The TEN Most Important albums in Music History | RANKED
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- Опубликовано: 16 янв 2024
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I can hear the Monte Python cast yelling, " GET ON WITH IT!"
What tf is Monte Python?
@@skinovtheperineum1208 It's the mountain in the Amazon. 😆
Amen Brother! Just give me the list! I've never known anybody so in love with hearing their self ramble on, and then have the audacity to ask for money!
@@skinovtheperineum1208Google it!🏴
@@williamchapman7860 Move on then. A simple mantra that will help you get through life, ‘don’t be a dick’.
What I enjoyed about this - besides his unbridled enthusiasm and incredible breadth of musical styles, is that this isn’t a “greatest albums of all time” list, because if that were the case I would disagree with a lot of them. But, he makes a compelling case for an album’s importance on music in general, and probably rock music in particular. Very well done. Thank you!
I totally agree. The focus on "importance" rather than "greatness" makes this an interesting video and, like you, I have to admit that Andy does make very solid reasonings for the rankings. Good job.
I wasted an hour slogging through Rolling Stone's 500 greatest blah blah blah. It did brighten my day though, I had several genuine laughs out loud. And of all the 'rock' albums ever made, they chose 'Let's Get It On' by Marvin Gaye as #1, lololololol
If you were truly serious you would go to eleven.
13 !!!!!
😂
And using the the importantnometer.
I see what you did there 😉🤣
I would need to create 10 albums full of records 😂
I love watching your videos, Andy. We are same generation and you create this pleasant homey atmosphere, so I feel almost like talking with one of my music-buff mates. Lovely Birmingham accent, too. 👍 Thanks! annnd cheers! 😆
The time they are announced, but there is often introduction, and description before these times.
6:16 #10: Paid in Full by Eric B and Reqium
10:03 #9: The Velvet Underground and Nico
13: 53 #8: Kind of Blue by Mile Davis
19:30 #7: Trans-Europe Express by Kraftwerk
26:19 #6: Black Sabbath by Black Sabbath
28:40 #5: Freak Out by The Mothers of Invention, and
31:47 #4: Revolver by the Beatles.
33:58 #3: King of the Delta Blues Singers by Robert Johnson
37:57 #2: Free Wheeling by Bob Dylan
42:59 #1: In the Wee Small Hours by Frank Sinatra
Rakim
13:53
So much knowledge. You make great arguments for your picks. Well done.
Ambitious list. I’m looking forward to this one!
Thanks for this. I actually agree with your criteria and your list!!! Even though I haven’t heard all of these records I look forward to diving deeper.
Absolutely fascinating. I am grateful for you sharing your perspective. Bravo.
My pleasure!
Thank's for that Opening Explanation on albums! Thank's for excellent program!
Sub'ed and liked. The effort, scholarship, knowledge, and thoughtful approach is appreciated.
Great idea and list. Thanks!
Another really interesting vid, mate 👏👏👏
So glad I came across your video. A true historian. Learned so much.
Glad you enjoyed it!
Andy you’re amazing
I’m sitting in a hospital since
Christmas
And your vid’s have really preserved my mental state
Thank you
Hello Jeff...lovely comment there. I wish you all the best and hope you get back home as soon as!
Interesting how Andy Edwards doesn't look straight into the camera. Perhaps that is best. Looking into the camera pretends to be making eye contact with the viewer. But of course he's not looking at the viewer. So why pretend to be? Be honest and look elsewhere.
Thank you for pulling together at least a few of the threads that have been aimlessly drifting through my mind for over 50 years. Until now, I sensed no purpose in clarification. Yes, until now. Liked and subbed.
Yes, vinyl record albums are truly examples of "the medium is the message."
This is a very important point, recorded music is a very modern thing. Music is not. Our reception of music and it's significance has altered significantly. I wish there were more podcasts looking at the cultural significance of music, it's physics (rhythm, melody, harmony), the medium (instrumentation), it's performance (improvised, memorised or written, and the genealogy of written music) and the cultural implications of when and where music is received.
