Panasonic LUMIX S1H | Shooting Cinematic with Nick Dabas
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- Опубликовано: 9 сен 2024
- Join Director of Photography Nick Dabas as he walks through his cinematic experience shooting a short film with the Panasonic Lumix S1H full frame mirrorless camera.
Watch the short film "The Unit" here!
☞ vimeo.com/3539...
Introducing the Panasonic Lumix S1H 24.2MP Full-Frame Mirrorless Camera with 6K 10-Bit Video & LUMIX S PRO 24-70mm F2.8 L-Mount Lens for S Series. Cinema Performance in a full frame Mirrorless Camera.
The LUMIX S1H is a full-frame mirrorless camera for film production, scaled to a hand-held design without compromising professional-level standards. It offers extensive recording modes and cinematic image quality to meet the high demands of today’s creators. With superior functionality that slots effortlessly into the professional workflow, the S1H is also designed for active filming in the field when attached to a gimbal or drone.
A newly developed 24.2-megapixel full-frame image sensor complies with the new Dual Native ISO. In combination with the optimum signal processing by Venus Engine, it achieves high sensitivity and minimum noise. The LUMIX S1H provides 14+ stops of dynamic range, which is as wide as those of cinema cameras, and V-Log / V-Gamut compatible with popular colorimetry called “VariCam Look.” What makes the LUMIX S1H a special camera is an unlimited recording time in all recording modes thanks to unique heat dispersion technologies. HDR (High Dynamic Range) in HLG (Hybrid Log Gamma), 4:2:2 10-bit internal recording and output through HDMI. Anamorphic 4:3 modes are also available together with a variety of practical tools for film making, such as tally lights, a waveform monitor and a V-Log View Assist function (LUT Viewer).
The LUMIX S1H full-frame mirrorless camera system adopts the L-Mount system to provide users with a diverse and future-proof range of products. Currently more than 46 interchangeable lenses including 11 or more LUMIX S/S PRO lenses are available or will be available from Panasonic, Leica Camera and Sigma to choose from and a variety of mount adapters/converters further expand the opportunities to use even more lenses. The L-Mount thereby opens up an almost limitless spectrum of new creative possibilities.
The LUMIX S1H combines cinema industry performance, refined by Panasonic, with the high mobility and functionality of LUMIX mirrorless cameras.
• NEWLY DESIGNED FULL FRAME SENSOR - 24.2MP full-frame MOS sensor offers a wide dynamic range and sharp, natural expression at high sensitivity settings
• 6K 10-BIT VIDEO - Includes full-area 3:2 6K24p, C4K(4,096 x 2,160) and anamorphic modes
• DUAL NATIVE ISO - Offers the advantages of very high sensitivity for low-light shoots while suppressing noise levels, allowing the camera to switch from a standard sensitivity to a higher sensitivity with almost no noise degradation
• V-LOG/V-GAMUT - Features a wider 14+ stops of dynamic range, which are compatible with the Cinema VariCam Look, to capture everything from shadows to highlights
• RUGGED MIRRORLESS CAMERA DESIGN - Dust/splash*/freeze-resistant design withstands heavy field use under harsh conditions for high mobilitylumix s1h s1h dc-s1h dcs1h full frame full frame camera
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Pre-Order yours now
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PANASONIC LUMIX S1H Digital Mirrorless Camera
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PANASONIC LUMIX S PRO 24-70mm F2.8 L-Mount Interchangeable Lens for LUMIX S Series Full-Frame Digital Cameras - $2,197.99
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G-Technology G-DRIVE mobile Pro 1TB Thunderbolt 3 External SSD
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Production Equipment Used:
Panasonic LUMIX S1H
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Panasonic LUMIX 24-105mm f/4 O.I.S.
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SanDisk 128GB Extreme PRO SDXC
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#PanasonicS1H #Lumix #NickDabas
Tell us what you think of the new S1H!
The image looks really good, I just watch the short and has great quality!
More impressed by the Blackmagic Pocket 6k. Blackmagic Pocket 6k 50fps 12-Bit BRAW for $2495 with EF mount.
Everything looks great except that 4:2:0 for full frame image... As I understand it, there's no way to get 4:2:2 full frame in camera, it's only possible with external recorder?
Lets see: How can I say this in a nice way? Well here we go. After watching this short, I am glad I don't own a $98000.00 Cinema Camera right now!
Was Seth a grip on this project?
2019 is being the best year for camera technology
@@RS-Amsterdam lol
Hi Nick ! 😉 I am a professional videographer and photographer of 40 years and you blew me away with your testimonial. WOW!! So professional yet EVERYBODY can understand the camera's features and benefits. Other reviews on this camera talk about charts and blah blah blah but you my friend had BOTH "talk and walk". Panasonic should be soooooo grateful to you. Nick you are THE MAN 👏👍✔🐱🏍
Man, I just wish they developed a phase-detection focus system for this (and all the S1 cameras) camera. Literally, even if it was just a small cluster in the center, for easier gimbal work. This camera will be amazing either way, and if it's truly used alongside a Varicam, the AF issue won't really matter. I love that it has a timecode port too.
matrodmedia so no continuous af? Let me guess contrast detect only? 🤦🏻♂️ no mention anywhere about its focusing ..
@@EverythingFilmmaking It looks like he used manual cine lenses so prob didn't touch AF
Great BTS.
That video was excellent mate... Well done... The fat guy was so funny... "This kid - I dont know what I gotta do with this kid" - that is funny... Frankie - its a bad time..... Guys this was extremely professional... Next level... I dont even know anything about videography - we do training - it was between S1 and S1H - I dont see how we can resist the S1H.
Very well done guys... Excellent Job with top level actors as well..... wow.
