Surrealist technique, surrealist sound, surrealist understanding of Ravel....By far the greatest version of all time by the greatest pianist who ever lived
@@Laurenzatto54 except cziffra. Rachmaninoff liszt and katsaris were considered the greatest pianists who ever lived so stop trying make everyones opinion change cause u cant
Grazie a questa registrazione decisi, ai tempi del conservatorio, di studiare questi tre splendidi poemi pianistici in struttura di sonata. ABM li eseguiva in una maniera cristallina, equilibrata, senza virtuosismi circensi, facendo quindi apparire il primo e il terzo movimento non più ardui di come lo sono già. Posso dunque crederci che Michelangeli è il massimo modello di riferimento nella didattica pianistica.
È sempre bello vedere le storie di persone che sono state ispirate da i più grandi geni della musica che possiamo sentire (in questo caso Ravel e Michelangeli).
@@nicolaspachecoarango C'è da dire poi che tutte le registrazioni degli anni Sessanta-Ottanta possono essere viste come delle reliquie, considerati i tempi d'oro di allora rispetto ad oggi. Vi è anche, ahimè, questa suggestione...
@@nicolaspachecoarango Infatti. Tornando ad ABM, aveva una cura del suono unica. Il libro I dei Preludi di Debussy inciso con la Deutsche è davvero una delizia sonora. Immenso.
I attended this unforgettable musical experience as ABM's concerts could not be defined orthodoxically "concerts". They were not journeys in search of fan worship but, on the contrary, in search of spirituality, contact with mystery and the divine through music. Feelings that nobody was able to arouse like ABM.
@@seanmarshall7529 I completely agree with part one of this statement. But Michelangeli was by no means out of his senses (or mind), but completely devoted to what he was doing in order to be as worthy of it as possible. Michelangeli's devotion was in the way the saved believer should be devoted in his walk to the Lord Jesus Christ. Entirely, as a living sacrifice of himself. What man can do, based on his endowment, comes from God. God is to be given the glory, but the artist is still to be acknowledged and admired. It is the same with the great composers and, in general, all empowered people.
Une fois encore Vous nous avez émerveillés par cette interprétation remarquable. Nous devons imaginer que quelle que soit la partition,elle semble imprégnée et gravée dans son cerveau et qu'il l'observe attentivement. Surprenant car il s'agit de la première image de AB Michelangeli face à une partition mais peut-être au cours d'une répétition Merci pour cette nouvelle richesse.
Ogni nota , Ogni singolo tocco è diverso nell intensità e nella durata, il sovrapporsi del toccato , ....un' infinita gamma di interpretazioni , di emozioni .
Thank you very much for sharing sansom François en michelangeli both played in different ways But both were very good pianists thank you very much so beautiful :) merci
Michelangeli shows here that he better would have chosen the gigolo path instead of pianist. It is an absolute disgrace and is completely anti pianistically. AI can reproduce a better version than this. And I have friends that can play it waaaay more better that this pathetic version.
@@alexandervolkov89291I have rarely read such absolute pseudo-musical rubbish. Apparently you have completely music-deaf ears! And who is this ominous ‘AI’??? Not to mention your other unnamed ‘friends’! You would have been better off keeping quiet or appearing in an unmusical cabaret with these abstruse theories! Habe selten einen so absolut pseudo-musikalischen Schwachsinn gelesen. Anscheinend haben Sie völlig musiktaube Ohren! Und wer ist dieser ominöse "AI"??? Ganz zu schweigen von Ihren sonstigen ungenannten "Freunden"! Sie hätten besser geschwiegen oder wären mit diesen abstrusen Thesen in einem unmusikalischen Kabarett aufgetreten!
Faszinierende live Interpretation dieses impressionistischen Meisterwerks im idealen Tempo mit glänzenden Töne des Klaviers und sorgfältig kontrollierter Dynamik. Bestimmt eine der zehn besten Aufführungen dieses Werks im 20. Jahrhundert!
Was ist denn das "ideale Tempo" - wenn es - wie in diesem Werk - einem ständigen Wechsel unterworfen ist? Und dass "Töne des Klaviers glänzen" können, wer hätte das gedacht?!
Leggere la "pioggia nel Pineto" di D' Annuzio , mentre si ascolta questo miracolo intrepretativo. Si' ABM è tutto , anche "decadente" se si vuole ma nell' accezione piu' nobile !
Abbastanza criminale inserire spot in un così intenso concerto. Sì sono persi davvero i fondamentali in nome del Dio denaro. Abbastanza penoso non capire l'arte.
Basta sentire certe interpretazioni odierne, goffe, gonfiate, col fiato corto, che paiono un'arrampicata: improponibili di fronte a capolavori netti e cristallini, radiografanti, come questa straordinaria interpretazione...
