Stupenda esecuzione, equilibrata e coinvolgente. Questa orchestra, da chiunque sia diretta, è davvero maiuscola... In pochi sembra se ne siano accorti, ma questa è proprio la prima versione originale di Mendelssohn, e non quella eseguita tradizionalmente, che presenta alcune differenze (non da poco) e tagli. Questo è evidente soprattutto nell'ultimo movimento, sia nell'esposizione del corale che nello svolgimento formale, più complicato e fantasioso rispetto alla versione da sempre più conosciuta. Questa versione, come d'altronde quelle originali delle altre sinfonie maggiori, sta a dimostrare alla luce del sole quanto in realtà Mendelssohn, sotto una apparente classicità, in realtà sia stato un autentico innovatore e sperimentatore della forma sinfonica, con pochi eguali alla sua epoca...
J'avais, jusqu'alors, peu écouté les symphonies de Mendelssohn, je dois avouer que cette magnifique interprétation m'invite à retourner dans ce voyage romantique. Merci aux musiciens et à leur chef que je découvre. Toujours ravi d'écouter l'orchestre de la Radio de Frankfort. Du plaisir à l'état pur. Bravo ! Ich hatte Mendelssohns Symphonien bis dahin kaum gehört, aber ich muss zugeben, dass mich diese großartige Interpretation dazu einlädt, zu dieser romantischen Reise zurückzukehren. Danke an die Musiker und ihren Dirigenten, die ich entdecke. Ich höre immer gerne dem Hr-Sinfonieorchester zu. Pures Vergnügen. Gut gemacht ! (trad. G.....E)
J'aime cette symphonie depuis mes 15 ans, cela fait donc 63 ans. Je résumerai d'une phrase lapidaire ce que représente pour moi (qui suis athée) cette œuvre de Mendelssohn au gré de ses mouvements : une affirmation de la foi chrétienne d'abord joyeuse, ensuite intime puis triomphante et glorieuse et enfin en majesté. Ici magnifiquement interprétée et dirigée. 👍
This is a wonderful performance. I feel that this conductor created a broad expance of stillness or tranquility like a surface of a lake on a sunny morning without wind in the depth of the music. From this background of serenity, the music of each player rises and melts like ripples of jumping fish, like glimmer of sunlight, like illusions of fog, and flows to the audience sitting by the lakeside. The beautiful flute melody from the end of the 3rd movement to the beginning of the 4th movement especially clearly shows the serenity that exists in the depth of this performance. That same serenity pervades this performance from beginning to end, giving this symphony an amazing depth. The orchestra members seem to be dancing in this beautiful expanse of silence, listening to the music of the other players and to their own, which is heard through the silence. The joy in their faces as they played, captured by the camera, was impressive. This beautiful serenity is the source of the music's emotion, giving Mendelssohn's music vigor, brilliance, and softness. Here is music that is solemn, yet gentle, serene and vibrant.
These folks are terrific. It is exciting seeing and hearing players that fully engaged. They knew the flute transition to the last movement was very special. Suzuki also held on to the ending, which was terrific.
美しく、やわらかく、力強く揺れる波のような演奏。指揮者の体から泣かれ出す柔軟で、深く、愉しみに満ちた波動が、ひとりひとりの奏者の体に入り込み、統率されているというより、一つひとつが自由な飛沫のようにあふれて流れ出している。このような音楽にふれることができる幸福。同じ波にゆれるように演奏者たちをみつめ、まばたき、ため息をつくように動いていくカメラワークも見事だ。 The performance is like a beautiful, soft, and powerful wave. The flexible, deep, and joyful vibrations emanating from the conductor's body entered each player's body, and rather than being controlled, each one overflowed and flowed out like free droplets. It is a happiness to be able to experience this kind of performance. The camerawork is also superb, moving as if the performers were watching, blinking, and sighing as they sway in the same wave.
Enjoying this reading of this wonderful symphony very much. The first movement is a little more pesante than I'm used to you and I'm pleased how despite this, it does not flag in energy. Comes off more noble. That final chord with a natural decay was refreshing too.