Nick's work is beautiful, loved the piece he filmed; still crazy about the faux-crane forklift shot and the slider shot against the chain link fence. Gotta save for it, but I'm excited to get my hands on this camera.
Great explanation of pro workflow using a "small" MILC.
🤣 I just watched the short! That was excellent!
Want to eventually buy this camera in the next two years.
What type of connection can we use for timecode that attaches to the Provided S1H cable to go into a 3.5 jack on a Sound Devices Mix-Pre 6ii field mixer?
Perfect Job guys !! Just got my S1H Setup with Atoms N V a game changer in light Cinema Q setup !! if you gt any tips for a starter do not hesitate ;
Has the S1H given you any problems recording in 6k internal with SDCX cards?
Great seeing this camera in action! It's amazing what the S1H can do! It has a lot great features other cameras do not have. I was hoping for Raw & ProRes, but maybe that's limited because of the SD cards. This is a pro camera, why not have an XQD card slot?
If you have an ATOMOS Ninja V, from January 2020 you'll be able to record 4K PRORES RAW straight from the S1h ! :-)
A W E S O M E 💖
Game over Sony
Not yet, its so fkn expensive compared to a7III
@@alan65144 the a7iii has nothing on this beast for video features..
we have yet seen the true competitor A7SIII
Amazing!
Lets cut off the interviewee's head a little more... :) jk jk great video guyssss
Good improvisation I would say :)
💪👍❤
I just bought a Lumix S1 ! Just wondering how can I Power the camera with out using dummy battery? Is it good or bad to use dummy battery ?
The short film is private...really wanted to check it out!
Seth Jensen Fixed!
@@FernandoMartinezFilm Awesome! Loved it!
nice vid my guy
I just got S1H and Ninja V. What camera Cage and D-tap (V-mount) battery system do you recommend?
hi Guys, it's gorgeous!! what's about the camera rig? brand, price and where we can get it. cheers
Nick Dabas, your the man, love your comments in the BnH round table, fuck a proxy computer, get a super rig and use DR baby
Why don t you use an EVA1? it is a very good camera, and it is a video camera.
I like his voice #hot
He was using a $4,500 Leica lens.
no dude these lenses worth $15000 each... it's cinema version with PL mount
Can you record via the USB-C port to an SSD?
Nope, but you can charge the battery and export data via USB-C.
Hey Nick, what follow focus system are you using please? I have a GH5/GH5s.
We used RT Motion
What type of lights are those, the tube lights?
They are the 2ft quasar science RGB
if it can shoot 8k it will be progressive cool camera. gh5 can shoot 6k anamorphik. wy s1h cant shoot 8k anamorpik? where raw and 12 bit?
After watching this, I think im ready to sell my gh5. 😭
No. Just wait for GH6. 2020
@@samsay7954 GH6 will not be better then s1h, its mft. A fullframe will ever beat mft sensors.
@@samsay7954 wow
Leica 35mm Summicron-C T2 = 15 000$ ...
its not the camera but the lenses on the camera....all the videos i hv seen on this camera are with lenses more expensive than the camera. let me be heading to Sony world quietly
The only problem is that the Panasonic want you to pre-order this they just tell you 6K 10 bit they don't tell you what frame rates that the 10 bit is going to be in I mean if you got a truck load cash just lying around and you want to pre-order something without knowing any of that final specs then the haven't had it lol oh I looked a little deeper and did see that it said 6K and 24p so I guess no 6K and 60p this is basically a gh6 but full frame which is nice we'll see if they have some type of package deal with the lands like a kit lens with it but right now you're paying 4000 plus another 2,000 so you're going to be in at like six thousand plus dollars just for the camera and a decent lens
Panasonic has published the shooting profiles, all 42 of them that cover 6K down to 1080p with the h.265 CODEC, ALL-I recording from C4K down to 1080p, Anamorphic recording at 4K 4:3, 6K full-frame 3:2, Anamorphic Desqueeze displays Cinemascope-size video at 1.3x, 1.33x, 1.5x, 1.8x, and 2.0x. It has Varicam cine color and 14+ stops of dynamic range. It can record 6K video for 2 hours on just ONE camera battery, or 4 hours if you add on the battery grip. It has 6 stops of IBIS stabilization so you can shoot smooth handheld footage. Here's what GH5 cameras can do when shooting HANDHELD with MANUAL focus. No tripod. No gimbal. All footage HANDHELD using GH5 IBIS to stabilize the camera...
ruclips.net/video/_UX0yHmJUNg/видео.html
ruclips.net/video/g3rQC0_zGdk/видео.html
ruclips.net/video/4fjm5J_gPh0/видео.html
Right now Panasonic is the only camera brand with IBIS that can stabilize handheld shots like this.
But what about
1) internal Prores?
2) internal compressed RAW?
3) clean 240fps @ 1080p?
4) clean 160fps @ 4K (cropped OK)?
Sorry, I don't trust timecode built in any camera. Lockit boxes are so much better.
Aurical Media definitely you can trust any camera in time code you have have a box on camera
The Blackmagic Pocket 6k is better and more affordable. Blackmagic Pocket 6k 50fps 12-Bit BRAW for $2495 with EF mount.
13 stops of DR...
BMCC pocket 6K has a smaller sensor thus less DR and poorer DOF. No dual base ISO option. No body IS. No pro Codec for in-camera cine log 422 shooting. No HDR multiple still shots. No 14-bit laterality. Built like a plastic toy. This new 6K S1H from Panny is a real pro cine/photo camera, solid, reliable, another league vs the BMCC pocket. Every single aspect in the S1h is far ahead of the prosumer BMCC. Gimme a break and go back to your orange lollipop.
Black magic output is realy nice but.... You need to buy 15 battery for shooting for 1day shoot