@@christiansaint716 No it's not. People trying to make quirky noticeable comments by saying stupid nonsense like this is - to use the parlance of the internet in 2024 - 'cringe'.
3 года назад+10
*VIVALDI* makes us experience various sensations with his music, some of which are inexplicable. 😍👇
I've owned and cherished the CD of this since it came out nearly 40 years ago. In my opinion this performance really captures the flavor of Venetian music going back to Gabrieli or Monteverdi and puts Vivaldi rightly in that historical context.
Yes...some of the other conductors do it too fast like a machine or like they want to get it over with. The orchestra/choir can't handle too fast. This is a great tempo!
Agreed. I’ve been looking for the right tempo version. Think I found it. I think when they go fast, they’re trying to either impress people but then it lacks feeling and otherwise I think they go fast because …. Well… they’re just ignorant. Vivaldi was a genius … not a speed freak. There’s a reason why Bach loved and was influenced by Vivaldi’s music. It’s great. God spoke through Vivaldi.
Very enjoyable performance - not rushed as usual! I very much liked the absence of the usual annoying vibratos, but the presence of the rather pure voices and sounds instead! What a great, refreshing difference!
1.Gloria in excelsis Deo 0:00 2. Et in terra pax 2:22 3.Laudamus te 7:22 4.Gratias agimus tibi 9:52 5.Propter magnam gloriam 10:25 6.Domine Deus 11:26 7.Domine, Fili unigenite 15:20 8.Domine Deus, Agnus Dei 17:33 9.Qui tollis peccata mundi 21:27 10.Qui sedes a dexteram Patris 22:31 11.Quoniam tu solus sanctus 24:56 12.Cum Sancto Spiritu 25:45
This is my favorite performance because it is -- in my opinion -- so well-balanced: the tempi, the soloists, the choir, and the vibrancy of each part [movement] and of the whole. I was very moved by the BBC's video of the women performing at the Ospedale della Pietà in Venice (also on RUclips), and would highly recommend it too, but this one is a benchmark, I feel.
@@60bui Vivaldi est hors de la période baroque. Il est de la période "rocaille" (rococo : malheureusement, cette "étiquette" n''est valable qu'en termes architecturaux" (on ne peut donc pas l'utiliser en termes musicaux).
@@jonathanstallickhomeopathy Tout à fait d'accord. Pour moi, c'est la plus belle interprétation que je connaisse, en tout cas sur le plan esthétique : chant et musique parfaits, "cages à rossignols" donnant l'impression voulue de la véritable Piétà (même si ces ces "cages de rosignols" sont plus récentes que celles de l'époque de Vivaldi), filmé avec des cierges, le seul éclairage possible à l'époque. Bref, une magnifique et merveilleuse "reconstitution" de cette oeuvre de Vivaldi. A applaudir plutôt qu'à désavouer.
I really like the tempos. Propter magnum gloriam really suffers when rushed. Vivaldi's harmonies are so gorgeous. It's nice to hear the details, trills grace notes that Emma Kirkby puts into Domine Deus. Its so long since I sang this (1969) I can't remember how much is included in the score. I can remember enjoying the rehearsals every one and then being bowled over by the alto soloist in the Miserere and the excitement of singing with the orchestral after weeks of piano only! It set me on a choral music for life journey. This is a particularly fine version.
I have this recording both on LP and CD (+ more works with the same orchestra/choir). I think the boy's/men's choir is perfect with the light sound of the baroque instruments. I also like that Hogwood don't make the older music some slow porridge, but is keeping tempos flexible and brisk.
We sang this in our choral group last winter. My favorite piece is Et in Terra Pax, which I listen to frequently. I just discovered that the video I was using is no longer available, so I did a search and found this one, which I find to have greater clarity and a reduced tempo. I am also very happy that it is not tuned to today's A440 pitch. My father used to keep our spinnet tuned to this lower pitch for some reason, and it was my original sound reference from the time I was old enough to stand on the bench and pick out melodies.
@@RezaChity-G It might have been, but I honestly don't remember. I was paying more attention to the music than to anything else. It did disappear very recently, though.
