Superb appogiaturas that show how the Chord on the Dominant is made in 3rd mvt. @ 8'17'', transposed down a major second twice: a true successor of Debussy. A lot of Mode 7 or combinations with one pitch missing only (e.g.4th mvt @ 11'54'', where the basses sing fourths in Mode Seven. then Bb is added to Mode 7 as the highest pitch in the contraalto phrase and then Chromatic aggregate is completed with pitch E). This is worth gold.
Can I ask you smth as a newbie in music theory? Is that piece considered to be in a specific key or it's constantly moving through different tonal centres?
@@geompon6505 i would say there is no actual key. It is not classic atonality as Schonberg, Webern wrote in my opinion. But there is no constant key. Rather very complex harmonies the edge/avant-garde of tonal harmony
@@arthur360436 tkt tout est prévu ce compte est relié à une autre adresse mail qui ne sert que pour cela aucun lien avec moi tu pense bien que j'ai couvert mes traces
![Olivier Messiaen - Fête des Belles Eaux for Six Ondes Martenot (1937) [Score-Video]](http://i.ytimg.com/vi/ooLBuCmV3Vw/mqdefault.jpg)
![Olivier Messiaen - Fête des Belles Eaux for Six Ondes Martenot (1937) [Score-Video]](/img/tr.png)
Out of this world.
Complete masterpiece. Astounding! And what a performance! Invention tap turned on fully . . .
What a marvelous work!
one of the most transformative works of the 20th century
Well that looks difficult.
That looks hell difficult...
No kiddin' 😂
Superb appogiaturas that show how the Chord on the Dominant is made in 3rd mvt. @ 8'17'', transposed down a major second twice: a true successor of Debussy. A lot of Mode 7 or combinations with one pitch missing only (e.g.4th mvt @ 11'54'', where the basses sing fourths in Mode Seven. then Bb is added to Mode 7 as the highest pitch in the contraalto phrase and then Chromatic aggregate is completed with pitch E). This is worth gold.
Can I ask you smth as a newbie in music theory? Is that piece considered to be in a specific key or it's constantly moving through different tonal centres?
@@geompon6505 i would say there is no actual key. It is not classic atonality as Schonberg, Webern wrote in my opinion. But there is no constant key. Rather very complex harmonies the edge/avant-garde of tonal harmony
Get in the locker nerd!
Ok
Любимое 4. Отличное хоровое произведение
Coming from another world.
I = 0:07
II = 4:24
III = 7:32
IV = 11:31
V = 14:02
MERCI LOUISON !!
Vas y analyse nous on prend des notes
C'est pas en laissant des traces comme ça sur l'internet que tu vas pouvoir te présenter un jour aux plus hautes fonctions de l'état... pitoyable
@@arthur360436 tkt tout est prévu ce compte est relié à une autre adresse mail qui ne sert que pour cela aucun lien avec moi tu pense bien que j'ai couvert mes traces
c'est la fête par ici dit donc
7:32
14:02
Between close harmony and crimps.
Yokama palalamsuki
11:46