Glad to hear it. I actually have a very updated video of this, which I think is better. If you'd rather watch that one. But either way, thanks for watching and I appreciate the kind words.
I liked this a lot! I've just spent loads of money on luts, and they suck 😂 but, this video just goes to show you don't need them when you can do it like this. Great video, man!
Man I love you’re sense of making videos. Taking the negative comments or comments that want a change and making a whole video with an awesome tutorial structure to teach us how to make awesome vids from that. Keep it up man.
Stoked to hear this from you. My goal is always to share what I know and when I learn more, regardless of how I learned it. Plus it’s a new idea for a new video which is always welcomed. Thanks for watching! And for this comment.
love the chill atmosphere in the video! very insightful and informative. i gotta mention how brilliant the intro was from not only a creative aspect with the almost top down shot but how strategic it was in making the most easily skipped part of any video into one of the most visually engaging. great work again bro‼️
Thank you man. I find my average retention for videos is low due to my intros. So I’ve been trying to figure out how to keep them engaging. Especially for a video of this length.
@@Trentorials that’s interesting, poppy intros are always fun (and you can always skip them) so thats weird people see an intro and then dip right away. i find my retention dips towards the middle or just right before it.
Great video Trent! One recommendation I have is to use the Hue vs. Saturation tool in the Curves settings when you are color correcting. This tool allows you to individually adjust colors in your video that may be too saturated or desaturated. To use it, click the eyedropper tool next to the enable/disable button and click on the color you want to adjust. Then, adjust the middle dot on the graph, typically moving it up or down the Y axis.
Yes, hi. I am aware of the tool, and it’s helpful but it has it’s limitations and can easily be overdone and cause tearing; I always advise people against it as a first option
i've been following your tutorials and i love your ability to come back to things you did in the past to add more elements to it or to take a different approach. very clean videos and good looking visuals !!
It's awesome to hear you say this. I just tried to continuously come back to things I didn't do as well as I'd like to have, and improve them. Constant progress, you know? Thanks for watching and for the nice words. I hope this helped.
For sure. I actually have a better color grading tutorial dropping tomorrow😂😂 I’ve changed my workflow since this video and wanted to update it. Check that one out for sure if you feel you need help!
Really glad to hear it bro! Would love to see you stick around the channel! What was the main reason you subbed on this video, If you don’t mind me asking?!
yeaaaaaaay, love the video, love the approach, love the tutorial! however, it'd be really cool if you'd do a deep dive on color grading theory, on what does every module/setting mean, like a long form, idk 1 or 2 hour long walk through of your understanding of color grading. for example, spend 10 minutes on explaining what is contrast and saturation, how do they work together, what happens when you move one up or down, what are you looking at in the graphs and stuff
Maybe. That’ll be a huge video. Maybe I’ll make a members only video for that one! It’ll be comprehensive but super time consuming to make. Let me know what you guys think if anyone else sees this comment too. Thanks for watching the video Lukas.
@@Trentorials thanks man! The truth is I have a request that maybe you can do it, I watched one video of you to lighting in a budget. Right now I’m working in a coffee shop making the content of social media, I have one light amarán 100d and one Chinese version of aputure mc ( that tiny rgb light). My question is that how I achieve high key lighting only with those lights, maybe you can help me with that, I know it has to be super diffuse, I tried bouncing the light to the ceiling but is not good, I don’t know, maybe you have a better understanding of that and how to achieve that high key lighting look. Thanks man
It’s hard to give you an exact answer since I don’t know your whole situation, what I can say, is that it doesn’t have to always be diffused, that is a preference you have to make. If you’re shooting wide, these lights are not great for that, they don’t have a great range. But since you have that Amran, I will get a globe diffusion, and put it on that
0:54 Just to note... there's a big difference between RAW and LOG footage. LOG is nothing but a picture profile... it's still compressed. RAW on the other hand is uncompressed footage. Almost nobody uses RAW video since file sizes are huge (unless fimlimng a high budget project). Awesome video.
You’re 100% correct. I tend to explain Log with that term but truthfully they’re not interchangeable and I should correct that. Thanks for the reminder and comment.
Thanks for the video! Is it a good idea to have a secondary colour-accurate monitor (such as an Asus ProArt) so you can see what your grade *actually* looks like? I've found that the 'small' preview in Premiere hides imperfections, etc. Thanks!
This was super helpful! Question, once I have downloaded the grain overlay how do I save it to premiere pro...kind of elementary but I am new to this. I tried to apply it to my clip but it was 5 seconds and very short and I couldnt extend 😅.
