have the lens information, as I am not the cinematographer, but it is RED footage.

Great question. I am using Asus ProArt Display OLED PA32DC for my display monitor: shop.asus.com/us/90lm06n0-b01ib0-proart-display-oled-pa32dc.html?srsltid=AfmBOooB_LC3PC0ecuiwjiFRctc2M_RahPPduprP_6mU675HKP1aA7t8VAg And Mac Studio Ultra M2 www.bhphotovideo.com/c/product/1771042-REG/apple_msm2max_22_mac_studio_64gb_4tb.html/?ap=y&ap=y&smp=y&smp=y&lsft=BI%3A514&gad_source=1&gclid=Cj0KCQjwveK4BhD4ARIsAKy6pMLu65ZZ6WhqI07ZURPrpW69vEXIoa3Se9IFxvr_X6kIaTYux9dtCZQaAvfIEALw_wcB

Maybe I should make a video showing my setup. Thanks for the idea.

@@IamFahadK thank 🙇

@@traveler360 🧡🙏

Glad you found it helpful. Sukran!

Thanks so much for your kind words! The clips are from Artgrid.io Here is the link: artgrid.io/story/20535/traditional-india