Clive Deamer (the second drummer, famous for working with Portishead and Robert Plant, among others) said in an interview that Phil Selway called him out of the blue and asked for his help to recreate the songs from TKOL, because they had no idea how to perform them organically without having to use samples and click tracks. Phil then went to Clive's house and played him the album way before it was released. He was baffled by the rhythmic complexity of songs such as "Bloom". They both spent a week in a studio sorting out each part of each song, with the rest of the band accompanying from a distance and chiming in here and there. The idea was to have Clive only for the From The Basement recording, but those sessions sounded so good that their 2011 schedule expanded: some TV appearances, a couple of New York dates and a surprise gig at Glastonbury Festival. A full world tour then came in 2012. Clive says this was his trial by fire and one of the defining moments of his career. The band must have enjoyed it as well, because Clive appears in A Moon Shaped Pool (he created some of the drumming parts in "Ful Stop" during the 2012 tour and got to add it to the final recording) and he was also in the 2016/2018 tour.
The more i listen to it, the more i think it is by far my favorite album from them !I wouldn’t have said that when you wrote that comment 2 years ago 😏
@@alexpanizzoli5649 fr! first time i listened to this album i was like yeesh this is the worst radiohead content i have heard, a few months later it is quickly becoming one of my favorites
This live version totally destroys the studio version. Here, it suddenly and unexpectedly becomes this totally intense rave-out that's just spellbinding.
He is classically trained, mostly by himself. I wish I had this talent, its beauty in a modern crazy dystopia called England ( the music is corporate shit)
I think he said he likes playing instruments he doesn’t know how to play. I especially love his focus when he plays the xylophone vs his more typical one hand on the keyboard between guitar licks. Oh you wanted a cello for this one? Just wheel it in, I’ll figure it out. Lemon shaky? K. I’ll do it with three fingers so I can still have two fingers for the keyboard. If I’m just playing piano I’ll do it with my head between my knees.
@@Johnnywhamo To me they are more Yin and Yang-though which is which is not so clear. It’s a symbiosis of complementary skill sets. Jonny is arguably the more versatile instrumentalist, but he’d be the first to point out what he can’t do-vocals. Thom brings vocals, lyrics, melodies, rhythm guitar, and piano with equal virtuosity. Plays a mean maraca as well.
Jonny will always be Jonny haha!! Just listen closely to songs such as The National Anthem or Nude: he's pretty much responsible for all the background and landscaping sounds in most of Radiohead's post OKC recordings.
Wasn’t my favorite at first, but then I saw it live. One of my favorites now. It’s sort of like National Anthem. It almost sounds like an orchestra’s warm up room, but somehow organized.
We all wanted "A Moon Shaped Pool: From the Basement", but you should acknowledge that BBC is currently closing down Maida Vale Studios (or Nigel Godrich's Basement), so yeah :(
True, but to be fair i feel its ranked that way because most consider this performance wayyyyy better than the studio version. (including myself) And when ranking the studio albums i think its definitely on the lower end.
This album is so criminally underrated. Granted, the live version definitely shines through more than the studio version, but the studio version is still really good.
It's quite a strong album, only too short (maybe cancel Feral though🤭) It would be much more impressing, if Radiohead would have integrated some of the singles like The Daily Mail and Staircase
@@leehiro4840 Feral keeps the record interesting. It's the one oddball track Radiohead puts in all of their records past Kid A (Treefingers, Hunting Bears, The Gloaming, etc). Sure, we wouldn't want to listen to it occasionally, but playing the album front to back it makes sense.
Am i the only one that thinks the studio version is much better than this? The live version morphs the abstract and dreamlike atmospheres of the studio tracks into something more natural and organic. I just find the former angle much more interesting than the latter in this instance. I think it has something to do with how rhytmical music typically approaches spirituality that i find off- putting. And this live version sadly goes down that typical route.
@Ryan Smith It's almost a perfect record. But, I would add more songs to the tracklist like The Daily Mail, Staircase and Supercollider, and you have it: the perfect record. lol
@@zackzallie8735 Imo I don't think they work in that album despite the three of them being great songs! Maybe Supercollider and one you didn't mention The Butcher would work the best out of those, Staircase and Daily Mail are too loud for me to see in that album. I like it kicking off with groovy synth sounding tracks than by Lotus Flower the sound becomes more dense and quieter, than with Codex and Give up the Ghost it's soft and slow and comes back groovy but lighter than before with Separator. I think it's the best structured album of theirs. So I have no idea where those tracks would go. Where would you put them? Specifically Daily Mail and Staircase?
Couldn’t agree more! Their discography is quite crazy. Especially in context of the fact they have been together making new music for 35 years. That’s incredibly impressive. It gets even more crazy when their newest album A Moon Shaped Pool is one of the best in their discography. They are not slowing down. It’s mad.
The thing is, it isn't... the king of limbs is carefully crafted and delivers a hazy, ephemeral and atmospherical feeling without precedents in their discography
I prefer The Basement versions over all albums.. it's amazing to see how they are able to perform these songs in a live environment. Nothing but the deepest respect for Radiohead, they are amazing!
I absolutely how Bloom starts out as a mess and as an overload of sounds, and then as the song progresses, all the sounds join in harmony. Organized chaos
I really hate how no one ever mentions Give Up The Ghost, as I truly believe it's one of their most beautiful and haunting tracks ever. It sounds like a graceful, yet cautious march towards death. Like a death that you have truly accepted and expect, though once it's finally in view, you still feel a tinge of fear and uncertainty.
