Thank you for watching! If you have any questions about the techniques demonstrated or suggestions for future tutorials, please leave a comment below. Don't forget to like, share, and subscribe for more content on color grading and post-production.
For exporting, I typically use QuickTime with an H.264 codec. Make sure your data levels are set to Full and the pixel aspect ratio to Square. Regarding the gamma and exposure shifts, these can often be mitigated by ensuring your display monitor is accurately calibrated and that you're viewing your exports on similar calibrated displays. Gamma shifts can also be influenced by the color profiles and settings in your project and export setup. Try experimenting with different project settings or using color management tools in your software to better match your output intent. It's also crucial to check your exports on different platforms, devices and players like VLC to see how they perform across various display environments. Hope this helps!
Absolutely, if you're finding your node setup with multiple CSTs too cumbersome, you might consider simplifying your workflow by using fewer nodes. One effective approach is to consolidate your color grading steps into a single node as much as possible before applying your LUT. However, keep in mind that while this can make your workflow faster and more streamlined, it might limit your ability to make precise adjustments if complex color grading is required, as individual control over each adjustment is reduced.
@@Star-Trekking thank! It is Blackmagic footage but shot in Apple ProRes format. I will do a color grading tutorial for BRAW footage in the coming weeks. Best,
Hey, there! This is an excellent question! Balancing after applying the LUT helps to fine-tune the image while considering the creative intent, ensuring that the mood and tone set by the LUT are preserved throughout the grading process. This method can be particularly useful when the creative look significantly alters the color palette or contrast of the image. However, it’s important to note that balancing the image based on a normalized or Rec.709 image before applying creative looks is also a common practice. This alternate method might be preferred if precise control over primary corrections is required, especially in scenarios where the footage needs significant color correction before creative grading is applied. Both approaches are valuable and can be chosen based on the specific requirements and desired outcomes of your project. I hope this helps! All the best,
Unfortunately, the footage I use for my tutorials is from Artgrid and is copyrighted, so I cannot share it, not even a single frame. However, I'll try to use some royalty-free footage in future tutorials to ensure everyone can follow along. Thank you for your understanding!
Unfortunately, I can't share the Artgrid footage directly due to copyright restrictions, but you can purchase it here to follow along with the training: artgrid.io/clip/702808/car-old-fashion-field-window
Sure. It is the same settings as in this tutorial except for the camera source details. You can use SGamut3.Cine for input color space and Sony SLog3 for Input Gamma. Hope it helps!
Hmm, I thought I already responded to this 🤔 Anyway, I do love Contour and was lucky enough to get early access to it. However, I haven't yet included it in my tutorials. Right now, I'm concentrating on using DaVinci Resolve's built-in tools and my longtime go-to plugin, Dehancer Pro. That said, I do intend to incorporate Contour into my upcoming tutorials. Thanks for mentioning it!
Unfortunately, most of the clips I use in my tutorials are sourced from Artgrid, which means I can’t share them due to copyright restrictions. However, I’ll keep this in mind and make an effort to incorporate royalty-free footage in some of my future tutorials, so I can share those clips for practice. Thanks for your understanding!
Hi, the clip in this tutorial is from Artgrid so I cannot share it due to copyright restrictions. But here is the link in case you have a subscription: artgrid.io/clip/702808/car-old-fashion-field-window
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Your work is really amazing sir... It's really great to have teacher like you on RUclips.. Nice work sir.👍 Can I download this same footage for practice plz 🙏
I totally get where you're coming from-color grading can definitely be a time-intensive process, especially when aiming for a polished, cinematic look. While there are shortcuts like LUTs for quick adjustments, achieving that perfect balance and unique style often requires the extra effort. It’s a bit like fine-tuning a musical performance-attention to detail makes all the difference! Over time, the process gets faster as you develop a workflow and gain experience. Let me know if you’d like tips to streamline your grading! 😊
Thank you for pointing that out! I’ve adjusted the audio mix in my latest tutorial to better balance the music with the rest of the content. I appreciate your feedback as it helps me improve the quality of my videos. Thanks for sticking with me, and I hope you find the new mix more to your liking!
@@FakeFake-o6y I understand. No worries. I just thought it was a "fake" account as the name suggests and read your comment differently. Please stay tuned for future tutorials, which will include different scenarios. Thanks
I understand that it can seem a bit complex! If you're new to color grading, starting with the basics and gradually incorporating more advanced techniques like LUTs can make the learning process smoother. There are plenty of resources and beginner tutorials out there that can guide you step-by-step. Keep practicing at your own pace, and feel free to revisit this tutorial whenever you're ready to tackle these concepts again! And also let me know if you have any specific questions that I can clarify. All the best,
Thank you for your feedback. I'm sorry to hear that the colors didn't resonate with you. I strive to offer diverse techniques and styles, hoping to meet various preferences and interests. I appreciate your input. Thanks for watching!