You have to duplicate the clip, and then change the blending mode, so it looks good on top of your footage. I suggest right clicking a once you drag it in your timeline, making it nested and then in the nested sequence, duplicating the overlay for as long as you need it to last. Then just extending the nested sequence in your main timeline.
could you link an example? the movie is shot on film. which in essence would have a film loo, meaning grain etc. which might be what you're talking about.
I do this for every single video I make. though for instance most videos where I teach, like this, the clip and lighting doesn't change so I only have to color correct one shot then apply it to all the cuts. but I do individually color grade each scene according to what story or feeling I try to evoke. still learning how to be better at it myself. and thank you for the kind words!
I’ll think about that. Thought I have minimized and dialed that back since I felt this too, this video is just getting old so check the new ones and lmk if you still feel that way!
Hi! Love the video! Just a quick question, I tried downloading the film grain overlay in the description but it doesn't work, and I'm wondering if I'm doing something wrong :')
@@Trentorials Thank you for the response! I tried downloading it again and read the instructions (maybe I'm missing something), and it didn't work :') I just emailed you about it, so hopefully emailing directly will work. Thank you again!
question, the effect came out nice, but when rendering in media encoder it gave me like an insane time, is that normal, did I just overdo it on the effects? Thanks!
@@Trentorials haha.. danggg! Thanks for the response, now I know. Bro I just realized I commented this on the wrong tutorial of yours lol, do you usually just wait it out
@@DiegoLovesWrestling I knew what you were talking about though lol. I get the question a lot because we all experience it unfortunately. I think it’s the encoding decisions premier makes when rendering an effect that has to update and check for luminosity and other values every frame. Just takes a while. I wait it out if I think the video is worth it
Scroll back a bit. You’ll see that I was showing you how to increase stuff in the creative panel, and then the effect I clicked on and off with the checkbox in the creative panel. This way, you could see what it looked like without that creative changes applied, and with applied.
Hey I just made a short about this font. But it’s called Mikela. I explain it more there but maybe I will. I do have a design degree but I am not sure it my best area of expertise
This is INSANE, exactly what ive been looking for thank you so much dude
Glad to hear it. I actually have a very updated video of this, which I think is better. If you'd rather watch that one. But either way, thanks for watching and I appreciate the kind words.
babe wake up TRENTORIALS made a new video
haha this comment has me laughing. glad you like the videos.
I found great value from this video without spending forever watching someones tutorial. Thanks bro!
Really glad to hear it man. Lots more on the channel! Thanks for watching
I liked this a lot! I've just spent loads of money on luts, and they suck 😂 but, this video just goes to show you don't need them when you can do it like this. Great video, man!
luts are good, after you convert to rec 709.
But I’m glad to hear this helped! Thanks for watching!
@Trentorials I'm new to the whole grading process. Appreciate the heads-up, and your video helped a lot. Cheers, man ✌️
Man I love you’re sense of making videos. Taking the negative comments or comments that want a change and making a whole video with an awesome tutorial structure to teach us how to make awesome vids from that. Keep it up man.
Stoked to hear this from you. My goal is always to share what I know and when I learn more, regardless of how I learned it. Plus it’s a new idea for a new video which is always welcomed. Thanks for watching! And for this comment.
love the chill atmosphere in the video! very insightful and informative. i gotta mention how brilliant the intro was from not only a creative aspect with the almost top down shot but how strategic it was in making the most easily skipped part of any video into one of the most visually engaging. great work again bro‼️
Thank you man. I find my average retention for videos is low due to my intros. So I’ve been trying to figure out how to keep them engaging. Especially for a video of this length.
@@Trentorials that’s interesting, poppy intros are always fun (and you can always skip them) so thats weird people see an intro and then dip right away. i find my retention dips towards the middle or just right before it.
Bro you have changed my life with this video.
hahaha. glad to hep but I'm not sure I can take credit for changing your life lol! thanks for watching!
Great video , thanks!
For sure thanks for watching
literally just went through the previous color grading video yesterday haha. excited to learn more from this one bro, thank you.
Thanks brother! This video just is more refined and I didn’t like the previous version so I wanted to make sure this one did it better.
Great video Trent! One recommendation I have is to use the Hue vs. Saturation tool in the Curves settings when you are color correcting. This tool allows you to individually adjust colors in your video that may be too saturated or desaturated.
To use it, click the eyedropper tool next to the enable/disable button and click on the color you want to adjust. Then, adjust the middle dot on the graph, typically moving it up or down the Y axis.
