I love that you called out a company. I'm tired of buying expensive gear and then having problems with it and no decent customer service. Thanks for that. I would love to hear the story, wherever you post it.
C70 shoots a straight 4k (thats why it is a little softer) and dynamic range matters most. Everyone loves the Arri look and their sensors were sub 4k for over 50k. Love my C70
@@AnthonyRodriguezzthe fx6 is a 48MP sensor with a Quad Bayer Filter and pixels bins 2x2. It's not a true 4K sensor. That does explain its monstrous signal to noise ratio tho
What you describe as more detail in the shadows is the effect ofthe DGO sensor: Way more dynamic range. The FX6 along with its sibling with the same sensor are equipped with a 14bit A/Ds, which switch to 12bit mode in video effectively cutting the total amount of dynamic range to 12.5 stops. The Canon C70 has a total of 14 stops of DR. So the C70 has about 1.5 stops more DR in total can it can resolve, but I said nothing about it having better read noise. Shifting the middle gray might make this less obvious if you shift the FX6 DR towards the shadows if the highlights are not close to clipping but still, it won't beat pure intrascene DR. Where it does beat the C70 is interscene DR thanks to the second native ISO and the variable ND
Great comparison bro! Funny, I actually ended up switching to Canon for the same reason. I had an order in on an FX6 for over a year and couldn’t get one and eventually caved and got the C70 and haven’t looked back. Thankfully I have only had really positive experiences with Canon so far so hopefully they keep that going 😂
Yeah Ive had some amazing experiences with Canon Customer support. Had to send in my C70 a couple of times for problems I caused with the camera and they fixed the camera no problem and sent it back. The second time they did charge me but I expect that.
There’s a enough interest. Spill the beans! I was all Canon for 15 years, I just switched to Sony a few weeks ago. The gate keeping of clog2 is what ultimately pushed me over the edge. Meanwhile Sony gives access to Slog3 on all of their cameras.
Love the video, everything was super well done! I LOVE the C70, and the image out of camera with Clog2 always pulls me back to it, like a toxic ex. But, I think one thing that is seemingly super underrated with the FX6 is having the FX3 little brother so easily available, as a B Cam. Once you go lower than the C70, you're using the likes of the R5 and such with Clog3, and it just never hits the same. It's a LOT more digital looking. Clog3 is horrible with noise performance and shadow cleanliness, etc. That's always been a con to me, Canon just doesn't have the right "full kit".
Thanks bro! Yeah… the c70 doesn’t have a solid B cam unless it’s the r5c and even that is not my favorite. I did use my s5ii as a B cam and that worked perfectly fine for me but I also use phantom LUTs for both so the color matched pretty well with one click. Not sure if I’m in love with the Sony image yet, but it works!
@@AnthonyRodriguezz I’ve found compressing the highlights more, honestly especially with Phantom (personally feel Phantom has a bit of a harsh look…but I’m someone who just likes a softer less deep look) and softening the overall contrast has really helped me get to a point where I love the Sony image and don’t miss the C70 *as much* as I usually do 😅
Congratulations on finding the right tool for your needs. How crazy is it that the S35 sensor of the C70 is forcing the FX6 to be manipulated to look more like the C70. That extra effort in practical terms really does eat into profits so hopefully you sort that out and get to keep more in your pocket. thanks for the video.
Hi Anthony. I have an unrelated question and you are the only guy on youtube that actually answer questions while they're still fresh in my mind. I appreciate that very, very much. Question: How do I get my footage to not lose contrast and saturation when I upload it to social media? Thanks so much!
I would appreciate the Canon story too- not for the sack of trashing the company but for general knowledge of how to possibly avoid myself, as I’m deeply invested in the Canon ecosystem with R body and three L series lenses and tempting a second body…..
I would have liked to see the comparisons in actual run and gun and on set use cases. I've used the C70 four times for weddings and some spec ad work, and IMO its image quality is miles beyond the FX6. You have to rig it out a bit, but it's completely useable out of the box, unlike the Komodo, and that's the cost of having a cinema camera. The FX6 has more and affordable lens options, but with an EF-RF adapter, you can use less expensive EF glass (but I would opt for renting cine glass for any big budget project anyway).
Great comparison video. I'll nerd out about it: The C70 has a sensor of only 8mpx while Sony has a sensor of 12mpx (10.8 usable mpx) so it should be sharper than Canon. Sony also lacks the OLPF present on Canon, which results in less or no moire/aliasing while costing a little bit of sharpeness. Again, explaining why it is significantly softer. Although Canon yields a softer image, in my opinion it wins in the Image Quality category. The reason is its DGO sensor with a Dual 14bit readout, combining an over and under exposed image with a ton of color, guving an organic image with a ton of dynamic range, downsampled to 10bit. While Sony does only a single 12bit readout and downsample it to 10bit. It does better in low light and internal ND performance though. The only camera capable of a (single) 14bit readout by now, that I know of, is the Fuji Xh2s. Would love to see a comparison against the C70.
Sorry to hear about your experience with Canon; would very much appreciate knowing more details as I am also in qualms with them after a very, very bad repair job on my C70
Try using scatter by video village with your footage. It emulates all the different kind of filters from black pro mist, satin, Hollywood magic, smoque (my favorite).. I seen Blaine's video two weeks ago so decided to purchase it and it was well worth it. Helps get more of that look to. Full control over the effects to when applying to get it exactly where you want it. Also adding vintage lens like Leica R nice soft image to
I got fed up with canon’s weird feature segmentation amongst their product line. And Sony convinced me with the ergonomics and high request rate from production companies. Congrats on the cam!