Thank you for watching! If you have any questions about the techniques demonstrated or suggestions for future tutorials, please leave a comment below. Don't forget to like, share, and subscribe for more content on color grading and post-production.
I have seen so many videos, but this is by far the best one.
I am glad you found it helpful. Thank you!! 😊
This is a master class in color grading!
@binbin9 thanks very much for your kind comment ❤️
One of the best tutorials I've come across. Really appreciate how well you explained the process
Thank you so much for the kind words! I'm really glad you found the tutorial helpful.
it’s spectacular! Thank you very much!😍
You're very welcome! I'm thrilled you liked it. 😍 If you have any more questions or need further assistance, just let me know!
I have learned so much from this tutorial, very grateful.
That's fantastic to hear! I'm glad the tutorial was helpful for you.
Grt video. thanks🙌
Thanks so much!!
wow this so good. new sub!
Thank you very much and welcome!! ☺
Can you share with us your export settings ? Im still dealing with a pretty nasty gamma shift and exposure shift. Whats your advice on that?
For exporting, I typically use QuickTime with an H.264 codec. Make sure your data levels are set to Full and the pixel aspect ratio to Square. Regarding the gamma and exposure shifts, these can often be mitigated by ensuring your display monitor is accurately calibrated and that you're viewing your exports on similar calibrated displays. Gamma shifts can also be influenced by the color profiles and settings in your project and export setup. Try experimenting with different project settings or using color management tools in your software to better match your output intent. It's also crucial to check your exports on different platforms, devices and players like VLC to see how they perform across various display environments. Hope this helps!
simply amazing
Thank you! Cheers!
too many nodes and CST.. is there a faster way???
Absolutely, if you're finding your node setup with multiple CSTs too cumbersome, you might consider simplifying your workflow by using fewer nodes. One effective approach is to consolidate your color grading steps into a single node as much as possible before applying your LUT. However, keep in mind that while this can make your workflow faster and more streamlined, it might limit your ability to make precise adjustments if complex color grading is required, as individual control over each adjustment is reduced.
Peace be with you! Now that's CINEMATIC😍 WoW! - Thank you!
Peace be with you too! Thank you so much, I'm thrilled you enjoyed it! 😊 Keep watching for more cinematic content!
@@MediabeeColorLab Amazing - Merry Christmas!
mil gracias es lo que estaba esperando seguiré aprendiendo mas con usted
You're very welcome! I'm glad to hear that. Don't hesitate to reach out anytime you have questions or need assistance!
Great! Braw color grading?
@@Star-Trekking thank! It is Blackmagic footage but shot in Apple ProRes format. I will do a color grading tutorial for BRAW footage in the coming weeks. Best,
@MediabeeColorLab Thank you very much. I will wait.
Beautiful.. I will try it on my next video
❣👌
OMG so good!!! Great video(s)!!!
Thanks for your support!
Sir amazing and wonderful job Thankyou
Many thanks!
Thank you for tutorial! This is amazing. New York'tan selamlar :)
Çok teşekkürler! New York'a selamlar!
You are really doing great job and you are explaining so well thank you for all ı wish the best for you
Thank you so much for your support!
Why do you balance on top of the creative look? Why not balance the image based on a normalized / rec709 image.
Hey, there! This is an excellent question! Balancing after applying the LUT helps to fine-tune the image while considering the creative intent, ensuring that the mood and tone set by the LUT are preserved throughout the grading process. This method can be particularly useful when the creative look significantly alters the color palette or contrast of the image. However, it’s important to note that balancing the image based on a normalized or Rec.709 image before applying creative looks is also a common practice. This alternate method might be preferred if precise control over primary corrections is required, especially in scenarios where the footage needs significant color correction before creative grading is applied. Both approaches are valuable and can be chosen based on the specific requirements and desired outcomes of your project. I hope this helps! All the best,
where do i find the vewing lut you used , CKC MacOS Lut
You can find them here: procolor.ist/voyager-lut-pack/
They are currently on sale. FYI
where do i find these footages for practice
Hi, here is the link: artgrid.io/story/35429/woman-with-vintage-car
i hope there is a 1 frame footage to follow along :(
Unfortunately, the footage I use for my tutorials is from Artgrid and is copyrighted, so I cannot share it, not even a single frame. However, I'll try to use some royalty-free footage in future tutorials to ensure everyone can follow along. Thank you for your understanding!
Great tutorial! We wait the next tutorial for color Braw, but please a bit slowly.
Thank you! Please stay tuned for future tutorials ;)
Keep Editing . very Helpful
Thank you very much!
