As someone majoring in Muisc Theory, I can say with some authority (on account of the pressure placed upon me to be snobbish about music) that his piece's popularity does not, in the least, exaggerate it's brilliance as a composition.
Glorious...soli Deo gloria indeed! 😋 Does anybody else jack their amps up to make the walls shudder with the astonishing clarity of this upload? edit- had to lower the volume cuz the dogs wigged 🙄
That is just one separation my friend, in fact, there are so many separations between toccata and the fugue. For example, near the final of the song, the toccata returns to scene, just before fugue was played.
@FruitMeate talk as you eat XD As someone that is also majoring in Music Theory, classical pianist and rock guitarist, I can say with some authority that this piece is brilliantly perfect (in the Fugue) and explosively rock (in the Toccata.) What can you say? Bach is Bach!
I heard a theory that this piece was improvised by Bach and written later by one of his students/children? It seems simpler and so much more "rock and roll" than Passacalia for example. Could that be?
I read (in the kommentar of the organbook with Tockata d & Fuge) a Bach- scholar, Krebs, perhaps has written this piece. First it has been only a solo-string-instrument piece.
No, it’s correct. The organ is tuned to A465, which is close to a half step higher not exactly. I believe Bach’s organ was also tuned to A465 so technically the other versions you hear would sound about a half lower than the original would’ve been.
@@LS-oh8kv Chorton Pitch (along with Kammerton Pitch A415) were all you would hear in the Baroque Period. We haven't even mentioned the Modified Meantone temperment at 69mm wind on the 1741 Trost Organ.
@@kennethcarrizal9871 This means that the organ tuning and the tuning of other keyboard instruments (like clavichords and harpsichords) were incompatible with each other, i. e. the organ could be played only alone (or with a choir). Is it correct?
![Toccata & Fugue in d minor for Two Organists [BWV 565] | Diane Bish & Simon Preston at Coral Ridge](http://i.ytimg.com/vi/dyYn2snG3HA/mqdefault.jpg)
I wish this music was heard more in this modern day...
As someone majoring in Muisc Theory, I can say with some authority (on account of the pressure placed upon me to be snobbish about music) that his piece's popularity does not, in the least, exaggerate it's brilliance as a composition.
I found a new composer who wrote his prelude and fugue in 21 sentuary all here👇
ruclips.net/video/o5EjIgsFX5U/видео.html
The hallmark of the baroque period.
It is crazy to think that Bach never published this work. It is fantastic!
playing organ like a boss
Brilliant performance. Brilliant organ.
I found a new composer who wrote his prelude and fugue in 21 sentuary all here👇
ruclips.net/video/o5EjIgsFX5U/видео.html
The building lacks reverberation. Sounds a shade acoustically dead. Just my own humble opinion. Fantastic playing.
Wow, this is the ultimate organ for such a powerful musical piece - thanks!
Tres belle interprétation de la toccata et fugue bwv 565 en ré mineur
So beautiful, it is just damn beautiful! Not one wrong note as best as I can hear. Thanks!
These notes arouse indescribable feelings that only the genius of Herr Bach can give....GREAT
La mejor interpretación que he escuchado..¡Magistral!👏👏👏👏👏👏👏👏👏👏👏
Glorious...soli Deo gloria indeed!
😋 Does anybody else jack their amps up to make the walls shudder with the astonishing clarity of this upload?
edit- had to lower the volume cuz the dogs wigged 🙄
БРАВО !!! МАЭСТРО.....
I found a new composer who wrote his prelude and fugue in 21 sentuary all here👇
ruclips.net/video/o5EjIgsFX5U/видео.html
Es excepcional, es la inteligencia artistica del hombre en su máxima expresión...
I think I owe my life to Google, or somebody. Thank you for this rendition.
Dost dobrý výkon ❤❤
Simply superb. Kudos to Mr. Stamm
1:51 -----> 2:30 just amazing 😍
The Organ God
fantastic
That is just one separation my friend, in fact, there are so many separations between toccata and the fugue. For example, near the final of the song, the toccata returns to scene, just before fugue was played.
magnificent!
Meraviglioso🎉
Great Song!
I found a new composer who wrote his prelude and fugue in 21 sentuary all here👇
ruclips.net/video/o5EjIgsFX5U/видео.html
@FruitMeate talk as you eat XD
As someone that is also majoring in Music Theory, classical pianist and rock guitarist, I can say with some authority that this piece is brilliantly perfect (in the Fugue) and explosively rock (in the Toccata.) What can you say? Bach is Bach!
3:36
감상 잘 하고 갑니다.^^
amazing
My Part Favorite 7:25 and 6:08
my favourite part is 0:00 to 8:32
@FFRPianist thanks
fuck'n flawless......my God....
I heard a theory that this piece was improvised by Bach and written later by one of his students/children? It seems simpler and so much more "rock and roll" than Passacalia for example. Could that be?
I read (in the kommentar of the organbook with Tockata d & Fuge) a Bach- scholar, Krebs, perhaps has written this piece. First it has been only a solo-string-instrument piece.
Good
Interesting that from 3:00 it is Autumn Leaves :)
@TheRevmack 2:31
where exactly is the separation between the toccata and the fugue
TheRevmack the theme is the part Mustaine stole for the piano intro to Last Rites/Loved to Deth
2:31
Blue lobster
@TheRevmack at 2:30
Is there anywhere which isn't Itunes where I can buy the mp3 versions of this and mr Stamm's other recordings?
Stonesteinberg use a RUclips to MP3 converter
@@paytonanthony1308 Yes exactly.
It's 1 semitone higher, but amazing performance nonetheless
No, it’s correct. The organ is tuned to A465, which is close to a half step higher not exactly. I believe Bach’s organ was also tuned to A465 so technically the other versions you hear would sound about a half lower than the original would’ve been.
@@LS-oh8kv Chorton Pitch (along with Kammerton Pitch A415) were all you would hear in the Baroque Period. We haven't even mentioned the Modified Meantone temperment at 69mm wind on the 1741 Trost Organ.
@@LS-oh8kv I often hear this tuning in various organ performances, it sounds rather unusual and charming.
@@kennethcarrizal9871 This means that the organ tuning and the tuning of other keyboard instruments (like clavichords and harpsichords) were incompatible with each other, i. e. the organ could be played only alone (or with a choir). Is it correct?
hahaha :D ja das ist richtig
no stamm in idagio. I want a refund.
un peu trop rapide !!
2:55