since when is it about the dress ?... Tone it down, Ms. Kopanchiskaya - cut out the smiling, respect the composer - it's not about you, even though your followers will have you believe that...
The most joyful and lovely interpretation of this quintessential Stravinsky concert. She is not just a musician, she is an artist in the whole sense of the word.
Patricia Kopatchinskaja plays this piece with such dynamic involvement in every note it is simply breathtaking to witness...not only that, of course... Her exquisite technique and tremendous insight into Stravinsky's intention makes this about as exciting as Stravinsky can possibly be! OMG! WOW! and thank you, Patricia!
I’ve heard quite a few recordings of this piece and nothing comes close to her in this video besides her own recording on Naive! Hands down the BEST interpretation and performance of this piece. PatKop is, for me, the most inspiring musician I have encountered. I was so grateful I got to greet her backstage when she played Berg with the Utah Symphony a few years ago. She was just as gracious and kind and delightful as you would imagine!! She is an absolute treasure and icon!!! ❤
Wow. There are no words adequate enough to describe her exquisite performance. So many moods, textures, emotions and more. She truly feels the music in each moment. What an absolutely remarkable performance.
Here via her interpretation of the Ligeti Violin Concerto cadenza clip. Subtle humor and power in how she performs. Just going to definitively say that Kopatchinskaja is my favorite living violinist.
Ebouriffant , ce n'est que du bonheur ; il suffit d'entendre les prouesses des vents solistes ,d'observer le grand sourire du 1er violon à la coda , et la grande joie du chef d'orchestre .
She has a super-rhythmic, hyper-active performance personality that ENHANCES certain music like the Stravinsky concerto, Legeti Concerto, and Bartok Concerto. ...in the back of my mind, I wonder how she would handle the Schoenberg Concerto ?
This wonderful concerto suites her perfectly....look at the "kick" Kopatchinskaja is having playing it. That's a feast to look at....beautiful. Kopatchinskaja is a very gifted violinist.
Esattamente giusto! Una violinista splendida che ha tanti amichi di fate invisibili e giaie che la sempre circondano donando le la loro potenza supernaturale quando suona.
I would like to add: almost on the brink of being too extravagant ... look what she did with ligeti's, one of the most intriguing violin concertos ever...
Y algo bruta también 😀 La música no lo es tanto así 🤔 Desearía más calidad instrumental y menos actuación y show. Cálidos saludos desde Rusia. Toqué un bel día de 1999 este precioso concierto, y créeme que lo hice mejor! 😃
@@nss4472 depende de lo que consideres bello!! el que Kopatchinskaja muestre una paleta amplia de colores timbricos es realmente bello. Muestra un conocimiento valorable sobre el instrumento (y quizás se deba a qué también es compositora). Es fascinante y hermoso el que salte de una brutalidad formidable a una delicadeza rústica. La interpretación no es estática, cambia y todas las formas, siempre y cuando sean serias y justificadas, son totalmente respetables. Y sobre lo que decís de lo teatral, es súper admirable! no cualquiera se atreve y puede hacerle con tanta naturalidad.
I heard of her first when I heard her "Tzigane" I enjoyed the extremely different interpretation of it yet having heard others so many times I preferred the more usual interpretations. However, since I have not heard this piece before and therefore not become accustomed to any range of interpretation, it is quite marvelous. Quite an expressive and spirited performance.
Read that this piece was originally thought unplayable, but she goes in guns ablaze without hesitation. Bravo indeed! What an inspiring work this is. Thank you.
The first chord only thought to be unplayable, but then Dushkin tried it out and it was easy. Stravinsky consult other violinist for technical problems regarding the violin, but Hindemith encourage him to not rely on common technique, thus introducing rather difficult note and rhythm
MIL GRACIAS ANDRES POR PONER NUESTRA CIUDAD DE MEDELLIN EN ALTO... ERES EJEMPLO DE MILES DE JOVES QUE QUIEREN SER COMO USTED... QUE ORGULLO QUE SEAS DE ESTA TIERRA MUSICAL...