If the side handle on the FX6 uses an Arri Rosette chances are the screws are just loose and you can tighten them up with the appropriate set of torx screwdrivers.
@@AnthonyRodriguezzThat's incredible. I had the handle on my C300 MK3 come loose at least five times and automatically assumed this was fixable on any full-size camera. Proprietary solutions like that suck.
@@AnthonyRodriguezzWas it lose right after you bought it? I just bought a used FX6, but it only has 26 hr runtime, and still in mint condition, the side handle is pretty tight, doesn't make any audible noise when handling the camera. Hopefully it can stay this way.😅
The FX6 is a great camera. Enjoy. I am surprised you purchased on thought as I thought you open a Komodo? I bought both when they first came out. I had a good long while to use them before selling them. I sold them because I bought the Red Komodo and realized I had stopped teaching for the Sony and Canon. These days my quest is for something really small and capable that I can travel with. I picked up the Panasonic S5IIx and will do some shooting with it this weekend. It looks pretty good in studio, but outdoors is really going to be the main test for its stated purpose. We have major releases upcoming from Canon, Sony, Fujifilm, Panasonic and Blackmagic. Interesting times.
I’m in a debate on both of these cameras, the Canon has great recording options, something the FX6 really lacks but Canon has RF restricted which sucks. It really is quite a debate.
Yeah it’s definitely a back and forth. The RF mount wasn’t too much of an issue for me since I used EF lenses anyways. The lack of IPB in the fx6 is actually extremely annoying
Because the DGO tech, C70 record both low and high gain output from the sensor for each frame, which is a bit simlair to HDR mode on smartphones, C70 uses dgo up to 60fps, after that the dynamic range will drop. Apsc sensor can outperform full frame in DR, but full frame has better low light performance, especially the sensor on FX6, it looks so clean at the second base 12800 iso, on par or slighty better than C70 at 6400 iso. FX6 also has better sharpness due to slight downsample from 4.2k to 4k, which is in a pretty good sweet spot, not overly sharp like some high mp sensor mirrorless cameras, but also not too soft, which many people complaint on the C70. Both sensor has their pros and cons. C70 has the internal raw advantage, but sony can record higher bitrate due to CFexpress card.
Ughh I’m in the same boat. I really prefer the image of the c70 but the fx6 is just has too many other things going for it, and I think being in the Sony ecosystem is better long term.
I currently shoot talking head videos in my indoor studio with my FX3, but I want to upgrade. Should I get the FX6 or the C70? I care mostly about image quality, image sharpness, clean shadows with no noise since I shoot in a dark moody background and autofocus
@@AnthonyRodriguezz I want sharpness, great image quality and excellent shadows (no noise at all). Which one is the best at these specs? I heard the C70 has better image quality but is very soft
@@ebenezer357 The FX6 and C70 both have a 4k sensor and will look the same sharpness wise if you are using the same lens. All cameras have noise in the shadows unless you really overexpose them and bring it down in post. The C70 has better noise performance though as it has more dynamic range (around a stop more). Shoot at 800 iso or less and it'll be pretty clean if you expose properly. If you really want something with no noise get an FX3 which uses really strong noise reduction.
Love the comparison!! If I hadn’t already been so invested into Canon glass and other bodies I definitely would’ve switched over to Sony. Still considering getting an FX3 and using it alongside my C70.
I own a Z9, but also bought a FX6 recently. I think Z9 has better image quality if the lighting is not too dark, and you are willing to shoot and edit 8k NRAW. But 8k raw is not suitble for many projects, because of the massive file size and hard to edit. For music videos, Z9 is great. But nlog on Z9 is not as good as slog3 on Sony, and 4k nraw is not downsampled from 8k. So the only way to maxmize the dynamic range on Z9 is to shoot on 8k nraw, and export your work in 4k. You also have to use Davinci Resolve, because premiere pro and final cut doesn't support nraw. (You can convert nraw to arri logc with resolve CST, its a bit complicated, but the footage looks very good)
I do believe you But I'd never would go and shoot a documentary in forest, desert, under the sun or anywhere without a viewfinder. When you are just you and a camera, no gimbal, people around, talking doing things and you'll never know what is going to happen,, the viewfinder is the only thing you can trust. Everybody works differently and I respect that of course. @@AnthonyRodriguezz
My bugbear with many of these tech companies how the "marketing" people have separated the technical users from the device's engineers. That's always going on, but has reached a critical level. I believe part of the problem is the current economy. It's no longer growing so corporations are all pulling back on their informal commitments. I believe in 2019 you would have had a different experience. I also believe, if you have a problem with the FX6 Sony would do the same today. That doesn't mean I don't think you should have switched. You have to call out what you experience and let the market decide ultimately, by weighing you and others purchases. My takeaway from your video is the C70 is no longer considered a "professional" product by Canon. It's a consumer device. The FX6 might not be one either. But "fool me twice" is not a good option for you ;) If no one does anything, nothing gets fixed. So thank you!
The colors I don’t care too much about since I’m using the phantom LUTs that correct it all but the difference in the roll off is definitely noticeable
Why are you comparing handeld between a naked camera and a full rigged one with cage, battery plate and vmount? You could add those to C70 too and call it even, cause if you put a l3ns in front of a naked fx6 it will be front heavy. Doesn't seem that fair to me.
I’ve used the c70 for almost 2 years. Ik how it feels rigged and stripped down and that’s where my statements are coming from. Also, both cameras have a cage. The only difference is the v mount, which I’ve used for the c70 and the c70 still doesn’t feel great for handheld at all. The grip isn’t adjustable and way less ergonomic than the fx6 and the weight distribution is not the same. The fx6 “naked” as you’re saying is actually way better feeling than any camera I’ve ever used.