Wunderschöne Aufführung dieser romantischen und perfekt komponierten Sinfonie mit gut harmonisierten und perfekt entsprechenden Tönen aller Instrumente. Der dritte Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch begeisternd. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Wunderbar und tiefempfunden zugleich!
So impressive and thrilling performance. I felt the sound reminiscent of the organ and Baroque at the beginning of the first movement, and given the conductor's background, I expected a performance like that. However, it turned out to be a rather romantic interpretation, distinct from the many sharp interpretations we hear these days. Above all, the woodwinds' sound! And the flute! I was deeply moved. Sorry for using AI translation.
It is wonderful play. I have never heard like this playing filled with deep pray and hope on Reformation symphony. It is a monumental playing with this master piece.
Wonderful work, wonderful performance. At long last this symphony is receiving its due respect as one of the great romantic works of the 19th c. Thanks so much for the upload.
This is a beautiful classical symphony with it's opening movement not unlike one of Mozart or Hayden. One can see that Mendelssohn did not leave that classical period behind him as Robert Schuman and perhaps Bhrams or Berlioz. I love the sound of this orchestra also I couldn't keep up with the conductor at times.
Composed by Félix Mendelssohn to contribute in his own way to the celebration of the tercentenary of the Augsburg Confession, this symphony uses cyclically thematic material based on several Protestant chorales. Note the Dresden Amen, used later by Wagner in « Parsifal », and especially the chorale « Ein fest Burg ist unser Gott » from Bach (BWV 80). Raised in Protestant Germany, Mendelssohn retained a great love of religious music, particularly Bach's Passions, which had been forgotten for a century. The quotations of a Catholic Amen in the first movement, of a Protestant chorale in the finale, and the naming of the symphony, however, raise the question of a clash between these two currents of Christianity. The composer also blurs the tracks because although the quotations are apparent in the extreme movements, the central movements seem to be pure music without any link with the reformist ambition of the symphony. The shadow of Beethoven was undoubtedly very present in the composer's mind. The « Reformation » symphony is the first that Mendelssohn wrote after the death of the famous composer, and the first of this magnitude. The influence of the great master equally plays an important role in the writing of this symphony. Music is an eternal restart for those who know how to appreciate it. *Lucien*
Sehr bemerkenswert! Erhaben! Schön! Masaaki Suzuki hilft uns, so empfinde ich das, von fern kommend, diese wunderbare Musik wieder besser zu verstehen. Und verwandelt das HR-Sinfonieorchster gleichzeitig in eine Hessische Zauberharfe!😊
Regarding Menndelssohns symphonies it is only his no 3 and 4, the Scottish and the Italian I have so far listened to. But it is never too late to widen your horizon. Thank you Masaaki Suzuki and hr-Sinfonieorchester for wonderful playing. I am sure I will come back to this uptaking many more times. And I wonder if the last movement "Ein´feste Burg ist unser Gott" isn´t a tribute to Bach?
@@respighi3 No! Johann Sebastian Bach: Cantata BWV 80: Ein fest Burg ist unser Gott (Chorale). Martin Luther wrote a hymn with Johann Walter (1529). But musicologists are divided on this singing! *Lucien*
Ya! Johann Sebastian Bach: Cantata BWV 80: Ein fest Burg ist unser Gott (Chorale). Martin Luther wrote a hymn with Johann Walter (1529). But musicologists are divided on this singing! *Lucien*
Thank you all for answer. The reason why I associate this to Bach is that I listened to BWV 80 newly with Netherland Bach Society, very good! And as I have learned Mendelssohn was the one that rescued Bach back to life in about 1830-1840.
Esta versión de la sinfonia no es la que estaba acostumbrado a oir, introduce un pasaje de viento entre el tercer y cuarto movimiento y algunas modificaciones en el primer tiempo que no suelen figurar en otras versiones. El ultimo movimiento con esas dos fugas es lo mejor.
It's a musical motif known as the "Dresdner Amen" ( or the "Amen of Dresden" ), which was first quoted by Mendelssohn in this symphony and once again about half a century later by Richard Wagner in his "Parsifal".
This is a different (earlier?) edition of the score from the one we are used to hearing. (It is used in the recording by Yannick Nézét-Séguin and the Chamber Orchestra of Europe). The first movement also contains extra bars.