-- Une œuvre pour violon magnifique. P.Kopatchinskaja joue avec une spontanéité et une vivacité communicatives, c'est tranchant, c'est touchant, de la haute voltige qui entraîne l'orchestre et son chef, et puis j'adore sa robe :) --
Something was needed to make this music more entertaining, if not better, so here is violinist Kopatchinskaja with her colorful dress and great facial expressions obviously enjoying the experience immensely and thus allowing me to enjoy it vicariously. Now I'd like to hear (and see) her perform a concerto that we both like, perhaps the Prokofiev Second, which I understand she recorded with the Stravinsky.
originally i was a bit skeptical on hearing stravinsky's violin concerto with he himself saying that he wasn't fluent with violin writing but all i can say is wow, what an amazing piece! and what brilliant energy given off by the soloist!
Felicidades por la interpretación. Hacía años que no me sorprendían tanto. Ha sido un descubrimiento por todas partes: obra, solista, director y orquesta. Muchas gracias.
J 'écoute cette œuvre pour la première fois et malgré son apparente difficulté (?), Patricia Kopatchinskaja est si à l'aise, si énergique ,que j'en suis tout ému. Je la découvre aussi...
I saw her yesterday perform this concerto this woman is an angel. An amazing presence that with her style makes audience and Orchestra to enjoy and have fun. Love you patricia
The first chord has a prculiar story. Stravinsly was eating in a restaurant with the violionist who premiered the work (I do not remember his name). He wrote this chord on a piece of the napkind and asked to the violonisst if it was playable. This concero is one og the best pieces of the neoclassical priod of rhe composer. He did not deny the influence of the concertos of J.S..Bach, especilally his concerto for two violins. But usually Stravinsky lets the influences be quite apparent. Here they are more secret.
You only told the first part of the story! :) The violinist, Samuel Dushkin, initially said no, but then called Stravinsky on the phone when he went home from the café they'd been at it and tried it out.
Even though I can't say it's the performance stravinsky would have wanted as he often disapproved of people adding romantic color to his extremely atonal and some what unfeeling works, this is a incredible performance and that soloist just makes me happy. Seeing her groove and jive and bounce around along to stravinsky just gives me so much joy. Amazing job to all involved!
A friend once noted that Stravinsky was in tears during the performance of the Aria II of the violin concerto. When asked Stravinsky answered that this movement was the only way that he could say sorry to his then deceased wife whom he had not treated very well during her lifetime. So much for the "mechanical" Stravinsky.
But did you know that during a rehearsal of Persephone the singers used to treat the opening chorus in a very sentimental way. This displeased Stravinsky, who then asked them why they did so. The singers responded that the chorus seemed to them a particularly expressive one; to which Stravinsky said: 'Then why do you want to make it expressive, when, as you yourselves told me, it already is?'- and later adding, much to the benefit of the coming ages: 'It's as if you try to sugar the sugar.'
It's quite possible this is the best recording of the Stravinsky Concerto that has ever been done. I liked Hilary Hahn, but she's a bit of an ice princess with this piece. That approach can be very appropriate with Stravinsky because of the disjointed nature of the relative rhythmic cubism of the piece. Everything is very angular and almost puppet-like, Saltimbanques... But her playing is absolutely impassioned and playful. I've played this concerto several times, and it lends itself well either way. But I like her version better than Perlman, Stern, or Hillary. She's a strange one. The more obtuse the piece, the more she makes absolute sense out of it. But when I hear her play something which is normal by comparison, it's as if she is a totally different person and has no clue to previous performance styles and traditions. It's one thing to do something different and it's another thing to go against tradition. The idea is to use your voice while doing the traditional elements. But I think that more difficult the piece, the better she plays.
If you can find a full recording of this ruclips.net/video/ckZvSDnMhs8/видео.html from Leila Josefowicz (with Mirga Gražinytė-Tyla), you might change your mind about the best!?
@@fastfriendtigerlily Not the best either. Too rough, even being charismatic. The best versions of that are (omnipresent) Itzhak Perlman and Andrey Kórsakov.
While I find this recording lively and lovely, I think I still like the Mutter version better. Not that this necessarily has anything to do with the quality of the performance itself. It may simply be a matter of how it was recorded... the balance seems off here, it sounds like she is constantly being overwhelmed by the orchestra. These things are so difficult to determine from listening to it on RUclips, and I honestly have yet to hear a really bad version of anything on the internet (as far as I recall). It is quite clear that she has a bright future ahead of her. She reminds me a bit of Janine Jansen in terms of style. So dynamic.