To be specific, vinyl record albums (especially those that you could open up and peruse, like a photo album) are culturally significant because they represent a way for everybody, including non-musicians, to participate in the music. The record album invites you to sit cross-legged on the floor reading the liner notes while listening to a side of a disc. A typical ritual would be to listen to an exciting new release together with friends. The cardboard album jacket served multiple uses. It might be suitable for display on the wall. When I was in college, the jacket, propped up at an angle, often was used to separate seeds from cannabis (back when that was a necessary procedure). Long live the vinyl LP!
Vinyl is garbage. Get over it.
I am impressed with your eclectic knowledge of multiple music genres and their timelines. You are a true "aficionado."
Thank you kindly!
Eclectic list! All worth a listen for an immersion in experiencing the roots of popular music innovations.
Interesting list. Great enthusiasm as always.
Thanks!
Your channel is great. Binging all week.
I appreciate your thoughtfulness.
It's raining on Monday morning in Wales and I'm humming "Mood Indigo" to myself. I salute your No1 choice, sir!
Great video sharing your top 10...thanks so much.
Really interesting, thank you.
I love how unpretentious, passionate, and knowledgeable your presentation is. Well done!👍
I love the story of how Kraftwerk were inspired by The Beach Boys in that their music took you straight to Southern California, Kraftwerk's made you picture industrial Europe
Great find, found your zappa/guitarist a day or two ago, subbed.
Life long musician, quite enjoyed this. Thank You for sharing. New Sub😊🎼
I love this channel. It's deepening my love of mid 20th century music.
Miles had several conceptual albums , in a silent way , sketches of Spain , Bitches Brew . He always pushed things forward
In a broad sense, all albums are conceptual insofar as the tracks are organized to produce certain sequential effects and moods.
On The Corner somehow combined funk, psychedelic rock, jazz, world music, and Karlheinz Stockhausen-inspired composition.
New sub! I like your eclecticism, and challenge to my prejudices!
Excellent video. nuff said
Much appreciated
I love it. Great stuff
Thanks!
This may be your best video. Very well thought out and elucidated excellently. Really enjoyed this.
Wow, thank you!
Seconded.
Good work Andrew
I love the way the more Andy gets excited / enthused , the more he runs his fingers through his hair !
Thank you for your well researched and interestingly presented piece.
As you say, it’s largely around personal preference when it comes to favorite artist / album.
You however present many facts which I was not aware of which I found informative and very interesting.
Thank you 🙏
The prog movement of the 1970s, bands such as Pink Floyd, Led Zeppelin, Yes and King Crimson exploited the album format to the full. Love your list, especially the number one. Subscribed.
I’ve never said “Hmmm, interesting”, so many times before when hearing a ranking choice, lol.
So, I don’t necessarily agree with this list, but it’s refreshing to hear a unique take and I honestly learned a lot just from the couple videos I’ve watched so far. Looking forward to watching more of your videos.
This was like going to a college class. Fantastic.
Extremely interesting presentation. I needed to adjust my perspective as you moved to 7, 6 and so on.
I understand better now that these albums were both great and ground breaking in approach. Each being the beginning of something different.
Thank you!
Bowie's "Low" would have merited to be on the list I think - many 1980s and 90s bands owe an incalculable debt to the sounds and musical concepts of that album (U2 being an obvious example). And it was a very bold departure from what anyone had heard before.
Andy, I know I keep saying this but you are amazing.
Thanks. I enjoyed that 😁👍
These were so well-reasoned choices. Well done!
If you think of Can as dark and doomy then you probably haven’t listened to any of their albums aside from Tago Mago. Give them another listen, and make sure to check out Ege Bamyasi and Future Days.
I find them more weird, artsy intellectual than dark. Although if I had to listen to Can for days straight, I might go insane. Early Neu! I wouldn't consider dark either.