Cierto, esta versión es distinta de la "normal" que se suele escuchar. Este pasaje del vien to y algun otro pasaje de transición en el primer movimiento no están en la version habitual. Prefiero la version convencional
I love this symphony , it is so soul stirring . I make an effort to listen to it on every Commemoration of the Reformation Sunday .
Stupenda esecuzione, equilibrata e coinvolgente. Questa orchestra, da chiunque sia diretta, è davvero maiuscola...
In pochi sembra se ne siano accorti, ma questa è proprio la prima versione originale di Mendelssohn, e non quella eseguita tradizionalmente, che presenta alcune differenze (non da poco) e tagli. Questo è evidente soprattutto nell'ultimo movimento, sia nell'esposizione del corale che nello svolgimento formale, più complicato e fantasioso rispetto alla versione da sempre più conosciuta.
Questa versione, come d'altronde quelle originali delle altre sinfonie maggiori, sta a dimostrare alla luce del sole quanto in realtà Mendelssohn, sotto una apparente classicità, in realtà sia stato un autentico innovatore e sperimentatore della forma sinfonica, con pochi eguali alla sua epoca...
J'avais, jusqu'alors, peu écouté les symphonies de Mendelssohn, je dois avouer que cette magnifique interprétation m'invite à retourner dans ce voyage romantique. Merci aux musiciens et à leur chef que je découvre. Toujours ravi d'écouter l'orchestre de la Radio de Frankfort. Du plaisir à l'état pur. Bravo !
Ich hatte Mendelssohns Symphonien bis dahin kaum gehört, aber ich muss zugeben, dass mich diese großartige Interpretation dazu einlädt, zu dieser romantischen Reise zurückzukehren. Danke an die Musiker und ihren Dirigenten, die ich entdecke. Ich höre immer gerne dem Hr-Sinfonieorchester zu. Pures Vergnügen. Gut gemacht ! (trad. G.....E)
I love Mendelssohn's use of brass. It's like warm waves of energy
30:51
Un grand merci pour cette magnifique interprétation d'une très belle symphonie !
The camera people are tremendous! Nice passage from the Andande to the Choral. Starts at 22:40
Zum träumen bedarf es nicht mehr.
Danke.
J'aime cette symphonie depuis mes 15 ans, cela fait donc 63 ans.
Je résumerai d'une phrase lapidaire ce que représente pour moi (qui suis athée) cette œuvre de Mendelssohn au gré de ses mouvements : une affirmation de la foi chrétienne d'abord joyeuse, ensuite intime puis triomphante et glorieuse et enfin en majesté.
Ici magnifiquement interprétée et dirigée. 👍
鈴木先生の熱意あふれる演奏が、世界の音楽ファンに知られるようになり、日本人として嬉しい限りです。
This is a wonderful performance. I feel that this conductor created a broad expance of stillness or tranquility like a surface of a lake on a sunny morning without wind in the depth of the music.
From this background of serenity, the music of each player rises and melts like ripples of jumping fish, like glimmer of sunlight, like illusions of fog, and flows to the audience sitting by the lakeside.
The beautiful flute melody from the end of the 3rd movement to the beginning of the 4th movement especially clearly shows the serenity that exists in the depth of this performance. That same serenity pervades this performance from beginning to end, giving this symphony an amazing depth. The orchestra members seem to be dancing in this beautiful expanse of silence, listening to the music of the other players and to their own, which is heard through the silence. The joy in their faces as they played, captured by the camera, was impressive. This beautiful serenity is the source of the music's emotion, giving Mendelssohn's music vigor, brilliance, and softness. Here is music that is solemn, yet gentle, serene and vibrant.
Eine meiner Lieblingssymphonien. Das HR-Orchester hat hier eine rhythmisch und atmosphärisch sehr stimmige Interpretation abgeliefert, Chapeau!
溫暖的聲音！熱情的指揮！
謝謝你帶我們又認識了一首好聽的音樂！
是時後該走出悲傷陰暗了！
I was only in this darkness for a short time.
I don't want to be there, it's not mine.
🦋.
vielen Dank an das Symphonie Orchester, die wieder wundervoll Mendelssohn mit Hingabe gespielt haben. 👏
These folks are terrific. It is exciting seeing and hearing players that fully engaged. They knew the flute transition to the last movement was very special. Suzuki also held on to the ending, which was terrific.