ABM played the second-rated piano concertos like Mozart no 13! Haydn G major! Liszt no 1! ABM never played the best piano concertos like Brahms 1-2 Chopin 1-2 Prokofiev 1--3 Rachmaninov 1-3! JS Bach 1052! Saint-Saens no 2! Tchaikovsky no 1! Mozart 24!
most accurate comment. I also feel that he is pronouncing a french text with Italian diction and articulation and i don't think this is what Ravel intended. This is an impressionistic piece, not a 17th century classic composition yet he is playing it in a strict metronome which is an extreme limitation to this piece. All the magic of the piece is completely gone.
N'oublions Gieseking et Perlemuter non plus. Le dernier avait étudié l'oeuvre entier chez Ravel lui-même. Leurs interprétations sont aussi "valables" que celle de ABM.
Michelangeli spielt als einziger den Scarbo im richtigen Metrum, alle anderen, ob Beresovski, Debargue oder andere können anscheinend keine Noten lesen.
Surrealist technique, surrealist sound, surrealist understanding of Ravel....By far the greatest version of all time by the greatest pianist who ever lived
michelangeli is not the greatest pianist.
@@Damian_Theodoridis He was and all others pianists knew he was
@@Laurenzatto54 except cziffra. Rachmaninoff liszt and katsaris were considered the greatest pianists who ever lived so stop trying make everyones opinion change cause u cant
@@Laurenzatto54 also michelangeli messed up the easiest part at the ending in one of his recordings
i can play this too
Grazie a questa registrazione decisi, ai tempi del conservatorio, di studiare questi tre splendidi poemi pianistici in struttura di sonata. ABM li eseguiva in una maniera cristallina, equilibrata, senza virtuosismi circensi, facendo quindi apparire il primo e il terzo movimento non più ardui di come lo sono già. Posso dunque crederci che Michelangeli è il massimo modello di riferimento nella didattica pianistica.
È sempre bello vedere le storie di persone che sono state ispirate da i più grandi geni della musica che possiamo sentire (in questo caso Ravel e Michelangeli).
@@nicolaspachecoarango C'è da dire poi che tutte le registrazioni degli anni Sessanta-Ottanta possono essere viste come delle reliquie, considerati i tempi d'oro di allora rispetto ad oggi. Vi è anche, ahimè, questa suggestione...
@@fulviojommelli6193 diciamo che con questi tempi di covid si sente questa sensazione con tutte le registrazioni prima del 2020
@@nicolaspachecoarango Infatti. Tornando ad ABM, aveva una cura del suono unica. Il libro I dei Preludi di Debussy inciso con la Deutsche è davvero una delizia sonora. Immenso.
Ero presente a questo concerto alla sala Nervi col mio M.Sergio Perticaroli.Memorabile
Total pianistic magic! So fluid; a gossamer sound, so right for this extraordinary music!
I attended this unforgettable musical experience as ABM's concerts could not be defined orthodoxically "concerts". They were not
journeys in search of fan worship but, on the contrary, in search of spirituality, contact with mystery and the divine through music. Feelings that nobody was able to arouse like ABM.
Never never NEVER diefy a man... Michelangeli was not in his right sences, as Gould Michelangeli has a woody unbendable character.. Doyen... is human
@@seanmarshall7529 I completely agree with part one of this statement.
But Michelangeli was by no means out of his senses (or mind), but completely devoted to what he was doing in order to be as worthy of it as possible.
Michelangeli's devotion was in the way the saved believer should be devoted in his walk to the Lord Jesus Christ. Entirely, as a living sacrifice of himself.
What man can do, based on his endowment, comes from God. God is to be given the glory, but the artist is still to be acknowledged and admired. It is the same with the great composers and, in general, all empowered people.
Une fois encore Vous nous avez émerveillés par cette interprétation remarquable.
Nous devons imaginer que quelle que soit la partition,elle semble imprégnée
et gravée dans son cerveau et qu'il l'observe attentivement.
Surprenant car il s'agit de la première image de AB Michelangeli face
à une partition mais peut-être au cours d'une répétition
Merci pour cette nouvelle richesse.
Ogni nota , Ogni singolo tocco è diverso nell intensità e nella durata, il sovrapporsi del toccato , ....un' infinita gamma di interpretazioni , di emozioni .
Thank you very much for sharing sansom François en michelangeli both played in different ways But both were very good pianists thank you very much so beautiful :) merci
Michelangeli shows here that he better would have chosen the gigolo path instead of pianist. It is an absolute disgrace and is completely anti pianistically. AI can reproduce a better version than this.
And I have friends that can play it waaaay more better that this pathetic version.
@@alexandervolkov89291you are a joke
@@alexandervolkov89291I have rarely read such absolute pseudo-musical rubbish. Apparently you have completely music-deaf ears! And who is this ominous ‘AI’??? Not to mention your other unnamed ‘friends’! You would have been better off keeping quiet or appearing in an unmusical cabaret with these abstruse theories!