Very well argued Andy. There's a lot of knowledge here and a real understanding of why the vinyl album was so important. You've picked some real classics here to illustrate your points. Interesting that you picked the Sabbath debut. I agree, it's their most important album for the reasons you gave. I think I'd also add debuts by Elvis Presley and Jimi Hendrix; A Hard Day's Night instead of Revolver; and DSOTM. There should be a bit more jazz in there too and perhaps even some easy listening or a soundtrack album from the '50s to complete your story. Many thanks for a great video.
The early Beatles albums get short shrift because of the amazing growth and studio prowess of the Beatles and George Martin / Geoff Emerick's impact, post touring years. But the UK release of A Hard Day's Night not only reveals the group at the top of their Rock game, but is a masterpiece driven by LENNON. It is really John's (one hell of an) album! A wonderful DISCOVERY moment for anyone who's not delved into the early Beatles catalogue.
Most people don't realize what a tectonic shift that Remain In Light indeed WAS... Basically it was the Prototype for the method in which all albums would be later created. Only at the time it was fantastically difficult. Nowadays you have loop based recordings on nearly every single project. Loops are pretty much the way we record now and way we produce and construct songs. At the time, though, we didn't have digital recordings or hard drives or things that could be looped in a convenient way. But this guy Brian Eno, Had been working with tape loops for many years. And when he started recording his music and basically he was not a musician, His art form was to play the recording studio via his collection of tape loops. And he was able to do things using the new SMPTE based recorders, That allowed him to create all of these different loops with different times but still keep them a synchronized together.... And then be able to fade them up as required in this song... All the things that we do in take for granted these days, doing so at a painstaking pace loop by loop, all assembled together running off the same time code. If you were to listen to the stereo difference, Which you can find on youtube, Stereo differences will show you that there are several generations of loops that are contributing to the overall atmosphere of the recording... It seems as though there is a 1000 things going on. But really there's only a couple of loops... All of them were assembled and mixed as a track and then usually lead vocals were cut live over them.. The song once in a lifetime, The chorus vocals were looped over and over to get that sound... And even parts of the lead vocals were looped after the fact... It was a massive bunch of tape that made that song possible and interestingly the The great rhythms and loops of base and Afro-Cuban style. Rhythms were very much danceable and it was a hit in the dance clubs in europe. People got down to it! Later on, the digital era became a reality and loop based recording. Came back with a vengeance and now it's kind of a blight on most recordings... Loops are not done with the greatest of care or with the highest quality of instruments. It just seems to be a bunch of computer based crap. What Eno Did was to take actual tracks of music played by professional bands and musicians and loop those in the large analog recording studios.... That was the magic of his work. And even though it was lute based, it was about a hundred times more difficult than regular production at that time.... What takes people a fraction of the time to record an album these days, Took many more times back then.
The Beatles used loops. The mellotron was also based on loops.
@MusicOverMyHead that's correct. But they didn't build actual songs around them. The mellotron is akin to a sampler and is played. But the other instances that they used loops were only for incidental noises and not actual parts of the musical foundation.. For the benefit of mister kite, Add snipped up a bunch of random pieces of calliope music, But if you heard the loops of calliope, It would not resemble music with a rhythm. And in tomorrow never knows, They used loops, but they were just random noises that they made in their home was before they came into the studio.
@@seansweeney3532 In "Tomorrow Never Knows" (1966) the use of loops is quite foundatory to convey what Lennon had in his head - it could never have been achieved with normal musical instruments at the time. Also, "I'm Not in Love" by 10cc (1975) with groundbreaking use of hundreds of vocal loops to create a large, flowing, wordless choir.