Cada obra que he escuchado de estos mismos intérpretes, me han impactado. Y esta versión del Gloria de Vivaldi, que no sé si calificar de perfecta, magnífica, celestial.
José Iván Saludos desde Lima, Perú. Totalmente de acuerdo con usted. Para mí esta versión dirigida por Christopher Hogwood es hasta ahora (2018) la versión definitiva del Gloria de Vivaldi. Perfecta casi por donde se la mire. Como se dice, deben haberla hecho "en estado de gracia", e imagino que debe haber sido una experiencia única e inolvidable para todos los que participaron en la grabación; deben haber sentido que sus vidas musicales valieron la pena por solo haber grabado esta belleza de rara perfección. Gracias.
This is the best version ever, thanks in part to the unparalleled performance of the wonderful Emma Kirkby! I adore the countertenor too. Anyone knows who it is? Can it be James Bowman?
I'm sorry, this is not the best performance...after Riccardo Muti, with Lucia Valentini Terrani and Teresa Berganza is impossible to listen others performances!!
@@60bui Unless you can suggest objective criteria for deciding which is the 'best' performance (always a pointless exercise in my view) would it not be more accurate simply to say you prefer the Muti performance?
Adore this performance! Tempo is perfectly paced, and I don't have to fast-forward through a soloist's way-too-quavering/ pulsating vibrato. Not sure of their age, and I may be totally wrong, but because Vivaldi's choral group for "Gloria" was composed of female orphans, I'm assuming they were a little too young for a full-blown adult vibrato.
i has hear this at the funeral of prince Bernhard von Lippe-Biesterfeld of the Netherlands .On 11 december 2004 when his body in his cheast go int the curch. as you want to see the video of his funeral here under is the link (5) Bijzetting Prins Bernhard (2004) - RUclips
I have attended Evensong at Christchurch Cathedral, and attended a Concert of theirs at St John's Smith Square ... and then.... Emma Kirkby (that I know; our kids went to the same school) and Catherine Bott in the SAME Recording??? In the small Chamber Choir at that school there was a 14 year old girl in the soprano section ... called Grace Davidson... I most remember her attacking entrance in Monteverdi's "Beatus Vir" . I note that I am a Tenor, and occasional Alto ... I AM NOT A BASS, although I can do a reliable low G...
I feel like I hear boys voices my ears could be deceiving me but I don't know it just seems very different from the other version that I listened to by John Gardiner.
N° VIII a bit too fast!!!At 19'09" ALWAYS a mistake of solfeggio, please see the score!!!!The second part of IX is 3/2 NOT 3/8 TOO FAST!!! XII too slow!!!
Relax, pal, calm the f down. You're WAY too preoccupied with micro-details to the exclusion of the power and persuasiveness of the whole, the spirit, of this magnificent thing. Cool yer jets, dude.
"Stu is great... We really like him" "At first I wanted to kill him... but now, I'm glad I spent the time to get to know him," "I mean, yeah of course he looks delicious with his big red cheeks, but we've all got an agreement that we're not going to eat Stu, right?" Altogether: "Right."
I soliti strumentacci stonati ed osceni che distruggono la splendida musica barocca. Ascoltate la splendida versione di Vittorio Negri con l’orchestra della Fenice.Quella sì che esalta Vivaldi!
Maravilla de las maravillas.
Muchas gracias.
The first rock music in history of music.
You're referring presumably to No.7 Domine Fili unigenite? Kinda funky.
It's religious music, created by a priest to thank and to exalt GOD. What the heck do rock and funky have to do with it? NOTHING AT ALL.
You need real ears, what a disgrace.
@@fabrizioventurini7871 Maybe "Rock music" as in based on the Rock of our Salvation?
@@christiansaint716 No it's not. People trying to make quirky noticeable comments by saying stupid nonsense like this is - to use the parlance of the internet in 2024 - 'cringe'.
*VIVALDI* makes us experience various sensations with his music, some of which are inexplicable. 😍👇
FANTASTIC, WONDERFUL, BEAUTIFUL!!!
