Bonus tip: save this node tree to a Power Grade album to use it across all the projects! Thanks for sharing Darren! 👍 After finishing your master class I build my own node tree and now my workflow looks much more consistent! ❤
Good tip! Thanks!! so pleased to hear that the masterclass helped you and you are now more consistent!! Share work in my private Facebook group if you like! all the best, Darren.
This is just wow, you know the moment I've started practicing Davinci, The color space transform was a literal nightmare for me, because I never understood it. the Color Management was a great help but I thought that I wanted to everything to be manual and this video just showcased how to do it and it is just purely amazing. Hopefully someday we get to join one of your masterclasses because this channel is a gold mine.
I just wanted to say thank you. It is amazing that you are willing to share what is your professional workflow with the wider community. I find it refreshing just how supportive the DaVinci Community is with such a great group of creators willing to share their knowledge.
Best Node tutorial so far for me. Maybe becuase I've watched many and this one finally broke through. Or maybe because this one is so complete. I can't tell. Regardless, here's my sincere thank you.
Darren, I wanted to let you know since I have adopted your Node tree workflow, my grading has gone from terribly muppet'sh to passable, slowly I get there step by step. A million thanks.
Master Class in Colour Grading in 20 minutes. Brilliant. This video resolved the misunderstandings, "tips 'n tricks" and all the other BS found across YT. All the fundamentals in one clean and clear presentation. New sub. Thank you.
Hi. This is not as much detail or as deep node tree as on my masterclass, however it takes the same fundamentals - on the masterclass we go into much more detail about how to adjust each node of course.
Darren, I come from the world of print and photographic color management and manipulation. I'm an expert in that field, but coming to video I was completely lost-it's like I was a student all over again. I was struggling with Resolve's color panel until I found your channel. This node tree is a real workflow that I was able to grasp after fifteen minutes of playing with it and watching your tutorial. I'm no longer bumbling around-I'm blazing through nodes and footage now making adjustments based on knowledge instead of just turning knobs to see what happens. Thank you!
1: Where I worked I discussed with some colorist about putting grain at the beginning of the three. Of course, I'd say it depends on the project, but I do think it's interesting for that it allow the film grain to be affected by the grade just as it would be with film footage 2 : Not a question but my view on an alternative Node three Using Magic Mask : As an assistant I've to deal more and more with magic mask. At first it was a pain especially for multiple resolution renders and handles, but with some colleagues we have found a turn around where we create a parrallel three to the main one, but with no outpout. In this three we have a first node with a lut or CST and then a bunch of node with magic masks, then once tracked we are just outputting the alpha to other serials on the main node three. It's very specific, but afterward, you can just be more precise with key or power window and grade while not loosing your magic mask track If anyone has different insight, experiences or advices I'd be glad to exchange about it
Thanks for sharing @35-4l3x I also use the magic mask a lot, but when I lose the tracking data It bothers me so much. Can you tell me more about your approach?
Thanks for this great info! How would this node tree differ if your using groups and the pre and post node sections? Also a good video idea that I think would be great is the proper way to build looks to be used as luts. What can and cant be used in a lut and a proper workflow for CST and adjustements. Ive had a few people ask me to build luts they can use on set when filming or during the edit before I do the final color grade and I'm never sure if im making them correctly. I dont want to be giving the director or DP a lut whats either innacurate or complete garbage.
Got the same question regarding implementing groups in the workflow. I thought about using it for the look development part to make more consistent changes for a group of shots maybe?
I think I learned more in this one video than I have in a year's worth of watching You Tube videos about Davinci Resolve. Thank you for showing me how it's done correctly by a professional. I'm just starting out and can see that I still have a lot to learn. But with videos like this, I will get there. Subbed.
As always, thank you for the amazing videos you put up! A question: where would you put a Noise Reduction node on this tree? Before the CAM>DWG node, somewhere in the middle or after the DWG>CAM node?
I watched a fairly convincing A/B test of placing NR at the beginning vs the end. Surprisingly, at the end yielded better results. I had always put it near or at the start, on the wisdom that you should denoise before you bring out/exaggerate/amplify the noise with contrast and gain - now putting it at the end to good results. It also has a certain logic; only reduce the noise that is actually there in the (near) final image.
