@@MediabeeColorLab sir i have a footage , my own sony a7Miii camera . In sony s- log3 and sony s-Gamut3.cine picture profile ..so I share the footage in your mail for cinematic colour Grading (orange and teal if possible) tutorial?
@@ashokdhar7216 While I appreciate you wanting to share your footage, I’m currently focused on producing tutorials that cater to a broader audience and general techniques that can be applied to any footage, rather than grading individual files of my subscribers. Thanks for your understanding.
Hi, thanks! Moving from Rec.709 to DCI-P3 with a trim pass is an interesting approach, though typically the process goes the other way: colorists often start with a DCI-P3 grade (or another wider color space) and then adapt it to Rec.709. This approach preserves as much color fidelity as possible from the start. If you’re working in Rec.709 and need to make final adjustments in DCI-P3, you can try adding a Color Space Transform (CST) node at the end of your node tree in DaVinci Resolve. From there, make any necessary tweaks to adjust for the DCI-P3 look, keeping in mind that moving from a narrower to a wider color space may limit the color expansion. I appreciate the suggestion and will keep it in mind as I plan future tutorials. Thanks for tuning in, and I hope this helps!
🙌😍🙌
please upload a color grading tutorials for blackmagic cinema 4k
Noted. Thanks for the idea.
Please upload a colour Grading tutorial for sony s-log3 footage
Noted. Thanks!!
@@MediabeeColorLab sir i have a footage , my own sony a7Miii camera . In sony s- log3 and sony s-Gamut3.cine picture profile ..so I share the footage in your mail for cinematic colour Grading (orange and teal if possible) tutorial?
@@ashokdhar7216 While I appreciate you wanting to share your footage, I’m currently focused on producing tutorials that cater to a broader audience and general techniques that can be applied to any footage, rather than grading individual files of my subscribers. Thanks for your understanding.
@@MediabeeColorLab thak you sir...!❤
Upload The Tutorial Video for Color Grading Apple Log in Both Ways of with ACES and with DWG PLEASE ❗️❗️❗️❗️❗️❗️❗️
Noted. Thanks!!
Plz can make tutorial on how to trim pass if I am grading in rec 709 I have to final adjustment in dci p3
Hi, thanks! Moving from Rec.709 to DCI-P3 with a trim pass is an interesting approach, though typically the process goes the other way: colorists often start with a DCI-P3 grade (or another wider color space) and then adapt it to Rec.709. This approach preserves as much color fidelity as possible from the start.
If you’re working in Rec.709 and need to make final adjustments in DCI-P3, you can try adding a Color Space Transform (CST) node at the end of your node tree in DaVinci Resolve. From there, make any necessary tweaks to adjust for the DCI-P3 look, keeping in mind that moving from a narrower to a wider color space may limit the color expansion.
I appreciate the suggestion and will keep it in mind as I plan future tutorials. Thanks for tuning in, and I hope this helps!