@@functoravatar m.ruclips.net/video/jMfrI57mBhQ/видео.html Yoojin Jang is the best till now. Very natural, well done and MORE dynamic. I should prefer more the Russian version being Russian person myself, but even so I gave my vote to the another one☝️😁
World best music symphony my favorite music symphony orchestra world best Frankfurt radio symphony orchestra mind relaxed heart touching great composer God of music
It was the highest splendor that surpassed far my expectation. unimpeachable performance！ incomparable fiddler❗ Standing ovationaly‼️ Greetings from Japan.
Absolutely wonderful! from EMI Associate Composer. I lived on the edge of Russian post modenrity watching this. Many regards. No, she looks like Emily Watson, aka movie Jacqueline Du Pre, Similien. Knock them out. Big up! Stravinsky would have approved such joy.
I don’t think there’s anybody that interprets “avant-garde” and modern classical music better than her.
Соло скрипки Копачинской это какое-то волшебство, поднимающее до небес. Она здесь сама Жар-Птица!!!! ❤❤❤❤❤
Динамика невероятная, водоворот жизни, блистательный солнечный луч.
Оркестр в тонком и напряженном взаимодействии с солисткой. Радость за радостью.
Her dress is remeniscent of the original Dhiagilev costumes for Rite of Spring. WOnderful.
exactly!
YES! And also a touch Picasso ;)
since when is it about the dress ?... Tone it down, Ms. Kopanchiskaya - cut out the smiling, respect the composer - it's not about you, even though your followers will have you believe that...
←c完義逸
㓁
The most joyful and lovely interpretation of this quintessential Stravinsky concert. She is not just a musician, she is an artist in the whole sense of the word.
Patricia Kopatchinskaja plays this piece with such dynamic involvement in every note it is simply breathtaking to witness...not only that, of course... Her exquisite technique and tremendous insight into Stravinsky's intention makes this about as exciting as Stravinsky can possibly be! OMG! WOW! and thank you, Patricia!
I’ve heard quite a few recordings of this piece and nothing comes close to her in this video besides her own recording on Naive! Hands down the BEST interpretation and performance of this piece. PatKop is, for me, the most inspiring musician I have encountered. I was so grateful I got to greet her backstage when she played Berg with the Utah Symphony a few years ago. She was just as gracious and kind and delightful as you would imagine!! She is an absolute treasure and icon!!! ❤
Wow, how can I not have known about this woman? Was that not utter perfection?
Oh my God! Was this piece always that good and I'd never realized before?
Concerto played with inspiration. Bravo! Stravinsky's concerto should be performed more often.
Wow. There are no words adequate enough to describe her exquisite performance. So many moods, textures, emotions and more. She truly feels the music in each moment. What an absolutely remarkable performance.
To me this is the definitive performance of this concerto.
Dunno, I think Frautschi + Craft/PhO is more nuanced, controlled and cohesive.
Here via her interpretation of the Ligeti Violin Concerto cadenza clip. Subtle humor and power in how she performs. Just going to definitively say that Kopatchinskaja is my favorite living violinist.
The greatest interpretation of STRAVINSKY VIOLIN CONCERTO In modern times. BRAVO
This music is absolutely marvelous, wonderful, beautiful!!!! And of course Patricia and the orchestra are excellent. Bravo.
love her and her way to "play" music! Thanks a lot!!!
Kopatchinskaja, Orozco-Estrada, Frankfurt Radio Symphony and Stravinsky. An outstanding combination.
Ebouriffant , ce n'est que du bonheur ; il suffit d'entendre les prouesses des vents solistes ,d'observer le grand sourire du 1er violon à la coda , et la grande joie du chef d'orchestre .
Stravinsky would have loved this passionate reading. Just incredible!
what a fantastic 3rd movement!!....or rather.... the whole concerto is fantastic!!...she's a breath of fresh air for sure!!
Patricia K. was born to play the Stravinsky Violin Concerto! Phenomenal!
If so, it's rather funny she needs the music in concert
@@frankstein9982 Absolutely nothing wrong with that, when you're this good the music is only there to calm the nerves
@@rees4232 I don't think she has the sheet music so she's not nervous
She has a super-rhythmic, hyper-active performance personality that ENHANCES certain music like the Stravinsky concerto, Legeti Concerto, and Bartok Concerto.
...in the back of my mind, I wonder how she would handle the Schoenberg Concerto ?