Your way of explaining processes is so good. Explaining "why" about each step makes it so much easier to quickly understand a process that initially seems complicated. I am thinking of moving from FCPX to DR, but I was overwhelmed by the UI of the colour panel. Your videos made it so much easier and fun to learn all the basics of colour grading in such a short period of time (a couple of hours). Awesome work, Sir!
So I've downloaded the tree, imported it, but when applied it's just a single node with nothing applied. I have your others that work fine, but this one doesn't seem to be doing anything.
I do get some complaints I'm too fast - I just speak this speed and focus on delivering good content - It won't change else I'm not being ME. Glad to hear you are aware you can slow me down on youtube - I get too excited I think! All the best, Darren.
Subscribe to my FREE email list here bit.ly/2RrjvpN for free downloads, including my editors e-book & THE FIXED NODE TREE IN THIS EPISODE and items coming in the future INCLUDING priority information on my 4 day LIVE MASTERCLASSES..
@@DarrenMostyn I tried using Brave Browser and it didn't work, probably because the Built-in AdBlock. When I tried with Safari, it worked well. There's a permission check box that is not shown in Brave. Btw, amazing content! Using parallel nodes is a great tip!
Darren, I’m a professional photographer migrating to video and feel that this is the most critically important material for me to master… if I can copy what you teach here, I’m set. This is the absolute best. I still just barely grasp it (what’s coming in, what’s going out) but I can tell that everything I need is here. this is immensely valuable; thank you!
10 out of 5 stars, sir. I literally felt my colour workflow evolve with this node tree. It would have taken me a long time to learn this 'language'. Thank you for sharing.
The number of times I have shared this video to answer a question is astonishing! Great work Darren, and thank you so much for what you do for the colorist space. 👊
Sir! You have removed ALL my fear of using Davinci Resolve. Every time I open the NLE I am overwhelmed with what the hell I'm supposed to do. This gives an extremely linear workflow to streamline the grading process. It is a fantastic starting point for me and I'm finding myself researching Power windows and Trim. I'm finally eager to learn, again! Seriously... THANK YOU!
Hi Jarrad. Thats really good to know. Enjoy your journey - a lot to learn but do it in bite sized chunks and you dont need to know tha whiol;e application!
I've watched a few tutorials as I try to get my head around which node tree to use. I like how you explain the 'why' which many other youtubers skip. You've explained it the best in an easily digestible way.
Thank you very much, Mr. Darren. I hope you continue to create more tutorials to guide us. I also used to live in Brighton and studied at the Film and Screen School there. God bless.
I just love your videos. I've been producing videos for over 25 years but am always ready to pick up hints and knowledge from other professionals - your videos are a fantastic resource for someone like me that has no formal training but needs to deliver quality and professionalism. Thanks Darren for all your knowledge!
thanks Darren, I used it for my recent documentary, very clear :) All I did was I added two nodes at the beginning, NR and Sharpehing, in case I needed them
This is brilliant. Colour management was always bit of a maze for me. This really gave me a map so I do not get lost in my chaos all the time. Inspired me to watch all of your videos. I am a newbie, so dont fully get lot of the terminology e.g. "gamit", etc. Thank you for doing this.
glad its helping you get the basics - Its all overwhelming - just take small bits and build!! Thanks for finding my channel. See my beginners playlist maybe ?
Thank you so much Darren. I have been looking for such a well thought-out node tree for ages. It's like I can finally breathe out rather than having rethink my way into a grade when re-visiting a job.
I haven’t yet absorbed all of this though I’ve watched a dozen times, but I’m new to video editing since just November 2023, and I think this has been the single most important and helpful RUclips tutorial I’ve watched in terms of helping me understand what’s really going on. I mean I can hack away like I’m editing a still photo (I’ve been a pro photographer since 2006 so that’s familiar), but THIS is just so incredibly helpful. All these color spaces are quite bewildering and new. So many “ah-ha!” moments here for me. Thank you, Darren!
@@DarrenMostynI’m really coming to understand the importance and value of using a fixed node tree-specifically, that when further modifications are needed, you can count on specific adjustments to always be on specific nodes-the same number every time. So my question on this node tree is, where should I fix problems? What if the exposure (by my own fault) is terrible? Some tutorials might use several nodes just to fix that. I’m sure you encounter that working with bad footage. Where in your node tree do you handle such cases?
