Passacaglia and Fugue in C Minor BWV 582 (Passacaglia)
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- Опубликовано: 7 сен 2024
- I've re-uploaded this ( • Passacaglia and Fugue ... ) because the new time limit for videos allowed me to combine the Passacaglia and Fugue into one video.
Johann Sebastian Bach's Passacaglia and Fugue in C Minor BWV 582 played by organist Hans-André Stamm on the Trost-Organ in Waltershausen, Germany.
This music is soooo beautiful... I can't stop listening it...
ES LA VOZ DEL CRREADOR, ES LA MAJESTAD DEL PENSAMIENTO HUMANO, ES LA ABSTRACCION DE TODA IDEA CREATIVA, ES LA MARAVILLA DEL ARTE....ES BACH
The pipe organ is truly a work of art. beautiful.
Like, this video is hosed because it cuts off at the end. Despite the video itself being hosed, it depicts a truly outstanding performance. Way to go, babe!
Just beautiful. Just learned of this piece today. I am just amazed at how darn Good Johann Sebastian Bach was at organ.
Listening with tears in my eyes. For years my Bach organ favorite. Masterpiece!
Very well performed!
this is the best composition ever made! Bach is the greatest genius of all-time! thank God you send him!
Beautiful
Stunning performance! A master of his art!
Is the perfect soundtrack for the apocalypse. Frightening.
Genious.
Its perfect soundtract for this year! :)
I paid little attention to "classical" music until this piece hit my ears.
Amazing...
This is far beyond Stunning!
Todo impecable, la interpretacion..la vestimenta por respeto a la musica y a BACH...El dominio de la pedalera , fundamental su manejo tan exhigido por el autor......!!!!!
I wish I had his Hans...and his feet. All jocularity aside, this guy is an amazing organist playing an amazing piece on an amazing instrument.
Hans, your are a so inspired performer! Thank you so much for this work!
Wow - absolutely amazing
Great performance!
Technically perfect.
Cool - my neck hair is still standing - I now realize it was J.S.Bach who introduced heavy metal :-)
Chills down my back when the opening bass line drops to C#..
French musicologists deduced that JS Bach could had borrowed the theme to the "Messe du deuzième ton: n°3 Christe - Trio en passacaille" extracted from the "Premier livre d'Orgue (1688)" by André Raison. But JS Bach developped it in a genius way. Everyone could compare both of the pieces. In my opinion, despite the fact André Stamm played a perfect rendition, I didn't be affected by any feeling or affects in it. Though, the historical Trost organ of Waltershausen is very impressive.
Goose-pimples galore! If extra-terrestial beings, should there be any, were to hear this amazing J. S. work, as played by organ genious Hans-Andre Stamm, they would think they've arrived at Paradise!
@1990EAM Yea, to play an organ you have to play with your feet as well.
@Maurizio9016 Of course : Hans Andre Stamm was already a virtuoso at the age of 13 !!! Amazing !
@Dirkovic80 VII- Unfortunately, nobody told about any thematic relationship between this Passacaglia and Fugue BWV582 and the two Buxtehude works BuxWV159 & 161 but only through the compositional process. But you are so subborn by the sole Buxtehude influence. The similarity between Raison's Trio en Passacaille basstheme and Passacaille BWV582 basstheme is not a vague assumption. It has been musically demonstrated by numerous "academic" analysts (french or non french and even german's ones).
Sounds great, keep up the good work.
@Dirkovic80 IX- Of course, il is sure that Bach copied Raison's basstheme and it 's evident for everyone. The probability for two composers to invent the same theme by accident is one for milion of billion. This occurence never occured fortuitously in 15 centuries of european musical history. That's why it's clear Bach knew Raison works and borrowed him this theme. May I remenber you Bach composed this Passacaglia in 1717 when he was in Dresden.
@HarritoLlufrio In the ET film with Keannu Rives, the only thing that transfixes him is hearing Bach's Goldberg Variations being played on the mathematician's stereo. I couldn't agree with you more.
Bravo!
@pantyflash It only cuts off because the fugue is continued immediately afterwards; hence watch the full video in the description.
wonderful.....more than more
God, how old is that organ?
By the way, what is he playing with his feet?