And this concerto is a phenomenal tribute to Strawinsky.
This wonderful concerto suites her perfectly....look at the "kick" Kopatchinskaja is having playing it. That's a feast to look at....beautiful. Kopatchinskaja is a very gifted violinist.
The most incredible performance. She is a true virtuoso.
Beautiful music, expression, cloth, and playing style of player.
00:55 I. Toccata
06:37 II. Aria I
11:21 III. Aria II
16:56 IV. Capriccio
thx guy!! you're AWESOME
Фантастический концерт!
Огромная благодарность Патриции Викторовне!
Знаю что такое НАДРЫВ, но как наоборот не знаю!
Patricia Kopatchinskaja: lúdica, apasionada, fuerte, divertida, tierna, virtuosa... Adorable...!!!
Esattamente giusto! Una violinista splendida che ha tanti amichi di fate invisibili e giaie che la sempre circondano donando le la loro potenza supernaturale quando suona.
I would like to add: almost on the brink of being too extravagant ... look what she did with ligeti's, one of the most intriguing violin concertos ever...
Y algo bruta también 😀 La música no lo es tanto así 🤔 Desearía más calidad instrumental y menos actuación y show. Cálidos saludos desde Rusia. Toqué un bel día de 1999 este precioso concierto, y créeme que lo hice mejor! 😃
@@nss4472 depende de lo que consideres bello!! el que Kopatchinskaja muestre una paleta amplia de colores timbricos es realmente bello. Muestra un conocimiento valorable sobre el instrumento (y quizás se deba a qué también es compositora). Es fascinante y hermoso el que salte de una brutalidad formidable a una delicadeza rústica. La interpretación no es estática, cambia y todas las formas, siempre y cuando sean serias y justificadas, son totalmente respetables.
Y sobre lo que decís de lo teatral, es súper admirable! no cualquiera se atreve y puede hacerle con tanta naturalidad.
@@nss4472 pd: me encantaría escuchar tu versión de tan espectacular concierto.
I heard of her first when I heard her "Tzigane" I enjoyed the extremely different interpretation of it yet having heard others so many times I preferred the more usual interpretations. However, since I have not heard this piece before and therefore not become accustomed to any range of interpretation, it is quite marvelous. Quite an expressive and spirited performance.
I have since heard her Tzigane again and really enjoyed her interpretation. I realized that she has a hold on the piece better than anyone I've heard.
Read that this piece was originally thought unplayable, but she goes in guns ablaze without hesitation. Bravo indeed! What an inspiring work this is. Thank you.
The first chord only thought to be unplayable, but then Dushkin tried it out and it was easy. Stravinsky consult other violinist for technical problems regarding the violin, but Hindemith encourage him to not rely on common technique, thus introducing rather difficult note and rhythm
Absolutely incredible playing! Music making at it's most passionate and everyone having a ball
The harmonics which she does is sooooooo ... WONDERFUL!!!
The concertmaster is in love with her.
Joseph Juiliano everybody is
Who wouldn’t...
In her “cadenza” she wrote a part for him...
ruclips.net/video/Z8SvS4a0yOo/видео.html
I don’t blame him 😍
He looks a little bit too old
@@sergejvasiljevitsjrachmani2808 No one is too old to be in love.
The performance is astonishing, Patricia at his best and a superb orchestra.
MIL GRACIAS ANDRES POR PONER NUESTRA CIUDAD DE MEDELLIN EN ALTO... ERES EJEMPLO DE MILES DE JOVES QUE QUIEREN SER COMO USTED... QUE ORGULLO QUE SEAS DE ESTA TIERRA MUSICAL...
-- Une œuvre pour violon magnifique. P.Kopatchinskaja joue avec une spontanéité et une vivacité communicatives, c'est tranchant, c'est touchant, de la haute voltige qui entraîne l'orchestre et son chef, et puis j'adore sa robe :) --
Stravinsky !! What a great concerto!!
One of rare 20minutes of sheer listening awesomeness! Patricia K is just an ineffably superb violinist- just love watching her play- mesmeric !!
Something was needed to make this music more entertaining, if not better, so here is violinist Kopatchinskaja with her colorful dress and great facial expressions obviously enjoying the experience immensely and thus allowing me to enjoy it vicariously. Now I'd like to hear (and see) her perform a concerto that we both like, perhaps the Prokofiev Second, which I understand she recorded with the Stravinsky.