I now feel like I know something about color grading! Lots of new concepts, but very well explained. Excellent jumping off point for more learning. Thanks!
I've used this same project setup on a dozen or more long format projects with multiple cameras. I used the HDR, LOG and PRIMARY adjustments before CST to DWG, as well as within DWG, and then in the Rec709. Each spot affects your shot differently, each shot has different demands. Play with all of the combinations and you will see new ways of manipulating picture in a very clean way, reclaiming shadows and highlights, minimize noise
It's so hard to understand but yet so easy at the same time lol. I'm new when it comes to video editing so understanding this will take time but atleast you've broke this down to the point where I can come back and use this video as a reference and not to mention the free node tree ! Thank You so much Darren!
I can't say enough how helpful your tutorials (especially this one!) have been to someone like me who's new to Davinci! I'll buy you a drink next time I'm in the UK 😊
I'm slowly learning how to work color and use DaVinci. I really enjoy your videos and I love the speed at which you talk. Gets right to the point and feeds me the information at the perfect pace. I'm finding your channel very helpful. Thanks!
I've recently switched from PP to DR and discovered this single greatest video on DR nodes and concepts on the internet. Your video on why my "Look" LUTs look crap was also amazingly handy. Your colour space commentary sprinkled through out is most helpful. As an amateur videographer (parent) doing school sports and such, this 1 video has made it so much easier to remain logical in the grade, surprisingly fast and consistent. OMG has it made my efforts so much more consistent. Thank you and hi from New Zealand.
@@DarrenMostyn please do. They are logical and easy to understand. I’ve just dusted off an original Stream Deck after watching an older video of yours.
Thank you so much. I've been watching a lot of videos just to understand the colour space thingy and you're the perfect guy that helps me understand into not just that, but much more. Thank you! Definitely worth the subscribe. Goodbye Capcut!
This is unreal thank you! I made my first commercial video in sony HLG3 this week and struggled through the grading process and didnt really understand the color spaces, this really helped me understand. I was able to grade the footage again in less than 1/10th the time it took originally and it looks EXACTLY like my display now. Its actually annoying.
Darren is a lifesaver. I am finishing up our first music video and found the answer to all my questions about the color page here. I learned a lot from the training videos and PDF from the Blackmagic website, but Darren's real-life example and step-by-step guide work much better for me. And now this node tree showed up! So cool! Keep doing what you do. Good job by you!
I discovered I could bring to nearly ideal look (as it can possibly be) my faulty 8-bit Log mobile footages while checking this out. Thank you, Darren!
Great video Darren. One thing that comes to my mind you went from scene referred colorspace (da Vinci wide gamut ) to rec 709 ( rec1886) and again went to cineon and then lut itself was converting to rec709 ( rec 709 colorspace with Rec1886 EoTF) While it will hold because resolve frame buffer is 32 bit per pixel but technically its expanding from smaller to bigger and smaller again thus a double conversion, and it would affect knee if we wanted to adjust something in second last nodes which we do as producer trims without crushing the whole grade. Or this we do if wanted extra punch specific for tv screen which we wouldn’t get in scene referred colorspace but after that we never go back to wider colorspace such as cineon because it would be softened adding film knee.
Hi Darren, I’ve built this readymade node tree and saved it as a Powergrade for later use as a template. HOWEVER! Now when I drag the Powergrade to a clip’s empty node field, the template changes the (REDraw footage) ISO and WB kelvin value. Annoying! I have to change it back to the as-shot values each clip. What’s going on and how do I prevent this?!
Thankyou sir. Your videos help me color correct my iPhone footage in Davinci that looks wash out every time I import it. And now my problem were solved because of your tutorials. Thanks again from Philippines
Thanks Darren. I just got the DJI Action 4 and this helps when needing to colour grade between camera footage and the D-log footage of the Action 4. This makes it so simple to change the settings for each in the same timeline. Much appreciated 😀👍
Too bad D-Log M is not yet supported in Davinci Resolve. For some reason DJI doesn't want to provide the specs to be implemented into Resolve color management.