Setlist: 00:00:40 Bloom 00:07:07 The Daily Mail 00:11:18 Feral 00:14:41 Little by Little 00:19:56 Codex 00:25:19 Separator 00:31:53 Lotus Flower 00:37:21 Staircase 00:42:35 Morning Mr Magpie 00:48:16 Give Up the Ghost 00:55:11 Supercollider
In Uni my housemate would shun studio recorded albums in favour of live albums all the time. He'd never listen to a studio album, and I was always the opposite, but with Radiohead I think there's extra layers of energy that comes from them all being in the moment together. Watch the intro for Feral for example, the two sets of drums running in perfect harmony just gives the track life.
This live set is why King of Limbs went from my least favorite to absolute favourite Radiohead album. Before this I found it inaccessible but this was the key that let me in.
Seems to be a common feeling. If they hadn't made this, you might not have given the songs on the album much thought again. I wish there were more 'from the basement' style live events though.
I've been listening to Radiohead for nearly 30 years and I can't shake the feeling that this version of Bloom just might be the best thing they've ever done. It's absolutely sublime.
hard agree! by the end of the song where they blend together, colin does his little hop and thom goes crazy on the guitar and it shows how they’re all so immersed in playing the song. it shows through the music, satisfying to both the eyes and ears.
Codex always seems to surprise me. The moment Thom sings "jump of the end" the complete atmosfere of the song changes and i get goosebumps. God i love these guys
@@ge0fff Something tells me that if you were asked to define "it" you wouldn't be able to. TKOL is a fine album. I'm not saying it's not. But objectively they peaked with Hail / In Rainbows period. If you don't see that, then you obviously don't get HTTT and IR.
Completely agree. One of my top 5 if not my absolute favourite. No particular order… Give up the Ghost Weird Fishes/Arpeggi Pyramid Song How to disappear completely Codex
I foud it after rainbows 🌈 ..just now I'm at the beginning. THRILLED what' is to come ☺ OPEN YOUR EYEEEEEEEEES!! THE MAN IS OF US. BUT FROM SOMEWHERE ELSE
This album came out right before my daughter had her first Manic episode and wound up in a mental ward. It helped get me through, and still reminds me of the experience. I called the sound "organized chaos' and likened it to what must have gone on in her head. 9 years later she is on meds and episode free (no drugs or alcohol) and this remains one of my favorite Radiohead albums.
sometimes I wonder if we're not accustomed to the idea that old material is by definition better than latest one. the truth is Radiohead has been consistently amazing and innovative for more than 20 years, not a single band can present such a catalogue, so yeh definitely there's highs and lows and special music for everyone individually or collectively with the music industry critics but still they're incredible and unique since day one
@@masterculturedunkerque7918 I agree. Same is true of U2. I think their last album, Songs of Experience, is their best, yet old fans can't get past Acting Baby and Joshua Tree. Nostalgia has a lot to do with it. Oh, well. At least we can appreciate the new stuff.
I have a belief that the reason lies in the production of the studio album. It sounds, i don't know how to say it technically, but to me it sounds just kind of bad. I can't pin it down but it seems to me it is rushed and poorly mixed in a lot of songs (when compared to their past albums and with AMSP). Here they sound starkly better, it all feels much more cohesive and organic.
Separator is such a beautiful song, I don't know why but every time I listen to it, specially the ending, it sends me to another dimension. And I love this album for that.
I’ve probably said this a thousand times, but Colin is fantastic. This performance is absolutely wonderful overall. Every time I come back to watch it, I fall in love all over again with something different. Incredible musicianship.
This band saved me from suicide right after my only parent, a brilliant single Father of this only child and Daddy's Girl "died on me" after a torturous battle with lung cancer when he was 52, and I was 26. I have "been alone" ever since.
yup, i always love listening to Colin playing. he caught me off guard the other day while i was listening to paranoid android played at lollapalooza berlin 2016, he added something right at the end of the song during jonny's epic guitar. i replayed it so many times cause it was a really sick bass line. i checked other versions but i think i only found it in that version of the song.
Sambo Jones Yeah but the same could happen with In Rainbows when put in context, the album starts with two heavy and very riff oriented tracks and then dives into a full ballad slow paced songs until the very end, the same as TKOL. I agree that in the latter, the flow of the album is not that consistent as in other Radiohead works, but still, I was VERY excited and grateful for getting 8 extremely good Radiohead songs, In Bloom being one of my all time favorites.
Fantano & Pitchfork kids trying to feel vocal about something they never understood. This album was an important thing in 2011 and a new territory for the band as well. I love king of limbs.
@@hugoyanez9506 Well, it seems like you had a nerve touched. They simply said not everyone has the same taste, which is a basic fact of life, while you're trying to defend your ridiculous notion that only kids who never understood it were vocal about not liking it. Like, c'mon, you're just being pretentious.
its 230am and i have this four foot charcoal drawing due for class in the morning which i have been working on all weekend because I waited until the last minute to start. I have replayed this video no less than five times over the course of my drawing process and each time Separator comes to an end I forget that I'm not dreaming. exhausted and covered in charcoal, radiohead has struck me like never before thanks to this isolating weekend of constant work, and I don't think I'll ever listen to their music the same way ever again
I love every album by Radiohead, but for some reason this is the album I keep closest to my heart. It's so bass and drum driven with the occasional guitar melody soaring through. The end of Separator with the looping guitar lick just breaks your heart.
The album would be much better if this performance WAS the album. One of the rare examples of the live version being so much better then the studio version.