@louise_rose good examples, but the use of loops was not absolute, as in "loop-based" recording. That's what Eno really founded. In which all parts of a song are loops. The technology that eno used was practically around back then, But they didn't have the ability to sync up multiple machines as Eno did, Using the larger studios that would use the SMPTE time code to stripe a channel of tape and link/sync multiple large analog multi-tracks. That is what we're seeing with the early experiments by Eno. With 10cc... they had vocal drones in notes and vowel sounds arranged almost like a sampled choir, and played like a virtual keyboard... and in tomorrow, It's not necessarily foundational to the music, honestly. If that were the case, it would be a more deliberate process and not as random. The way the tapes were laid down was quite at random and The end result was serendipitous and not deliberate.
I'm still not using commercially available loops. It's just more fun creating your own and play with them, I found out long time ago. 😉So I'm not anti-loop. Playing with a loop can bring the track to another level. Or not. Creative freedom is yours to exploit. 👍
Brilliant as usual! Excellent closing. I always skipped Sinatra as old timer and never thought about him from such perspective. My list of lps to buy grows every time I watch you! Have a break, talk about King Crimson or Mahavishnu. I have at least most of their early works.))
I can’t listen to “Unknown Pleasures” anymore, but I’m surprised you left it out. Huge influence. Tony Wilson practically created indy.
love your intellectual lectures.....thank you
Glad you like them!
I love your comprehensive musical knowledge and cultural analysis. It's like a university-level music history lesson.
used and listened albums...adore this stuff!!
Hello Andy, discovered your channel a few weeks ago , now I'm watching a video of yours almost daily! I appreciate your take on the music and your ability to look at the context, the bigger picture, the evolution of things and your subjectivity (is that a word? I am from Italy, in case, sorry).
The second thing I wanted to say: I never heard you mention the band Beggars Opera, they are as british prog as it gets. Do you know them? I think they are great on their first albums. (But of course, maybe you mentioned them already in earlier, in that case, just ignore this part of my comment).
Yea, you are spot on about the album format.... also, we got sold on the idea of losing all that glorious artwork! The package of an album or double album was fabulous.
Good list!
Big tune! 🔥🔥🔥
As always, utterly informative and entertaining. Thanks!
An absolutely stellar accomplishment, featuring a stunning list of important music. Very enjoyable.
Glad you enjoyed it!
Good stuff
When you list Freakout you became the most important voice of all thanks chum great postX
Hi Andy. Luckily I don't have to imagine. I did buy LZ3 when it came out and I still have it. Love your passion and your well thought out opinions and insights.
With out a doubt the most informative entertainment and enjoyable discussion of "the album" with a personal emotional perspective. Well done
Me and my brothers had access to an awesome technics aa+ system with Revoks and Thorens decks. you need two cause one tune must transition into the other... we would each pick an album 3 of us in turn until we had 12 laid out on an old chinese rug. We would admire the art, we knew who played what, the year of release, the producer, the special mentions and acknowledgements. We listened through huge B&W speakers and smoked dope ... My favourite memories man! It was an event!
@Andy Edwards,
I cannot disagree with any of your choices...all fantastic. It took me a minute, but when thinking of albums that revolutionized the format (versus revolutionary albums), Jethro Tull's 'Thick As A Brick' from 1972 comes to mind. It was a single/continuous composition with only a single break (to flip the vinyl). I don't know if it is the first of its kind, but if it is, I think that album would at least deserve an honorable mention/addition to your list.
Cheers,
Brent
I concur - still listen to it - more than I should - it's like a warm coat.
Hi Andy, this is off-topic but I just wanted to thank you for turning me on to the cardiacs. I meant to tell you this awhile back... But yeah, I love 'em!
People are getting turned onto them all the time! The greatest unfamous band in history
It has become sadly fashionable to say Sgt Pepper's Lonely Hearts Club Band is not the most important album in history just because it is so obviously the most important album in history and everyone is tired of the fact.
Yeah... it's the whole victim-of-it's-own-sucess thing, isn't it. Sort of. That famous Led Zeppelin song off of their fourth album has suffered a similar fate. "No Stairway" signs in guitar shops etc etc...