Yes, hi. I am aware of the tool, and it’s helpful but it has it’s limitations and can easily be overdone and cause tearing; I always advise people against it as a first option
Thank you for watching and your help tho! Appreciate it!
i've been following your tutorials and i love your ability to come back to things you did in the past to add more elements to it or to take a different approach. very clean videos and good looking visuals !!
It's awesome to hear you say this. I just tried to continuously come back to things I didn't do as well as I'd like to have, and improve them. Constant progress, you know? Thanks for watching and for the nice words. I hope this helped.
Thank you bro for the tutorial.
For sure. I actually have a better color grading tutorial dropping tomorrow😂😂 I’ve changed my workflow since this video and wanted to update it. Check that one out for sure if you feel you need help!
@@Trentorials Ok for Sure
lmk what you think of it brother!
didn't expect such intro haha, informative vid as always. keep crushing it man
Appreciate you bro. Glad to see you on the channel still. Thank you for your support.
@@Trentorials of course bro, keep dropping them videos, we need them.
You earned a new sub man!! this helped me alooooot u don't even know 🙏
Really glad to hear it bro! Would love to see you stick around the channel! What was the main reason you subbed on this video, If you don’t mind me asking?!
@@Trentorials "Your explanations of color grading in Premiere Pro are unmatched by any other creator I've found, at least in my experience
Thank you for helping us to learn.
awesome to have you on the channel and i'm glad i'm able to help you further your video editing skills!
Yes brother, just don't stop.@@Trentorials
Definitely won’t be
I loved this tutorial we need more color grade videos in premiere please
What are you interested in seeing? Outside of the standard how to color grade (this video) there isn’t much to the analytical side of color grading….
yeaaaaaaay, love the video, love the approach, love the tutorial!
however, it'd be really cool if you'd do a deep dive on color grading theory, on what does every module/setting mean, like a long form, idk 1 or 2 hour long walk through of your understanding of color grading. for example, spend 10 minutes on explaining what is contrast and saturation, how do they work together, what happens when you move one up or down, what are you looking at in the graphs and stuff
Maybe. That’ll be a huge video. Maybe I’ll make a members only video for that one! It’ll be comprehensive but super time consuming to make. Let me know what you guys think if anyone else sees this comment too. Thanks for watching the video Lukas.
Man when you made the mask to make skin color perfect I said WTF thanks for everything man! I wish you the best
Haha glad to help! Feel free to request other videos and I’ll be happy to make them!
@@Trentorials thanks man! The truth is I have a request that maybe you can do it, I watched one video of you to lighting in a budget.
Right now I’m working in a coffee shop making the content of social media, I have one light amarán 100d and one Chinese version of aputure mc ( that tiny rgb light).
My question is that how I achieve high key lighting only with those lights, maybe you can help me with that, I know it has to be super diffuse, I tried bouncing the light to the ceiling but is not good, I don’t know, maybe you have a better understanding of that and how to achieve that high key lighting look.
Thanks man
It’s hard to give you an exact answer since I don’t know your whole situation, what I can say, is that it doesn’t have to always be diffused, that is a preference you have to make. If you’re shooting wide, these lights are not great for that, they don’t have a great range. But since you have that Amran, I will get a globe diffusion, and put it on that
love it thanks alot
You're welcome! Thank you for watching the video and I’m stoked to have you on the channel
love your videos man keep up!
Thanks mate! Appreciate you being here!
Thanks from Syria
A long ways away! Thanks for watching!
thank you so much for this
You're very welcome! glad you liked the video!
Love it!!!!
Thanks so much man!
Thanks alot bro👌👌
No problem 👍
thank you man !!
Absolutely! Thank you for watching! I hope everything you wanted to know was answered! Got loads more of similar content on the channel!
Can you do a video on how we can set up our premiere like yours ? Like the layout
Yes I can. Might be best as a short but maybe it can be a small bonus video.
Saving it for later
glad to hear that. I hope it helps ya out
0:54 Just to note... there's a big difference between RAW and LOG footage. LOG is nothing but a picture profile... it's still compressed. RAW on the other hand is uncompressed footage. Almost nobody uses RAW video since file sizes are huge (unless fimlimng a high budget project).
Awesome video.
You’re 100% correct. I tend to explain Log with that term but truthfully they’re not interchangeable and I should correct that. Thanks for the reminder and comment.