I know it is a bit late to ask for an "A Moon Shaped Pool: From the Basement" but it would be SO GREAT if both existing FTB sessions were uploaded to Spotify. Especially considering that this is hands down the best version of TKOL...
It never ceases to amaze me how much Radiohead tracks actually grow on me. In Bloom was always at least nice, then slighty alluring, and now almost two years after I first heard it I never wanted it to end just now. That whole last minute or so has me transfixed.
Sadly, I used to assume Ed O'Brien was a bit of a 3rd wheel. In watching these Basement sessions and live footage from as far back as 1997, I have learned that I was very, very, wrong. He is responsible for so many incredible motifs; and even if some of them are penned by Thom, Ed honors and elevates them. Ed is Brilliant.
I absolutely love the way Codex is played here. I don't understand why many people don't like Codex, the song is so beautiful and is why it's my number 1 favorite in The King Of Limbs album entirely.
Codex is gold, pure gold. It is slow but yet so intense, filled with substance. Gives me chills. I can't explain the feeling precisely it's something unique in itself.
Man I am always saying to myself just how underrated Colin's parts are. His lines perfectly blend into, if not outright establish the mood. He establishes and subverts his own motifs numerous times throughout the music - without ever lampshading what he's doing. Just amazing. And the worst part is they're so fitting and low-key, they're actually rather easy to take for granted or miss entirely. Ranging from beautifully counter-intuitive to deceptively simple at times - Radiohead would not be the same without his musical ear and choices. He carries so much of the band without ever even making it obvious. (and that tone?!)
I notice it. sometimes he is truly the subtle unifying factor . like in bloom. it's all chaotic noise until that bass drops in and suddenly it makes sense. he's something else.
The whole of this is absolutely amazing. Codex give me chills everytime though. So grateful for radiohead. They have been the soundtrack to my navigation of many heavy and light moments.
I think only Lotus Flower, Codex and Separator work better on the album for me. The rest is significantly better here. Bloom is stunning. Staircase is too good (Should’ve been on the album). Proves even their weaker releases have some incredible qualities to them.
I do like the heavier sound Lotus Flower has in the basement performance. It sounds more in line with something from Hail to the Thief, which definitely has some of their most heavy, driving tracks.
I get that they had fun with a sort of "chop up and edit film" approach to the official TKOL release, and I think that unique approach resulted in an interesting sound for them. But man, this Basement session is superior in every way because of just how much the songs are open and breathing.
This album got me through a super tough time in my life. The album gets better and better with each listen. Radiohead is a global treasure and never ceases to amaze me and is the only band that 3 generations of my family (Dad, lil brother and I) geek out on. Truly musician musicians
Mannnnn this version of Little by Little is incredible, the rawness is really refreshing compared to the album version.. Separator an all time Radiohead song as well.
I am still sad there is not a From the Basement (or same style) of A Moon Shaped Pool. AMSP is my favorite album for personal reasons, and the fact that it does not get this absolutely amazing reimagining and live style performance with little B-side treats thrown in just breaks my heart.
Only Radiohead can have two drummers and still need their lead guitarist on the drums as well.
One day they'll make a song that is just Thom singing and everyone else playing drums (Including Thom himself)
@@theflev-matic4892 Bangers & Mash? There There?
@@dimaMAYD I mean Colin still plays bass on them, right?
King Crimson has 3 drummers doe B)
@@zynel413 That's a bass-shaped drum he's playing.
Clive Deamer (the second drummer, famous for working with Portishead and Robert Plant, among others) said in an interview that Phil Selway called him out of the blue and asked for his help to recreate the songs from TKOL, because they had no idea how to perform them organically without having to use samples and click tracks. Phil then went to Clive's house and played him the album way before it was released. He was baffled by the rhythmic complexity of songs such as "Bloom".
They both spent a week in a studio sorting out each part of each song, with the rest of the band accompanying from a distance and chiming in here and there. The idea was to have Clive only for the From The Basement recording, but those sessions sounded so good that their 2011 schedule expanded: some TV appearances, a couple of New York dates and a surprise gig at Glastonbury Festival. A full world tour then came in 2012.
Clive says this was his trial by fire and one of the defining moments of his career. The band must have enjoyed it as well, because Clive appears in A Moon Shaped Pool (he created some of the drumming parts in "Ful Stop" during the 2012 tour and got to add it to the final recording) and he was also in the 2016/2018 tour.
I think it might be safe to say he's the seventh member of Radiohead now.
@@multiversechorus I wonder if they're gonna invite him to join. He's usually a freelancer, his only actual band is Get The Blessing.
Cool, i didn't know that!
I love clive deamer in radiohead
His drumming in bloom is inhuman.
I love the fact that they cloned Phil to play an extra set of drums! that's so innovative!
They've always been ahead of the curve.
Underrated comment
What if, and hear me out, Phil was the real "Kid A" all along?
avant garde
Finally
Phil 2
I've heard people say Radiohead sounds depressing or "whiny". I don't get it. It's deeply comforting and nostalgic, like lullabies for adults.
lullabies for adults is the best description ive ever heard holy shit ahahaha
Yeeeessssss
100%
And teens I guess too lmao.
The funniest description of Radiohead's music for me was by a Fox News reporter who said its music for depressed and malnourished kids😂
The King Of Limbs will grow on you, Little by Little.
😂
The more i listen to it, the more i think it is by far my favorite album from them !I wouldn’t have said that when you wrote that comment 2 years ago 😏
... and if you think this is over then youre wrong
🎯
@@alexpanizzoli5649 fr! first time i listened to this album i was like yeesh this is the worst radiohead content i have heard, a few months later it is quickly becoming one of my favorites
bloom live is a literal fucking masterpiece
This is the first time I've seen it its amazing holy crap
This live version totally destroys the studio version. Here, it suddenly and unexpectedly becomes this totally intense rave-out that's just spellbinding.