Hi Darren! Great stuff! I have a question though. If we are placing the LUT node at the very end, after the CST, and it requires to convert it to cineon, doesn't that mean that we are viewing the timeline and exporting in cineon instead of Rec. 709? I am confused :S
![Watch these 25 mins to FULLY Understand Color Management [Beginners Guide]](http://i.ytimg.com/vi/AAeZKZ5feGA/mqdefault.jpg)
![Watch these 25 mins to FULLY Understand Color Management [Beginners Guide]](/img/tr.png)
Man, you really know your stuff! 🙌🏼
Ive been a professional colourist for nearly 20 years - 14 of which are on DaVinci Resolve.
@@DarrenMostyn How did you get into this job? Colourist isn't exactly something you study at university? Or is it today?
@@21stcenturyscots i studied photography at art college. rest is a long story covered in a few interviews on youtube if you search!
Honestly have been combing the web for 2 years looking for Color help and NOBODY explains it as simply and clearly as you. Cheers to you sir
Appreciated
Bonus tip: save this node tree to a Power Grade album to use it across all the projects!
Thanks for sharing Darren! 👍
After finishing your master class I build my own node tree and now my workflow looks much more consistent! ❤
Good tip! Thanks!! so pleased to hear that the masterclass helped you and you are now more consistent!! Share work in my private Facebook group if you like! all the best, Darren.
@@DarrenMostyn sure, will do! ☺️
Thanks again for all the superb job you do for us! 🙏
excellent addition to Darren's node tree tutorial - it was the missing piece! Thanks!
@@johngiatropoulos3848 great to hear! 😊
how you do that?
This is just wow, you know the moment I've started practicing Davinci, The color space transform was a literal nightmare for me, because I never understood it. the Color Management was a great help but I thought that I wanted to everything to be manual and this video just showcased how to do it and it is just purely amazing. Hopefully someday we get to join one of your masterclasses because this channel is a gold mine.
Darren, you are the master. Hands down the best colorist on RUclips. Thank you for always sharing your knowledge.
Appreciated!
I just wanted to say thank you. It is amazing that you are willing to share what is your professional workflow with the wider community. I find it refreshing just how supportive the DaVinci Community is with such a great group of creators willing to share their knowledge.
very welcome. Appreciated.
Seriously, its a wonderful thing. You've helped me a lot personally. Thanks@@DarrenMostyn
Best Node tutorial so far for me. Maybe becuase I've watched many and this one finally broke through. Or maybe because this one is so complete. I can't tell. Regardless, here's my sincere thank you.
THANK YOU!!
You should visit Darren classroom. I did in November 2023 and it was the best thing which I have done by learning colour grading.
Teaching all this and also giving It for free... You are a real legend! Thanks boss!!
Thanks. I enjoy it!! All the best, darren
You have no idea how much you have just helped a “Photoshop” nerd extract his cranium! Now, I get it! Thank you.
Darren, I wanted to let you know since I have adopted your Node tree workflow, my grading has gone from terribly muppet'sh to passable, slowly I get there step by step. A million thanks.
very pleased to hear it!
A perfect explanation for us coming from blender rhino 3d etc who are familiar with nodes. Love it.
Glad it was helpful!
Thank you for giving people the chance to become better colorists. You're a great teacher.
Thank you so much!
Master Class in Colour Grading in 20 minutes. Brilliant. This video resolved the misunderstandings, "tips 'n tricks" and all the other BS found across YT. All the fundamentals in one clean and clear presentation. New sub. Thank you.
Appreciate the subscription Ken. Thank you. Enjoy my well curated playlists too! Darren
Even though I am familiar with your node tree (I took the masterclass 😊), it is nice to watch in 4K so that I can read everything easily. 👌
Hi. This is not as much detail or as deep node tree as on my masterclass, however it takes the same fundamentals - on the masterclass we go into much more detail about how to adjust each node of course.
Wow...this is one of the best yet! This video really made it easy for me to understand nodes way better then before!! Thanks Darren!!
Best work, state talk, master of davinci 😊
Darren, I come from the world of print and photographic color management and manipulation. I'm an expert in that field, but coming to video I was completely lost-it's like I was a student all over again. I was struggling with Resolve's color panel until I found your channel. This node tree is a real workflow that I was able to grasp after fifteen minutes of playing with it and watching your tutorial. I'm no longer bumbling around-I'm blazing through nodes and footage now making adjustments based on knowledge instead of just turning knobs to see what happens. Thank you!