Habe selten einen so absolut pseudo-musikalischen Schwachsinn gelesen. Anscheinend haben Sie völlig musiktaube Ohren! Und wer ist dieser ominöse "AI"??? Ganz zu schweigen von Ihren sonstigen ungenannten "Freunden"! Sie hätten besser geschwiegen oder wären mit diesen abstrusen Thesen in einem unmusikalischen Kabarett aufgetreten!
Just amazing. Shocking, bold, decisive and gloriously virtuosic. Ravel would have loved this performance.
Faszinierende live Interpretation dieses impressionistischen Meisterwerks im idealen Tempo mit glänzenden Töne des Klaviers und sorgfältig kontrollierter Dynamik. Bestimmt eine der zehn besten Aufführungen dieses Werks im 20. Jahrhundert!
Was ist denn das "ideale Tempo" - wenn es - wie in diesem Werk - einem ständigen Wechsel unterworfen ist? Und dass "Töne des Klaviers glänzen" können, wer hätte das gedacht?!
Leggere la "pioggia nel Pineto" di D' Annuzio , mentre si ascolta questo miracolo intrepretativo. Si' ABM è tutto , anche "decadente" se si vuole ma nell' accezione piu' nobile !
DIVINE MICHELANGELI
it is horrible playing... you are just Italian chauvinist or what?
Abbastanza criminale inserire spot in un così intenso concerto. Sì sono persi davvero i fondamentali in nome del Dio denaro. Abbastanza penoso non capire l'arte.
Incomparable. Head and shoulders above any other interpretation of this masterpiece. Thanks for the upload.
why? This is just horrible...
@@alexandervolkov89291svejate freddo
@@alexandervolkov89291 We heard you the first time. No need to repeat the same thing ten times. Simply shut up.
Not true. At ALL. There are so many GREAT live performances of this piece available. So many. Listen to Benjamin Grosvenor or Yuja Wang.
сверкающий ,переливающийся ,как в калейдоскопе всеми оттенками и красками Бриллиантовый Звук...
14:00 is transcendental piano playing. How has he produced such a sound?! Live, at that!
I didn't notice anything at 14 min.
Qui è davvero definitivo...
Ho avuto lo stesso pensiero❤️
Fabulous
why, it is junk.
No time to waste with clueless idiots
Wonderful
OMG.... 💙💚💜🤎🖤🤍💛❤🧡
Basta sentire certe interpretazioni odierne, goffe, gonfiate, col fiato corto, che paiono un'arrampicata: improponibili di fronte a capolavori netti e cristallini, radiografanti, come questa straordinaria interpretazione...
ABM n'avait pas un très grand répertoire mais il le jouait à perfection.
Erreur, il avait un immense répertoire mais n'en jouait qu'une faible partie....
ABM played the second-rated piano concertos like Mozart no 13! Haydn G major! Liszt no 1! ABM never played the best piano concertos like Brahms 1-2 Chopin 1-2 Prokofiev 1--3 Rachmaninov 1-3! JS Bach 1052! Saint-Saens no 2! Tchaikovsky no 1! Mozart 24!
Il pianoforte non sembra tale, ma uno strumento nuovo, pieno di varie sonorità.
Solo ABM poteva fare questo miracolo.
simply amazing
nope
Not sure why Scarbo is so loud and harsh in many places, when Ravel specifically wrote pp everywhere.
sia stramaledetta la pubblicità che interrompe la musica
❤
french text which is articulated by italian diction.
most accurate comment. I also feel that he is pronouncing a french text with Italian diction and articulation and i don't think this is what Ravel intended. This is an impressionistic piece, not a 17th century classic composition yet he is playing it in a strict metronome which is an extreme limitation to this piece. All the magic of the piece is completely gone.
@@ericastier1646 I first heard this piece about 15 years ago...maybe 10 interpretations since
.I adore..Michelangelo..soulful..aristocratic..mystical.....but...I truly believe your comment to be true.Bright Moments. (MICHELANGELI)
No, there is plenty of magic there :)
ABM always meticulous and clear.
💖👏🌹
Sounds like a metronome.
indeed, completely anti musical cerebral "Ravel".
This is not him playing.
N'oublions Gieseking et Perlemuter non plus. Le dernier avait étudié l'oeuvre entier chez Ravel lui-même. Leurs interprétations sont aussi "valables" que celle de ABM.
Bien sure....Mais Michelangeli il y a un cadeaux qui'l Vien de Dieux.
Je l'pense vraiment.
Excuse moi pour Mon française.....
@@andrearodigari4840 chaque talent vient de Dieu, mais ABM était exceptionnel.
Techniquement non.
@@Laurenzatto54 Vous avez raison. Regardez le commentaire "correcteur" au-dessous.
Michelangeli spielt als einziger den Scarbo im richtigen Metrum, alle anderen, ob Beresovski, Debargue oder andere können anscheinend keine Noten lesen.
Richtig.
Absolutely horrible...
incredibly boring and mechanical
indeed thank you