Agree
It was great on Colbert too
yup!
I love how Jonny can start playing literally any instrument if it's needed
He is classically trained, mostly by himself. I wish I had this talent, its beauty in a modern crazy dystopia called England ( the music is corporate shit)
I love Thome but people give him WAY too much credit, Jonny imho is probably the best musician of the group and brings the most to the band.
I think he said he likes playing instruments he doesn’t know how to play. I especially love his focus when he plays the xylophone vs his more typical one hand on the keyboard between guitar licks. Oh you wanted a cello for this one? Just wheel it in, I’ll figure it out. Lemon shaky? K. I’ll do it with three fingers so I can still have two fingers for the keyboard. If I’m just playing piano I’ll do it with my head between my knees.
@@Johnnywhamo To me they are more Yin and Yang-though which is which is not so clear. It’s a symbiosis of complementary skill sets. Jonny is arguably the more versatile instrumentalist, but he’d be the first to point out what he can’t do-vocals. Thom brings vocals, lyrics, melodies, rhythm guitar, and piano with equal virtuosity. Plays a mean maraca as well.
@@Johnnywhamo fkg agree man! jonny greenwood is a genius. look at his other works.
me every 5 minutes:
So guitar was making that sound wtf
Incredible how much sound they pull from the traditional instruments
Jonny will always be Jonny haha!! Just listen closely to songs such as The National Anthem or Nude: he's pretty much responsible for all the background and landscaping sounds in most of Radiohead's post OKC recordings.
They never cease to amaze me. Their "noise" is the most important music in my life.
@@alexandrebergeron176 i think all i need's background noise was ed?
@@Frying1Pans I think yes. I checked IRFTB Saturday Night and it seemed it was Ed.
"You're welcome" -Ed O'Brien
I love how this recording elevates TKOL to a 10/10 album.
It’s the essential document of this time
you say that like it wasnt already
facts
@@darioidan it is terrible
@@koother Why is it terrible?
More I listen to radiohead, more I appreciate Colin. His bass playing is phenomenal.
He’s one of goats!
Colin is amazing
Well, he's the only one who gets to play only his instrument, right?
@@barryballinger6023 Once in a while he plays something else too. But nobody else plays the bass guitar in the band.
honestly so underrated as a bassist. His parts are always independent and lyrical
He is so solid and groovy, and occasionally demented. Would love to buy him tea and cake and chat for a couple of hours
Jonny playing the drums on Bloom looks exactly like what a guitarist playing the drums looks like in my head
Thom dancing is the greatest thing on earth
53:33 "please tell me that sounded alright" ... after recording the most delicate beautiful thing ever
i was just about comment that too. Flawless performance
One of the many things I love about this band is ... they take you to some strange places but you're always aware that you're in safe hands.
What a description.. spot on💓
Damnn thats so true, well thought
Interesting way to put it. Huh...
Yes. They know where they are going even if you don't.
It's like falling asleep on the passenger seat 🥹❤
Bloom always sounds like it can fall apart at any second live. Adds anxiety to an otherwise majestic song. Love
Yeah, feels fragile.
The delicate fragility in the performance, and ensuing anxiety makes it such a triumph! So good.
Wasn’t my favorite at first, but then I saw it live. One of my favorites now. It’s sort of like National Anthem. It almost sounds like an orchestra’s warm up room, but somehow organized.
Man I see you in all the music I like
Ur really cool
Bloom sounds to me like a construction yard and a peak-hour highway that decided to get perfectly harmonious and coordinated for six minutes.
We all wanted "A Moon Shaped Pool: From the Basement", but you should acknowledge that BBC is currently closing down Maida Vale Studios (or Nigel Godrich's Basement), so yeah :(
wow... did not know this, sad news...
They can always find another basement.
Or it could be a house like the scotch mist session.
timmm85 yeah but the basement has a brand new RUclips channel and with the current pandemic it’s a better time than any to reboot the show
This doesn't prevent the band from filming a live studio performance with Nigel.
53:33 - “please tell me that sounded alright...” as if he hadn’t just performed one of the most beautiful pieces of music I’ve ever heard...wow.
😭
That’s who he is, as you probably understand. Humble dude who doesn’t care about fame
@@matthewhohenbery2287 lol its cuz there were a ton ove looped voices and he genuinely didnt knoe
@@yalikebe3ns797 Please learn how to spell
@@kadenc66 Zamn!
Imagine this being your “worst album” the arrangement is beautiful
True, but to be fair i feel its ranked that way because most consider this performance wayyyyy better than the studio version. (including myself) And when ranking the studio albums i think its definitely on the lower end.
I totally agree, there is so much more life and movement in the live version!
pablo honey is worse than this album
@@xylan9543 COMPLETELY agree
Nah, Pablo Honey and Amnesiac are worse. The Amnesiac one might be a bit of a hot take.
33:26 colin pulling that face has consistently cracked me up for 10 years now...what a legend
Dude... This face will definitely haunt my nightmares.
BASS FACE
This album is so criminally underrated. Granted, the live version definitely shines through more than the studio version, but the studio version is still really good.
The studio version while great is in a way overproduced. It's great live with out a doubt.
Sounds better year after year!!!