Amazing video Master! Thanks for the info and for the node tree. Cheers
Just switched from Final Cut Pro to Davinci. Darren you are the MAN! Thank you!
Great to hear!
1: Where I worked I discussed with some colorist about putting grain at the beginning of the three.
Of course, I'd say it depends on the project, but I do think it's interesting for that it allow the film grain to be affected by the grade just as it would be with film footage
2 : Not a question but my view on an alternative Node three Using Magic Mask :
As an assistant I've to deal more and more with magic mask.
At first it was a pain especially for multiple resolution renders and handles,
but with some colleagues we have found a turn around where we create a parrallel three to the main one, but with no outpout.
In this three we have a first node with a lut or CST and then a bunch of node with magic masks, then once tracked we are just outputting the alpha to other serials on the main node three.
It's very specific, but afterward, you can just be more precise with key or power window and grade while not loosing your magic mask track
If anyone has different insight, experiences or advices I'd be glad to exchange about it
interesting approach - thansk for sharing. Magic mask i avoid if possible - its tripped me up before.
Grain never at beginning for me.
Thanks for sharing @35-4l3x
I also use the magic mask a lot, but when I lose the tracking data It bothers me so much.
Can you tell me more about your approach?
Seriously can't thank you enough for this guidance. Not enough content like this that's accessible and high quality. Keep at it Darren!
Thanks for this great info! How would this node tree differ if your using groups and the pre and post node sections?
Also a good video idea that I think would be great is the proper way to build looks to be used as luts. What can and cant be used in a lut and a proper workflow for CST and adjustements. Ive had a few people ask me to build luts they can use on set when filming or during the edit before I do the final color grade and I'm never sure if im making them correctly. I dont want to be giving the director or DP a lut whats either innacurate or complete garbage.
Got the same question regarding implementing groups in the workflow. I thought about using it for the look development part to make more consistent changes for a group of shots maybe?
I think I learned more in this one video than I have in a year's worth of watching You Tube videos about Davinci Resolve. Thank you for showing me how it's done correctly by a professional. I'm just starting out and can see that I still have a lot to learn. But with videos like this, I will get there. Subbed.
As always, thank you for the amazing videos you put up!
A question: where would you put a Noise Reduction node on this tree? Before the CAM>DWG node, somewhere in the middle or after the DWG>CAM node?
I watched a fairly convincing A/B test of placing NR at the beginning vs the end. Surprisingly, at the end yielded better results. I had always put it near or at the start, on the wisdom that you should denoise before you bring out/exaggerate/amplify the noise with contrast and gain - now putting it at the end to good results. It also has a certain logic; only reduce the noise that is actually there in the (near) final image.
Your way of explaining processes is so good. Explaining "why" about each step makes it so much easier to quickly understand a process that initially seems complicated. I am thinking of moving from FCPX to DR, but I was overwhelmed by the UI of the colour panel. Your videos made it so much easier and fun to learn all the basics of colour grading in such a short period of time (a couple of hours). Awesome work, Sir!
So I've downloaded the tree, imported it, but when applied it's just a single node with nothing applied. I have your others that work fine, but this one doesn't seem to be doing anything.
Same here, and nothing shows when selecting "display node graph" on this for some reason
OK, my mistake. Just fixed. New email will go out to you with fix.
Most educational videos I watch at 1.5 speed. This one requires 0.75 speed for me to keep up! Such great info, thank you.
I do get some complaints I'm too fast - I just speak this speed and focus on delivering good content - It won't change else I'm not being ME. Glad to hear you are aware you can slow me down on youtube - I get too excited I think! All the best, Darren.
looks more like a node bush.
😂😂
Thank you for sharing your experience with us, your art will be reflected in all of us who learn from you.
LOVE that! You just made my evening!! Thank you, Darren.
How do i join your Master Class?
Subscribe to my FREE email list here bit.ly/2RrjvpN for free downloads, including my editors e-book & THE FIXED NODE TREE IN THIS EPISODE and items coming in the future INCLUDING priority information on my 4 day LIVE MASTERCLASSES..
this link doesn't work D: can't put my email on it, always says there's an error@@DarrenMostyn
@@ohyagocastro try a diiferent browser -it works.
