Wynton Marsalis Septet "Oh! Didn't He Ramble" @Jazz_In_Marciac 2015
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- Опубликовано: 7 авг 2015
- Habitué de Jazz in Marciac dont il est devenu la figure emblématique et le parrain, impliqué depuis de longues années dans une manifestation qu’il fréquente depuis 1991, Wynton Marsalis a toujours eu à cœur d’y présenter un programme original. Le trompettiste s’est affirmé au fil du temps comme un virtuose capable d’interpréter avec brio les concertos classiques les plus ardus aussi bien que de parcourir toute l’histoire du jazz en lui imprimant sa marque propre. Considéré dès les années 80 comme un prodige de son instrument, il a par la suite affirmé sa personnalité de soliste, mais aussi de leader et de compositeur. Au point que sa maîtrise et son aisance d’improvisateur lui valent l’admiration de ses pairs et d’un public sensible à la séduction de son approche mélodique, à son sens du swing et à son désir de ne pas se couper des fondements de la musique de son peuple. Il faut y ajouter un charisme incontestable qui l’a fait d’emblée adopter par les Gersois.
Wynton Marsalis - trompette
Walter Blanding - saxophone
Victor Goines - saxophone
Sam Chess - trombone
Dan Nimmer - piano
Carlos Henriquez - contrebasse
Jason Marsalis - batterie 
Видеоклипы
marsalis just dancing in his chair
he's really enjoying it like everyone else
Wynton has the best musicians,so good to listen to,long may he keep playing.
I FIND DAN NIMMER (PIANO) SO GREAT TO LISTEN TO AND TO WATCH. HE BASICALLY PLAYS WITH HIS EYES CLOSED. AMAZING! SAM CHESS (TROMBONE) WAS JUST WONDERFUL AND ANY OF THE "WIND" INSTUMENTS TAKE A LOT OUT OF THE MUSICIAN. I SEE CARLOS HENRIQUEZ ON MANY OF THESE CD's AND HE MUST BE SO GOOD AT HIS CRAFT BECAUSE DIFFERENT BAND LEADERS WANT HIM IN THEIR BAND. ALL OF THESE MEN ARE SO GOOD AND REALLY SWING AND ENCOURAGE EACH OTHER WHILE THEY ARE PLAYING. SYLVIA! 4/21
10:30 The look Marsalis gave to the clarinetist (I think) after that high note at the end.
New Orleans jazz played by contemporary musicians. Brilliant.
ООО это круто БРАВо
This rendition really swings!! WOW!!
Wow, what a bass solo ! !
Another example of Wynton’s virtuosity looking for a style (and he’s not only one)
the soul of the song comes alive at 9.56 min
every horn is talking at same times - yet, does not ramble
Wyntons reaction to predicting what Sam Chess (trombone) would do at 4:27 gets me every time.
Godly drum solo
This is who I am going to see this Monday, July 10th at the Buxton Opera House. Oh boy I can't wait.
Un enchantement....
This is a to u as an outstanding musician and extraordinary player and a great leader in this game of great talent following in the footsteps of your great father .In you ,i feel a great measure of many things to come.
6:47 gets me hype every single time.
super. gracias.
Yes Sir, you and the Cats be Swing real hard... love it 👏🏾👏🏾👏🏾
Desde Pereira Colombia SA. Escucho a Wynton me fascina,el jazz algún día lo veré en un concierto.❤
….on my Special Faves List ! 💖💖💖
Thank you!!!!!!!!!!!!!!!!!!
Magnifiqe
Good song for the second line in new Orleans!!!!
Magnifique !
Amo a Wynton Marsaliz
Thank You - Great Art. Lovely. Donald Fransson, Sweden.
Thank you guys,that’s amazing, i love it!!!!!🎹🥁🎺🎷
Thank you, and keep the vinyl spinning, great sound !
J'attendais ce moment de jazz...suberbe
Didn't he ramble; he rambled
Rambled all around in and out of town
Didn't he ramble, didn't he ramble
He rambled till the butcher cut him down
His feet was in the market place, his head was in the street
Lady pass him by, said look at the market meat
He grabbed her pocket book and said I wish you well
She pulled out a forty-five, said I'm head of personnel
Didn't he ramble; I said he rambled
Rambled all around in and out of town
Didn't he ramble, oh, didn't he ramble
He rambled till the butcher shot him down
He slipped into the cat house, nmade love to the stable
Madam caught him cold, said I'll pay you when I be able
Six months had passed and she stood all she could stand
She said, buddy, when I'm through with you
Old groundhog gonna be shakin' yo' hand
And didn't he ramble; he rambled
Rambled all around in and out of town
Oh, didn't he ramble; he rambled
You know he rambled till the butcher cut him down
I said he rambled, Lord, till the butcher shot him down
Que linda musica
Marvelous!