FX6 feels amazing without cage.(My cage is still on the way😂) It doesn't feel front heavy with 24-70gmii. Even if it did, changing to a bigger BP-U battery will balance it back. The side handle is very comfortable to use. The footage is noticeably more stable tham my friends komodo rig, even tho the FX6 was lighter. FX6 also records gyro data, which can be used for stabilization in post with both the Sony catalyst browse or the free gyroflow software which also has a resolve plugin, you can get very stable and natual looking handheld footage with minimal crop on the FX6.
Really good comparison! I’ve had the C70 since it’s release & use it to film nature & wildlife. I love it for exactly those reasons you mentioned but for wildlife sometimes you need a sharper image imo. It’s interesting that for my genre & documentaries the BBC tend to use Sony cameras like the PMW F55, FX6, FX9 & Venice so I’ve been sitting on the fence about moving to the Sony. When my C70 had literally just come out of warranty it stopped working & Canon charged me £1000 for a replacement master board - they even charged me to fix their dodgy flip out lcd which I thought was meant to be free due to its design fault. My C70 was in mint condition & hadn’t suffered any damage & is obviously well looked after & I thought Canon could’ve partially subsidised the repair to keep a customer happy but it’s not in their nature! Anyway, I can certainly understand why you made the switch on those grounds, it’ll be interesting to follow your journey with the FX6!
From what I've seen, the BBC and National Geographic wildlife docs tend to use RED cameras (and usually with the famous Canon 50-1000mm). What productions have you seen the FX3 and FX6 on?
@@SeanNeale Hey Sean, sorry I meant more generally, news gathering, outside broadcasts etc. Certainly when filming shows like the RHS Chelsea Flower Show they use a Plethora of Sony cameras, although I didn’t mention the FX3. It’s interesting how many F55 they still use, they seem to have converted those to XQD cards presumably as it’s a more budget friendly media. To my knowledge they still use the F55 amongst other bodies on the ‘Watches’ as well. I appreciate on their Blue Chip productions the Reds are broken out …. I think their Natural History department has a pretty cool toy chest! 🤣
@@andyobrien6263 Ah yes, in wider broadcasting I guess there’s a whole slew of equipment being used (I have absolutely no idea about that tbh). I only commented because I’ve seen some industry rental houses saying they’ve been moving away from RED as more and more productions are opting to go with ARRI and Venices for their high end and BMPCCs on the lower end. I absolutely love seeing a Canon 50-1000 in behind the scenes on wildlife docs - it’s such a beast.
I've never been looking at a movie and thought. Man, there isn't much details in the shadows. Listen people, I don't care if you have a iPhone, canon, Sony, red, etc. Just be creative. Remember the movie Tangerine won an Oscar and it was shot on a iPhone 5.
Not really helpful when your decision came down a personal choice and not a performance one - there are better ways to do that. Good comparisons overall
Okay so you say that you chose the Sony because of Canon’s customer service. I’m confused I thought you were judging the cameras against each other but instead you threw a curveball on your past experience. Why even do this comparison, I just watched this for nothing. I was hoping to see your final grades on the cameras side by side to show your winner but nope.
Sorry the video wasn’t for you brother 🤷🏽♂️ What I chose has nothing to do with the result from tests and my thoughts on both cameras as a whole… doesn’t need to change the legitimacy of everything else! No need to throw the baby out with the bath water, ya know? 😂
To me, the c70 doesn't make sense. I have to buy expensive FF lenses to use on a cropped sensor. OR I can buy an expensive speedbooster which makes a heavy camera even heavier and fakes full frame. All that plus an unfcomfortable handle that doesn't tilt, and mini-xlrs, is a no-go for me. I'd rather stick with the c200 and c100II.
FX6 is a huge upgrade form the fs7 which was an absolutely terrible cam IMO. I think when it comes to the c70 things are close and is when preferences really make the difference. The c70 is still a tick above in the color and image department, especially when considering the DR. Yes I know you can get similar dr out the fx6 but you still need to expose to the right to get a clean exposure for lut conversion. The fx6 though will rightly dominate in sharpness, resolution and low light as it should due to its sensor size and design. As for color you really have to go to the fx9 or above to get great color out of Sony. Finally the fx6 is great for handheld but not for everything else while the c70 is mediocre handheld but works well for other setups. I prefer the dslr style body since it’s easier to transport. Finally, I think the c70 has some really solid advantages in some other areas. Great battery life, multiple audio channels, cheap sd card media, more ND strength, and finally internal RAW. No recorders needed just a great raw codec built right in.
Biggest issue for FX6 is no audio input on the body. But the electronic VND is super useful, and can actually make up for the dynamic range in some situation, for example, you can easily film a transition shot from indoor to outdoor with auto vnd and the camera will maintain correct exposure without changing aperture or shutter, and it also has no color cast, unlike traditional rotating vnd filters.
@@creativegreatsvisuals All the audio ports is on the top handle. If you remove the top handle for gimbal or steadycam, you will have to record audio on a seprate recorder.
C70 : More sublte gradient to shadow, better color by far, hard NDs, did I said Better Colors ? 'cause man... Even a C300 MK2 from 9 years ago, blows FX6 in terms of colors to me. FX6 : FF from the get go, better AF, better Slow Motion, Vari ND (has it's strenght and weakness) As much as FX6 is everywhere, I think their are lazy man cameras, and the Image Quality is not on par with Canon / Blackmagic / Red. SIde note and personnal experience : both are way to light for good Handheld work without any IS. You need to rig them out to at least 6-7kg.