@@DarrenMostyn I tried using Brave Browser and it didn't work, probably because the Built-in AdBlock. When I tried with Safari, it worked well. There's a permission check box that is not shown in Brave.
Btw, amazing content! Using parallel nodes is a great tip!
@@DarrenMostyn It's not working on Safari and Brave Browser... What other browser should I use?
Your tutorials are so much better and more comprehensive than all of the others thank you
Glad you think so!
For the past few years. I've always been intimidated by the nodes. NOW I FINALLY UNDERSTAND HOW THEY OPERATE. THANK YOU!!!!
Darren, I’m a professional photographer migrating to video and feel that this is the most critically important material for me to master… if I can copy what you teach here, I’m set. This is the absolute best. I still just barely grasp it (what’s coming in, what’s going out) but I can tell that everything I need is here.
this is immensely valuable; thank you!
I've picked up Da Vinci again recently and I wanna say thank you for this tutorial, way easier to be organised!
Glad it was helpful!
10 out of 5 stars, sir. I literally felt my colour workflow evolve with this node tree. It would have taken me a long time to learn this 'language'. Thank you for sharing.
I saved this video to come back to, when I’m in the color grading stage of my first major project in DR. Thank you!
The number of times I have shared this video to answer a question is astonishing! Great work Darren, and thank you so much for what you do for the colorist space. 👊
Sir! You have removed ALL my fear of using Davinci Resolve. Every time I open the NLE I am overwhelmed with what the hell I'm supposed to do. This gives an extremely linear workflow to streamline the grading process. It is a fantastic starting point for me and I'm finding myself researching Power windows and Trim. I'm finally eager to learn, again!
Seriously... THANK YOU!
Hi Jarrad. Thats really good to know. Enjoy your journey - a lot to learn but do it in bite sized chunks and you dont need to know tha whiol;e application!
I've watched a few tutorials as I try to get my head around which node tree to use. I like how you explain the 'why' which many other youtubers skip. You've explained it the best in an easily digestible way.
Glad it was helpful!
This has to be one of the easiest videos to follow, thank you so much
Thank you very much, Mr. Darren. I hope you continue to create more tutorials to guide us.
I also used to live in Brighton and studied at the Film and Screen School there. God bless.
I just love your videos. I've been producing videos for over 25 years but am always ready to pick up hints and knowledge from other professionals - your videos are a fantastic resource for someone like me that has no formal training but needs to deliver quality and professionalism. Thanks Darren for all your knowledge!
Glad to hear it! Thanks Simon. Appreciated.
thanks Darren, I used it for my recent documentary, very clear :) All I did was I added two nodes at the beginning, NR and Sharpehing, in case I needed them
This video single-handedly transformed my entire workflow. Thousand thanks from Tehran.
glad it helped!
I've been working on grading videos for 3 years now and learned so much from this tutorial... Thanks for these great advises, sir👏
Great to hear David. thank you.
This is brilliant. Colour management was always bit of a maze for me. This really gave me a map so I do not get lost in my chaos all the time. Inspired me to watch all of your videos. I am a newbie, so dont fully get lot of the terminology e.g. "gamit", etc. Thank you for doing this.
glad its helping you get the basics - Its all overwhelming - just take small bits and build!! Thanks for finding my channel. See my beginners playlist maybe ?
One of the best node tuts I ever seen, and I have paid for some, this one is king. Simple, yet powerful workflow
appreciated, thank you. It works well for me,
You explained parallel nodes better than most tutorials that I watched in a few seconds... Amazing video!
Glad you enjoyed it.
Thank you so much Darren. I have been looking for such a well thought-out node tree for ages. It's like I can finally breathe out rather than having rethink my way into a grade when re-visiting a job.
Glad it was helpful!
I haven’t yet absorbed all of this though I’ve watched a dozen times, but I’m new to video editing since just November 2023, and I think this has been the single most important and helpful RUclips tutorial I’ve watched in terms of helping me understand what’s really going on. I mean I can hack away like I’m editing a still photo (I’ve been a pro photographer since 2006 so that’s familiar), but THIS is just so incredibly helpful. All these color spaces are quite bewildering and new. So many “ah-ha!” moments here for me. Thank you, Darren!