It's quite a strong album, only too short (maybe cancel Feral though🤭)
It would be much more impressing, if Radiohead would have integrated some of the singles like The Daily Mail and Staircase
@@leehiro4840 Feral keeps the record interesting. It's the one oddball track Radiohead puts in all of their records past Kid A (Treefingers, Hunting Bears, The Gloaming, etc). Sure, we wouldn't want to listen to it occasionally, but playing the album front to back it makes sense.
Am i the only one that thinks the studio version is much better than this? The live version morphs the abstract and dreamlike atmospheres of the studio tracks into something more natural and organic. I just find the former angle much more interesting than the latter in this instance. I think it has something to do with how rhytmical music typically approaches spirituality that i find off- putting. And this live version sadly goes down that typical route.
Person: "The King of Limbs sucks!"
Radiohead: "Hold my basement."
Basically that's what happened back in 2011
@Ryan Smith yes
@Ryan Smith It's almost a perfect record. But, I would add more songs to the tracklist like The Daily Mail, Staircase and Supercollider, and you have it: the perfect record. lol
I am sure I am in the minority but King of Limbs is vastly underrated imo
@@zackzallie8735 Imo I don't think they work in that album despite the three of them being great songs! Maybe Supercollider and one you didn't mention The Butcher would work the best out of those, Staircase and Daily Mail are too loud for me to see in that album. I like it kicking off with groovy synth sounding tracks than by Lotus Flower the sound becomes more dense and quieter, than with Codex and Give up the Ghost it's soft and slow and comes back groovy but lighter than before with Separator. I think it's the best structured album of theirs. So I have no idea where those tracks would go. Where would you put them? Specifically Daily Mail and Staircase?
Radiohead's records have a knack for staying power
So underrated this album. If it is a "weaker" part of their portfolio, it merely demonstrates again why they're the greatest band ever!
Couldn’t agree more! Their discography is quite crazy. Especially in context of the fact they have been together making new music for 35 years. That’s incredibly impressive. It gets even more crazy when their newest album A Moon Shaped Pool is one of the best in their discography. They are not slowing down. It’s mad.
totally agree, this album is incredibleeeeeeee
the king of limbs isn't there best but its still a very fucking good album
probably one of their best albums. it has a huge flying lotus influence so I get why its not everyones cup of tea
The thing is, it isn't... the king of limbs is carefully crafted and delivers a hazy, ephemeral and atmospherical feeling without precedents in their discography
Damn I wish the Basement version of this Album was on Vinyl.. such a masterpiece.
I was thinking the same thing, I have TKOL on vinyl but the basement version is soo good
SAME
I prefer The Basement versions over all albums.. it's amazing to see how they are able to perform these songs in a live environment. Nothing but the deepest respect for Radiohead, they are amazing!
I wish they would release the basement versions of TKOL and In Rainbows as live albums.
@@jaredallebest2160 100%!! Blu ray versions of both would be amazing as well.
Significantly better than their studio albums 100%
@@intintoli They were originally on blu-ray I believe. This is the digitalized version. Which is why they’re only just now being released on youtube.
True talk
There should be a national Radiohead Day where you just have to watch this all day.
Imagine, that everyone has to own at least one Radiohead album by law 😊
Boom. yOu got it
I vote Yes
I’m in!
@@leehiro4840 - Or two or three or four or five albums....though I believe most of us here need no stinkin' law to want to own any RH albums....
Separator is the Reckoner of The King of the Limbs
Codex is the After the Gold Rush of The King of Limbs.
Agreed. Easily the best song on the album as well as being what the whole thing is all about.
Heresy
How do you is the reckoner of Pablo honey
@@MongerOfStrings8222 Reckoner is the How do you of in rainbows
We are still waiting for MTV Beach House 1993 From The Basement
yes
YES!!!!
con piscinazo incluido
love your pfp
@@pseudoplotinus Thanks man
After Give Up the Ghost: “Please tell me that sounded alright” ...yes, yes it did
So cute
I absolutely how Bloom starts out as a mess and as an overload of sounds, and then as the song progresses, all the sounds join in harmony. Organized chaos
Ikr, I don't like Bloom from it's first minutes, but in this episode I listen to the whole song and I regret of hating it
@@arrifjoeI always loved Bloom since it’s studio version. However this version of Bloom is definitely the best one imo
I really hate how no one ever mentions Give Up The Ghost, as I truly believe it's one of their most beautiful and haunting tracks ever.
It sounds like a graceful, yet cautious march towards death. Like a death that you have truly accepted and expect, though once it's finally in view, you still feel a tinge of fear and uncertainty.
Just listened now for the thousandth time and realize it was trying to teach me a lesson ten years ago it took a very long time to learn
Yep
..i think its one of the greatest pieces of music ever written....
It's much like an actual ghost. Silent, unnoticed and haunting.
After I saw it live it on the KOL tour it became my favorite song of theirs
Setlist:
00:00:40 Bloom
00:07:07 The Daily Mail
00:11:18 Feral
00:14:41 Little by Little
00:19:56 Codex
00:25:19 Separator
00:31:53 Lotus Flower
00:37:21 Staircase
00:42:35 Morning Mr Magpie
00:48:16 Give Up the Ghost
00:55:11 Supercollider
It's in the video description
Genius
@@davidnavagomez802 Why not?
@@davidnavagomez802 I'm bored
Thanks!
@@pordB You're welcome
I remember watching this with my Uncle. Completely changed my mind about this album. In Rainbows from the basement is also really good.
I always think that the "From the basement " Version of In Rainbows was the ideal way to listen this album
One album i know least ....
I think Erik that 'In Rainbows from the Basement is also really good' might be the biggest understatement in the world.