Magnífico! Sincronismo orquestra-violino excelente!
I wish there was a button stronger than "like" - this is wonderful, amazing.
That trumpet player is outstanding.
originally i was a bit skeptical on hearing stravinsky's violin concerto with he himself saying that he wasn't fluent with violin writing but all i can say is wow, what an amazing piece! and what brilliant energy given off by the soloist!
Felicidades por la interpretación. Hacía años que no me sorprendían tanto. Ha sido un descubrimiento por todas partes: obra, solista, director y orquesta. Muchas gracias.
Great Stravinsky violin konzert excellent mind relaxed heart touching all time great Frankfurt radio symphony orchestra God of music
Stravinsky would enjoy this Amazing performance from heaven!
J 'écoute cette œuvre pour la première fois et malgré son apparente difficulté (?), Patricia Kopatchinskaja est si à l'aise, si énergique ,que j'en suis tout ému. Je la découvre aussi...
Never heard this before, but wow it's good.
Dynamic, Exciting, Characterful, Spirited and of course Stawinsky in full flight with a great fiddler at the controls.
Intensity and commitment. For me, an excellent performance by soloist and orchestra. Bravo.
Staggering talent. My God, those opening figures!
Lebhafte und rhythmische Aufführung dieses anspruchsvollen Meisterwerks mit höchster Technik der Solovioline.
Te3shsse
I saw her yesterday perform this concerto this woman is an angel. An amazing presence that with her style makes audience and Orchestra to enjoy and have fun. Love you patricia
Much better performance than some others I've heard.
The first chord has a prculiar story. Stravinsly was eating in a restaurant with the violionist who premiered the work (I do not remember his name). He wrote this chord on a piece of the napkind and asked to the violonisst if it was playable.
This concero is one og the best pieces of the neoclassical priod of rhe composer. He did not deny the influence of the concertos of J.S..Bach, especilally his concerto for two violins. But usually Stravinsky lets the influences be quite apparent. Here they are more secret.
You only told the first part of the story! :) The violinist, Samuel Dushkin, initially said no, but then called Stravinsky on the phone when he went home from the café they'd been at it and tried it out.
Wonderful orchestra as usual. Excellent conductor : always!
Original violinist... Very!
Thanks!!
Patricia Kopachinskaja, you are great. And you are playing a truly great violin concerto. So much fun to watch you.
Even though I can't say it's the performance stravinsky would have wanted as he often disapproved of people adding romantic color to his extremely atonal and some what unfeeling works, this is a incredible performance and that soloist just makes me happy. Seeing her groove and jive and bounce around along to stravinsky just gives me so much joy. Amazing job to all involved!
A friend once noted that Stravinsky was in tears during the performance of the Aria II of the violin concerto. When asked Stravinsky answered that this movement was the only way that he could say sorry to his then deceased wife whom he had not treated very well during her lifetime. So much for the "mechanical" Stravinsky.
I kind of laughed when I noticed she's performing in bare feet. A little irreverence combined with virtuosity is always a good combination.
But did you know that during a rehearsal of Persephone the singers used to treat the opening chorus in a very sentimental way. This displeased Stravinsky, who then asked them why they did so. The singers responded that the chorus seemed to them a particularly expressive one; to which Stravinsky said: 'Then why do you want to make it expressive, when, as you yourselves told me, it already is?'- and later adding, much to the benefit of the coming ages: 'It's as if you try to sugar the sugar.'
Also, this is not atonal music, far from it. And the feeling is there whether Stravinsky intended it or not ;) (Though I think he did)
This concerto is not atonal. It contains many diatonic scales, and is if anything polytonal, but certainly not atonal.
What an energetic performance of total precision and passion.!! Bravissima!
She is amazing and genuine.. clever interpretation:) bravooo !!
It's quite possible this is the best recording of the Stravinsky Concerto that has ever been done.
I liked Hilary Hahn, but she's a bit of an ice princess with this piece. That approach can be very appropriate with Stravinsky because of the disjointed nature of the relative rhythmic cubism of the piece. Everything is very angular and almost puppet-like, Saltimbanques...
But her playing is absolutely impassioned and playful. I've played this concerto several times, and it lends itself well either way. But I like her version better than Perlman, Stern, or Hillary.