It was built in 1730 by Tobias Trost. He is playing the pedalboard with his feet. There's a third staff on the sheet music meant to be played by the feet.
And yes I know, this comment was from almost 10 years ago, but I don't care.
Yes. Gtfo if u dont care lmao. This organ music is amazing.
@Dirkovic80 II- Worst, It seems that you ignore JS Bach liked very much french music and composers. He knew very well the french scores and possessed many of them. So It is proved that he borrowed many pieces of french composers in his own compositions (Couperin, Grigny, ...) but he borrowed too italian music (Vivaldi, Albinoni, ...) or even other german composers music
@Dirkovic80 VI- Bach was subject to many influences including by composers he never knew or met personnaly (Couperin, Grigny, Albinoni, Zelenka, ....). Surely, Buxtehude was of a great influential on Bach's works but not exclusive
@Maxbay89 : That is an extraordinary thing to say !
Is there any other composer for organ who has the range and depth of Bach? I don't think so.
Bach ba-rockt!
@Dirkovic80 X- Here he met Louis Marchand for a keyboard tornament organised by the music steward of the Saxony Prince who was a fan of french music and possessed a wide collection of french music in his private library.
You are alone to devellop such an obsession on this borrowing when Bach borrowed many times other themes to other composers (Grigny, Couperin, Albinoni, Corelli, ... ) Would you go on trial for each borrowing?
@JaimeSouviens Sorry, maybe i wasn't precise. When i sayed apocalypse i intended the Apocalypse of Saint John, the last of the biblic books, because the majestic sound of this piece reminded me the visionary greatness of Saint John's Apocalypse. This isn't a so awful thing, or not?
@crush6600 ...but with a very,very long gripper! =)
there's a "deceptive cadence" in this piece around the coda.
@Dirkovic80 I- It's clear you asserted anti- french opinions without any valid reasoning or proof. You didn't indicate what would be the Buxtehude Bass theme Bach had borrowed for this Passacaille und Fuga BWV582 while I gave a precise information on the Raison source material. It's evident so that you didn't heard either Raison piece to estimate the comparison truth.
@Dirkovic80 VIII- It is an evidence that you deny so much that you refuse to listen and compare, but it strikes everyone mind.. May I suggest you to read Tom Parson and Tim Smith analysis about JS Bach Passacaglia BWV582 (two english authors).
Can you tell me how was the audio recorded? I have to record a pipe organ and I don't know which setup I should use...
@jimamia77 This isn't classical it's baroque.
@JaimeSouviens You dont know "spocalypse" word meaning.
listening, there's actually deceptive cadences everywhere.
He has an impressively large organ...
@Dirkovic80 III- This hypothesis is not mine but very ancient because of the evident theme similarity that didn't existed in any Buxtehude theme.
As a germanguy it's surprising your knowledge about JS Bach is so poor and tendencious.
Fortunately, you don't represent alone german Bach's connoisseur opinion or culture
ah....now I see :)
real dracula
@Dirkovic80 At least because you're a perfect goon, have a look on Wikipedia article about "J.S Bach / Passacaglia and Fugue C minor BWV582" (in deutch, in english or in french). Here you could read the whole information about this composition including the confirmation of André Raison "Christe - Trio en Passacaille (1688)" original theme authorship as Bach inspiration source . I can assert you're absolutely wrong, you ignore Bach inspiration but give lesson to people more educated than you.
Ponies brought me here.
@Dirkovic80 V- I tell about Wikipedia because it's an universal usefull encyclopedic media which is not full of errors only when it contradicts your opinion or such academics but may sometimes contain few mistake as any medium. You could find the references you look for.
You need too to have real sources previously to assert something. You ignore absolutely whether JS Bach could known André Raison's works or scores. So you tell lies of your invention without any proof.
As a brony, I'd like to know how :)
@Dirkovic80 Bach copied Grigny's organ book, Couperin organ and harpsichord books ....and he had at his dispositionnal many french scores from his friends, churches or collegium libraries. J.S Bach never left Germany for all his life but he knew music of all Europe.
At your turn, always you didn't prove anything from the connexion between Buxtehude and Bach but you invent a tale just trying to be right.
Effectively I waste my time with you when all the planet knows this hypothesis but you.
Just keep the camera on his hands & feet please
no