This changed my opinion on the album as well! 👍
In Uni my housemate would shun studio recorded albums in favour of live albums all the time. He'd never listen to a studio album, and I was always the opposite, but with Radiohead I think there's extra layers of energy that comes from them all being in the moment together. Watch the intro for Feral for example, the two sets of drums running in perfect harmony just gives the track life.
This live set is why King of Limbs went from my least favorite to absolute favourite Radiohead album. Before this I found it inaccessible but this was the key that let me in.
It happen the same to me.
Seems to be a common feeling. If they hadn't made this, you might not have given the songs on the album much thought again. I wish there were more 'from the basement' style live events though.
Spot on
I loved The King Of Limbs in my first listen in february 2011. I cannot say the same thing to my first In Rainbows listen.
exactly. I would have loved king of limbs a lot more on first listen if it was like this version.
Give up your ghost is an amazingly beautiful song
right on, not one of the most popular but I find myself listening to it over and over.
No doubt, it’s gorgeous! No better harmony than Thom singing with Thom :)
@@patriotpeasant199bhhhhh
codex is better imo
It's a stunning acoustic, rainy day sort of song. One of the best from KoL, along with Little by Little, Lotus Flower, and Separator.
Why is nobody talking about that GORGEOUS take on Give Up The Ghost? One of my favorites live perfomances of all time.
A B S O U L T L Y I N C R E D I B L E
heart wrenching
Great Ed O'Brien solo at 8:16
Classic Ed
He probably gets used to it after awhile lol
The life of the most attractive and extrovert member of Radiohead.
His chops make me want to quit playing
Lunes
Martes
Miércoles
Radiohead
Viernes
Sábado
Domingo
Veritably
Domingo
The National
Terça
Quarta
Radiohead
Sexta
Sábado
Domingo
Exacto
But Radiohead was On a friday
lunes, martes, miercoles, radiohead, viernes, sabado, rolling stones
Little by Little is actually sublime here wow
I really love how hard Thom is vibing the entire time.
Same
This is the definitive version of The Daily Mail. Makes the hairs stand up every time I hear it.
I think the one in the single is the same
I just want a live performance of Spectre
Full band
There are several fan recorded videos of live full band performances of that song in youtube.
@@yuja612 Not with the drums though, it's just Colin and Thom
One of my favorite RH tracks. So good.
With a live orchestra.
"Produced and Mixed by Nigel Godrich".. I wanna be like him when i grow up..
I wanted to be a musical genius when I was young, too.
rc529 he isn’t really a musical genius. Just a production wizard.
yeh hard working guy, is what I meant
keep working hard.
How old are you?
Codex, probably the most beautiful song ever. it just takes me away.
I completely agree!
Agree!
I think codex is such a beautiful track, but please tell me you've heard nude!
Agree!
But my fave is Separator nth
@@jacvic0790 no I useally wear clothes when listening , never naked......yeah ofcouse i've heard nude.
I've been listening to Radiohead for nearly 30 years and I can't shake the feeling that this version of Bloom just might be the best thing they've ever done. It's absolutely sublime.
hard agree! by the end of the song where they blend together, colin does his little hop and thom goes crazy on the guitar and it shows how they’re all so immersed in playing the song. it shows through the music, satisfying to both the eyes and ears.
As a band- I agree- but Thom’s solo on piano just astounds….
Separator gets me hooked every time, on constant repeat.
laila!
I had TKOL sooo underated, man, now I'm completely obsessed with it. Little By Litlle is just a total masterpiece...
totally agree, kind of western vibe
Trippy
Agreed
Totally agree!
@Hunter Vonnegut no
It finally came to RUclips. What a glorious day
Huh?
Ed James it was never officially released in full like this on RUclips
It's gonna be a glorious day, I feel my luck could change! ;)
@@leninfasanandomelo3731 yeah, okay.
It's a Radiohead reference from the song "lucky".
We all know it (yawn) and we hear them all the time on here.
wow
Amazing how they're still all the original band members.
The original + Jonny 😉
they're the chosen ones
Codex always seems to surprise me. The moment Thom sings "jump of the end" the complete atmosfere of the song changes and i get goosebumps. God i love these guys
TKOL is Colin's masterpiece and here you can clearly feel and see why. Such a colorful and creative bass playing 😍😍😍
glad to see somebody else recognize how much Colin "gets" everything
Baffles me how many Radiohead fans don't get The King Of Limbs. This hour of music right here is beyond incredible.
I don't think there are RH fans who "don't get" TKOL. It just sounds like an album of In Rainbows b-sides.
@@SirPhilMcCrackinVonBeggington so, you don't get it
@@SirPhilMcCrackinVonBeggington just say that you don't "get it", it's fine
@@ge0fff Something tells me that if you were asked to define "it" you wouldn't be able to. TKOL is a fine album. I'm not saying it's not. But objectively they peaked with Hail / In Rainbows period. If you don't see that, then you obviously don't get HTTT and IR.
@@SirPhilMcCrackinVonBeggington that’s a 6year period you are talking about im sure a lot of these songs already existed then.
I find it a little baffling how this album splits a lot of the hardcore Radiohead fanatics. To me it’s just sublime, some of their best work. Oh well
This performance of Bloom is unbelievable. Like what did I just listen to? Absolute genius, that’s what.
Also Daily Mail!!! Wow.
Give Up the Ghost is one of Radiohead's absolute best songs.
Completely agree. One of my top 5 if not my absolute favourite. No particular order…
Give up the Ghost
Weird Fishes/Arpeggi
Pyramid Song
How to disappear completely
Codex
@@mendipfox1650Amazing list!