Well, for the color part. Canon is better out of the box. But FX6 can get pretty close with some grading or good 3rd party luts. The stock slog3 luts from Sony is just garbage😂.
Yeah it gets close, but highlight and shadow roll off are just better from Canon. Just my feeling, and yeah Sony should just hire a good colorist like Joel Famularo like what Blackmagic did with Captain HOOK.@@qiyuxuan9437
@@ClarkUnderwood-t4p yeah, the $2000 it cost me from the repair issues and the way they handled it as a company overall is the reason I’m not using the c70 anymore
I love that you called out a company. I'm tired of buying expensive gear and then having problems with it and no decent customer service. Thanks for that. I would love to hear the story, wherever you post it.
Coming soon!
@@AnthonyRodriguezzcant wait!
I'm still looking forward to it. Whenever you're able.
@@AnthonyRodriguezz
Agree with you 100%! Canon support I found was incompetent and uncaring at best.
C70 shoots a straight 4k (thats why it is a little softer) and dynamic range matters most. Everyone loves the Arri look and their sensors were sub 4k for over 50k. Love my C70
I’m pretty sure the fx6 is also a true 4K sensor not downsampled. But yeah dynamic range is incredibly important!
@@AnthonyRodriguezzyes it’s standard 4k
@@AnthonyRodriguezzI think both FX3 and FX6 does downsample from 4.2k to 4k UHD up to 60fps, which slighty improves sharpness.
@@AnthonyRodriguezzthe fx6 is a 48MP sensor with a Quad Bayer Filter and pixels bins 2x2. It's not a true 4K sensor. That does explain its monstrous signal to noise ratio tho
Even on my smartphone (not even in full screen..)I can clearly see that the C70 looks better (and I’m a Sony FX3 & FX6 owner)
That says alot!
What you describe as more detail in the shadows is the effect ofthe DGO sensor: Way more dynamic range.
The FX6 along with its sibling with the same sensor are equipped with a 14bit A/Ds, which switch to 12bit mode in video effectively cutting the total amount of dynamic range to 12.5 stops. The Canon C70 has a total of 14 stops of DR. So the C70 has about 1.5 stops more DR in total can it can resolve, but I said nothing about it having better read noise.
Shifting the middle gray might make this less obvious if you shift the FX6 DR towards the shadows if the highlights are not close to clipping but still, it won't beat pure intrascene DR. Where it does beat the C70 is interscene DR thanks to the second native ISO and the variable ND
Yes, the fx6 has more DR
Great comparison bro! Funny, I actually ended up switching to Canon for the same reason. I had an order in on an FX6 for over a year and couldn’t get one and eventually caved and got the C70 and haven’t looked back. Thankfully I have only had really positive experiences with Canon so far so hopefully they keep that going 😂
Thanks man!
The c70 is such a beast
Same here
Yeah Ive had some amazing experiences with Canon Customer support. Had to send in my C70 a couple of times for problems I caused with the camera and they fixed the camera no problem and sent it back. The second time they did charge me but I expect that.
There’s a enough interest. Spill the beans!
I was all Canon for 15 years, I just switched to Sony a few weeks ago. The gate keeping of clog2 is what ultimately pushed me over the edge. Meanwhile Sony gives access to Slog3 on all of their cameras.
Probably coming in the near future ;)
Thanks for doing the research and effort to create this comparison. I've been weighing these two as my next camera for a while now.
Glad it was helpful! 🙌🏼
Love the video, everything was super well done! I LOVE the C70, and the image out of camera with Clog2 always pulls me back to it, like a toxic ex.
But, I think one thing that is seemingly super underrated with the FX6 is having the FX3 little brother so easily available, as a B Cam. Once you go lower than the C70, you're using the likes of the R5 and such with Clog3, and it just never hits the same. It's a LOT more digital looking. Clog3 is horrible with noise performance and shadow cleanliness, etc. That's always been a con to me, Canon just doesn't have the right "full kit".
Thanks bro!
Yeah… the c70 doesn’t have a solid B cam unless it’s the r5c and even that is not my favorite.
I did use my s5ii as a B cam and that worked perfectly fine for me but I also use phantom LUTs for both so the color matched pretty well with one click.
Not sure if I’m in love with the Sony image yet, but it works!
@@AnthonyRodriguezz I’ve found compressing the highlights more, honestly especially with Phantom (personally feel Phantom has a bit of a harsh look…but I’m someone who just likes a softer less deep look) and softening the overall contrast has really helped me get to a point where I love the Sony image and don’t miss the C70 *as much* as I usually do 😅
That’s what I’ve been doing too! 🙌🏼
@@AnthonyRodriguezzu use sii as bcam with c70? Why not r6 ii and shoot both in clog3 to match ?
Mainly because it’s a better video camera overall.
Matching them is pretty easy using phantom LUTS
Congratulations on finding the right tool for your needs. How crazy is it that the S35 sensor of the C70 is forcing the FX6 to be manipulated to look more like the C70. That extra effort in practical terms really does eat into profits so hopefully you sort that out and get to keep more in your pocket. thanks for the video.
Thanks!
Funny enough the fx6 didn’t last long in my arsenal 😅😂
Hi Anthony. I have an unrelated question and you are the only guy on youtube that actually answer questions while they're still fresh in my mind. I appreciate that very, very much. Question: How do I get my footage to not lose contrast and saturation when I upload it to social media? Thanks so much!
That’s a hard question to answer. There are plenty of factors that come into play… is it flat when you export it or only flat when it’s uploaded?
