ATTENTION ALL WANNABE GUITAR TEACHER ON RUclips: TAKE NOTES!! This man perfectly explained a concept and where it’s application is appropriate in under five minutes. Best teacher on RUclips
As a teacher myself, I applaud your ability to explain this material so succinctly. So many lessons on RUclips seem to want to skip right over all the mechanics and explain things only in conceptual terms. But you also have to know how to SPELL all your chords! targeting the chord tones so specifically makes us do this AND develop lines at the same time. Bravo!
This is probably one of the most succinct, well explained and clear explanation of the practical application of bebop scales and enclosures I have ever seen. It would be great to see you talk about phrasing, timing and all the stuff Bird and those guys were about when they blew over changes.
This could potentially be the most important lesson for someone learning Jazz guitar. I have been learning for a couple of years, and the way you apply the concept is very useful. Very cool
I've always been a Rock/Blues player with some background in Jazz studies . I have a good foundation in scales and modes but find in improvisation that I mainly seem to revert back to pentatonic with chromatic notes inserted.Basically I can sound somewhat Jazzy but can't quite seem to get where I want to be. I'm hoping to finally get comfortable with soloing over Jazz changes
Playing arpeggios really helps you think more about the chords as they are moving. If you like theory, understanding functional harmony makes it easy to know where chords are going, but to really get it integrated into your sound, you just have to listen more. Find what you like and use it to explore further outside of your standard playlist. I used to not understand how Charlie Parker was great, but now I can actually understand why people like Ornette Coleman! Jokes aside, Moanin' by Art Blakey and the Jazz Messengers, The Sidewinder by Lee Morgan, Sonnymoon For Two by Sonny Rollins, Jam Blues by Charlie Parker, and Blue Monk by Thelonious Monk are all tunes I thought were really cool when I was transitioning into more "hip" and "modern" jazz idioms. Louis Armstrong is someone I recommend to anybody who wants to know and more importantly play jazz better
Like rock music, it helps to build a lick library to get started. I sampled a lot of jazz in the early days and when I found something that I knew I could chew on I really took it apart and analyzed it. For example for me I discovered a very rare Robben Ford album called Sunrise… there are some really cool jazz licks on there that you can easily learn using slow down software. Just keep listening to jazz until you find some things that sound comfortable to your ear and then analyze it and steal some licks. You can grow from that point. But… NEVER give up! Jazz is not something that you learn overnight!
This is awesome! This has to be one of the best explanations I’ve seen on this topic! This man deserves way more subscribers, thanks for the lesson Eli!
New into this style overall - playing and listening wise Your breakdown helped me a lot and implementing into my practice session. Thank you for sharing man
Here studying bass looking to grow my soloing a little more and this was really helpful, for a long time I fell there has been so much mystique surrounding bebop and how to get that sound, but this opened the door for me. Thank You.
Hi Eli, thank you for the awesome video! I do really like the way you teach and play! Currently i am working on the Fundamentals and would love to add youre bebop etude to my practice routine. Is there a way to purchase it without yet becomming a patreon?
Thats a great lesson bro keep up! How i can apply this exercise through all modes? Just following the same pattern for each target note of the arpeggio or there's a different approach for each mode/arpeggio?
My name Is J.R. Goldman. I gave guitar lessons to Munky and Head. I can explain this to you. It is not Modal. It is over a dom chord. By the way I am not lying about who I am. -)
Been watching loads of vids on bebop scale and at other times, I have watched stuff on enclosures too. Always felt I was one good video away from a 'penny drop' moment. Think this is it! Nice one. Thanks.
WELL DONE DEMONSTRATED ELI...MY NAME IS CHRISTOS KASIOLAS AND I'M A JAZZ GUITAR PLAYER AND INSTRUCTOR FROM THESSALONIKI GREECE...Ι WROTE A BOOK ON THE SAME SUBJECT ENTITLED 'AN APPROACH TO CHROMATIC PLAYING' WHERE I EXPLAIN OR BETTER I PLAY IN EVERY DETAIL ALL THE POSSIBLE COMBINATIONS OF THE ENCLOSURES...
ATTENTION ALL WANNABE GUITAR TEACHER ON RUclips: TAKE NOTES!! This man perfectly explained a concept and where it’s application is appropriate in under five minutes. Best teacher on RUclips
As a teacher myself, I applaud your ability to explain this material so succinctly. So many lessons on RUclips seem to want to skip right over all the mechanics and explain things only in conceptual terms. But you also have to know how to SPELL all your chords! targeting the chord tones so specifically makes us do this AND develop lines at the same time. Bravo!
So many years I’ve worked to understand bebop, this guy got me farther along in four minutes than the last four years!
This is probably one of the most succinct, well explained and clear explanation of the practical application of bebop scales and enclosures I have ever seen. It would be great to see you talk about phrasing, timing and all the stuff Bird and those guys were about when they blew over changes.
This could potentially be the most important lesson for someone learning Jazz guitar. I have been learning for a couple of years, and the way you apply the concept is very useful. Very cool
I've always been a Rock/Blues player with some background in Jazz studies . I have a good foundation in scales and modes but find in improvisation that I mainly seem to revert back to pentatonic with chromatic notes inserted.Basically I can sound somewhat Jazzy but can't quite seem to get where I want to be. I'm hoping to finally get comfortable with soloing over Jazz changes
Similar. I think one thing to do is LISTEN to a lot of Jazz to break the Rock/Blues bias.