Thanks❤
No problem, thanks foe leaving your comment
Thanks for the video! Is it a good idea to have a secondary colour-accurate monitor (such as an Asus ProArt) so you can see what your grade *actually* looks like? I've found that the 'small' preview in Premiere hides imperfections, etc. Thanks!
Great idea if it’s feasible for you. Most of us RUclipsrs don’t have color, accurate stuff, so if you can afford to get one, I would.
@@Trentorials Thanks for the reply dude, I'm considering buying another Asus. I regret selling my old one when I moved house.
Would be worth it I’d say. Lmk what you think of one if you get one
loved it!! tried to claim the 35mm but couldn't download it.. can you help me with that?
still having problems brother? let me know
@@Trentorials Yup😭
Email me. I’ll send you it
@@TrentorialsWhat’s your email?
It’s in my about!
This was super helpful! Question, once I have downloaded the grain overlay how do I save it to premiere pro...kind of elementary but I am new to this. I tried to apply it to my clip but it was 5 seconds and very short and I couldnt extend 😅.
You have to duplicate the clip, and then change the blending mode, so it looks good on top of your footage. I suggest right clicking a once you drag it in your timeline, making it nested and then in the nested sequence, duplicating the overlay for as long as you need it to last. Then just extending the nested sequence in your main timeline.
maybe you could implement a color profile workflow?
What do you mean by implement a color profile? Like a conversion lut or a standard LUT?
Hey, could you shoot a tutorial on how to make a grain effect like in a movie? For example, as in the movie Meet Joe Black
like ur videos tho!
could you link an example? the movie is shot on film. which in essence would have a film loo, meaning grain etc. which might be what you're talking about.
@@Trentorials “asiat- поток дело тонкое” there is a grain effect in this clip
(i’d pasted a link, but yt deletes my comment)
are you actually doing all of this for all videos and all clips?? Love your videos btw
I do this for every single video I make. though for instance most videos where I teach, like this, the clip and lighting doesn't change so I only have to color correct one shot then apply it to all the cuts. but I do individually color grade each scene according to what story or feeling I try to evoke. still learning how to be better at it myself.
and thank you for the kind words!
great video, only downside is that my pc exploded while rendering
@@BenjaminKoornneef 😂 my brother what have you done
Hey, nice style. One thing: the wiggling paper background is taking the attention away from the main content. It's distracting.
I’ll think about that. Thought I have minimized and dialed that back since I felt this too, this video is just getting old so check the new ones and lmk if you still feel that way!
Hi! Love the video! Just a quick question, I tried downloading the film grain overlay in the description but it doesn't work, and I'm wondering if I'm doing something wrong :')
make sure you read the instructions it gives you! It works for sure! if you need to, email me (in my about section) and i'll send it directly to you
@@Trentorials Thank you for the response! I tried downloading it again and read the instructions (maybe I'm missing something), and it didn't work :') I just emailed you about it, so hopefully emailing directly will work. Thank you again!
question, the effect came out nice, but when rendering in media encoder it gave me like an insane time, is that normal, did I just overdo it on the effects? Thanks!
@@DiegoLovesWrestling if you use Luma key it makes render times insane
@@Trentorials haha.. danggg! Thanks for the response, now I know. Bro I just realized I commented this on the wrong tutorial of yours lol, do you usually just wait it out
@@DiegoLovesWrestling I knew what you were talking about though lol. I get the question a lot because we all experience it unfortunately. I think it’s the encoding decisions premier makes when rendering an effect that has to update and check for luminosity and other values every frame. Just takes a while. I wait it out if I think the video is worth it
how did it go from blue to yellow???
What do you mean?
@@Trentorials7:31
Scroll back a bit. You’ll see that I was showing you how to increase stuff in the creative panel, and then the effect I clicked on and off with the checkbox in the creative panel. This way, you could see what it looked like without that creative changes applied, and with applied.
I got the email to use the overlay pack but it doesn't let me download to adobe
check the updated description, I switched to gumroad, things should work much smoother now! sorry about that!
I tried to download the film grain from your bio but the captcha won't verify ;( I can't download
I’ll get a new link working soon. I’ve had some complaints about that one. The software seems to be a bit odd. Sorry about that.
@@Trentorials thank you brother, take your time
whats the font? and also make a video on hoe to use typography
Hey I just made a short about this font. But it’s called Mikela. I explain it more there but maybe I will. I do have a design degree but I am not sure it my best area of expertise
how do I download the grain? Is it just the image?
It’s a video. The link is in the description!
Bruh.. which Font you using bro?
The font is called Mikela