Extreme difficulty in "Double Stacattos" Flutes, Horns, Trumpets. Ravel's wonderful ornaments. Graciosíssimo!! Congratulations BerlinPhil and Sir Simon! Greetings from Brazil!!
She is Angela Jones-Reus. I had lessons with her in my early years on flute in Brazil. She teaches at University of Georgia, in Athens. She played in Stuttgart for many years, and her husband is a German cook.
It confuses me how anyone could be against moving while playing. I understand if someone just doesn't really get into the music and moves themselves but to be against it? Where's the reasoning behind that? I'm very curious to know why anyone would be AGAINST it.
Actually, that triple tonguing at the low region of the flute is *extremely* hard and Emmanuel Pahud is over the top in getting that full sound. The second flute was extremely professional just in keeping a steady rhythm. I can't remember any other fragment for flute with similar demands.
I fell like it they express thei musicality - in the right way, moving to music is always a nice thing..´but in the orchestra (only in the winds) I think, only the principals should move like this. And although you have played professionally, you are not in a position to criticise the berlin phil, I think. Please don't criticise my grammar, I'n not a native speaker..
Actually, I can speak my opinion on anything, you did. What gives you the right to tell ME what to express or NOT express. I live in the United States, which is NOT a communist country-yet. Please end the subject and stop replying. You can spend your time watching them weave, dance and bob all around, instead of writing replies to me. Enjoy their dancing.
I find all of this dancing and waving around of the musicians extremely irritating, distracting, and does NOTHING to enhance the music or express one's musicality.
1:26 - The dialogue between the two flutes is amazing! And the tonguing...O.O
Extreme difficulty in "Double Stacattos" Flutes, Horns, Trumpets. Ravel's wonderful ornaments. Graciosíssimo!! Congratulations BerlinPhil and Sir Simon! Greetings from Brazil!!
I came here to study how Ravel orchestrated his piece and I could just smile because his orchestration is truly amazing
ALWAYS.
There is something extraordinary in this orchestra's wonderful performance
Stefan Schweigert is the most epic principle bassoonist of all the orchestras... definitelly!
I love the way they move when they play..makes it look like they are enjoying themselves as they should be
She is Angela Jones-Reus. I had lessons with her in my early years on flute in Brazil. She teaches at University of Georgia, in Athens. She played in Stuttgart for many years, and her husband is a German cook.
Eine große Ehre,
wenn die BerlinPhil und Herr Maestro S. Rattle nach Taiwan kommen!
Danke für das Kommen.
es impresionante, todos estos sonidos, que impulsan tu corazon hacia adelante !!!!!!!!!!!!me fascina toda la musica, es mi fuente de inspiracion
Ah yes. It is indeed a good day when i can hear some Ravel. I love this music ;-)
It's their way of expression. To each their own.
as usual - perfection!
awww yeah 1:26 Emmanuel Pahud
台北推！！！so sad that i did not get the ticket to watch you guys play live.....
It confuses me how anyone could be against moving while playing. I understand if someone just doesn't really get into the music and moves themselves but to be against it? Where's the reasoning behind that? I'm very curious to know why anyone would be AGAINST it.
Fernando Herrera I totally agree! If it comes naturally, then so be it.
Why not the entire version? 😵😩😢😭
Well! Now that's some playing!
RAVEL RATTLE LO MAXIMO
Oh no! The video ends on the bst part, the bassoon solo.
Sir Elton John on clarinet at 0:29 ;-) This is really spectacular sounding.
it's triple tonguing. no?
Look at all the violas!!!
🤓🤓🤓
❤️
What type of Oboe does Christoph Hartmann have in this clip? It looks unique. It reminds me of a Viennese Oboe.
It's a French instrument, a Dupin Impérial.
some tiny mis synchronization between audio and video makes the sense of presence too soft
wow, who did this arrangement? Does this anybody know?
Maybe, Ravel himself?)
Ravel was the great arrangements maker! Listen to Mussorgsky Pictures, it's truly impressive!
0:50 Yay, real castanets!
who is the second flutist?
@31 this guy looks like Elton John.
2nd flutist looks like Helen Hunt
Hi Philharmoniker,
who is the pretty women on the 2nd flute? thankx for the great information from Taipei :-)
Genial Pahud siguiendo el pasaje de la segunda flauta con los dedos por las dudas......... la segunda flauta no se escucha casi.....
Actually, that triple tonguing at the low region of the flute is *extremely* hard and Emmanuel Pahud is over the top in getting that full sound. The second flute was extremely professional just in keeping a steady rhythm. I can't remember any other fragment for flute with similar demands.
I fell like it they express thei musicality - in the right way, moving to music is always a nice thing..´but in the orchestra (only in the winds) I think, only the principals should move like this.
And although you have played professionally, you are not in a position to criticise the berlin phil, I think.
Please don't criticise my grammar, I'n not a native speaker..
Actually, I can speak my opinion on anything, you did.
What gives you the right to tell ME what to express or NOT express.
I live in the United States, which is NOT a communist country-yet.
Please end the subject and stop replying. You can spend your time watching them weave, dance and bob all around, instead of writing replies to me.
Enjoy their dancing.
viel zu schwerfällig
I AM a real musician and have played professionally for 33 years. Maybe it's time to learn proper grammar.
excalibur1812 Oh dear...
I find all of this dancing and waving around of the musicians extremely irritating, distracting, and does NOTHING to enhance the music or express one's musicality.
excalibur1812 It could be someone’s inner expression of the music they are performing but how would you know?