Thanks for watching! 🎥 If you enjoyed this tutorial, don’t forget to like, subscribe, and hit the bell icon for more in-depth DaVinci Resolve tips and tricks. Have questions or want to see something specific in future videos? Drop a comment below-I’d love to hear your thoughts! 🙌 #DaVinciResolve #FilmLookCreator #CinematicGrading
I'm so glad you found it helpful! Welcome back to Resolve-it can feel like a lot to dive into again, but once you get the hang of it, it's incredibly rewarding. Let me know if you have any questions along the way. Happy grading!
Thank you! I'm thrilled to hear that it helped simplify the color grading process for you. It's great to share what I've learned, and I'm glad you found it useful. If you have any more questions or need tips, feel free to ask!
Absolutely loved it! Thank you so much..i always wanted to create this type of high contrast/bleach bypass kinda look and you showed to so simply..thank you!
@@ihassan1001 Thank you so much! I’m happy to hear that you loved it and that the tutorial helped you achieve that high contrast/bleach bypass look you’ve been aiming for.
This is one of the best tutorials on film look. I literally love it. One more thing if you could explain how to set color transform if the footage is rec709 already?
Bro I love your tutorial , however I having a little issue , when apply davinci film look 2383 d60 , my greens become blue , how can I resolve this , please
Thanks so much for the support! I’m glad you’re enjoying the tutorial. When using the DaVinci Film Look 2383 D60, if the greens are shifting to blue, it’s often because the color space isn’t set up to match the 2383 LUT’s intended workflow. This LUT is designed to work in the Cineon Film Log color space, so before applying it, try using a Color Space Transform (CST) node to convert your footage to Cineon Film Log. This should help retain the correct color balance, including the greens. Give it a try, and let me know how it works out!
Thanks for this amazing tutorial, can I ask you how you set your Project settings > Color Management > Color science - Timeline Color Space - Output color space... Thank you
Hi, sure. Color Science: DaVinci YRGB Use Separate Color Space and Gamma (Unchecked) Timeline Color Space: Davinci WG/Intermediate Output Color Space: Rec 709 Gamma 2.4 All the best,
Thanks for the great feedback! While I don’t have the exact powergrade from this tutorial, you can download a similar one from my website here (Link to powergrade at the top of the page): www.mediabeecolorlab.com/blog Hope it helps!
Amazing grade and tutorial! How would the result differ if you put the lut before the output cst? If you for example work in a color managed environment. Thx! 🙏🏼
Thank you! Great question. The KODAK 2383 film look LUT is designed to work in Cineon Film Log, while the working color space before the CST is DaVinci Wide Gamut. Placing the LUT before the output CST wouldn’t give the desired results because of the mismatch in color spaces. Always best to apply it after the CST to maintain the correct look.
an explanation as to why you put the film look creator module in between the CSTs when the majority of colorists i've seen put it as the last node of the timeline (i.e. after the CST to Rec709). i'd imagine it's because you want to grade and make the changes within the widest color space (davinci wide gamut), it just seems you can watch 100 videos about this stuff, and everyone has a different technique. also, info as to how you have your color managment settings set up would be informative. thanks.
Absolutely, the placement of the Film Look Creator between CSTs rather than at the end allows for grading in DaVinci's Wide Gamut, utilizing its rich color information before compressing to Rec 709. This method gives more nuanced control over the film look in a broader color space. My settings are as follows: Color Science: DaVinci YRGB Timeline Color Space: DaVinci WG/Intermediate Output Color Space: Rec 709 Gamma 2.4 Thanks!
You need Davinci Resolve 19. If it is already installed, go to Help button at the top of DR19 and click on Davinci Control Panels Setup. This will open the app that I believe you are referring to.
there is no difference between using Dehancer or Film look creator. Both of them are nodes and basically do the same thing. Though Dehancer does it better. Using FLC doesn't make it easier or different.
@@JesúsYOración Haha, that’s the best compliment I’ve received all day! 😅 Thanks so much for the kind words, and I’m glad you enjoyed the work. Always happy to share-stay tuned for more!
Great question! Using Wide Gamut intermediate under a color-managed timeline is indeed a powerful approach, especially for maintaining color fidelity across various workflows. It's particularly effective in environments where you're aiming for consistency in color space handling. However, CST (Color Space Transform) can offer more control and flexibility in certain scenarios, allowing for specific adjustments when converting between different color spaces. It really comes down to the specific needs of your project and your workflow preferences. Both methods have their place, and it's valuable to understand when to use one over the other.