I want DCTL
Hi, you can purchase them here: mononodes.com/dctls/
make tutorial again and share footage for training
Unfortunately, I can't share the Artgrid footage directly due to copyright restrictions, but you can purchase it here to follow along with the training: artgrid.io/clip/702808/car-old-fashion-field-window
@@MediabeeColorLab thanks, I always wait for tutorial content from you.
@ thank you 🙏
may i know the color transform Setting For sLOG3_
Sure. It is the same settings as in this tutorial except for the camera source details. You can use SGamut3.Cine for input color space and Sony SLog3 for Input Gamma. Hope it helps!
No contour for contrast? 😢
Hmm, I thought I already responded to this 🤔 Anyway, I do love Contour and was lucky enough to get early access to it. However, I haven't yet included it in my tutorials. Right now, I'm concentrating on using DaVinci Resolve's built-in tools and my longtime go-to plugin, Dehancer Pro. That said, I do intend to incorporate Contour into my upcoming tutorials. Thanks for mentioning it!
can you please sometimes share some of your raw files to try hands on🙏
Unfortunately, most of the clips I use in my tutorials are sourced from Artgrid, which means I can’t share them due to copyright restrictions. However, I’ll keep this in mind and make an effort to incorporate royalty-free footage in some of my future tutorials, so I can share those clips for practice. Thanks for your understanding!
Thank you bother 👏👏👏👏👏
Thanks for watching!
This is the guy to follow. There IS alot GABBAGE on line these dayz
Thanks so very much! 🙏
If it's convenient, could you provide the source video for download and practice? Thanks.
Hi, the clip in this tutorial is from Artgrid so I cannot share it due to copyright restrictions. But here is the link in case you have a subscription: artgrid.io/clip/702808/car-old-fashion-field-window
@@MediabeeColorLab ok,thank you
@@wilsonjohn9227 You're welcome.
I was waiting for someone to write this for years 🎉: how can I subscribe twice on this channel???
@@gsmartcreation5655 thank you for your support ☺️
@@MediabeeColorLab I should thank you. You always post what I want to see.
@ 🙏❤️
Brother, if anyone needs a system for editing videos, I am selling it... on OLX..
1TB SSD..
24GB RAM..
4GB Graphic Card..
i7 10 Generation..
24 Inchi Monitor DEAL..
1TB Hard Disk..
Super Fast Pro..
Gaming.
Computer PC ke naam se milega mere bhai ek bar jarur dekhna
Your work is really amazing sir... It's really great to have teacher like you on RUclips.. Nice work sir.👍
Can I download this same footage for practice plz 🙏
If i will speak truth, people might get offended and say i am negative. Its better i should leave. 😊
Thank you for sharing your thoughts! It's important to speak your truth, and I appreciate your honesty. 😊
Name lens
@@nadernefzi994 lens info has not been provided
🙌😍😍🙌
Thanks for your support!
So crazy that it takes this long and how much work to grade 1 little scene. There’s gotta be an easier way to do this.
I totally get where you're coming from-color grading can definitely be a time-intensive process, especially when aiming for a polished, cinematic look. While there are shortcuts like LUTs for quick adjustments, achieving that perfect balance and unique style often requires the extra effort. It’s a bit like fine-tuning a musical performance-attention to detail makes all the difference! Over time, the process gets faster as you develop a workflow and gain experience. Let me know if you’d like tips to streamline your grading! 😊
Your audio mix has the music too loud!
Thank you for pointing that out! I’ve adjusted the audio mix in my latest tutorial to better balance the music with the rest of the content. I appreciate your feedback as it helps me improve the quality of my videos. Thanks for sticking with me, and I hope you find the new mix more to your liking!
grade a bad light video
We can fix bad lighting, but not bad attitudes and toxic negativity.
@@MediabeeColorLab no iam not comment like that . i just want to see how it looks
@@MediabeeColorLab your videos help me alot . you know my english is not good
@@FakeFake-o6y I understand. No worries. I just thought it was a "fake" account as the name suggests and read your comment differently. Please stay tuned for future tutorials, which will include different scenarios. Thanks
Great video ❤🙏😎
wow so pretty but this is too expert for me to follow :(
I understand that it can seem a bit complex! If you're new to color grading, starting with the basics and gradually incorporating more advanced techniques like LUTs can make the learning process smoother. There are plenty of resources and beginner tutorials out there that can guide you step-by-step. Keep practicing at your own pace, and feel free to revisit this tutorial whenever you're ready to tackle these concepts again! And also let me know if you have any specific questions that I can clarify. All the best,
sorry, but this is picture very bad very greenny.... bad colors =(
Thank you for your feedback. I'm sorry to hear that the colors didn't resonate with you. I strive to offer diverse techniques and styles, hoping to meet various preferences and interests. I appreciate your input. Thanks for watching!
Is it lookin simple or you just made it look so simple 🤔🫡🫡🫡
Maybe a bit of both! Making it look simple is all part of the magic. 😄🎩