Flawless! I love seeing Metallica drum transcriptions as it gives a great insight to Lars’ idiosyncratic ideas The crash on the 2 with snare and the quick bass drum rolls on 3 leading to the 4 being two obvious examples
I WAS JUST LISTENING TO "...And Justice For All" WHILE BUYING GROCERIES XDDD Idk if I could make the fast double bass part that works as a transition from the chorus to the next verse. I m still unable to reach a stable speed on the machine gun kicks from "One", so I doubt I can do these.
I hope you had 'One' on in the shop as well. Bargains, Imprisoning me, All that I see, Absolute savings! Stay consistent and relaxed with the kicks and you'll get there! Oh and lots of natural healthy eating from your local supermarket ;)
Hey! Do you have any tips on how to stay consistent at a higher speed like this? Ive been struggling a lot with that. (Mostly woth the intro beat, the o e with snares on the "ands")
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Good, but the sheet is bad and is usually not how you should count it ( Im talking about the switch part after the solo). On the build-up it doesn't change to 9/8, it stays in 4/4, but an eight but the beat moves an eight note on the next bar. This means you put all the snare rolls on the same place every single time. It's a bit harder to count it that way, but it is better to do so, because it gives ou actuall skill that you can implement everywhere, not only on that song. The playing was great though
Thanks for saying my playing was great but I stand by the 6/4 - 9/8 - 7/8 - 6/4 - 9/8 - 6/8 - 6/4 -4/4 - 4/4 - 6/4 - 4/4 - 4/4 sequence. The drums determine the feel of that section and it's better the prioritise the 1 being at the start of each of those phrases. Sure you can count 4 over all of that but it makes it harder for no good reason. Lars was for sure feeling the 1 at the start of each of those odd time signature bars - he was probably just feeling if he lost an 8th note or gained an 8th each time. You don't want to start making the downbeats feel like upbeats. Time signatures are just a counting system to help us understand music and there are always plenty of options - you should always go with the option that compliments the music the most. And in the case of Blackened these time signatures work the best!
@drumscribe You are right, that is true. But the thing is you will develop the skill to put the first beat wherever you want in your mind and as I said, that will help you in similar stituations on other songs. Otherwise yeah, you can count it however you want, there is no wrong in music ( I personally just say ,,pu tsa pu tsa pu tsa" in my mind, which should represent the beat beforehand to help me add the extra 8th on the build-up get in on time). At the end of the day what matters is how it sounds, right?
@@TheTrooper1878 You’re comparing playing over the bar line with different phrasing’s vs actual odd time signatures. This section would not fall under playing over the bar line in 4/4 because the overall composition is written with beat 1 being reset. You’re therefore over complicating the part with unnecessary upbeat counting. For sure do it for a challenge to up the difficulty, but you have to understand that any analysis or presentation of this song for the purposes of teaching an audience, it should be written as I’ve transcribed it - with odd time signatures. If I’d written it in 4/4 with over the bar line phrasing, THEN the sheet music would be bad.
@@drumscribe As in language, in music you also have something like a vocabulary - the techniques you know being the words in your vocabulary. The metric modulation is exactly that - another word in your vocab. If you learn it well enough, you can use it while imrovising. I think that you as a teacher in music shuold increase the level of the player to the level of the song, so he can get better. Decreasing the difficulty of the song, eventough he will able to play it correctly, will not contribute in any way to his vocabulary. But I am just some guy on the internet that is just trying to help, not hate on the video. Maybe I should not have written that the sheet music is bad, but that it would have been better to be the other way. Anyway, have a nice one and keep playing 🤘
@@TheTrooper1878 Treating music as a language is one of the pillars of my in person teaching (I’m a full time drum teacher). So I definitely agree with you in building a vocabulary to be able to speak and express yourself on the drum kit. So counting 4 over the top of that section may be a great exercise and provide valuable skill for the player in their other drumming ventures - I don’t believe that Lars or any other members of Metallica count that section in 4. Plus I still think that the odd time signature suits the flow of the composition here better. With all that in mind, to me the odd time is the correct way to transcribe the song and the 4/4 throughout would be the exercise to develop across the bar counting. With the channel Drumscribe I always want to transcribe it the correct way, from a theoretical point of view and also from the artists. I appreciate the comment and debate - I don’t mean to come off as standoffish, just wanted to share my thoughts on why I still stand by the way I I originally wrote it. All the best - Joe
I initial heard this as the first kick pattern which then develops to the more syncopated parts later on. Maybe I was off slightly on that part in the notation but I’m still not hearing any of the syncopated parts in the solo for examples. Live - lars pretty much sticks to the K-S-KK-S all the time now. Both options can work well 🙂 Hope you enjoyed the rest of it 👍
Flawless!
I love seeing Metallica drum transcriptions as it gives a great insight to Lars’ idiosyncratic ideas
The crash on the 2 with snare and the quick bass drum rolls on 3 leading to the 4 being two obvious examples
the crash on the 2 with snare, lars always uplifts guitar riffs imo.
Yeah! His drumming truly has his own voice/sound - people don't realise how hard that is to do.
Insane play...! You always inspired to me, Joe 🔥
That's so cool to hear - Cheers!
Best transcription… have you thought about being a drum teacher
I’d get them to count 15/16 over 4/4
4:17 the timestamp everyone is looking for
Everyone, get your RLKK patterns ready!
Nice single foot action there!
good but not exactly wright. ruclips.net/video/UoQAcW9d4SQ/видео.html&ab_channel=JonDette
great song, you should absolutely make a sheet of the call of ktulu, battery or welcome home
or disposable heroes!
Got these quite high on my Metallica list! The goal of the channel is to have every Metallica song done. I'll keep working towards that!