In the input color space, there's no any Apple or Apple log option, I recorded my clips on my IPhone, log profile, with the bm camera app. What do i do? Thanks
Great question! For footage shot in a log profile with the BM camera app on your iPhone, a straightforward solution is to use a LUT specifically designed for converting Apple log footage to Rec.709. There’s one by ONE LUT that costs $25, which has received good reviews, though I haven't used it myself. You may find this article helpful: www.newsshooter.com/2024/01/26/one-lut-for-apple-log/ If you prefer a free alternative, you can try using a generic log input option like 'Rec.709' in DaVinci Resolve, or experiment with different profiles that closely resemble the gamma curve and color science of your footage. This can be a great way to get started without any additional costs. Feel free to reach out if you need further assistance or have more questions. Happy grading!
Thanks for pointing that out, Karim! You’re absolutely right-it’s important to note that this feature is only available in the Studio version. I’ll make sure to mention that in future tutorials.
Thanks for watching! I understand it might seem complex at first, but keep practicing-it’ll get easier with time. You’re on the right track, and I’m here if you need any help along the way! Keep going, you'll get better!
Incorporating music while discussing technical details is definitely a personal choice. I find that a bit of background music can enhance the viewing experience for some, though I understand it might not be everyone's preference. Thanks for your feedback-I appreciate hearing different perspectives!
Thanks for checking out the video! I appreciate your enthusiasm, but we try to keep the discussion here focused on the content of the video. If you have tips or feedback related to this specific video, feel free to share them! For promoting other content, it’s best to use the appropriate platforms. Thanks for understanding! That being said, since you already shared this comment here, let me share my opinion, as well. while AI tools can be helpful, they can't replace the expertise and creativity of a professional colorist. One key aspect AI struggles with is consistency-ensuring that the look and feel are uniform across different scenes, especially when lighting and conditions vary. A skilled colorist knows how to maintain that consistency while enhancing the story, mood, and emotions in a way that only a human touch can achieve. AI simply can't match that level of precision and intuition.
Thanks for watching! 🎥 If you enjoyed this tutorial, don’t forget to like, subscribe, and hit the bell icon for more in-depth DaVinci Resolve tips and tricks. Have questions or want to see something specific in future videos? Drop a comment below-I’d love to hear your thoughts! 🙌 #DaVinciResolve #FilmLookCreator #CinematicGrading
that was great, thank you!! Haven't touched revolve in years and was really lost. This helps a lot!
I'm so glad you found it helpful! Welcome back to Resolve-it can feel like a lot to dive into again, but once you get the hang of it, it's incredibly rewarding. Let me know if you have any questions along the way. Happy grading!
maybe the best tutorial I have ever seen on this topic!
@@herbertcampos8377 thanks so much! Glad to hear that ☺️
Great tutorial explaining bit by bit thank you
Thank you for your comment!
Fantastic! The most straightforward tutorials that I've seen. Thank you
So glad to hear that. Thank you!!
thanks for the simplified tuorial , iam hooked up to these short straight to the point tutorials !
Thanks so much! I’m glad you’re enjoying the simplified, straight-to-the-point tutorials. I’ll keep them coming! Your support means a lot!
definitely needed this 😁👍🏾
@@hoodaffairstv ❤️👍
Oh my goodness, it’s the best tuts in RUclips that I’ve seen so far ❤ thanks for sharing your knowledge ❤
Thanks a lot! Glad it was helpful.
That was super informative. Complex but very easy to follow!! Thank you for that..🙏🏾
Thank you! I’m glad you found it informative and easy to follow. Appreciate the support! 🙏🏾
This is amazing! This simplifies a lot the color grading process… Thanks for sharing your knowledge.
Thank you! I'm thrilled to hear that it helped simplify the color grading process for you. It's great to share what I've learned, and I'm glad you found it useful. If you have any more questions or need tips, feel free to ask!
I'm so happy I stumbled upon your channel! Thank you for sharing your knowledge. Bless you!
Thank you so much! I'm really glad you found the channel and that you’re enjoying the content. Your support means a lot. Bless you too!
Very nice tutorial. Watched it two times already. Thank you 🙌
Awesome! Glad it was helpful! Thanks
Thank you again for a wonderful tutorial 🔥
Glad you liked it! Thanks for the comment!