I would appreciate the Canon story too- not for the sack of trashing the company but for general knowledge of how to possibly avoid myself, as I’m deeply invested in the Canon ecosystem with R body and three L series lenses and tempting a second body…..
If there’s enough interest I’ll make a video about it! I definitely think it’s useful to know
I would have liked to see the comparisons in actual run and gun and on set use cases. I've used the C70 four times for weddings and some spec ad work, and IMO its image quality is miles beyond the FX6. You have to rig it out a bit, but it's completely useable out of the box, unlike the Komodo, and that's the cost of having a cinema camera. The FX6 has more and affordable lens options, but with an EF-RF adapter, you can use less expensive EF glass (but I would opt for renting cine glass for any big budget project anyway).
Not sure how to compare that but the fx6 imo is a better run n gun camera overall.
The image from the c70 is for sure superior
Thanks for this. Image is most important. I 2 C70's and an R5c. Zero intentions of switching. Because of that image.
I agree!
well, you just forgot to mention that you have a v-mount batterie on the FX6 to help the ergonomic feeling / evenly distributed camera
I did mention the weight distribution and how well it handle for shooting handheld “especially when rigging”
Great comparison video. I'll nerd out about it:
The C70 has a sensor of only 8mpx while Sony has a sensor of 12mpx (10.8 usable mpx) so it should be sharper than Canon.
Sony also lacks the OLPF present on Canon, which results in less or no moire/aliasing while costing a little bit of sharpeness. Again, explaining why it is significantly softer.
Although Canon yields a softer image, in my opinion it wins in the Image Quality category.
The reason is its DGO sensor with a Dual 14bit readout, combining an over and under exposed image with a ton of color, guving an organic image with a ton of dynamic range, downsampled to 10bit.
While Sony does only a single 12bit readout and downsample it to 10bit. It does better in low light and internal ND performance though.
The only camera capable of a (single) 14bit readout by now, that I know of, is the Fuji Xh2s.
Would love to see a comparison against the C70.
Lol you hardcore nerded out! Love it!
Sorry to hear about your experience with Canon; would very much appreciate knowing more details as I am also in qualms with them after a very, very bad repair job on my C70
Will be sharing it next week!
I went from the R5c to the fx6. Love it👌🏼🙏
MUCH more useful cam than the r5c!
@@AnthonyRodriguezz true story, also, I had the opportunity to buy an arri 😍🙈 did my last blog with an arri. Overkill much?😅
Haha definitely overkill and the fx6 is actually a more useful camera for most people.
@@AnthonyRodriguezz yeah true, I love it.. the fast workflow. But also love using vintage glass on it.. such a nice camera overall :)
@VisualsfromtheNorth both yes and no, it was good in a few areas but nothing alike the fx6, didn’t try the c70
Try using scatter by video village with your footage. It emulates all the different kind of filters from black pro mist, satin, Hollywood magic, smoque (my favorite).. I seen Blaine's video two weeks ago so decided to purchase it and it was well worth it. Helps get more of that look to. Full control over the effects to when applying to get it exactly where you want it. Also adding vintage lens like Leica R nice soft image to
Will look into it! Have been looking for software to emulate those effects
I got fed up with canon’s weird feature segmentation amongst their product line.
And Sony convinced me with the ergonomics and high request rate from production companies.
Congrats on the cam!
Yeah… they are odd.
Somewhat happy with the fx6 currently 😅😂
Can't shoot in 4k 10 bit 422 in a compressed codec on the FX6. Thats truly what I need 95% of the time. Sold mine after about 6 months of owning it.
That’s a HUGE downside
If the side handle on the FX6 uses an Arri Rosette chances are the screws are just loose and you can tighten them up with the appropriate set of torx screwdrivers.
Unfortunately it’s not an Arri Rosette 😔
It’s a proprietary Sony thing that nobody has figured out how to tighten
@@AnthonyRodriguezzThat's incredible. I had the handle on my C300 MK3 come loose at least five times and automatically assumed this was fixable on any full-size camera. Proprietary solutions like that suck.
@@AnthonyRodriguezzWas it lose right after you bought it? I just bought a used FX6, but it only has 26 hr runtime, and still in mint condition, the side handle is pretty tight, doesn't make any audible noise when handling the camera. Hopefully it can stay this way.😅
@@AnthonyRodriguezzI think tilta does make arri rosette adapter for the fx6 side handle, maybe it can solve your issue.
Great video 💪🏼Spill the 🧀 ! What did Canon do?!?
If there’s enough interest I’ll either make a post or video ;)
Thanks for the support 🙌🏼
Really great video! Out of curiosity, from an image standpoint, does your S5ii pair well with your FX6, or is it a drastically different image?
I wouldn’t say it’s a drastically different image! Ironically… I think I prefer it more
The FX6 is a great camera. Enjoy. I am surprised you purchased on thought as I thought you open a Komodo? I bought both when they first came out. I had a good long while to use them before selling them. I sold them because I bought the Red Komodo and realized I had stopped teaching for the Sony and Canon. These days my quest is for something really small and capable that I can travel with. I picked up the Panasonic S5IIx and will do some shooting with it this weekend. It looks pretty good in studio, but outdoors is really going to be the main test for its stated purpose. We have major releases upcoming from Canon, Sony, Fujifilm, Panasonic and Blackmagic. Interesting times.
The Komodo hardly got use when I owned the c70!
Also, the s5iix is an incredible camera
Love the FX6 ergonomics for event / wedding but man is that c70 a workhorse
The c70 is an absolute workhorse
I’m in a debate on both of these cameras, the Canon has great recording options, something the FX6 really lacks but Canon has RF restricted which sucks. It really is quite a debate.
