Times for the topics, so you can find them quickly :) enjoy! ➡️ 0:36 Memory ➡️ 5:18 Fingerings: Rococo and Dvorak ➡️ 23:30 Body Language ➡️ 28:25 Stage Fright and Mental Strenght ➡️ 39:25 Lutoslawski Cello Concerto: Insight and practice tips
For the love of god please continue this series it is amazing!!! As a young cellist this is both extremely valuable and entertaining. Love you both! :)
kian ,keeps his fingers close to the strings,,helps to play to fast..his.thumb position are so stable,i have seen his concerts so brillant,thanks kian for showing us your skills
Hi Pablo and Kian! I remember asking you to make this video a few weeks ago. Thank you so much for making this video and sharing it with all of us! I suffer greatly from stage fright and memorization slips, so this video is gold to me! Wondering if you guys would be interested in sharing your favourite technique exercises and etudes? Or do you have a completely different take on this topic of technical cello playing completely? Thank you so much and look forward to future videos!!
Hey Pablo! you should talk about somethings you personally have been thinking about over the last few years about cello playing that others dont talk about as much. Thanks for posting these helpful videos as always!
Played the video at 0.5speed to check the fingerings. Ended up watching all of it like this. At 0.5 it's like watching 2 cellist high af nerding out. Amazing. I think I'm going to watch the one with isserlis at0.5
Amazing Talks! Can you do a video on phrasing big and phrasing clearly?! And tips on how to make what's happening in the music obvious and communicative!
I loved every part of your video! You are very fun and light with all of this themes!! Thank you so much guys for your time to teach other cellist! It really helps... i am taking note of every one of your advices. I love you both 🤗
Great discussions from 2 great future cello legends! I have a question to both of you regarding practicing 20th century big scale pieces (cello concertos) which most of them have no piano rendition like Ligeti/Lutoslawski/Dutilleux. Privilege for us when we study 19th century concertos (and earlier) before to rehearse with orchestra is to be able to rehearse with piano to understand and experience at least 50% of the whole picture of the music. I'm interested in both of your preparation approaches in 20th and 21st century big scale pieces for cello. Thanks in advance! Best of luck, Alfian
Fun to watch and really interesting. I live the bit on "do it when you can't help it" on body language and connecting with the orchestra. I teach a partner dance and the same idea very much applies but I hadn't thought of the interaction between soloist and orchestra as an analogy - it's really interesting.
I don't think I can put into words how much this series has helped me already. Bravo! More, please! I'm having problems with my thumb position vibrato. Could you include a discussion on that in the next video?
Morning! I've enjoyed this so much, my saviour in actual fact especially at this time of such an awful health crisis. Your sharing and care in delivering all those tips is as was said GOLD. Be safe and fun always. Thank you guys. Tip for slow down , never knew this b4.
I'd love to hear how you prepare, both mindset and repertoire, for a competition as opposed to a normal performance. As always amazing video, keep up the great work👍👍!!!
Hola Pablo tus vídeos son geniales y me han ayudado mucho , eres un super maestro ,será que sería posible tener los 3 primeros vídeos con subtitulos en español.
Antes de nada, un saludo muy grande y muchísimas gracias por la ayuda que ofrecéis subiendo estos vídeos. Quisiera preguntar si existe alguna posibilidad de que en algún vídeo habléis del ejercicio físico siendo músico. Además de su ENORME importancia, vuestros propios casos, si sabéis de algo que os haya ayudado en especial o algunos consejos que seguir. Muchisimas gracias de antemano y mucha salud!!
I know this may sound odd but how do you guys not get bored of the piece you are practicing? After repeating every phrase into perfection how can you still be invigorated and excited about the piece when you need to perform it? Thank you and love you guys! Hope to see you again.
It is very reassuring to hear that, in the end, we all have the same problems and fears :) Nowadays, it’s very common that live performances get live-streamed or audio/video recorded. Did this aspect ever make you mentally struggle with the performance? Do you change anything in your way of playing live, if you know it will be audio or video recorded? Do you feel like you play “for the recording” or “for the public” in those situations? Any tips for getting rid of the uncomfortable feeling? Thanks a lot!! ❤️
I really like this format, for all us cello nerds it's pure gold! :D My questions for Episode 3: How much do you plan your phrasing in detail, how much room do you leave for playing intuitively? Do you record yourself while practicing?