You are the best. Thank you so much for sharing and also simplifying the tutorial. 👍🙏👏❤
@@nollybosttv Thank you so much for the feedback. You are very welcome and thanks for watching👍
Thanks for video dude 🤗
Thank you for watching!
Absolutely loved it! Thank you so much..i always wanted to create this type of high contrast/bleach bypass kinda look and you showed to so simply..thank you!
@@ihassan1001 Thank you so much! I’m happy to hear that you loved it and that the tutorial helped you achieve that high contrast/bleach bypass look you’ve been aiming for.
@@MediabeeColorLab can't thank you enough...this will help me a lot in my next project!
@@ihassan1001 glad to hear that!
Such a great work, thanks for sharing your knowledge...❤❤
@@gaMingclipZ-ke2gb thanks so much, glad to hear that!
wow..excellent!
@@gabequezada2066 🙏
Thank you very much, it was very useful 🎉 I hope version 19 goes live soon
I’m glad you found it useful! I’m also eagerly waiting for the official release-shouldn’t be too long now! 🎉🎬
I've watched many tutorials, this one is the best! Thanks a lot! I will save this on my favorites; from now on, this will be my starting point! 🫶
Glad it was helpful! Thank you very much!
Thank you 🙏🏼
☺
This is one of the best tutorials on film look. I literally love it.
One more thing if you could explain how to set color transform if the footage is rec709 already?
Thanks! You can choose Rec 709 for both input color space and input gamma... the rest would be the same as I show in my tutorials.
Now that’s 🔥🔥🔥🔥
Thanks!
Sooo Good Thank You Thank You
@@RN-MediaProNV glad you liked it, thanks
❤❤❤@@MediabeeColorLab
Bro I love your tutorial , however I having a little issue , when apply davinci film look 2383 d60 , my greens become blue , how can I resolve this , please
Thanks so much for the support! I’m glad you’re enjoying the tutorial.
When using the DaVinci Film Look 2383 D60, if the greens are shifting to blue, it’s often because the color space isn’t set up to match the 2383 LUT’s intended workflow. This LUT is designed to work in the Cineon Film Log color space, so before applying it, try using a Color Space Transform (CST) node to convert your footage to Cineon Film Log. This should help retain the correct color balance, including the greens.
Give it a try, and let me know how it works out!
Thanks for this amazing tutorial, can I ask you how you set your Project settings > Color Management > Color science - Timeline Color Space - Output color space... Thank you
Hi, sure.
Color Science: DaVinci YRGB
Use Separate Color Space and Gamma (Unchecked)
Timeline Color Space: Davinci WG/Intermediate
Output Color Space: Rec 709 Gamma 2.4
All the best,
@@MediabeeColorLab Thank you so much...
COOL !!!
Thank you!
Is there a way to save this node tree to use on other projects also so I dont have to remake every time? Thanks and amazing look!!!
Thanks for the great feedback! While I don’t have the exact powergrade from this tutorial, you can download a similar one from my website here (Link to powergrade at the top of the page): www.mediabeecolorlab.com/blog
Hope it helps!
@@MediabeeColorLab Thanks!
Hi , great video , which camera was used to film this video ? Thxs
Thanks very much, DJI zenmuse camera
Amazing grade and tutorial! How would the result differ if you put the lut before the output cst? If you for example work in a color managed environment. Thx! 🙏🏼
Thank you! Great question. The KODAK 2383 film look LUT is designed to work in Cineon Film Log, while the working color space before the CST is DaVinci Wide Gamut. Placing the LUT before the output CST wouldn’t give the desired results because of the mismatch in color spaces. Always best to apply it after the CST to maintain the correct look.
an explanation as to why you put the film look creator module in between the CSTs when the majority of colorists i've seen put it as the last node of the timeline (i.e. after the CST to Rec709). i'd imagine it's because you want to grade and make the changes within the widest color space (davinci wide gamut), it just seems you can watch 100 videos about this stuff, and everyone has a different technique. also, info as to how you have your color managment settings set up would be informative. thanks.
Absolutely, the placement of the Film Look Creator between CSTs rather than at the end allows for grading in DaVinci's Wide Gamut, utilizing its rich color information before compressing to Rec 709. This method gives more nuanced control over the film look in a broader color space.
My settings are as follows:
Color Science: DaVinci YRGB
Timeline Color Space: DaVinci WG/Intermediate
Output Color Space: Rec 709 Gamma 2.4
Thanks!
Makes sense to me!
which software to download to use blackmagic micro color panel ? kindly share a link.