Exactly! It’s almost like there might be a web page named “Sgt. Peppers not the most important album of all time”. It’s a no brainer: Pepper is by far the most transcendent album of contemporary music ever made, even if I admit I might be fonder of Abbey Road.
I'm a Beatles fan and I don't really understand the supposedly "huge" significance of Sgt Pepper. The Doors debut was January 1967, 6 months before Sgt Pepper, and it paved the way for the idea of "rock music as art". As well as The Velvet Underground and Frank Zappa the year before.
@@user-qb1sm3rk9r I think it's down to how well rounded Pepper was compared to the other three records. Plus, when you're in 1967, and you are The Beatles and you put out something like that... It's a big watershed moment. Now, there's no longer any(!) doubt. The era of the rock album has arrived! The Beatles reached so much further and wider than any of the others could even dream of. They were the biggest band in the world, and with Pepper, they went even beyond that.
@@user-qb1sm3rk9rI see your point and I do love those other albums you mention by The Doors, Zappa and Velvet. That stated, if you listen deeper, the revolutionary level of the sounds, effects, notes, arrangements and in general in the songs contained in Pepper is unmatched. “A day in the life” is just one clear example of such fact.
Andy, I effing love you!! If I could afford it, I would ask you to play in my scrappy little band
Great stuff. Would love to have a few pints and and share a joint and listen to, and talk about, music with this bloke. I don’t know if “the message of Ledbelly and Woody Guthrie is a mixture of the spiritual and the profane” is an original assertion but I’m gonna quote Andy Edwards on it. I think that the insight/assertion defines all powerful modern popular music (i.e., folk, blues, jazz, rock ‘n’ roll, progressive, reggae, heavy metal, gangsta rap, funk, soul, country, etc). I would have wanted to include a Hank Williams album and Never Mind the Bullocks somewhere in the list but there were only 10 slots so may not have fit. Well done: expertly put together and passionately and convincingly articulated. Liked and Sub’d today👍🏽
Oh! One more that needs to be on the list: Michael Oldfield’s Tubular Bells.
Thank you wise man. 🎉
Excellent as usual, even better to be frank.
First let me say how much I love your videos.
Right. Having said that, when I was in college in the late 80s/Early 90s I joined a music exchange club on campus. Once a week we would gather and trade cassette copies we made of our favorite albums. At the time I was almost exclusively a metalhead. At our first meet I traded tapes of Judas Priest's "Sad Wings of Destiny" and Alice Cooper's "Killer" with a guy who gave me "Kind of Blue" and Zappa's "We're Only in it for the Money" in return.
Both albums absolutely floored me. They left me questioning everything I thought I knew about what music could be, and they literally changed my life.
I can't tell you how many copies of both albums I've worn out in the ensuing decades.
Excellent, always interesting and informative. I would have put Soon Over Babalooma in at .5
I like Can but why that album? I mean it’s fine but not a standout for me. It’s mostly remarkable for not having Damo on it.
Good stuff fellow Brummie !
you got me when you put Freak Out on your list...great job man
Sgt Pepper wouldn't exist without it
One thing that made the LP the format that ruled the world was the cover art. The aim was to make the album look like what the music sounded like. By looking at the jacket you could enter a door into the world the music described. Then there were the liner notes. The scholarship and/or criticism let you know why you should buy the record, and what to listen for. With CDs the notes were reduced to microscopic size and you needed a magnifying glass to read them.
Very well explained in it's background. Can' understand, why people often just listen to music and show no interests, how it was created (depending on personal matters of the creators, the possibilites of recording it, the scene around them and most important, the background of the actually Zeitgeist, that set it's influence... - maybe it is my ADHS, that keeps me interessted in all that..)
And don't forget FM radio...no commercials, playing full albums.
The problem with that is that it didn't really exist outside the US. Here in the UK, and probably the rest of Europe and many other countries, there was no FM rock radio. All the FM stations were Top 40 commercial radio or local community-based talk radio. Nothing else.