美しく、やわらかく、力強く揺れる波のような演奏。指揮者の体から泣かれ出す柔軟で、深く、愉しみに満ちた波動が、ひとりひとりの奏者の体に入り込み、統率されているというより、一つひとつが自由な飛沫のようにあふれて流れ出している。このような音楽にふれることができる幸福。同じ波にゆれるように演奏者たちをみつめ、まばたき、ため息をつくように動いていくカメラワークも見事だ。
The performance is like a beautiful, soft, and powerful wave. The flexible, deep, and joyful vibrations emanating from the conductor's body entered each player's body, and rather than being controlled, each one overflowed and flowed out like free droplets. It is a happiness to be able to experience this kind of performance. The camerawork is also superb, moving as if the performers were watching, blinking, and sighing as they sway in the same wave.
Enjoying this reading of this wonderful symphony very much. The first movement is a little more pesante than I'm used to you and I'm pleased how despite this, it does not flag in energy. Comes off more noble. That final chord with a natural decay was refreshing too.
Proudly brought to you by the German TV license fee. 😀
Very nice symphony which I did not ever listen to. Also, Suzuki is clearly a great conductor, hope to see more from him with this exquisite orchestra!
Wunderschöne Aufführung dieser romantischen und perfekt komponierten Sinfonie mit gut harmonisierten und perfekt entsprechenden Tönen aller Instrumente. Der dritte Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch begeisternd. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Wunderbar und tiefempfunden zugleich!
Yes, I have also fallen in love with the Andante at 18: 29!
So impressive and thrilling performance. I felt the sound reminiscent of the organ and Baroque at the beginning of the first movement, and given the conductor's background, I expected a performance like that. However, it turned out to be a rather romantic interpretation, distinct from the many sharp interpretations we hear these days. Above all, the woodwinds' sound! And the flute! I was deeply moved.
Sorry for using AI translation.
It is wonderful play. I have never heard like this playing filled with deep pray and hope on Reformation symphony.
It is a monumental playing with this master piece.
BRAVO! What a finale... For me: best performance ever.
今まで聴いてきたこの交響曲の最高の演奏だった。この改訂版は初めて聴いたが、第4楽書の冒頭のフルート🪈ソロはなんて素晴らしいんだろう。鈴木さんの指揮は、ルターの宗教改革への情熱と決意を感じさせてくれた魂の指揮に感謝。
Glorious!
Sehr schön gespielt. 🙂
Ein gutes video danke
Прекрасная симфония! Большое спасибо Франкфуртскому оркестру!
9:16 checkpoint | 10:33 build up | 12:12 2nd movement | 18:29 3rd movement | 20:55 gentle suspense | 31:15 | 33:10 ending |
never heard of this oriental conductor but he's pretty good.
I love it
Wonderful work, wonderful performance. At long last this symphony is receiving its due respect as one of the great romantic works of the 19th c. Thanks so much for the upload.
This is a beautiful classical symphony with it's opening movement not unlike one of Mozart or Hayden. One can see that Mendelssohn did not leave that classical period behind him as Robert Schuman and perhaps Bhrams or Berlioz. I love the sound of this orchestra also I couldn't keep up with the conductor at times.
Composed by Félix Mendelssohn to contribute in his own way to the celebration of the tercentenary of the Augsburg Confession, this symphony uses cyclically thematic material based on several Protestant chorales. Note the Dresden Amen, used later by Wagner in « Parsifal », and especially the chorale « Ein fest Burg ist unser Gott » from Bach (BWV 80). Raised in Protestant Germany, Mendelssohn retained a great love of religious music, particularly Bach's Passions, which had been forgotten for a century. The quotations of a Catholic Amen in the first movement, of a Protestant chorale in the finale, and the naming of the symphony, however, raise the question of a clash between these two currents of Christianity. The composer also blurs the tracks because although the quotations are apparent in the extreme movements, the central movements seem to be pure music without any link with the reformist ambition of the symphony. The shadow of Beethoven was undoubtedly very present in the composer's mind. The « Reformation » symphony is the first that Mendelssohn wrote after the death of the famous composer, and the first of this magnitude. The influence of the great master equally plays an important role in the writing of this symphony. Music is an eternal restart for those who know how to appreciate it. *Lucien*
Thank you Lucian for all this knowledge. I am just an amateur.
