Someone get this man a shockmount, or a lapel mic. The constant thumping and banging from the desk vibrations being picked up from the mic are rough if you have sensory issues. I had to move to a machine where I could easily do a high pass filter on the sound to get rid of the headache-inducing bangs. It also helped with the proximity effect from the too-close microphone. Meanwhile, lovely technique, well-explained. Really, cool, thanks.
E.H. Gombrich described this in his book ‘Art and Illusion: A Study in the Psychology of Pictorial Representation’ its light wavelength that the 3 film strips produce that actually produce colors.
I used this technique a lot in the past 3 years, but I don't know why, with the last 2 versions of Davinci, it don't work to me. I checked it again and I found out about your video. It look like I was doing all right, but at the last node, the add node don't work, but if I change it with a combiner node it works again. Did you have the same issue as well? should it be a bug of a new Davinci? Thanks for this video anyway.
can you do one on dye transfer eastman color to late 50s technicolor. I know there is not much documentation on dye transfer prints like on the hammer's color universal remakes from the 50s. or ray harryhousen films
Damn, that was amazing. I just happened to look up some color grading stuff you’d uploaded this three days earlier. I subscribed instantly. Great work. Request: you think you could do a grade similar to degraded B&W footage? I had a project that might use it but I might just go with your technicolor tutorial.
This is really cool to see in action! one question: what is your timeline color space and clip color space to make this work? In other words, if I'm using a Blackmagic RAW clip do I need to convert that to Rec709 first and then go through this process, or can it be done straight from LOG? Does the timeline color space being Davinci Wide Gamut change anything. Thanks for your help!
I tried to apply it but atthe last step where I am connecting the last node and changing the red green and blue outputs, all of them appear red, do you know why?
@@CINECOLOR_IO I did start twice from the beginning but still couldn't find the problem:( For extra context: I recorded with my DJI Osmo Pocket 3 in D-log and I applied the Lut in the first node. But still after removing it I couldn't solve it. I don't have davinci studio, is there a limitaton? So far within the video I didn't see anything I couldn't do with the free version
Nice tutorial thanks for that. Is there a reason that there is no trace on your waveform scope there? I would have liked to see it on other clips as well. I guess I've have to reproduce it to see - Thanks again and great work.
@CINECOLOR_IO I'm routing all three of them and weirdly it always turns up blue, i can send you a screenshot of the nodetree if you have any idea what might cause it
This is very cool and I like the look, but you could do exactly the same thing with just one RGB mixer set like this: Red: 1.0, -0.5, 0.5 Green: -0.5, 1.0, 0.5 Blue: -0.5, 0.5, 1.0 Cheers, dude! :)
Someone get this man a shockmount, or a lapel mic. The constant thumping and banging from the desk vibrations being picked up from the mic are rough if you have sensory issues.
I had to move to a machine where I could easily do a high pass filter on the sound to get rid of the headache-inducing bangs. It also helped with the proximity effect from the too-close microphone.
Meanwhile, lovely technique, well-explained. Really, cool, thanks.
This is insane, I am so thankful this video exists I am a huge fan of this look.
So glad you enjoyed it!
sAVING THIS NODE TREE
Glad you enjoyed it!
Epic, looks great
Thanks!
E.H. Gombrich described this in his book ‘Art and Illusion: A Study in the Psychology of Pictorial Representation’ its light wavelength that the 3 film strips produce that actually produce colors.
Nice one, this node strusture has given me some amazing results 👍👍👍
Great to hear!
Please keep creating content like this!
Working on it!
thank you so much, great tutorial!
I am absolutely amazed. This is awesome!! Thanks for this video. I really do appreciate you.
You are very welcome!
Informative Knowlegde...Buddy thnxss👍
Appreciate the feedback!
I used this technique a lot in the past 3 years, but I don't know why, with the last 2 versions of Davinci, it don't work to me. I checked it again and I found out about your video. It look like I was doing all right, but at the last node, the add node don't work, but if I change it with a combiner node it works again. Did you have the same issue as well? should it be a bug of a new Davinci? Thanks for this video anyway.
can you do one on dye transfer eastman color to late 50s technicolor. I know there is not much documentation on dye transfer prints like on the hammer's color universal remakes from the 50s. or ray harryhousen films
Great suggestion! Will work on it...
Great tutorial 🎥✒️🇮🇹
Thank you 🙌
Damn, that was amazing. I just happened to look up some color grading stuff you’d uploaded this three days earlier. I subscribed instantly. Great work.
Request: you think you could do a grade similar to degraded B&W footage? I had a project that might use it but I might just go with your technicolor tutorial.
This is really cool to see in action! one question: what is your timeline color space and clip color space to make this work? In other words, if I'm using a Blackmagic RAW clip do I need to convert that to Rec709 first and then go through this process, or can it be done straight from LOG? Does the timeline color space being Davinci Wide Gamut change anything. Thanks for your help!
Thank you! This version is done in Rec 709. I would recommend converting your footage out of LOG first and then applying the node tree.
Interesting technique, thank you. But wouldn't we get the same result if we raise the shadows and lower the highlights?
It would look a lot different as the colors wouldn't be separated.
How do I apply these nodes created to all of my clips? Great tutorial bro!
I tried to apply it but atthe last step where I am connecting the last node and changing the red green and blue outputs, all of them appear red, do you know why?
Thanks! Just grab a still in Resolve and you can copy and paste the grades to everything.
One of the connections / links might be broken. I would try starting from scratch to see if it eliminates the issue.
@@CINECOLOR_IO I did start twice from the beginning but still couldn't find the problem:(
For extra context: I recorded with my DJI Osmo Pocket 3 in D-log and I applied the Lut in the first node. But still after removing it I couldn't solve it.
I don't have davinci studio, is there a limitaton? So far within the video I didn't see anything I couldn't do with the free version
How to make this method work in RCM?
is this all
made inside davinci wide gamut or you using somthing else?
Nice tutorial thanks for that. Is there a reason that there is no trace on your waveform scope there? I would have liked to see it on other clips as well. I guess I've have to reproduce it to see - Thanks again and great work.
I followed the steps but i always end up with a blue image help
Are you combining all of the last 3 nodes together? Sounds like you might just be routing the blue channel straight to the output.
@CINECOLOR_IO I'm routing all three of them and weirdly it always turns up blue, i can send you a screenshot of the nodetree if you have any idea what might cause it
pure magic
Thanks!!
Ive followed all of the step but for some reason, the skintones get screwed. Face gets super red/brown
Does not work. Colors get inverted?
This is very cool and I like the look, but you could do exactly the same thing with just one RGB mixer set like this:
Red: 1.0, -0.5, 0.5
Green: -0.5, 1.0, 0.5
Blue: -0.5, 0.5, 1.0
Cheers, dude! :)
such a bizarre choice to not demonstrate this on a shot that actually contains blue and green…which i see plenty of in the rest of your timeline
well i didnt see any new improvements on this method...