You *never* heard "serious" album-orientated rock music on the radio here, except on John Peel's Radio 1 evening show 3 or 4 nights a week. And, later on, Alan Freeman on a Saturday afternoon.
Mainstream broadcast and print media simply didn't understand rock music, and as a consequence simply refused to cover it. Nothing on TV or daytime radio and nothing in print apart from the music weeklies. Rock music was almost completely unknown to most people. When I got tickets to see Led Zep at Earls Court in 1975, my older sister, who was 18, had never heard of them. She said if they'd had no hit singles "they can't be any good". She was hardly unique. Apart from dedicated music fans who listened to Peel and went to gigs, most people I talked to had never heard of them. This was even more true of lesser known rock bands.
Elvis Presly, love him or hate him he introduced a huge part of the world to artists such as Big Momma Thorton, Cuck Berry,Lloyd Price, Gospel musi., R&B, country, rockabilly.........
Elvis is a rare example of someone who was commercially successful and profoundly influential. Artists as varied as Robert Plant, Paul Simon, Bob Dylan, Bruce Springsteen, and John Lennon, to name a few
Nothing like a double album to clean the seeds from out weed.
Europe Endless is my phone's ring tone
lovely list, i've enjoyed all these albums a lot over the years. As for your comment about Black Sabbath and nobody else that follows that sound... I think The Melvins channel that same spirit at times. Depends what album you listen to though.
The soundscape is what sets it apart for me.
When I saw ‘Wee Small Hours’ on this list I thought an album that takes on that concept, for the 80s, is Joe Jackson’s ‘Night and Day’. ‘Stepping Out’ on the album’s night side paints the picture of an 80s night out on the lash in the bright lights, to me. Not really a concept album as such but a nod to Sinatra’s night. See what you think.
Not bad, old boy..not bad!
I really appreciate how you stay true to the “most important” idea, even to the point of recognizing albums that influenced musical trends you DON’T like, and how you also didn’t ignore albums that even normies are aware of (kind of blue, etc).
I don't like the Dylan album, or The Velvet Underground album (well I like Venus in Furs) and I can take or leave the Eric B and Rakim album. People who think we cannot at least try to be objective about art have not thought about it enough
Define "normies", and why they're inferior. And to whom...besides you.
you know what objective means right? your taste is entirely influenced by your feelings and opinions, if you had no feelings and opinions you would be unconscious @@AndyEdwardsDrummer
@@olluxi definition: (of a person or their judgement) not influenced by personal feelings or opinions in considering and representing facts.
@@marthawilson7994 definition: Normie is a slang for a “normal person,” especially someone seen to have conventional, mainstream tastes, interests, viewpoints, etc.....and the reason why I think their viewpoint COULD be inferior is what I am trying to deal with on this channel. And my argument fundamentally would be because their viewpoint does not balance hedonism and perfectionism.
Great list! Everyone on it gets the warm and thoughtful tribute he deserves, and I appreciate especially your homage to hip-hop, Kraftwerk and Black Sab/Birmingham! Wonder who I would need to push out in order to bring in some of the early stuff of The Wailers produced by Lee Scratch Perry, seems odd to me that the groundreaking influence of these two albums and jamaican music in general on the future of popular music so rarely makes it in the picture. Everyone is entitled to his blind spot, maybe yours is on reggae...
One of my top ten opinions in music history. 👍
Mr Andy Edwards, thank you for you intelligence and approach - your list is wise and I really made me think!!! Now I need to look into some of the material and listen and learn!! Will follow and be educated in have a chance to discover songs/abums and groups. Thank you much appreciated.
brilliantly interesting list, slightly surprised Pepper isn't no 1 but hey, as the list progressed i was thinking about a quiet album in my rack, and wondered if it might appear, The wee small hours !! By Frank ! cheers
More for entertainment value, here's my recommendation for an upcoming video: Blindfolded, you walk up to your wall of albums and pull out random samples and just elucidate on whatever comes to mind. It's historic significance (if any), production excellence (or not), musicianship, artwork, when you acquired it, personal story... Do 5 or 10 random sample selections. Entertainment assured.