I WAS JUST LISTENING TO "...And Justice For All" WHILE BUYING GROCERIES XDDD
Idk if I could make the fast double bass part that works as a transition from the chorus to the next verse. I m still unable to reach a stable speed on the machine gun kicks from "One", so I doubt I can do these.
I hope you had 'One' on in the shop as well.
Bargains,
Imprisoning me,
All that I see,
Absolute savings!
Stay consistent and relaxed with the kicks and you'll get there! Oh and lots of natural healthy eating from your local supermarket ;)
Good shit!
Bravo!
Cool 😎
Yeeess thank u
Nice 🤘
Hey! Do you have any tips on how to stay consistent at a higher speed like this? Ive been struggling a lot with that.
(Mostly woth the intro beat, the o e with snares on the "ands")
Niubility👍🏻
Want to jam along with the drumless version of this video? Introducing Drum(LESS)scribe +! The new membership tier will give you all the benefits of Drumscribe + with the addition of being able to access the unlisted version of this video (with click & without click). Check out the membership options here: www.buymeacoffee.com/drumscribe/membership
PDF & Guitar Pro files are now available. Access here - www.buymeacoffee.com/drumscribe/e/172154
Damage, Inc. please and thank you!
30 Metallica songs down so far - I'll be getting them all done!
La cancion es tan rapida que pareciera que grabaste el video mas lento y despues la pusiste a la velocidad normal
The recording is not sped up at all 👍
Can u play blink 182 - josie pliss
I'll add it to my list! I have a different Blink song currently scheduled in for November.
there's a double pedal missing
🫨
Good, but the sheet is bad and is usually not how you should count it ( Im talking about the switch part after the solo). On the build-up it doesn't change to 9/8, it stays in 4/4, but an eight but the beat moves an eight note on the next bar. This means you put all the snare rolls on the same place every single time. It's a bit harder to count it that way, but it is better to do so, because it gives ou actuall skill that you can implement everywhere, not only on that song. The playing was great though
Thanks for saying my playing was great but I stand by the 6/4 - 9/8 - 7/8 - 6/4 - 9/8 - 6/8 - 6/4 -4/4 - 4/4 - 6/4 - 4/4 - 4/4 sequence. The drums determine the feel of that section and it's better the prioritise the 1 being at the start of each of those phrases. Sure you can count 4 over all of that but it makes it harder for no good reason. Lars was for sure feeling the 1 at the start of each of those odd time signature bars - he was probably just feeling if he lost an 8th note or gained an 8th each time.
You don't want to start making the downbeats feel like upbeats.
Time signatures are just a counting system to help us understand music and there are always plenty of options - you should always go with the option that compliments the music the most. And in the case of Blackened these time signatures work the best!
@drumscribe You are right, that is true. But the thing is you will develop the skill to put the first beat wherever you want in your mind and as I said, that will help you in similar stituations on other songs. Otherwise yeah, you can count it however you want, there is no wrong in music ( I personally just say ,,pu tsa pu tsa pu tsa" in my mind, which should represent the beat beforehand to help me add the extra 8th on the build-up get in on time). At the end of the day what matters is how it sounds, right?
@@TheTrooper1878 You’re comparing playing over the bar line with different phrasing’s vs actual odd time signatures.
This section would not fall under playing over the bar line in 4/4 because the overall composition is written with beat 1 being reset.
You’re therefore over complicating the part with unnecessary upbeat counting. For sure do it for a challenge to up the difficulty, but you have to understand that any analysis or presentation of this song for the purposes of teaching an audience, it should be written as I’ve transcribed it - with odd time signatures.
If I’d written it in 4/4 with over the bar line phrasing, THEN the sheet music would be bad.
@@drumscribe As in language, in music you also have something like a vocabulary - the techniques you know being the words in your vocabulary. The metric modulation is exactly that - another word in your vocab. If you learn it well enough, you can use it while imrovising. I think that you as a teacher in music shuold increase the level of the player to the level of the song, so he can get better. Decreasing the difficulty of the song, eventough he will able to play it correctly, will not contribute in any way to his vocabulary. But I am just some guy on the internet that is just trying to help, not hate on the video. Maybe I should not have written that the sheet music is bad, but that it would have been better to be the other way. Anyway, have a nice one and keep playing 🤘
@@TheTrooper1878 Treating music as a language is one of the pillars of my in person teaching (I’m a full time drum teacher). So I definitely agree with you in building a vocabulary to be able to speak and express yourself on the drum kit.
So counting 4 over the top of that section may be a great exercise and provide valuable skill for the player in their other drumming ventures - I don’t believe that Lars or any other members of Metallica count that section in 4. Plus I still think that the odd time signature suits the flow of the composition here better.
With all that in mind, to me the odd time is the correct way to transcribe the song and the 4/4 throughout would be the exercise to develop across the bar counting.
With the channel Drumscribe I always want to transcribe it the correct way, from a theoretical point of view and also from the artists.
I appreciate the comment and debate - I don’t mean to come off as standoffish, just wanted to share my thoughts on why I still stand by the way I I originally wrote it.
All the best - Joe
The first riff does not sound right, rather than a straight K-S-KK-S is more syncopated, as you play it towards the bridge/end of the song - why that?
I initial heard this as the first kick pattern which then develops to the more syncopated parts later on. Maybe I was off slightly on that part in the notation but I’m still not hearing any of the syncopated parts in the solo for examples. Live - lars pretty much sticks to the K-S-KK-S all the time now. Both options can work well 🙂 Hope you enjoyed the rest of it 👍
@@drumscribeSure, I enjoyed that part as well, don't get me wrong 😄
Cheers from Italy!