Yeah it’s definitely a back and forth. The RF mount wasn’t too much of an issue for me since I used EF lenses anyways.
The lack of IPB in the fx6 is actually extremely annoying
Interesting comparison. I wanted to do a test comparison with the FX6 as well. I’d love to hear your story with Canon since I’m also a C70 owner.
Thanks!
The video is actually up on the channel already!
I don’t know why but it’s feel like i have watched this video before you uploaded?
Magic…..
Hahaha! Wonder why 🤔
Great content as always Anthony. Interested to hear the Canon story!
Thanks!
It’s coming 🙏🏼
That seemed to be a very interesting and honest review. Is like to know what happened between your and Canon.🤔💭
Thank you!
That video is up on the channel
Both cameras are great. But the dual ISO on the fx6 alone makes it more of an asset than the c70.
For some people.
High iso performance isn’t that important for a lot of people
I might have missed but did you use the same lenses ? Same LUT?
Same lut.
Different lenses
@@AnthonyRodriguezz sounds like my dating life
its interesting to see the c70s apsc sensor having better dynamic range than the full frame sony. full frame is not better automatically it seems-
“Better” is relative for most specs but yes, I do believe the c70s sensor is better overall
Because the DGO tech, C70 record both low and high gain output from the sensor for each frame, which is a bit simlair to HDR mode on smartphones, C70 uses dgo up to 60fps, after that the dynamic range will drop. Apsc sensor can outperform full frame in DR, but full frame has better low light performance, especially the sensor on FX6, it looks so clean at the second base 12800 iso, on par or slighty better than C70 at 6400 iso. FX6 also has better sharpness due to slight downsample from 4.2k to 4k, which is in a pretty good sweet spot, not overly sharp like some high mp sensor mirrorless cameras, but also not too soft, which many people complaint on the C70. Both sensor has their pros and cons. C70 has the internal raw advantage, but sony can record higher bitrate due to CFexpress card.
Ughh I’m in the same boat. I really prefer the image of the c70 but the fx6 is just has too many other things going for it, and I think being in the Sony ecosystem is better long term.
Yeah… Lumix rn has the most future potential for me
Which video editing software do you use for your RUclips videos? Thanks
Davinci resolve
Yet another great video bro!
Thanks brothaman!
I currently shoot talking head videos in my indoor studio with my FX3, but I want to upgrade. Should I get the FX6 or the C70? I care mostly about image quality, image sharpness, clean shadows with no noise since I shoot in a dark moody background and autofocus
If you care mostly about the image, the c70 but idk your workflow so it’s hard to definitively tell
@@AnthonyRodriguezz I want sharpness, great image quality and excellent shadows (no noise at all). Which one is the best at these specs? I heard the C70 has better image quality but is very soft
@@ebenezer357 The FX6 and C70 both have a 4k sensor and will look the same sharpness wise if you are using the same lens. All cameras have noise in the shadows unless you really overexpose them and bring it down in post. The C70 has better noise performance though as it has more dynamic range (around a stop more). Shoot at 800 iso or less and it'll be pretty clean if you expose properly.
If you really want something with no noise get an FX3 which uses really strong noise reduction.
Great video. Had a burn experience myself but with sony so i switched to a few years ago…
Sorry to hear!
It happen all the time, unfortunately. It actually happened with Tesla yesterday… 🤦🏽♂️
There Hass to be less noise in the FX six it’s a full frame sensor and there’s no way the C7 is going to have less
That’s not necessarily always the case
Not a bad video comparison, out of curiosity though would you still recommend the C70 for filmmaking?
Absolutely I would
Love the comparison!! If I hadn’t already been so invested into Canon glass and other bodies I definitely would’ve switched over to Sony. Still considering getting an FX3 and using it alongside my C70.
I miss my c70 🥺
Love to hear the story!
😏 I’ll give it a couple more days…
@@AnthonyRodriguezz noice
The images focus is a lot sharper than on the Canon.
Ik 🤦🏽♂️
I missed focus 😭
The C70 also doesn't have a horizon level while recording, right? Most Canons seem to not have it, and it drives me nuts.
Tbh not sure! Haven’t looked for it! The one on the fx6 is really useful though
What about the z9 is that good for music video flim making production etc.
No experience with the z9 but really almost anything on the market rn would work for music videos
I own a Z9, but also bought a FX6 recently. I think Z9 has better image quality if the lighting is not too dark, and you are willing to shoot and edit 8k NRAW. But 8k raw is not suitble for many projects, because of the massive file size and hard to edit. For music videos, Z9 is great. But nlog on Z9 is not as good as slog3 on Sony, and 4k nraw is not downsampled from 8k. So the only way to maxmize the dynamic range on Z9 is to shoot on 8k nraw, and export your work in 4k. You also have to use Davinci Resolve, because premiere pro and final cut doesn't support nraw. (You can convert nraw to arri logc with resolve CST, its a bit complicated, but the footage looks very good)
Love the content!
Thanks brother!
Spill the tea 🍵🍵🍵 btw, what’s the update on the Lumixs5iiX
Haha I might 😉
No update yet 🤷🏽♂️
Any camera sold without a proper viewfinder is nothing but a toy as soon as you really work with it. No viewfinder is a nonsense.
