Great lessons ! Thanks 🙏🏼 @tonebase Could you also please do a lesson about string damping with your fretting hand (to stop open strings ringing after you skip to another one) ? I think this is a very underrated topic since there is little to find about it.
The last teacher is the best! Her suggestion to sing the melody is genius! The video has no intros to each teacher. Who is she? Would definitely follow her channel. 👍
Huh? He introduces them all at the beginning. It also Says the names right on the bottom in the time stamps when you hover over it. And it also gives their name on the screen when they first enter the frame. 😊 Not sure he could have done more for you
OMG running to try out Stephanie's lesson after watching it...never tried that isolation idea! Will check out the rest soon! Thanks for this great collection of tremolo technique!
I remember reading an article in FRETS magazine that taught you to pluck rest stroke on the m finger when practicing tremolo slowly and only in practice. As speed was gained the rest stroke was to be abandoned leaving you with a steady and even tremolo. Anybody on this?
Even though you got pami right and timed you still need to develop the technique to play it audible, the rapid and seamless shifts between chords without noise. Good luck.
Every guitarists play tremolo differently. My advise is not try PMIM or PIMI. Your fingers will get fatigued pretty quickly and you won't be able to play as fast or play full songs. Just Hard work & patience with the usual PAMI. Trust me, i've struggled for years & have tried everything else, including tiny aspects like joint/knucle movement, finger positions, angles of attach by nail, curled fingers vs straight (LIke Ana does & it's not advisable)
@@irishfruitandberries9059 Well, i can say fer sure it'll be difficult playing fast with just two fingers, if are able to, it'll be only be for a short time. Ana chose PMIM developed her tremolo through years of practice because she couldn't stop galloping with PAMI. She still can't play full songs up to tempo & has to slow down several times when her fingers tired out. I think there's a video about her talking about this on youtube too, some workshop thingy she did.
@@S_Heavens I disagree. I’ve heard her play tremolo lots of times and it seems to me that she has no issues with regard to speed, or having to slow down. I also think you are incorrect about the ‘galloping’. As far as I am aware she uses two fingers because she gets a more even rhythm and tone.
not really. pima gives a structured flow when strumming but your fingers will be stiff like a robot after playing fast for awhile. pami gives a natural, sort of circular motion that really improves the flow of the piece and its much more comfortable after playing for long periods
Stephany you have no clue how to teach tremolo, play it but do not instruct please. BTY your tremolo is not really even and you have problems with volumes as well. All due respect.
Thankyou everybody special thanks to tonebase for sharing wonderful ideas of genius classical guitarist
All very good however I got the most from Thomas explanation demonstration of the fingers movements. Merci
Great lessons ! Thanks 🙏🏼
@tonebase
Could you also please do a lesson about string damping with your fretting hand (to stop open strings ringing after you skip to another one) ?
I think this is a very underrated topic since there is little to find about it.
The last teacher is the best! Her suggestion to sing the melody is genius! The video has no intros to each teacher. Who is she? Would definitely follow her channel. 👍
Huh? He introduces them all at the beginning. It also Says the names right on the bottom in the time stamps when you hover over it. And it also gives their name on the screen when they first enter the frame. 😊 Not sure he could have done more for you
@@mikemolaro4198😂😂😂😂😂😂
OMG running to try out Stephanie's lesson after watching it...never tried that isolation idea! Will check out the rest soon!
Thanks for this great collection of tremolo technique!
Great 👍 though you could have shown Ana Vidovic. Tremolo with P, m, i
100% agree
I remember reading an article in FRETS magazine that taught you to pluck rest stroke on the m finger when practicing tremolo slowly and only in practice. As speed was gained the rest stroke was to be abandoned leaving you with a steady and even tremolo. Anybody on this?
Hv video you play guitar ?
😅check out Douglas Niedt :how to master the tremolo. Thats all you need.
Even though you got pami right and timed you still need to develop the technique to play it audible, the rapid and seamless shifts between chords without noise. Good luck.
Practice flamenco tremolo (piami) as well. After a few months you'll find classic tremolo easier.
Not sure if she’s on the payroll but it would be nice to see Ana Vidovic’s PMIM tremolo for contrast!
Every guitarists play tremolo differently. My advise is not try PMIM or PIMI. Your fingers will get fatigued pretty quickly and you won't be able to play as fast or play full songs. Just Hard work & patience with the usual PAMI. Trust me, i've struggled for years & have tried everything else, including tiny aspects like joint/knucle movement, finger positions, angles of attach by nail, curled fingers vs straight (LIke Ana does & it's not advisable)
@@S_Heavens 'you won't be able to play as fast or play full songs', well that's a bit presumptuous considering you don't know anything about me!
@@irishfruitandberries9059 Well, i can say fer sure it'll be difficult playing fast with just two fingers, if are able to, it'll be only be for a short time. Ana chose PMIM developed her tremolo through years of practice because she couldn't stop galloping with PAMI. She still can't play full songs up to tempo & has to slow down several times when her fingers tired out. I think there's a video about her talking about this on youtube too, some workshop thingy she did.
@@S_Heavens I disagree. I’ve heard her play tremolo lots of times and it seems to me that she has no issues with regard to speed, or having to slow down.
I also think you are incorrect about the ‘galloping’. As far as I am aware she uses two fingers because she gets a more even rhythm and tone.
Two words: Vladimir Bobri
why not p i m a? that's more natural than p a m i
Nah, Ami is much more natural
not really. pima gives a structured flow when strumming but your fingers will be stiff like a robot after playing fast for awhile. pami gives a natural, sort of circular motion that really improves the flow of the piece and its much more comfortable after playing for long periods
After some practices between those two you’re right pami much more natural 😁
@@iamJROD well yea pami is what i meant. the movement of ami is what i'm saying is much more natural as they go into palm easier than pima
Bad teachers overrated players
Stephany you have no clue how to teach tremolo, play it but do not instruct please. BTY your tremolo is not really even and you have problems with volumes as well. All due respect.