Hola Pablo, I love what you do and have been enjoying all your videos. I am a cellist myself and I live in Charleston South Carolina. I teach cello, also play solo and Chamber music concerts with my piano trio group. I would love for you and Kian to perhaps brainstorm a bit on different ways that one could promote itself and/or a piano trio group in order to play more and get more concerts. As a musician myself, I have made a decision some times back that I want to step away from Orchestra playing and focus more on cello solo repertoire and Chamber music. Thank you so much in advance!
Thank you very much for your Videos. They help a lot! It is great to learn from real artists! What do you think about practicing with a metronome? Do you use it and if, how do you use it? Are there daily exercises that you use? On one of the last videos you used a tablet for practicing. What tools or apps do you use for your instrument? What do you think about playing out of memory? Is it helpful or necessary for not-profis? Sometimes after practicing hearing classical music is getting on my nerves. As a full time musician, do you hear (classical) music or is it enough after playing full time? I know, its a lot of questions, but i would be happy, if you can answer some of them. Greetings!
Awesome video! What if you guys did a few online masterclasses with some of your cello student followers during this quarantine? I know it may be a lot to ask, but I thought I'd mention it anyway because it would be awesome :D
Hi :) It would be very interesting to hear your thoughts on the impostor syndrome. Thanks a lot for these videos ;) I am a pianist but I learn a lot from them either way. Take care :D
Hello! Thank you so much for your videos! They are so inspiring and really help to keep spirits up :-) I have just started learning the cello - much too old to become a pro, but it seems to have brought out an unknown ambitious streak in me and I really want to learn to play well. So I am trying to practise as much as I can. So far my neighbours have been very tolerant - bless them - but now that people are at home most of the time and the situation is so tense, I am worried that practising cello (with a large focus still on getting intonation right) may be rough on people’s nerves. I’m guessing many people, who practise at home may be in a similar situation or already have fallen out with their neighbours - do you have any tips for quiet practise? Really looking forward to the next video! Hope you are well and safe :-)
@@pabloferrandez Thank you :-) Berlin Albau...mute is not enough. But turns out my neighbours teenage son is into techno music now, so I have a free metronome and everyone is tolerating eachother's noises ;-) Stay safe :-)
Hey guys! Thanks for your videos! Here are some questions for the upcoming vid: Basic but ley: how did you establish the way you sit with the cello? Been trying different ways for weeks now and ir would be celestial yo hear your thoughts on this matter. Long or shorter endpin, strings to ground relation, how do you hug with your legs, etc. Just last night I dreamt I talked with Benedict Kloeckner about Bow Changes! So... Bow Changes. I have a strong playing both in My left and right hand, and un the last vídeo You spoke about loosing up. So, do you have a particular feeling or way to generarte the right amount of balance between relaxation and intensity? You guys inspire me daily! Thank You for everything! Have a peaceful and happy quarantine!
if you can bring houser 2 cellos would be so fun.. they can show the way to enjoy at their perfomances ,,acting and rejecting any influence from the audience same as you gus,,congrats,,
Hey Pablo! As a budding cellist Pablo, I so very much appreciate learning from you and Kian. You are both wonderful and generous human beings. You made me laugh so much and I understand so much. Thank you so kindly to both of you! I have several of questions: Number 1: I hate to ask about this again as you did it before. Yet can both you and Kian talk about vibrato and the emotion you attempt to convey while playing a piece? For me, I am an adult beginner/early intermediate with a great teacher Dmitri Babich in Montreal, Canada. I so would love to know what you both do for vibrato in positions 1 through 4. Number 2: How do you set up a practicing regime that aids you and Kian in mastering a piece; especially when you were both starting out as a beginning cellist like myself. Also can you talk about various means to enhance your emotion in playing a piece. How do you make the jump from being technically accurate to your music having "soul" - if you will. Number 3: Do you both compose and/or improvise your own music? Do you even get togather and have a jam session or with other cellists you know or are acquainted with? What's it like? Number 4: (and Lastly) do you have tips on sight reading, note learning, and up to and including Tenor cleft? Again Please do more of these when you can. You sharing your experiences and insight is invaluable. Don't stop. Even if it is once a year that both of you do this, please share like this as it makes me (and I am sure others) feel and understand what it is to be a cellist of high regard and know what fellow musicians go through. The good, the bad, the ugly, and the hilariously funny. The humor is delightful by the way. I love how Kian said look at some if you mess up so that everyone thinks you are judging some one else as a means of covering your ass. LOL! Brilliant! :D Thank you both again!