I've owned and cherished the CD of this since it came out nearly 40 years ago. In my opinion this performance really captures the flavor of Venetian music going back to Gabrieli or Monteverdi and puts Vivaldi rightly in that historical context.
Me too
Such a Life Force in The Human Voice. Thanks for sharing it. Merry Christmas.
At last, a recording with the correct tempo and decent sound.
Yes...some of the other conductors do it too fast like a machine or like they want to get it over with. The orchestra/choir can't handle too fast. This is a great tempo!
Gloria for that!
Agreed. I’ve been looking for the right tempo version. Think I found it. I think when they go fast, they’re trying to either impress people but then it lacks feeling and otherwise I think they go fast because …. Well… they’re just ignorant. Vivaldi was a genius … not a speed freak. There’s a reason why Bach loved and was influenced by Vivaldi’s music. It’s great. God spoke through Vivaldi.
Yeah, but I think it's all boys, so, umm,....unbalanced.
@@privacyantiscum6453 LOL sort it out with mother nature.
Very enjoyable performance - not rushed as usual! I very much liked the absence of the usual annoying vibratos, but the presence of the rather pure voices and sounds instead! What a great, refreshing difference!
1.Gloria in excelsis Deo 0:00
2. Et in terra pax 2:22
3.Laudamus te 7:22
4.Gratias agimus tibi 9:52
5.Propter magnam gloriam 10:25
6.Domine Deus 11:26
7.Domine, Fili unigenite 15:20
8.Domine Deus, Agnus Dei 17:33
9.Qui tollis peccata mundi 21:27
10.Qui sedes a dexteram Patris 22:31
11.Quoniam tu solus sanctus 24:56
12.Cum Sancto Spiritu 25:45
Thanks Jo. This is very useful.
Thank you! I was doing this on my own then scrolled down and saw that you already did. Thanks!!
Merci, Thank you, Danke, Gracias...
Thank you!
I remember playing cello for this back in my happy school days
Long live Vivaldi’s music works.
I sang it recently in my parish choir. A strong and heavenly work.
It's refreshing to hear Propter Magnum done at a "normal" tempo. Unlike everyone else who treats it like a race horse on fire :/
That’s funny because we always seem to slow down while doing it haha
😅😅😅😅😅😅😅😅😅😅😅😅😅😅😅😊😊
Comfort and Grace of this vivid music are immeasurable and beyond description
I've loved this piece over half a century
Wonderful music! Thank you very much Scherzo Music for sharing it!
Emociona y conmociona. Don Vivaldi, un genio. Interpretación perfecta! Gracias.
Beautiful piece by a great composer.
Una de las mejores interpretaciones de esta maravillosa obra de Vivaldi. Claridad. Pureza y tiempo. Un regalo al corazon.
Wunderschöne vorgetragene Musik. Emma Kirby wunderschöne Stimme. Super
My favorite performance of this Magnificent piece. Brings backs memories of when I heard it First Performance by The Academy of Ancient Music.
Masterpiece.
This is my favorite performance because it is -- in my opinion -- so well-balanced: the tempi, the soloists, the choir, and the vibrancy of each part [movement] and of the whole.
I was very moved by the BBC's video of the women performing at the Ospedale della Pietà in Venice (also on RUclips), and would highly recommend it too, but this one is a benchmark, I feel.
I have the same opinion :)
No it isn't, sorry. Italian praxis of baroque music is so different...in this performance Vivaldi searching...
Oh I loved the women at the Ospedale performance. That had something special!
@@60bui Vivaldi est hors de la période baroque. Il est de la période "rocaille" (rococo : malheureusement, cette "étiquette" n''est valable qu'en termes architecturaux" (on ne peut donc pas l'utiliser en termes musicaux).
@@jonathanstallickhomeopathy Tout à fait d'accord. Pour moi, c'est la plus belle interprétation que je connaisse, en tout cas sur le plan esthétique : chant et musique parfaits, "cages à rossignols" donnant l'impression voulue de la véritable Piétà (même si ces ces "cages de rosignols" sont plus récentes que celles de l'époque de Vivaldi), filmé avec des cierges, le seul éclairage possible à l'époque. Bref, une magnifique et merveilleuse "reconstitution" de cette oeuvre de Vivaldi. A applaudir plutôt qu'à désavouer.