I love jazz also , miles Davis , wynton s septet John Coltrane Charlie bird Parker .
chapeau a winthon nouveau louis
wooow ;)
How much does a guy sweat for it to go through the jacket? Great stuff.
Quite a few Bix licks lyrics in there
(JAZZ!MUSIC)! LEGEND! (WM)! NOW! YOU! KNOW! THE! ORIGINAL! (JAZZ!MAN)! BLACK!MAN! 🙂*MIKE! SPENCE! HA! HA! HA!
goodなドラミング、、、そわ、そわ
He is even better playing classical.
What was that last little high note?
What kind of drum kit is that?
+Sam Flegal: " a kitchen batterie (lol) I suppose (in french "only)
Dont' worry my friend
Gino
New Orleans jazz played by contemporary musicians.
If this doesn't move you .. seek medical attention immediately
Agree wholeheartedly!
hey someone knows the first song ?
+4qsdfg
LOUIS ARMSTRONG LYRICS
"(Oh) Didn't He Ramble"
Didn't he ramble.... he rambled
Rambled all around.... in and out of town
Didn't he ramble....didn't he ramble
He rambled till the butcher cut him down
His feet was in the market place..his head was in the street
Lady pass him by, said..look at the market meat
He grabbed her pocket book..and said I wish you well
She pulled out a forty-five..said I'm head of personnel
Didn't he ramble...I said he rambled
Rambled all around...in and out of town
Didn't he ramble...oh didn't he ramble
He rambled till the butcher shot him down
He slipped into the cat house..made love to the stable
Madam caught him cold..said I'll pay you when I be able
Six months had passed ..and she stood all she could stand
She said buddy when I'm through with you
Ole groundhog gonna be shakin yo' hand
And didn't he ramble...he rambled
Rambled all around...in and out of town
Oh didn't he ramble......he rambled
You know he rambled...till the butcher...cut him down
I said he rambled..lord...'till the butcher shot him down
+gino gébé merci gino ! maintenant je sais quoi mettre a mon enterrement !
Pourquoi la vidéo est MONO ?????
Mine is stereo!
拔萝卜，拔萝卜，嘿呦嘿呦拔萝卜
I didnt really like 3:50. sounds like my alarm clock. Wish he did something else w his solo
You don´t have listed anything in the history of jazz and moreover you don´t know anything. Study and talk
@@JuanraKos I dont follow. I know it was an insult but could you rephrase that
I said it because I wanted to start a discussion about it that i could maybe learn something from after talking to people. I didnt say it to start toxic arguments
Lol true it was cool though, sounded almost percussive
Yes, A Marciac auraient-ils été chauffés par une miss hippie ?!!!
The purpose of repeated notes is to gather rhythmic momentum, the soprano player here repeats them too often while he’s thinking out what to do next and stays firmly grounded
jwmc41 victor Goines is that player and he’s one of the best in world.
Jacob Frantzen Could be but it depends what you mean by best, which in this case would have to be an immediately recognizable jazz voice, whose right place doesn’t seem to be in a WM pick up group playing Jerry Roll Morton hand me downs (however much I like the originals) - or maybe it is just a reflection on how difficult it is for a jazz musician to get decent pay
Will smith on drums 😂
Non : ici , je n'adhère plus . Trop d'exagérations partout d'où : improvisations ratées dans les aigües , solos manquant d'originalité ou bâclés....Imprécisions diverses qui handicapent ce beau track... Première fois que je vois jouer Marsalis avec autant de désinvolture
Ratées, manquant de personnalité ? Parce que il faut jouer pleins de notes baclées sans précisions, les une après les autres pour faire swinger ? Ont fait ce que on veut ! Démontrable qu'il faut mieux jouer peu mais que ça swing ! (less is more !). C'est d'ailleurs dans quoi les musiciens s'approchent ici, les aigues ne sont pas forcément ratés mais filés, ils y ont, donc le problème ? L'approche que veut Marsalis avec se groupe c'est de retrouver une pate sonore et d'improvisation typique des années 20 et 30, et oui on ne jouait pas 24notes pas secondes, on en jouait peu mais mélodiques et ayant un senses, alors originalité forcément, c'est d'avantage rechercher que de faire n'importe quoi pour dire que je sais jouer aigue et fort ! On ne jouera jamais un trad pareil !
I WILL NEVER SUPPORT THIS GUY AGAIN. REASON? WELL WYNTON STATED " BLACK LIVES MATTER BUT OTHER LIFES DONT MATTER". ME AS A BLACK MAN DONT RESPECT THAT KIND OF STATEMENT. ALL LIFES MATTER TO ME.
you should show him when black guys shoot cops cold blood. maybe he'll understand
These guys are not the right ones to be sitting there singing didn’t he ramble
Well said
(JAZZ!MUSIC)! LEGEND! (WM)! NOW! YOU! KNOW! THE! ORIGINAL! (JAZZ!MAN)! BLACK!MAN! 🙂*MIKE! SPENCE! HA! HA! HA!