Can you please give me some advice..i used to play when I was a kid in school that was years ago. id like to have my own cello and I'm starting from scratch .there's so many brands to choose from. I can't afford thousands dollars .I came across 2012 Amati. Sacconi. Or a unlabeled handcrafted cello . They both sound beautiful but there not local..or I could go to a local shop and rent unlabeled one then buy better bow and buy a better set strings for it ? Don't know what to do my dream is to find one ,from a old maker thats soulful sound thats really sings but can't afford that .so could you give me your advice please .this is so important to me .I'm 60 yrs old want my cello to be one with me sings reach my heart and keep through my life..thankyou ahead of time for you opinion help bless you both Diana Oh whats best book to use for learning. don't read music .but I do hear and feel the music 🎶 thankyou !!!!
Have these two learned from different schools of technique? Im a violist and my thought process and playing is like fernandez' but soltanis shifts on all strings making the most of the tones and musicality and fullness. Why wasnt it pushed more on me to not shift until youre playing on the a? So strange. The notes are so rich higher up on lower strings.
This is incredibly enlightening and honest, so thanks very much! If you have played, and would like to comment on, Kodaly Op8 then this would greatly help me in my learning!
I have a funny short story related to the Luto cello concerto. My cello teacher studied at Michigan with the legendary, though lesser-known Erling Bengtsson. He told my teacher about the first time he performed the Luto concerto back in the 70s . Since Bengtsson was actually one of the first to premier the cello concerto, no one really knew what it sounded like; and everyone was in for a surprise. So, Bengtsson walks on stage, bows, and begins to play. It was about 2 minutes in when a man, infuriated, storms his way up to stage, looks at Bengtsson and says "That can't POSSIBLY be what's on the SCORE!" and Bengtsson, while still playing, replies "I haven't missed one note yet." Bengtsson smiles and the guy runs out of the theatre. Bengtsson never stopped playing through the whole interruption, and actually went on to have a pretty great concert. Anyway, that's my story. Bengtsson was a gem though; it's too bad he wasn't more well known. If any of you guys have never heard of him, just search "Erling Blöndal Bengtsson & Árni Kristjánsson plays Weber: Rondo".
I noticed how Kian almost every single time says that Pablos version is better. Actally, in my opinion , there are passages where Kians version is more logical. But they're equally as good as cellists.
Times for the topics, so you can find them quickly :) enjoy!
➡️ 0:36 Memory
➡️ 5:18 Fingerings: Rococo and Dvorak
➡️ 23:30 Body Language
➡️ 28:25 Stage Fright and Mental Strenght
➡️ 39:25 Lutoslawski Cello Concerto: Insight and practice tips
Question: do you like Rococo or Dvořák better?
You may want to check out Shafrans Dvorak recording, around 29:40. He prepares nothing 🤣😅 ruclips.net/video/ShH_7GcZSXc/видео.html
I like rococo for its elegance and technicality. But I also enjoy listening to Dvorak cause it’s so epic, (and also technical)😊
For the love of god please continue this series it is amazing!!! As a young cellist this is both extremely valuable and entertaining. Love you both! :)
Best series ever!! 🙌🏻🙌🏻🥰❤️ Gonna watch with a cup of coffee right now ☕️
I would love to see these guys talk with Luka Sulic about his process.
kian ,keeps his fingers close to the strings,,helps to play to fast..his.thumb position are so stable,i have seen his concerts so brillant,thanks kian for showing us your skills
Hi Pablo and Kian!
I remember asking you to make this video a few weeks ago. Thank you so much for making this video and sharing it with all of us! I suffer greatly from stage fright and memorization slips, so this video is gold to me!
Wondering if you guys would be interested in sharing your favourite technique exercises and etudes? Or do you have a completely different take on this topic of technical cello playing completely?
Thank you so much and look forward to future videos!!
Thank you! More more more please!
YESSSSSSSSSSSSS!!! MY NEW FAVORITE SHOW!!!!
Thank you guys for good tips and sence of humour:)))
Yesssss!!! Second episode 😍❤️❤️❤️
Thank you! It's really helpful and it's a new concept! I love it thanks!
Thank you guys!!! Máquinas!!