I have done that many times over on my Patreon
I remember older kids at school carrying the first Led Zep album around. I queued at the record shop after school to get Tales Of Topographic Oceans on the day of release. I was 15. I'm nostalgic for the vinyl album covers but not the medium itself. It was too delicate and to get the best from vinyl you need to spend a bit of money on decent kit, mainly a good turntable and cartridge. These cheap turntables with USB to "digitize" your collection DO NOT cut it. CD is much more robust and while the sound was a bit harsh in the early days as engineers/producers etc worked out how to get the best out of it, it matured. Also you can get much more music on a single CD and on a money-for-value basis I'm disappointed if there isn't more than 60 minutes of music on there! That said, I stick my headphones on for some listening and I'm probably asleep after 30 minutes!! (I am 66).
We'd get along real well! I'm 60 years mold and tried line hell to get back into vinyl. I sold over 1000 albums, all in terrific condition, all absolutely feature the very greatest metal, rock, blues, soul, pop and country music ever produced (my music taste is unchallenged! Haha!) for literally pennies, due to being so excited about the invention of the compact disc! I torture myself thinking about what a stupid move that was, especially looking at the outrageous price of vinyl nowadays. A few yrs. ago, I picked up a technics turntable for $120.00 and started purchasing mostly used records, only buying new albums from my favs like Zeppelin, Beatles, AC/DC, Rush and Neil Young. What a disappointment my turntable was, the sound wasnt that great and it was only later that I realized you must have a pretty expensive turntable and cartridge to get the most out of vinyl sonics. I also didn't like having to get up to flip the record over and had some skipping problems with used records as well. Still debating whether to obtain a high end turntable, as record prices are a joke! For now, I'm sticking with my beloved cd's. Vinyl just isn't user friendly. Lastly, I get used cd's, which almost always play perfectly, for dirt cheap, especially with people turning their used cd's in, due to the prevalence of streaming. Really dug your post and while missing the art work in larger form, cd's are still where it's at for me! Peace.
@@treff9226 The sky is the limit concerning spending on turntables. A good starting point is Rega. All their turntables get good ratings from the reviewers. Talking of CD's, I remember buying Yes's Going For The One on CD. It was awful, wat too bright and harsh on the ears as if the faders were pushed up to 11!! The remastered version is better. While I still buy CD's I download a lot now (paid for). But only in lossless format such as FLAC. MP3 is not good enough.
Me too😄
Some fine, thought-provoking choices. And the mention of Amon Duull, one of the German bands that influenced the heavy rock side of modern prog music.
But your picks range far and wide, and bear little relation to your list of the most important bands of all time. Interesting! Of course, in this list you allow individual artists, whereas the other list is confined to bands.
It certainly makes me want to listen to 'In the Wee Small Hours' from one of the greatest civil rights activists of the period.
I am still entirely hooked on albums. I know that streaming has taken us back to singles, but the constructed album is a beautiful thing.
This is a great video and I love the historical perspective that you take. If I was going to include any other album it would be The Clash, London Calling because of the variety of genres that it contains and its subsequent influence, but it comes later than most of the stuff on here, so no big deal. Well done, a very satisfying Saturday morning listen.
A very fine selection of important classics! My own list aligns on: Kind of Blue, Black Sabbath and Revolver. A couple other albums I think could be considered as inclusions/ honourable mentions are: King Crimson's Court of the Crimson King (a landmark in Prog); and Miles Davis' Bitches Brew (Andy probably didn't wish to double up on artists here). There certainly are some intriguing selections in Andy's list and as such I now have more homework to do! And when I say intrigued, I am particularly interested in the choice of Frank Sinatra! My Penguin Guide to Jazz on CD Sixth Edition excludes Frank. Jazz purism / elitism at work perhaps!