Arpegios and envlosures also learn some gypsy jazz licks helped me alot
Playing arpeggios really helps you think more about the chords as they are moving. If you like theory, understanding functional harmony makes it easy to know where chords are going, but to really get it integrated into your sound, you just have to listen more. Find what you like and use it to explore further outside of your standard playlist. I used to not understand how Charlie Parker was great, but now I can actually understand why people like Ornette Coleman! Jokes aside, Moanin' by Art Blakey and the Jazz Messengers, The Sidewinder by Lee Morgan, Sonnymoon For Two by Sonny Rollins, Jam Blues by Charlie Parker, and Blue Monk by Thelonious Monk are all tunes I thought were really cool when I was transitioning into more "hip" and "modern" jazz idioms. Louis Armstrong is someone I recommend to anybody who wants to know and more importantly play jazz better
Like rock music, it helps to build a lick library to get started. I sampled a lot of jazz in the early days and when I found something that I knew I could chew on I really took it apart and analyzed it. For example for me I discovered a very rare Robben Ford album called Sunrise… there are some really cool jazz licks on there that you can easily learn using slow down software. Just keep listening to jazz until you find some things that sound comfortable to your ear and then analyze it and steal some licks. You can grow from that point. But… NEVER give up! Jazz is not something that you learn overnight!
Great video and production! Thanks a lot for sharing!
Best lesson on Bebop lines on RUclips! Congrats!!!
This is awesome! This has to be one of the best explanations I’ve seen on this topic! This man deserves way more subscribers, thanks for the lesson Eli!
Awesone teaching and all under 5 minutes !! Thanks a lot!
This great and should be required learning for aspiring Bebop musicians- not just guitar.
New into this style overall - playing and listening wise
Your breakdown helped me a lot and implementing into my practice session. Thank you for sharing man
This is the exact video I needed. Thank you for your chronologically structured simplicity!
This video is *everything*
Here studying bass looking to grow my soloing a little more and this was really helpful, for a long time I fell there has been so much mystique surrounding bebop and how to get that sound, but this opened the door for me. Thank You.
This was a fantastic lesson. Hope to see you create more content.
this box is identical to the Ibanez AF75 , Good lesson, tks!!
Good lesson! Thanks!
Outstanding video. Right to the point, super useful.
Nice tutorial- instantly applicable
I hope you keep making videos this is great
Will do!
Great content and examples, thanks. Where is this section on your Patreon page?
Gracias por los conceptos
Hi Eli, thank you for the awesome video! I do really like the way you teach and play! Currently i am working on the Fundamentals and would love to add youre bebop etude to my practice routine. Is there a way to purchase it without yet becomming a patreon?
Well explained, very informative, but I don't think I'll ever be able to do it, great video
Hey mate! Fantastic way to explain it! Its so
Keep up with great work. Soon youll bee recognized by more youtubers.
Regards from music teory teacher.
great stuff. thanks
how about on bass clef ?
Love it.
Your tone is wonderful
Hi great video and beautiful playing.. what software do you use for notation and tab scroll.. love it
Thats a great lesson bro keep up! How i can apply this exercise through all modes? Just following the same pattern for each target note of the arpeggio or there's a different approach for each mode/arpeggio?
My name Is J.R. Goldman. I gave guitar lessons to Munky and Head. I can explain this to you. It is not Modal. It is over a dom chord. By the way I am not lying about who I am. -)
useful lesson thank yu
Thanks!
Yeah, this is fantastic! 🙏 Thank you!
Awesome
That scale Is magic . I have created more 2 5 1 runs and so easy with this scale
Thankyou! Great lesson!
Magnificent!
Best explanation in short time!!
Very well explained, subscribed!
Great lesson!!!
Great stuff appreciate it sir...
Cool, but can you play it in twenty-one?
Thank you... excellent video... you definitely get it across!
Great video! Thank you!
I enjoyed your lesson, thank you!
Excellent lesson 🤘🎸🔥
Is adding the #5 to a maj scale doing the same thing? Does it have to be the b7, 7 thing?
Awesome!!!! ❤🎉thanks from Nz
Cool stuff, thanx!!
Nice lesson...😀 what is the name of the miles davis tune you played....
Tune up !... mate👍
Cool lesson!
Thank you!
If you ascend the G7 scale do you use the same enclosure? They sound so nice descending ... but ascending??
1:54
Been watching loads of vids on bebop scale and at other times, I have watched stuff on enclosures too. Always felt I was one good video away from a 'penny drop' moment. Think this is it! Nice one. Thanks.
This is exactly how I feel
2:36 golden 2:52
Good to survive and saw this video #2022 space cowboy did travel , thank you
Great video!
👏👏👏👏👏👏
FIVE Thumbs UP !!! Brilliant - because simply explained - thus convincing and unforgettable ... !!!
That was resalllly helpfulk TY oops typed too fats
I was like #666... is this a Crossroads thing?
I wanna hear this cat rip!
Thank you BTW much love!
Witchcraft!
انا وعودة دايرة احي قناة سام الاسلايم المرح
Noncense
WELL DONE DEMONSTRATED ELI...MY NAME IS CHRISTOS KASIOLAS AND I'M A JAZZ GUITAR PLAYER AND INSTRUCTOR FROM THESSALONIKI GREECE...Ι WROTE A BOOK ON THE SAME SUBJECT ENTITLED 'AN APPROACH TO CHROMATIC PLAYING' WHERE I EXPLAIN OR BETTER I PLAY IN EVERY DETAIL ALL THE POSSIBLE COMBINATIONS OF THE ENCLOSURES...
Υπάρχει το βιβλίο σου στα ελληνικά;
your pateron doesnt work
English please 😂
Great lesson!!
Thank you!