You need Davinci Resolve 19. If it is already installed, go to Help button at the top of DR19 and click on Davinci Control Panels Setup. This will open the app that I believe you are referring to.
Have u tried dehancer? What’s your opinion on it?
Yes, Dehancer is an essential part of my workflow and I will be posting a tutorial on that later this week. Please stay tuned. Thank you.
@@MediabeeColorLab 10q sir
@@DeyanIlievDoctora ruclips.net/video/e-jmUi52InQ/видео.htmlsi=HtWY7tqB_eEqlBrf
Here is the Dehancer Pro tutorial ☺
@@MediabeeColorLab magic, thank u 🙏
Whats the font you used on titles?
Good question. I cannot remember it off the top of my head. Let me see if I can find it.
there is no difference between using Dehancer or Film look creator. Both of them are nodes and basically do the same thing. Though Dehancer does it better. Using FLC doesn't make it easier or different.
Thanks for sharing your idea!
Which setting (color transform) should be used for Gopro Hero 10?
I would use Rec 709 for both Input Color Space and Input Gamma. Have fun grading!
great
Thank you!
Hi, love the tutorial...but I can't find Film Look Creator In my Davinci .. I do have the studio version. Does anyone know a fix?
@@YouVsYouWorld hi, thanks. Did you upgrade it to 19?
Can you adopt me? Great work, thank you for sharing 😅
@@JesúsYOración Haha, that’s the best compliment I’ve received all day! 😅 Thanks so much for the kind words, and I’m glad you enjoyed the work. Always happy to share-stay tuned for more!
Why do CST when you can just do Wide Gamut intermediate under color managed timeline?
Great question! Using Wide Gamut intermediate under a color-managed timeline is indeed a powerful approach, especially for maintaining color fidelity across various workflows. It's particularly effective in environments where you're aiming for consistency in color space handling. However, CST (Color Space Transform) can offer more control and flexibility in certain scenarios, allowing for specific adjustments when converting between different color spaces. It really comes down to the specific needs of your project and your workflow preferences. Both methods have their place, and it's valuable to understand when to use one over the other.
In the input color space, there's no any Apple or Apple log option, I recorded my clips on my IPhone, log profile, with the bm camera app. What do i do? Thanks
Great question! For footage shot in a log profile with the BM camera app on your iPhone, a straightforward solution is to use a LUT specifically designed for converting Apple log footage to Rec.709. There’s one by ONE LUT that costs $25, which has received good reviews, though I haven't used it myself. You may find this article helpful: www.newsshooter.com/2024/01/26/one-lut-for-apple-log/
If you prefer a free alternative, you can try using a generic log input option like 'Rec.709' in DaVinci Resolve, or experiment with different profiles that closely resemble the gamma curve and color science of your footage. This can be a great way to get started without any additional costs.
Feel free to reach out if you need further assistance or have more questions. Happy grading!
@@MediabeeColorLab thank you very much
You should mention that it is only available in the STUDIO version.
Thanks for pointing that out, Karim! You’re absolutely right-it’s important to note that this feature is only available in the Studio version. I’ll make sure to mention that in future tutorials.
I don't see the "core look" dropdown option.
Please try turning on the film look blend slider right above it. It should enable the core look options.
Nice...but not simple.
Thanks for watching! I understand it might seem complex at first, but keep practicing-it’ll get easier with time. You’re on the right track, and I’m here if you need any help along the way! Keep going, you'll get better!
Pointless having music while talking. 👎🏼
Incorporating music while discussing technical details is definitely a personal choice. I find that a bit of background music can enhance the viewing experience for some, though I understand it might not be everyone's preference. Thanks for your feedback-I appreciate hearing different perspectives!
Color grade your videos with ai | premiere pro tutorial in hindi
ruclips.net/video/pfhSJ6WpnI8/видео.html
Thanks for checking out the video! I appreciate your enthusiasm, but we try to keep the discussion here focused on the content of the video. If you have tips or feedback related to this specific video, feel free to share them! For promoting other content, it’s best to use the appropriate platforms. Thanks for understanding!
That being said, since you already shared this comment here, let me share my opinion, as well. while AI tools can be helpful, they can't replace the expertise and creativity of a professional colorist. One key aspect AI struggles with is consistency-ensuring that the look and feel are uniform across different scenes, especially when lighting and conditions vary. A skilled colorist knows how to maintain that consistency while enhancing the story, mood, and emotions in a way that only a human touch can achieve. AI simply can't match that level of precision and intuition.