Fantastic video,Would love to hear you guys talk about Popper Etude or which etude you like and think are very important that dont get much light.
Hey Pablo! you should talk about somethings you personally have been thinking about over the last few years about cello playing that others dont talk about as much. Thanks for posting these helpful videos as always!
Genial el vídeo!!!
Podrías subtitular para tus paisanos???
Je,je, jeee...
En el tercero lo hiciste...
Played the video at 0.5speed to check the fingerings.
Ended up watching all of it like this.
At 0.5 it's like watching 2 cellist high af nerding out.
Amazing.
I think I'm going to watch the one with isserlis at0.5
I really enjoy this type of format! You both are very funny 😄 and I always learn something new. Thanks you for doing this
Thank you guys for your generosity with your time, talent and beautiful energy.
Amazing Talks! Can you do a video on phrasing big and phrasing clearly?! And tips on how to make what's happening in the music obvious and communicative!
I loved every part of your video! You are very fun and light with all of this themes!! Thank you so much guys for your time to teach other cellist! It really helps... i am taking note of every one of your advices. I love you both 🤗
Keep making these videos!!! So important !
Great discussions from 2 great future cello legends!
I have a question to both of you regarding practicing 20th century big scale pieces (cello concertos) which most of them have no piano rendition like Ligeti/Lutoslawski/Dutilleux. Privilege for us when we study 19th century concertos (and earlier) before to rehearse with orchestra is to be able to rehearse with piano to understand and experience at least 50% of the whole picture of the music.
I'm interested in both of your preparation approaches in 20th and 21st century big scale pieces for cello.
Thanks in advance!
Best of luck,
Alfian
Very interesant topics guys!! I really enjoyed all the video. Me encantan los puntos de vista de ambos, ya estoy esperando el siguiente video😄👍
Such an awesome video!! So funny, and the insights into the Lutoslawski concerto were very interesting! Loved it!!! Totally inspired to practice now.
this is so freaking funny and yet on great level to listen to, thank you!
Fun to watch and really interesting. I live the bit on "do it when you can't help it" on body language and connecting with the orchestra. I teach a partner dance and the same idea very much applies but I hadn't thought of the interaction between soloist and orchestra as an analogy - it's really interesting.
que genial video, no me aburri ni un segunditoo y muy educativo !!! gracias chicos!
I don't think I can put into words how much this series has helped me already. Bravo! More, please!
I'm having problems with my thumb position vibrato. Could you include a discussion on that in the next video?
I'm a violinist but this was still super interesting! Thank you guys ❤
Morning! I've enjoyed this so much, my saviour in actual fact especially at this time of such an awful health crisis. Your sharing and care in delivering all those tips is as was said GOLD. Be safe and fun always. Thank you guys. Tip for slow down , never knew this b4.
i would love to hear you guys talk about dvorak cello concerto and give us some insights :)
Thank you guys for this masterclass, you’ re sp much fun
I'd love to hear how you prepare, both mindset and repertoire, for a competition as opposed to a normal performance.
As always amazing video, keep up the great work👍👍!!!
great series! one of the few interesting videos on yt...👏
Hola Pablo tus vídeos son geniales y me han ayudado mucho , eres un super maestro ,será que sería posible tener los 3 primeros vídeos con subtitulos en español.
Lots of content, thanks!
I love how in Pablo’s version of Dvorak u can see him finding the note with no shame😂 it’s great!
You guys are a good mix :) Cheers
Thank you! This is so nice!
Me gustó mucho los dos son excelentes chelista
Antes de nada, un saludo muy grande y muchísimas gracias por la ayuda que ofrecéis subiendo estos vídeos.
Quisiera preguntar si existe alguna posibilidad de que en algún vídeo habléis del ejercicio físico siendo músico. Además de su ENORME importancia, vuestros propios casos, si sabéis de algo que os haya ayudado en especial o algunos consejos que seguir.
Muchisimas gracias de antemano y mucha salud!!
I know this may sound odd but how do you guys not get bored of the piece you are practicing? After repeating every phrase into perfection how can you still be invigorated and excited about the piece when you need to perform it?
Thank you and love you guys! Hope to see you again.
It is very reassuring to hear that, in the end, we all have the same problems and fears :)
Nowadays, it’s very common that live performances get live-streamed or audio/video recorded.