Thanks Peter. Glad it helped!! I work hard to make my tutorials the best. Darren
@@DarrenMostynI’m really coming to understand the importance and value of using a fixed node tree-specifically, that when further modifications are needed, you can count on specific adjustments to always be on specific nodes-the same number every time. So my question on this node tree is, where should I fix problems? What if the exposure (by my own fault) is terrible? Some tutorials might use several nodes just to fix that. I’m sure you encounter that working with bad footage. Where in your node tree do you handle such cases?
@@peterlyonsphoto all that is fixed early before moving on - fixed on one node!
太感谢了，这对我有非常大的帮助，我一直在找这样的教程，讲的非常清晰
Thanks you for sharing such powerful tips and tools. I appreciate the simplicity while also providing the "right" amount of detail.
Thank You! I just applied this to a project and I'm happy with the workflow and the result, this information is worth gold.
I now feel like I know something about color grading! Lots of new concepts, but very well explained. Excellent jumping off point for more learning. Thanks!
Glad it was helpful!
I've used this same project setup on a dozen or more long format projects with multiple cameras. I used the HDR, LOG and PRIMARY adjustments before CST to DWG, as well as within DWG, and then in the Rec709. Each spot affects your shot differently, each shot has different demands. Play with all of the combinations and you will see new ways of manipulating picture in a very clean way, reclaiming shadows and highlights, minimize noise
I discovered your channel 2 days ago. You made so many things so clear, you have no ideea. Amazing trainning skills.
Thank you so much for the kind words. i work hard to make my content accurate and concise and from a user point of view - Jm a colourist first!!
It's so hard to understand but yet so easy at the same time lol. I'm new when it comes to video editing so understanding this will take time but atleast you've broke this down to the point where I can come back and use this video as a reference and not to mention the free node tree ! Thank You so much Darren!
I can't say enough how helpful your tutorials (especially this one!) have been to someone like me who's new to Davinci! I'll buy you a drink next time I'm in the UK 😊
sounds good!
Thanks Darren! Your contents totally helpful for beginner colorist like me. I've learned a lot by watching every video you posted. Much appreciated!
You are so welcome!
Thank you for this. This makes way more sense than what I read. Now I just gotta figure out how to fix underexposed video!
Thank you for this method.
I am currently new to color grading and this layout has been one of the most helpful tutorials I've seen so far :)
Glad it was helpful!
Thank you, Darren, for sharing. This is priceless to get advices from pro.
You very welcome
Im just a week using Davinci and this video has been very helpful. Thank you ❤
Glad it was helpful!
Darryn you are simply the man. I am so thankful for your incredible giving of this information. THANK YOU!
best video ever thank you, very well explained and straight to the point.
Thanks Stephane
It's an excellent tutorial. Of course, I have to watch it several times.
I'm slowly learning how to work color and use DaVinci. I really enjoy your videos and I love the speed at which you talk. Gets right to the point and feeds me the information at the perfect pace. I'm finding your channel very helpful. Thanks!
Thank you!
I'm a compositor who always struggled with color correction afterwards. This is insanely useful. Thanks.
Glad it was helpful!
I've recently switched from PP to DR and discovered this single greatest video on DR nodes and concepts on the internet. Your video on why my "Look" LUTs look crap was also amazingly handy. Your colour space commentary sprinkled through out is most helpful. As an amateur videographer (parent) doing school sports and such, this 1 video has made it so much easier to remain logical in the grade, surprisingly fast and consistent. OMG has it made my efforts so much more consistent. Thank you and hi from New Zealand.
amazing. Thanks for sharing. Stories like this keep me inspired to do more! Thank you! All the best, darren
@@DarrenMostyn please do. They are logical and easy to understand. I’ve just dusted off an original Stream Deck after watching an older video of yours.
Thank you so much. I've been watching a lot of videos just to understand the colour space thingy and you're the perfect guy that helps me understand into not just that, but much more. Thank you! Definitely worth the subscribe. Goodbye Capcut!
appreciate the subscription. Enjoy the channel, darren
Hello mate, this was a massive help.. lots of confusing colourspace stuff simplified.. I can now get to work in the right way.
This is unreal thank you! I made my first commercial video in sony HLG3 this week and struggled through the grading process and didnt really understand the color spaces, this really helped me understand. I was able to grade the footage again in less than 1/10th the time it took originally and it looks EXACTLY like my display now. Its actually annoying.