The trick with Miles (and Black Sabbath) is that he essentially created I think five different styles of jazz. The question then becomes, how many held up as albums. BS founded or close to founding at as many variants of metal. Doom, thrash, groove, Stoner, politics/protest, black, etc. Plus they added folk, jazz, and via Charles Bradley cover "Changes," a bit of soul.
@@johncampbell756 Agreed. The common denominator being that multiple top notch artists joined the ranks of both Miles Davis' various group configurations throughout the 50's and through to the late 80's, and likewise, Black Sabbath's various Marks following the initial Ozzy-era (included among its ranks: Dio, Vinnie Appice, Ian Gillan, Bev Bevan, Glenn Hughes, Ray Gillen, Bob Daisley, Cozy Powell, Tony Martin, Neil Murray, et al). All those artists brought their skills and influences with them which helped shape different metal sounds, and which touched on other genres. Another band (and some of its offshoots such as Rainbow and Whitesnake) which was also influential in similar ways (owing to multiple line-up changes) was Deep Purple (psychedelic rock; early progressive rock; hard rock; speed metal; neo-classical; and funk-rock to slight a degree; etc......AND, because of their penchant in a live setting to go on long extended jams and soloing.....almost a "Jazz on Steroids" approach).
@@garyh.238 Barro g any group that never had a lineup change and none of the members ever played in any other bands, almost any rock band (and some rap artists) can do a six degrees of separation. To either Black Sabbath or Deep Purple.
@@johncampbell756 Agreed....such an overlap between those 2 bands....like dual hubs with their various spokes going out in multiple directions and linking to other artists and genres.
@@garyh.238 I have the original nexus, Born Again on vinyl, because someone left it on the subway seat next to my dad. He brought it hoe, "You want this?"The one previous time he asked about a band, I said no because I didn't like 50s Doo Wop. "Do you like The Pretenders?" I was an idiot.
Great analysis and commentary. Thanks Andy. Impressive.
Enjoyed this Andy ...thanks. Three wee words though that would have been in my top 10 ...Trout Mask Replica. Cheers from a new subscriber
Glad you enjoyed it
Thought about this too.
TMR seems to be so ahead of its time we still don’t know its overall influence.
It still holds immense power of possibility for music to come! Imho of course.
I just discovered TMR and feel it’s some of the greatest art committed to tape! Fast & Bulbous.
@@AndyEdwardsDrummerWhen are you gunna get to Van Morrison? Astral Weeks?
Keep up the good work.
thank you
Brilliant
Thank goodness you include Freak Out. I was into FZ and Trout Mask from the beginning. Can and Amon Duul were brilliant and for me Kraftwerk were too pop, but also listening to the Beetles and Coltrane, Miles, lightning Hopkins, The Bonzos. Very interesting list - never liked Dylan or Sinatra so can’t disagree with you. Excellent!
1966 was definitely an important year for Rock. Beach Boys Pet Sounds, Dylan's Blonde On Blonde, Byrd's Fifth Dimension, Stones Aftermath, Fresh Cream, Kinks Face To Face, the Who A Quick One in addition to Revolver & Freak Out! Also the year Hendrix recorded and released the 'Hey Joe' single in England. So much going on...
2024 is going to top it!!
Yeah, I'll get my coat... 😥
from about 1965 until 1979 (give or take a year). every single year was "an important year for rock".
@@donkeyshot8472 I mean important to the development of rock from pop as Andy stated in the video
@@donkeyshot8472 I'm guessing 1979 was the year you left college, and started a job as an insurance assessor.
10 out of a possible 10 and I have only made it to #6! Frank Zappa as the godfather of The Beatles, et.al? I have listened to at least 150 videos by youtube music afficianados in the last two weeks and this surpasses any of them in terms of detached historiography although your passion comes through brilliantly. I love what you said about Black Sabbath. OMG you just took me back 50 years!