Glória Deus nas alturas.Peço muita paz e saúde para o Brasil e o Mundo.🙏🇧🇷
I really like the tempos. Propter magnum gloriam really suffers when rushed. Vivaldi's harmonies are so gorgeous. It's nice to hear the details, trills grace notes that Emma Kirkby puts into Domine Deus. Its so long since I sang this (1969) I can't remember how much is included in the score. I can remember enjoying the rehearsals every one and then being bowled over by the alto soloist in the Miserere and the excitement of singing with the orchestral after weeks of piano only! It set me on a choral music for life journey. This is a particularly fine version.
I have this recording both on LP and CD (+ more works with the same orchestra/choir). I think the boy's/men's choir is perfect with the light sound of the baroque instruments. I also like that Hogwood don't make the older music some slow porridge, but is keeping tempos flexible and brisk.
The best ever!
Of course! Our Dame Emma and the late Judy Nelson-does it get any better? (Rhetorical question.)
Magnìfica la composiciòn;magnìfica la interpretaciòn.
Totalmente de acuerdo!!
Sang this at Carnegie Hall back in April 2009. Amazing song, amazing times
Amo la musica,classica moderna, contemporanea: emozioni inenarrabili!
Such powerful work of art 💕
Delightful performance of, what is for me, Vivaldi's Magnum Opus.
Thanks to all involved in making this recording, the musicians particularly.
🙏🏼❤️
We sang this in our choral group last winter. My favorite piece is Et in Terra Pax, which I listen to frequently. I just discovered that the video I was using is no longer available, so I did a search and found this one, which I find to have greater clarity and a reduced tempo. I am also very happy that it is not tuned to today's A440 pitch. My father used to keep our spinnet tuned to this lower pitch for some reason, and it was my original sound reference from the time I was old enough to stand on the bench and pick out melodies.
By any chance was the video you were using a recording of Gardiner and the Monteverdi Choir?
@@RezaChity-G It might have been, but I honestly don't remember. I was paying more attention to the music than to anything else. It did disappear very recently, though.
Truly glorious, the work and this instance..✨
A great work and a wonderful interpretation !!!!!
what a luxury!!!
Very beautiful
Cada obra que he escuchado de estos mismos intérpretes, me han impactado. Y esta versión del Gloria de Vivaldi, que no sé si calificar de perfecta, magnífica, celestial.
José Iván ¿Qué intérpretes son?
José Iván Saludos desde Lima, Perú. Totalmente de acuerdo con usted. Para mí esta versión dirigida por Christopher Hogwood es hasta ahora (2018) la versión definitiva del Gloria de Vivaldi. Perfecta casi por donde se la mire. Como se dice, deben haberla hecho "en estado de gracia", e imagino que debe haber sido una experiencia única e inolvidable para todos los que participaron en la grabación; deben haber sentido que sus vidas musicales valieron la pena por solo haber grabado esta belleza de rara perfección. Gracias.
Los tres calificativos.
amazing, it makes me much more productive at work !
Thanks a million for sharing
That's true! I am working now! I feel very happy.
All other versions pale into insignificance. Astonishing.
Awesome! Wonderful! Great!!!
Vivaldi (una gloria) Voz humana (el mejor instrumento)
A very good choir tunes
My vote for the greatest music produced by man (versus what?)🤷♂️
Mozart's Requiem? Wagner's Goetterdaemmerung? Beethoven's 9th?
this is just marvellous
I like this interpretation
This is the best version ever, thanks in part to the unparalleled performance of the wonderful Emma Kirkby! I adore the countertenor too. Anyone knows who it is? Can it be James Bowman?
It is James Bowman.
I'm sorry, this is not the best performance...after Riccardo Muti, with Lucia Valentini Terrani and Teresa Berganza is impossible to listen others performances!!
It doesn't sound like Bowman to me. Michael Chance?
@@60bui Unless you can suggest objective criteria for deciding which is the 'best' performance (always a pointless exercise in my view) would it not be more accurate simply to say you prefer the Muti performance?