For certain work…. I haven’t used a viewfinder in years and I’m doing paid client work regularly
I do believe you But I'd never would go and shoot a documentary in forest, desert, under the sun or anywhere without a viewfinder. When you are just you and a camera, no gimbal, people around, talking doing things and you'll never know what is going to happen,, the viewfinder is the only thing you can trust. Everybody works differently and I respect that of course. @@AnthonyRodriguezz
@@LetoWoundedkneethat's a pro talking. Spot on
My bugbear with many of these tech companies how the "marketing" people have separated the technical users from the device's engineers. That's always going on, but has reached a critical level. I believe part of the problem is the current economy. It's no longer growing so corporations are all pulling back on their informal commitments. I believe in 2019 you would have had a different experience. I also believe, if you have a problem with the FX6 Sony would do the same today. That doesn't mean I don't think you should have switched. You have to call out what you experience and let the market decide ultimately, by weighing you and others purchases.
My takeaway from your video is the C70 is no longer considered a "professional" product by Canon. It's a consumer device. The FX6 might not be one either. But "fool me twice" is not a good option for you ;) If no one does anything, nothing gets fixed. So thank you!
Thanks for your feedback!
Yeah… until Panasonic come with an option that fills this gap in sticking with the fx6 🤦🏽♂️
2 x FX3 will be beast choice
Definitely a solid choice!
Seems the C70 is slightly out of focus. Fx6 look sharper.
It is! 😭
Regardless the fx6 is for sure sharper
@@AnthonyRodriguezz Fx6 is a beast! Looking to add it in the future!
Great comparison! Personally not a big fan of the fx6. The highlight roll of and the colors were terrible.
The colors I don’t care too much about since I’m using the phantom LUTs that correct it all but the difference in the roll off is definitely noticeable
I think your fx6 is defective. My side grip doesn’t move like that.
You would think so! Every fx6 I’ve used was like this though
Why are you comparing handeld between a naked camera and a full rigged one with cage, battery plate and vmount? You could add those to C70 too and call it even, cause if you put a l3ns in front of a naked fx6 it will be front heavy. Doesn't seem that fair to me.
I’ve used the c70 for almost 2 years. Ik how it feels rigged and stripped down and that’s where my statements are coming from.
Also, both cameras have a cage. The only difference is the v mount, which I’ve used for the c70 and the c70 still doesn’t feel great for handheld at all. The grip isn’t adjustable and way less ergonomic than the fx6 and the weight distribution is not the same.
The fx6 “naked” as you’re saying is actually way better feeling than any camera I’ve ever used.
FX6 feels amazing without cage.(My cage is still on the way😂) It doesn't feel front heavy with 24-70gmii. Even if it did, changing to a bigger BP-U battery will balance it back. The side handle is very comfortable to use. The footage is noticeably more stable tham my friends komodo rig, even tho the FX6 was lighter. FX6 also records gyro data, which can be used for stabilization in post with both the Sony catalyst browse or the free gyroflow software which also has a resolve plugin, you can get very stable and natual looking handheld footage with minimal crop on the FX6.
your story can help people not to make a mistake
Planning on getting it out sometime soon!
Been on a little hiatus
Really good comparison! I’ve had the C70 since it’s release & use it to film nature & wildlife. I love it for exactly those reasons you mentioned but for wildlife sometimes you need a sharper image imo. It’s interesting that for my genre & documentaries the BBC tend to use Sony cameras like the PMW F55, FX6, FX9 & Venice so I’ve been sitting on the fence about moving to the Sony.
When my C70 had literally just come out of warranty it stopped working & Canon charged me £1000 for a replacement master board - they even charged me to fix their dodgy flip out lcd which I thought was meant to be free due to its design fault.
My C70 was in mint condition & hadn’t suffered any damage & is obviously well looked after & I thought Canon could’ve partially subsidised the repair to keep a customer happy but it’s not in their nature!
Anyway, I can certainly understand why you made the switch on those grounds, it’ll be interesting to follow your journey with the FX6!
I’ll be posting the story soon… not looking forward to it but I feel as if it’d be helpful to the community
From what I've seen, the BBC and National Geographic wildlife docs tend to use RED cameras (and usually with the famous Canon 50-1000mm). What productions have you seen the FX3 and FX6 on?
@@SeanNeale Hey Sean, sorry I meant more generally, news gathering, outside broadcasts etc. Certainly when filming shows like the RHS Chelsea Flower Show they use a Plethora of Sony cameras, although I didn’t mention the FX3. It’s interesting how many F55 they still use, they seem to have converted those to XQD cards presumably as it’s a more budget friendly media.
To my knowledge they still use the F55 amongst other bodies on the ‘Watches’ as well.
I appreciate on their Blue Chip productions the Reds are broken out …. I think their Natural History department has a pretty cool toy chest! 🤣
@@andyobrien6263 Ah yes, in wider broadcasting I guess there’s a whole slew of equipment being used (I have absolutely no idea about that tbh). I only commented because I’ve seen some industry rental houses saying they’ve been moving away from RED as more and more productions are opting to go with ARRI and Venices for their high end and BMPCCs on the lower end.
I absolutely love seeing a Canon 50-1000 in behind the scenes on wildlife docs - it’s such a beast.
I don’t blame you for switching when camera company f-ing you over. Especially when you throw thousands of dollars at them.
Yeah… it cost me over a thousand dollar, it was their mistake too!
Tell us the story!
If there’s enough interessssstttt 😂🙌🏼
I've never been looking at a movie and thought. Man, there isn't much details in the shadows. Listen people, I don't care if you have a iPhone, canon, Sony, red, etc. Just be creative. Remember the movie Tangerine won an Oscar and it was shot on a iPhone 5.
I mean… then shoot with an iPhone 🤷🏽♂️
Share the story. Great Conent.
Thanks man!