I can’t explain how important this is to me
Same :)
I foud it after rainbows 🌈 ..just now I'm at the beginning. THRILLED what' is to come ☺
OPEN YOUR EYEEEEEEEEES!!
THE MAN IS OF US. BUT FROM SOMEWHERE ELSE
The Little by Little version is absolutely gorgeous... Not the only one but this one is just...
Crazy shit. Geniuses of our time.
It really is much better when the guitar rhythm is done slowly against the background percussion. It's perfectly executed.
man.. phil selway is one of the most underrated drummer of all time.
This album came out right before my daughter had her first Manic episode and wound up in a mental ward. It helped get me through, and still reminds me of the experience. I called the sound "organized chaos' and likened it to what must have gone on in her head. 9 years later she is on meds and episode free (no drugs or alcohol) and this remains one of my favorite Radiohead albums.
I'm glad your daughter found piece
Sorry to hear that about your daughter, I'm glad she's okay now!
Bless you and your daughter!
You commented the exact same comment, word for word, on the full album for Amnesiac?
@@dominicbofficial It wasn't meant for Amnesiac, don't know how that happened?
I've never understood the cold reception this album received from fans. It's astonishingly good, just like all their albums.
sometimes I wonder if we're not accustomed to the idea that old material is by definition better than latest one. the truth is Radiohead has been consistently amazing and innovative for more than 20 years, not a single band can present such a catalogue, so yeh definitely there's highs and lows and special music for everyone individually or collectively with the music industry critics but still they're incredible and unique since day one
@@masterculturedunkerque7918 I agree. Same is true of U2. I think their last album, Songs of Experience, is their best, yet old fans can't get past Acting Baby and Joshua Tree. Nostalgia has a lot to do with it. Oh, well. At least we can appreciate the new stuff.
I have a belief that the reason lies in the production of the studio album. It sounds, i don't know how to say it technically, but to me it sounds just kind of bad. I can't pin it down but it seems to me it is rushed and poorly mixed in a lot of songs (when compared to their past albums and with AMSP). Here they sound starkly better, it all feels much more cohesive and organic.
@@donquixotedelamancha58 weezer fans arent ready to admit that white is their best album
This álbum is made for true radiohead fans.
TKOL has the most complex rithms of RADIOHEAD. so difficult and so well executed.
I wish they'd release this as physical media, I'd love to have a vinyl of this live masterpiece
they released it on blu ray I think
Separator is such a beautiful song, I don't know why but every time I listen to it, specially the ending, it sends me to another dimension. And I love this album for that.
No one:
The cameraman:
ARE YOU READY FOR SOME ACTION?
I laughed pretty hard at this
I’ve probably said this a thousand times, but Colin is fantastic. This performance is absolutely wonderful overall. Every time I come back to watch it, I fall in love all over again with something different. Incredible musicianship.
Yes!! His unpredictable bass lines in Separator...love him.
This band saved me from suicide right after my only parent, a brilliant single Father of this only child and Daddy's Girl "died on me" after a torturous battle with lung cancer when he was 52, and I was 26.
I have "been alone" ever since.
yup, i always love listening to Colin playing. he caught me off guard the other day while i was listening to paranoid android played at lollapalooza berlin 2016, he added something right at the end of the song during jonny's epic guitar. i replayed it so many times cause it was a really sick bass line. i checked other versions but i think i only found it in that version of the song.
Yes, Thom, that sounded alright.
I could never understand the hate that drop upon this album, I keep it as a gem. Thanks for sharing guys, love you and please take care
Sambo Jones Yeah but the same could happen with In Rainbows when put in context, the album starts with two heavy and very riff oriented tracks and then dives into a full ballad slow paced songs until the very end, the same as TKOL. I agree that in the latter, the flow of the album is not that consistent as in other Radiohead works, but still, I was VERY excited and grateful for getting 8 extremely good Radiohead songs, In Bloom being one of my all time favorites.
Fantano & Pitchfork kids trying to feel vocal about something they never understood. This album was an important thing in 2011 and a new territory for the band as well. I love king of limbs.
@@hugoyanez9506 or maybe not everyone has the same taste. Crazy, right?
@@ThePopbanks007 it seems I touched a nerve. Isn't?
@@hugoyanez9506 Well, it seems like you had a nerve touched. They simply said not everyone has the same taste, which is a basic fact of life, while you're trying to defend your ridiculous notion that only kids who never understood it were vocal about not liking it. Like, c'mon, you're just being pretentious.
Proving that "Two 'heads' are better than one" - 'Radio-' and 'Portis-' (i.e. 'Phil Selway' and 'Clive Deamer')
Fun Guy and me, potatohead
Man this version of Magpie has such an earthy energy to it, so intense.
its 230am and i have this four foot charcoal drawing due for class in the morning which i have been working on all weekend because I waited until the last minute to start. I have replayed this video no less than five times over the course of my drawing process and each time Separator comes to an end I forget that I'm not dreaming. exhausted and covered in charcoal, radiohead has struck me like never before thanks to this isolating weekend of constant work, and I don't think I'll ever listen to their music the same way ever again
I bet it turned out beautifully 🖤
I love every album by Radiohead, but for some reason this is the album I keep closest to my heart. It's so bass and drum driven with the occasional guitar melody soaring through. The end of Separator with the looping guitar lick just breaks your heart.
These recordings sound so much more rich than the original album. This session has me appreciating theses songs even more than I already do.
This performance should place this album in everyone's A tier (at least!)