@@cymbaliv5586 Studying, baroque praxis of Italian Music....other?
I love sunday morn classical-ty
Wonderful 👏👏👏 How can I contact you? You say in the description of your channel that we can inbox you but how? Thank you
Amazing 🌎🎶🥰👍 🇲🇽
This is the best performance of all! When is this recorded?
lovely thank you
Magnifica peça de Vivaldi!!!
Great
Adore this performance!
Tempo is perfectly paced, and I don't have to fast-forward through a soloist's way-too-quavering/ pulsating vibrato. Not sure of their age, and I may be totally wrong, but because Vivaldi's choral group for "Gloria" was composed of female orphans, I'm assuming they were a little too young for a full-blown adult vibrato.
Very nice
perfect
i has hear this at the funeral of prince Bernhard von Lippe-Biesterfeld of the Netherlands .On 11 december 2004 when his body in his cheast go int the curch.
as you want to see the video of his funeral
here under is the link
(5) Bijzetting Prins Bernhard (2004) - RUclips
I like Vivaldi, but I love German composers like: Handel, Bach, Beethoven, Bruch and Wagner!
A truly stupid comment.
I have attended Evensong at Christchurch Cathedral, and attended a Concert of theirs at St John's Smith Square ... and then.... Emma Kirkby (that I know; our kids went to the same school) and Catherine Bott in the SAME Recording??? In the small Chamber Choir at that school there was a 14 year old girl in the soprano section ... called Grace Davidson... I most remember her attacking entrance in Monteverdi's "Beatus Vir" . I note that I am a Tenor, and occasional Alto ... I AM NOT A BASS, although I can do a reliable low G...
George Gretton simplemente obra excelente
Gloria de Vivaldi es estar en el paraíso
I CAN PUT UP WITH THE ADS IN RUclips, BUT ONE CAME ON ABOUT A THIRD OF THE WAY INTO THIS WONDERFUL MUSIC SPOILING IT COMPLETELY. ABSOLUTE SH.......
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All advertisements are the work of the devil.
PERFECT ORCHESTRA the choir was instantly lacking and i had to leave…still searching for the perfect version.
I feel like I hear boys voices my ears could be deceiving me but I don't know it just seems very different from the other version that I listened to by John Gardiner.
Paz permanente chegará sobre a familia italiana.
Skøn, skøn musik og ligeså smuk korsang......
if you can hear yourself think...its not loud enough, so turn it up
💝♥️💗💖❤️🧡💛💚💙
♥️🎼♥️
🕊️
The Propter Magnum is still too fast.
12:53, 20:54
7:22 15:20 10:25
😌💞💝🎁
개인 자유의지 🗽
N° VIII a bit too fast!!!At 19'09" ALWAYS a mistake of solfeggio, please see the score!!!!The second part of IX is 3/2 NOT 3/8 TOO FAST!!! XII too slow!!!
Relax, pal, calm the f down. You're WAY too preoccupied with micro-details to the exclusion of the power and persuasiveness of the whole, the spirit, of this magnificent thing. Cool yer jets, dude.
Everyone can interpret baroque music in another way. It is more free than classical music!
If it was too fast, we wouldn't have liked it. Must be right!
@@neetrab De gustibus...
@@soooti6993 On RUclips there is my performance played on May 31(Opera Studio Pesaro), that is my personal idea...
"Stu is great... We really like him"
"At first I wanted to kill him... but now, I'm glad I spent the time to get to know him,"
"I mean, yeah of course he looks delicious with his big red cheeks, but we've all got an agreement that we're not going to eat Stu, right?"
Altogether: "Right."
Jack Black brought me here.
I soliti strumentacci stonati ed osceni che distruggono la splendida musica barocca. Ascoltate la splendida versione di Vittorio Negri con l’orchestra della Fenice.Quella sì che esalta Vivaldi!
대화법 하기
Kind of a subdued version. Not the best I’ve heard...but OK
내가 말한거 이상한거 다 취소
좋은거 전하기 실컨
예언의 글 실컨
Byebye
All over 밧데리 다잉 한다 해 취소
all over 이란말 취소 취소
광고 )
Amazing!!!!