I will! Just been on a hiatus
This man’s just making content. He likes the c70 more 😂
So…. You didn’t explain the title of the video at all?
I didn’t?
That canon burned me?
Made an entire video on it
And how yellowish and purple are faces on sony is disturbing as well
Maybe on the older models but the newer line of cameras do not have sed issue
Very informative! Thank you!
Thank you!
Not really helpful when your decision came down a personal choice and not a performance one - there are better ways to do that. Good comparisons overall
I mean… my decision doesn’t have much to do with how helpful the rest of the video is, right?
Thanks for watching and commenting 🙏🏼
Okay so you say that you chose the Sony because of Canon’s customer service. I’m confused I thought you were judging the cameras against each other but instead you threw a curveball on your past experience. Why even do this comparison, I just watched this for nothing. I was hoping to see your final grades on the cameras side by side to show your winner but nope.
Sorry the video wasn’t for you brother 🤷🏽♂️
What I chose has nothing to do with the result from tests and my thoughts on both cameras as a whole… doesn’t need to change the legitimacy of everything else!
No need to throw the baby out with the bath water, ya know? 😂
Wtf
“Canon is better but I stay with Sony”
Did you not watch why?
Very impressed with the canon....
Same bro same
makes me want to get a c70
It’s a goodie!
Also who's that great looking couple in the video hahaha
Found them on the street 🙄😂
Sony camera i dont know if its only me bt i fill like the colours waaah! You will never be unique output looks the same everywhere
Yeah… to me it’s meh
Is waaah good? - What camera are you using @ki-ds-shall2241 ? Because your footage looks pretty nice! 🙂
more videos bro
🙌🏼🙌🏼
To me, the c70 doesn't make sense. I have to buy expensive FF lenses to use on a cropped sensor. OR I can buy an expensive speedbooster which makes a heavy camera even heavier and fakes full frame.
All that plus an unfcomfortable handle that doesn't tilt, and mini-xlrs, is a no-go for me.
I'd rather stick with the c200 and c100II.
The c70s image is what does it for me
@@AnthonyRodriguezzagree, it has a million annoyances, but that image
FX6 is a huge upgrade form the fs7 which was an absolutely terrible cam IMO. I think when it comes to the c70 things are close and is when preferences really make the difference.
The c70 is still a tick above in the color and image department, especially when considering the DR. Yes I know you can get similar dr out the fx6 but you still need to expose to the right to get a clean exposure for lut conversion. The fx6 though will rightly dominate in sharpness, resolution and low light as it should due to its sensor size and design. As for color you really have to go to the fx9 or above to get great color out of Sony.
Finally the fx6 is great for handheld but not for everything else while the c70 is mediocre handheld but works well for other setups. I prefer the dslr style body since it’s easier to transport.
Finally, I think the c70 has some really solid advantages in some other areas. Great battery life, multiple audio channels, cheap sd card media, more ND strength, and finally internal RAW. No recorders needed just a great raw codec built right in.
Interesting perspective!
Not sure I agree on the fx9 comment or the “similar DR” as that’s not how the cameras work but I like the POV 💪🏼
Biggest issue for FX6 is no audio input on the body. But the electronic VND is super useful, and can actually make up for the dynamic range in some situation, for example, you can easily film a transition shot from indoor to outdoor with auto vnd and the camera will maintain correct exposure without changing aperture or shutter, and it also has no color cast, unlike traditional rotating vnd filters.
@@qiyuxuan9437what do u mean no audio input? I thought fx6 had built in audio?
@@creativegreatsvisuals All the audio ports is on the top handle. If you remove the top handle for gimbal or steadycam, you will have to record audio on a seprate recorder.
C70 : More sublte gradient to shadow, better color by far, hard NDs, did I said Better Colors ? 'cause man... Even a C300 MK2 from 9 years ago, blows FX6 in terms of colors to me.
FX6 : FF from the get go, better AF, better Slow Motion, Vari ND (has it's strenght and weakness)
As much as FX6 is everywhere, I think their are lazy man cameras, and the Image Quality is not on par with Canon / Blackmagic / Red.
SIde note and personnal experience : both are way to light for good Handheld work without any IS. You need to rig them out to at least 6-7kg.
I’m so used to IBIS in the Panasonic now!
I won't get back to a DSLR shaped camera ;-).@@AnthonyRodriguezz
Well, for the color part. Canon is better out of the box. But FX6 can get pretty close with some grading or good 3rd party luts. The stock slog3 luts from Sony is just garbage😂.
Yeah it gets close, but highlight and shadow roll off are just better from Canon. Just my feeling, and yeah Sony should just hire a good colorist like Joel Famularo like what Blackmagic did with Captain HOOK.@@qiyuxuan9437
is your model chewing gum? Are you chewing gum too? Hilarious.
😂
I was chewing gum during the tests, yes. She on the other hand, I don’t think so
@@AnthonyRodriguezz great review, I enjoyed it! Do u still think C70 @ price point is way to go? Just curious, thx.
Canon sucks! No one wants to talk about this fact.
Right?!
Not sure how others experiences have been but… oh well
next time change your model and place to film for comparecingin
😂
Yes sir 🫡
This man’s just making content. He likes the c70 more 😂
😂 I definitely like the c70 more.
But nahhh, if you watched till the end, you’d see why I’m not using the c70.
@@AnthonyRodriguezz just because of the repair issue yah?
@@ClarkUnderwood-t4p yeah, the $2000 it cost me from the repair issues and the way they handled it as a company overall is the reason I’m not using the c70 anymore
@@AnthonyRodriguezz Can respect that.