The album would be much better if this performance WAS the album. One of the rare examples of the live version being so much better then the studio version.
One of the world's greatest rock guitarists playing drums. Just another day in the life of Radiohead
My favourite version of the album. Radiohead are the 21st Century Beatles. Can't believe this is 10 years ago.
There will never be another band like this again. Long live the Kings of Limbs!
I know it is a bit late to ask for an "A Moon Shaped Pool: From the Basement" but it would be SO GREAT if both existing FTB sessions were uploaded to Spotify. Especially considering that this is hands down the best version of TKOL...
It never ceases to amaze me how much Radiohead tracks actually grow on me. In Bloom was always at least nice, then slighty alluring, and now almost two years after I first heard it I never wanted it to end just now. That whole last minute or so has me transfixed.
We are still waiting for AMSP From The Basement
The problem is the basement doesn't exist anymore
@@e.gundogan8656 Why?
@@e.gundogan8656 thats what i thought
@@e.gundogan8656 what?
Yeah, It was a TV show from Nigel. But a AMSP session or whatever would be awesome
Sadly, I used to assume Ed O'Brien was a bit of a 3rd wheel. In watching these Basement sessions and live footage from as far back as 1997, I have learned that I was very, very, wrong. He is responsible for so many incredible motifs; and even if some of them are penned by Thom, Ed honors and elevates them. Ed is Brilliant.
Ed's sound make the music more full and lively.
one of my favorite rhythm guitarists
Idk why people say this is their worst album. Its genius.
Rhythm is so important in The King of Limbs!
I absolutely love the way Codex is played here.
I don't understand why many people don't like Codex, the song is so beautiful and is why it's my number 1 favorite in The King Of Limbs album entirely.
Codex is gold, pure gold.
It is slow but yet so intense, filled with substance.
Gives me chills. I can't explain the feeling precisely it's something unique in itself.
This version of bloom and Thom’s solo live version are both phenomenal.
Man I am always saying to myself just how underrated Colin's parts are. His lines perfectly blend into, if not outright establish the mood. He establishes and subverts his own motifs numerous times throughout the music - without ever lampshading what he's doing. Just amazing.
And the worst part is they're so fitting and low-key, they're actually rather easy to take for granted or miss entirely. Ranging from beautifully counter-intuitive to deceptively simple at times - Radiohead would not be the same without his musical ear and choices. He carries so much of the band without ever even making it obvious. (and that tone?!)
I notice it. sometimes he is truly the subtle unifying factor . like in bloom. it's all chaotic noise until that bass drops in and suddenly it makes sense. he's something else.
The whole of this is absolutely amazing. Codex give me chills everytime though. So grateful for radiohead. They have been the soundtrack to my navigation of many heavy and light moments.
Couldn't agree more, same here!!
"If you think this is over then you're wrong..." so simple, so beautiful
I think only Lotus Flower, Codex and Separator work better on the album for me. The rest is significantly better here. Bloom is stunning. Staircase is too good (Should’ve been on the album). Proves even their weaker releases have some incredible qualities to them.
PABLO'S THEIR ONLY WEAK ALBUM.
I do like the heavier sound Lotus Flower has in the basement performance. It sounds more in line with something from Hail to the Thief, which definitely has some of their most heavy, driving tracks.
@@monke8949 I even like Pablo quite a bit
i quite like this separator thoigh
Idk, I like all these performances better save for Bloom. Bloom feels weaker and a bit disconjointed here, while the album feels a bit more coherent
This is fucking amazing man holy shit. The musicianship, the performances, the camera work, and just seeing their passion for this art.
Man I've known about Radiohead for 20 plus years, and just started listening to their music...God thank you for this band. Amen lol
Welcome to what is the greatest band... ever. Enjoy
Give Up the Ghost is indescribably mesmerizing
I get that they had fun with a sort of "chop up and edit film" approach to the official TKOL release, and I think that unique approach resulted in an interesting sound for them. But man, this Basement session is superior in every way because of just how much the songs are open and breathing.
Open, breathing, alive and given a soul.
This album got me through a super tough time in my life. The album gets better and better with each listen. Radiohead is a global treasure and never ceases to amaze me and is the only band that 3 generations of my family (Dad, lil brother and I) geek out on. Truly musician musicians
Mannnnn this version of Little by Little is incredible, the rawness is really refreshing compared to the album version.. Separator an all time Radiohead song as well.
I am still sad there is not a From the Basement (or same style) of A Moon Shaped Pool. AMSP is my favorite album for personal reasons, and the fact that it does not get this absolutely amazing reimagining and live style performance with little B-side treats thrown in just breaks my heart.
13:14 that face you make when you remember you're a part of the greatest band still recording music
Nice pfp
hahaaa good one
We are still waiting for Pablo Honey From The Basement
Hell Yeah!
I'm all in for watching 50is year old man getting his hair bleached
hahaha... that will probably happen around the same time that the band is willing to be in the same room as Kennedy.
🙋🏻♂️too
MTV Beach House was close enough.
Me every new day of Quarentine: 21:02
Me every Thursday: 33:26
AHHAHAHAHHAHAHAHAHAHAH
Ed genuinely looks like a different person there holy shit
56:56 me when I read this comment
JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA
The impact you guys have on my life without even realizing it. Thanks for being who you are and I can never thank you enough.
How is this so much better than the release? I can’t believe how much better this sounds. A bit late to the party but wow.
Absolutely brilliant. Lotus Flower, Bloom and The Daily Mail sounds stunning but that Give Up the Ghost... WOW. What a masterpiece.