Did this aspect ever make you mentally struggle with the performance? Do you change anything in your way of playing live, if you know it will be audio or video recorded? Do you feel like you play “for the recording” or “for the public” in those situations? Any tips for getting rid of the uncomfortable feeling?
Thanks a lot!! ❤️
I really like this format, for all us cello nerds it's pure gold! :D My questions for Episode 3: How much do you plan your phrasing in detail, how much room do you leave for playing intuitively? Do you record yourself while practicing?
Pablo, thank you for these videos!
Which NFL player came to your concert?
Hola Pablo, I love what you do and have been enjoying all your videos.
I am a cellist myself and I live in Charleston South Carolina.
I teach cello, also play solo and Chamber music concerts with my piano trio group.
I would love for you and Kian to perhaps brainstorm a bit on different ways that one could promote itself and/or a piano trio group in order to play more and get more concerts.
As a musician myself, I have made a decision some times back that I want to step away from Orchestra playing and focus more on cello solo repertoire and Chamber music.
Thank you so much in advance!
min. 16:45 absolutly true, I saw it in Düsseldorf and I was like: wow he doesn't care at all😂😂😂😂
Thank you very much for your Videos. They help a lot! It is great to learn from real artists!
What do you think about practicing with a metronome? Do you use it and if, how do you use it?
Are there daily exercises that you use?
On one of the last videos you used a tablet for practicing. What tools or apps do you use for your instrument?
What do you think about playing out of memory? Is it helpful or necessary for not-profis?
Sometimes after practicing hearing classical music is getting on my nerves. As a full time musician, do you hear (classical) music or is it enough after playing full time?
I know, its a lot of questions, but i would be happy, if you can answer some of them.
Greetings!
Awesome video! What if you guys did a few online masterclasses with some of your cello student followers during this quarantine? I know it may be a lot to ask, but I thought I'd mention it anyway because it would be awesome :D
@Pablo @Kian What kind of bow do you use? Can you talk about tips for finding a new bow?
Kian, any tips(fingerings,etc… ), in the Kodály Solo Sonata?😋
What is the music of the beggining and the end?
Can you guys talk about how you hold your cellos as well as your bow holds? Also what is your opinion of bent endpins? Thanks!
Hi :) It would be very interesting to hear your thoughts on the impostor syndrome. Thanks a lot for these videos ;) I am a pianist but I learn a lot from them either way. Take care :D
Hello! Thank you so much for your videos! They are so inspiring and really help to keep spirits up :-)
I have just started learning the cello - much too old to become a pro, but it seems to have brought out an unknown ambitious streak in me and I really want to learn to play well. So I am trying to practise as much as I can. So far my neighbours have been very tolerant - bless them - but now that people are at home most of the time and the situation is so tense, I am worried that practising cello (with a large focus still on getting intonation right) may be rough on people’s nerves.
I’m guessing many people, who practise at home may be in a similar situation or already have fallen out with their neighbours - do you have any tips for quiet practise?
Really looking forward to the next video!
Hope you are well and safe :-)
Thanks ! Have you tried a “ hotel mute” ?All the best
@@pabloferrandez Thank you :-) Berlin Albau...mute is not enough. But turns out my neighbours teenage son is into techno music now, so I have a free metronome and everyone is tolerating eachother's noises ;-)
Stay safe :-)
Hey guys!
Thanks for your videos!
Here are some questions for the upcoming vid:
Basic but ley: how did you establish the way you sit with the cello? Been trying different ways for weeks now and ir would be celestial yo hear your thoughts on this matter. Long or shorter endpin, strings to ground relation, how do you hug with your legs, etc.
Just last night I dreamt I talked with Benedict Kloeckner about Bow Changes! So... Bow Changes.
I have a strong playing both in My left and right hand, and un the last vídeo You spoke about loosing up. So, do you have a particular feeling or way to generarte the right amount of balance between relaxation and intensity?
You guys inspire me daily! Thank You for everything! Have a peaceful and happy quarantine!
if you can bring houser 2 cellos would be so fun.. they can show the way to enjoy at their perfomances ,,acting and rejecting any influence from the audience same as you gus,,congrats,,
Hey Pablo!