Best tutorial I've seen. Made my video look like something I've been able to do in Premiere finally. Thank You!
Best CST/node explanation I've seen. And, I'm going to use this tree. Thanks!
enjoy using THE best node tree there is!
Darren is a lifesaver. I am finishing up our first music video and found the answer to all my questions about the color page here. I learned a lot from the training videos and PDF from the Blackmagic website, but Darren's real-life example and step-by-step guide work much better for me. And now this node tree showed up! So cool! Keep doing what you do. Good job by you!
Glad to be helping!
Most Helpful video I've seen so far relating color grading and color correction, thanks a lot mate.
Glad it was helpful!
Cheers, Darren. Definitely going to try this one!
Muito obrigado por esse tutorial, sua didática é incrível! 🇧🇷
Incredibly well done tutorial, big thank you
You're very welcome!
I discovered I could bring to nearly ideal look (as it can possibly be) my faulty 8-bit Log mobile footages while checking this out. Thank you, Darren!
excellent! Its a sold node tree - works on ANY FOOTAGE!
Awesome work for let us know understand te mecanic. Great job.
Great video Darren. One thing that comes to my mind you went from scene referred colorspace (da Vinci wide gamut ) to rec 709 ( rec1886) and again went to cineon and then lut itself was converting to rec709 ( rec 709 colorspace with Rec1886 EoTF) While it will hold because resolve frame buffer is 32 bit per pixel but technically its expanding from smaller to bigger and smaller again thus a double conversion, and it would affect knee if we wanted to adjust something in second last nodes which we do as producer trims without crushing the whole grade. Or this we do if wanted extra punch specific for tv screen which we wouldn’t get in scene referred colorspace but after that we never go back to wider colorspace such as cineon because it would be softened adding film knee.
Thats why I use dehancer! Can do all this in DWG.
@@DarrenMostyn thanks for the pro tip. Always
Brilliant, Darren. This is a video I will come back to many times.
Hi Darren,
I’ve built this readymade node tree and saved it as a Powergrade for later use as a template. HOWEVER! Now when I drag the Powergrade to a clip’s empty node field, the template changes the (REDraw footage) ISO and WB kelvin value. Annoying! I have to change it back to the as-shot values each clip. What’s going on and how do I prevent this?!
Thankyou sir. Your videos help me color correct my iPhone footage in Davinci that looks wash out every time I import it. And now my problem were solved because of your tutorials. Thanks again from Philippines
Glad to hear that
Thanks Darren. I just got the DJI Action 4 and this helps when needing to colour grade between camera footage and the D-log footage of the Action 4. This makes it so simple to change the settings for each in the same timeline. Much appreciated 😀👍
Glad it helped!
Too bad D-Log M is not yet supported in Davinci Resolve. For some reason DJI doesn't want to provide the specs to be implemented into Resolve color management.
I'm very new to this space, haha, but your videos have done a TON to help me in a relatively short amount of time. Thank you thank you!
You are so welcome!
Great stuff! So,so,so glad that I found your channel. Thanks for the great videos! Cheers!
Glad you enjoy it!
This will be my default node structure from now. I like it systematic and in order. My question is what do you do with HDR node in this tree?
That’s exactly what i was looking for thanks for the all information and workflow man
No problem!
Thanks, You are a master instructor this finally makes perfectly good sense.
This is amazing! I keep coming back to this tutorial. Thank you so much for this! Could you make more videos about this node Tree?
Hi Darren! Great stuff! I have a question though. If we are placing the LUT node at the very end, after the CST, and it requires to convert it to cineon, doesn't that mean that we are viewing the timeline and exporting in cineon instead of Rec. 709? I am confused :S
I had to refer to the Davinci forums for F-log and use ACES transform first then ACES to DWG/DI I used your node tree after though!
Man this node tree is a game changer ! Thanks ! love that Kodak Film look
Once again Darren, my thanks for your great instruction and illumination (no pun intended).
Very welcome
Best video about building a node tree. Thank you... But I think that the iPhones works in Rec 2020 - HLG... something like that
Yet again just so much selfless value here - thank you 🙏
Thank you Darren so much for this golden information. In November I did finished your classes and they were fantastic. I did learn a lot from you. 😊
You are very welcome
This is soooo well explained thank you Darren🙏
Glad it was helpful!