She's a strange one. The more obtuse the piece, the more she makes absolute sense out of it.
But when I hear her play something which is normal by comparison, it's as if she is a totally different person and has no clue to previous performance styles and traditions. It's one thing to do something different and it's another thing to go against tradition. The idea is to use your voice while doing the traditional elements.
But I think that more difficult the piece, the better she plays.
If you can find a full recording of this ruclips.net/video/ckZvSDnMhs8/видео.html from Leila Josefowicz (with Mirga Gražinytė-Tyla), you might change your mind about the best!?
Far from the best... Very far.
@@fastfriendtigerlily Not the best either. Too rough, even being charismatic.
The best versions of that are (omnipresent) Itzhak Perlman and Andrey Kórsakov.
While I find this recording lively and lovely, I think I still like the Mutter version better. Not that this necessarily has anything to do with the quality of the performance itself. It may simply be a matter of how it was recorded... the balance seems off here, it sounds like she is constantly being overwhelmed by the orchestra. These things are so difficult to determine from listening to it on RUclips, and I honestly have yet to hear a really bad version of anything on the internet (as far as I recall). It is quite clear that she has a bright future ahead of her. She reminds me a bit of Janine Jansen in terms of style. So dynamic.
@@functoravatar m.ruclips.net/video/jMfrI57mBhQ/видео.html
Yoojin Jang is the best till now.
Very natural, well done and MORE dynamic.
I should prefer more the Russian version being Russian person myself, but even so I gave my vote to the another one☝️😁
!!!! Brilliance, reminds me of Oistrakh at his fieriest
World best music symphony my favorite music symphony orchestra world best Frankfurt radio symphony orchestra mind relaxed heart touching great composer God of music
A feast for both ears and eyes!
I'M FALLING IN LOVE WITH HER AND YOUR INTERPRETATION THIS CONCERTO
Quel grand talent !!! Bravo PATKOP !!!
Quelle diablesse incorrigible mais adorable dans cette œuvre espiègle de Stravinsky ! Bravo !
It was the highest splendor that surpassed far my expectation. unimpeachable performance！ incomparable fiddler❗ Standing ovationaly‼️ Greetings from Japan.
小島信一 эх
Such a fiery performance!!!
"Joyful" is the best description
Yo veo esta vrga en vivo y me muero de un infarto. IMPRESIONANTE. TOTAL DOMINANCE.
She is jumping and the conductor jumps too!!! That was a really intense moments!! XD
I missed the hop? Where was it? :)
.
@@jacksumrall7782 everywhere
Wow! What a new discovery ... composition and violinist alike! Wonderful!!!!
THIS CONCERTO DA BOMB
amazing technique and powerful soul... unique interpretation ;)
A wonderful performance. I also think I'm in love.
Also nicht nur die Solistin ist wunderbar, auch das Orchester ist vom Feinsten :-).
How can anyone have so much fun playing a violin?
Superb performance.
3:57 that subit change in the mood from inocent to devilsh, was freaking cool
I love her playing sooooo much!!! 😍❤️❤️❤️
Patricia Kopatchinskaya enjoying herself for 23 minutes straight!
she is so authentic and free in her playing
Absolutely wonderful! from EMI Associate Composer. I lived on the edge of Russian post modenrity watching this. Many regards. No, she looks like Emily Watson, aka movie Jacqueline Du Pre, Similien. Knock them out. Big up! Stravinsky would have approved such joy.
the 4 movement was very fun the 2 and 3 were so beautiful
Beautiful performance!!!
Bravo!!!
스트라빈스키 바이올린 협주곡의 가장 우수한 해석. 연주자와 지휘자, 악장과 단원들에게 존경과 감사를 드립니다.
She is a SHOW!!!
97 of you.. even you don't understand Stravinsky, look at Patricia's facial expression! How can you not like this video??
And her dress!
FANTASTICA!!! BRAVA BRAVA BRAVA!!!
Da macht Musik so richtig Spaß !
¡Genio! La mejor violinsta de todos los tiempos. Solo lamento que Bach y Paganini no esten en su repertorio al menos que yo sepa .
Bomba!!!! Rockový koncert!!!
She is Genious
Beautiful,thanks
Love the dress.
Her tone color is so joyful that my heat was popping!
She is special and amazing!