I love this kind of stuff Eli...thanks. I love the banjo stuff too. This jazz stuff actually helps me with Bach and understanding classical music better...keep it coming.
Fantastic video Eli!! Quick question. Can one improvise off the D diminish scale as well, as it resolves to C major 7, as opposed to G Diminish. Would that be musically correct🤔 Or, am I confused😂 Thanks🤗
Use the whole-half diminished starting on the 3, 5, b7, or b9 of a V chord for a 7b9 altered dominant sound. This is the same scale as the half-whole starting on the root, the difference is in how you think about it. Since the diminished arpeggio starting on the 3, 5, b7, or b9 of V is such a common sound, thinking about it this way might be helpful. Visualizing this arpeggio also helps orient your lines around chord tones. Thinking about the half-whole from the root makes these chord tones less obvious (to me). The whole-half diminished from the root works on diminished chords, where the non-chord tones (the whole steps) provide color (e.g., diminished major 7th).
and you ? are you serious to play jazz on the guitar ? lol ok lessons and ? what do you play and with who ? with yourself ?ok lol go out from your home !
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You're one of the most approachable teachers on youtube and have immediate applicable concepts with short videos, that's amazing!!!
smooth lesson, Thanks!
I love this kind of stuff Eli...thanks. I love the banjo stuff too. This jazz stuff actually helps me with Bach and understanding classical music better...keep it coming.
Thank you John!
Eli, this is great!
I'm referring to the table showed on 0.57 .The lower E string should be on top.
greetings
i love it!
Great lesson man ! Really effective !
Do you force the diminished scale on top of plain dominant chord, or does comping need to play an altered dominant behind soloist?
I think that the table should be otherway around😊
This was awesomely absorbable, you filled out any gaps in basic understanding that I might have. Great work!
Fantastic video Eli!!
Quick question. Can one improvise off the D diminish scale as well, as it resolves to C major 7, as opposed to G Diminish.
Would that be musically correct🤔
Or, am I confused😂
Thanks🤗
Jazz-Scale?
So you use the whole-half diminished on the seventh tonic? What about the half-whole, where to use it? Cheers thanks for the content
Use the whole-half diminished starting on the 3, 5, b7, or b9 of a V chord for a 7b9 altered dominant sound. This is the same scale as the half-whole starting on the root, the difference is in how you think about it. Since the diminished arpeggio starting on the 3, 5, b7, or b9 of V is such a common sound, thinking about it this way might be helpful. Visualizing this arpeggio also helps orient your lines around chord tones. Thinking about the half-whole from the root makes these chord tones less obvious (to me). The whole-half diminished from the root works on diminished chords, where the non-chord tones (the whole steps) provide color (e.g., diminished major 7th).
and you ? are you serious to play jazz on the guitar ? lol ok lessons and ? what do you play and with who ? with yourself ?ok lol go out from your home !