@@staffanolofsson8201 Me too 😘
Sehr bemerkenswert! Erhaben! Schön! Masaaki Suzuki hilft uns, so empfinde ich das, von fern kommend, diese wunderbare Musik wieder besser zu verstehen. Und verwandelt das HR-Sinfonieorchster gleichzeitig in eine Hessische Zauberharfe!😊
Ganz Ihrer Meinung!
Regarding Menndelssohns symphonies it is only his no 3 and 4, the Scottish and the Italian I have so far listened to. But it is never too late to widen your horizon. Thank you Masaaki Suzuki and hr-Sinfonieorchester for wonderful playing. I am sure I will come back to this uptaking many more times. And I wonder if the last movement "Ein´feste Burg ist unser Gott" isn´t a tribute to Bach?
...Or Luther...Or perhaps (dare I say), God?
@@respighi3
No! Johann Sebastian Bach: Cantata BWV 80: Ein fest Burg ist unser Gott (Chorale). Martin Luther wrote a hymn with Johann Walter (1529). But musicologists are divided on this singing! *Lucien*
Ya! Johann Sebastian Bach: Cantata BWV 80: Ein fest Burg ist unser Gott (Chorale). Martin Luther wrote a hymn with Johann Walter (1529). But musicologists are divided on this singing! *Lucien*
Thank you all for answer. The reason why I associate this to Bach is that I listened to BWV 80 newly with Netherland Bach Society, very good! And as I have learned Mendelssohn was the one that rescued Bach back to life in about 1830-1840.
Also I have been singing "Vår Gud är oss en väldig borg" ( Ein´feste Burg ist unser Gott" ) in a Swedish churchbench!
I love the quote from Parsifal at 2.5 minutes :-)
Other way around; this symphony predates 'Parsifal' by several decades.
楽員さん達の生き生きとした表情からマエストロ鈴木さんへの強い信頼がよくわかりますね。４楽章冒頭のフルートのソロも素晴らしいですが、いつも聴いている版と違うのでしょうか？
この曲は初稿版とかあるのでしょうか？いずれにせよ本当に素晴らしい演奏でした！Hｒシンフォニーオケをフォローしていて良かったです！！！
テンポ遅いが初稿版だね。
🎵 🎶 😊👌 🎶🎵
♡
Esta versión de la sinfonia no es la que estaba acostumbrado a oir, introduce un pasaje de viento entre el tercer y cuarto movimiento y algunas modificaciones en el primer tiempo que no suelen figurar en otras versiones. El ultimo movimiento con esas dos fugas es lo mejor.
Right before the allegro: a motif "borrowed" by Wagner for Parsifal.
Sinfonia muito bonita, creio jamais ter ouvido
The start of the 2nd movement is very close to the 2nd mov. of Beethoven piano sonata #29
Sola Deo Gloria
how come i keep hearing the parsifal vorspiel in the beginning?
Si, tiene muchas similitudes, hay analisis de sta sinfonia que lo mencionan explicitamente
It's a musical motif known as the "Dresdner Amen" ( or the "Amen of Dresden" ), which was first quoted by Mendelssohn in this symphony and once again about half a century later by Richard Wagner in his "Parsifal".
What exactly is going on beginning at 22:43? I believe most performances cut to the chorale at that point.
This is a different (earlier?) edition of the score from the one we are used to hearing.
(It is used in the recording by Yannick Nézét-Séguin and the Chamber Orchestra of Europe).
The first movement also contains extra bars.
Cierto, esta versión es distinta de la "normal" que se suele escuchar. Este pasaje del vien to y algun otro pasaje de transición en el primer movimiento no están en la version habitual. Prefiero la version convencional
Or chronologically, Mendelssohn's 2nd. Or the 15th. Or the 4th. Depending on how you count.
25:04
Un gran músico, poco reconocido, seguramente por lo mismo:antisemitismo. El gran pecado del mundo
"con fuoco"? Where's the fire?