As a budding cellist Pablo, I so very much appreciate learning from you and Kian. You are both wonderful and generous human beings. You made me laugh so much and I understand so much. Thank you so kindly to both of you! I have several of questions:
Number 1: I hate to ask about this again as you did it before. Yet can both you and Kian talk about vibrato and the emotion you attempt to convey while playing a piece? For me, I am an adult beginner/early intermediate with a great teacher Dmitri Babich in Montreal, Canada. I so would love to know what you both do for vibrato in positions 1 through 4.
Number 2: How do you set up a practicing regime that aids you and Kian in mastering a piece; especially when you were both starting out as a beginning cellist like myself.
Also can you talk about various means to enhance your emotion in playing a piece. How do you make the jump from being technically accurate to your music having "soul" - if you will.
Number 3: Do you both compose and/or improvise your own music? Do you even get togather and have a jam session or with other cellists you know or are acquainted with? What's it like?
Number 4: (and Lastly) do you have tips on sight reading, note learning, and up to and including Tenor cleft?
Again Please do more of these when you can. You sharing your experiences and insight is invaluable. Don't stop. Even if it is once a year that both of you do this, please share like this as it makes me (and I am sure others) feel and understand what it is to be a cellist of high regard and know what fellow musicians go through. The good, the bad, the ugly, and the hilariously funny. The humor is delightful by the way. I love how Kian said look at some if you mess up so that everyone thinks you are judging some one else as a means of covering your ass. LOL! Brilliant! :D Thank you both again!
Could you post a video how to play Etude Op 73 # 13 by Poper?
Popper
What is your practice routine? (ex. how many hours do you practice Concerto, with what order each piece etc.)
Can you please give me some advice..i used to play when I was a kid in school that was years ago. id like to have my own cello and I'm starting from scratch .there's so many brands to choose from. I can't afford thousands dollars .I came across 2012 Amati. Sacconi. Or a unlabeled handcrafted cello . They both sound beautiful but there not local..or I could go to a local shop and rent unlabeled one then buy better bow and buy a better set strings for it ? Don't know what to do my dream is to find one ,from a old maker thats soulful sound thats really sings but can't afford that .so could you give me your advice please .this is so important to me .I'm 60 yrs old want my cello to be one with me sings reach my heart and keep through my life..thankyou ahead of time for you opinion help bless you both Diana
Oh whats best book to use for learning. don't read music .but I do hear and feel the music 🎶 thankyou !!!!
Have these two learned from different schools of technique? Im a violist and my thought process and playing is like fernandez' but soltanis shifts on all strings making the most of the tones and musicality and fullness. Why wasnt it pushed more on me to not shift until youre playing on the a? So strange. The notes are so rich higher up on lower strings.
How do you get yourself to practice when you don't feel like it at all, but at the same time you really have to?
Thank you for a great episode! What is the name of the Book which Kian has recommended about?
The power of now by Eckhart Tolle . Perhaps?
Julia N thank you! Just didn’t Heard- it correctly
kian has to be from punjab..estudied in england,,they have so deep percussion tabla influence/therfore is very fluid in his technic ,,
❤️❤️
This is incredibly enlightening and honest, so thanks very much! If you have played, and would like to comment on, Kodaly Op8 then this would greatly help me in my learning!
Most people play the triple concerto with the score
I have a funny short story related to the Luto cello concerto.
My cello teacher studied at Michigan with the legendary, though lesser-known Erling Bengtsson.
He told my teacher about the first time he performed the Luto concerto back in the 70s . Since
Bengtsson was actually one of the first to premier the cello concerto, no one really knew what it sounded like; and everyone was in for a surprise. So, Bengtsson walks on stage, bows, and begins to play. It was about 2 minutes in when a man, infuriated, storms his way up to stage, looks at Bengtsson and says "That can't POSSIBLY be what's on the SCORE!"
and Bengtsson, while still playing, replies "I haven't missed one note yet." Bengtsson smiles and the guy runs out of the theatre. Bengtsson never stopped playing through the whole interruption, and actually went on to have a pretty great concert.
Anyway, that's my story.
Bengtsson was a gem though; it's too bad he wasn't more well known. If any of you guys have never heard of him, just search "Erling Blöndal Bengtsson & Árni Kristjánsson plays Weber: Rondo".
Funny guys these cellists 😂
I noticed how Kian almost every single time says that Pablos version is better. Actally, in my opinion , there are passages where Kians version is more logical. But they're equally as good as cellists.
You guys can be funnier than two set violins. 😆
Spanish subs please :C
I'm a violinist but this was still super interesting! Thank you guys ❤