Waouh qu'est ce que c'est beau ! L'énergie manifeste n'exclue pas l'harmonie, la joliesse exprimée par le piano, un ravissement. L'Andante est à tomber ! Le Rondo est d'un charme absolu, autant de perles pour mon cœur 🙏🎶💓🎶✨
Merci à Jean-Frédéric Neuburger de nous permettre découvrir ces concerti méconnus qu'il joue avec une grande sensibilité comme il le fait depuis son premier enregistrement pour les enfants du Soudan.
@@sibarit101 ... et merci à vous de nous faire découvrir ces très beaux concerti que joue admirablement bien Jean-Frédéric Neuburger que je suis allé écouté hier à la Philarmonie et qui m'a ébloui une fois de plus dans le Concerto de Schumann. Sybaritement votre.
@jean-michel Mathieu ... merci encore, je suis contente que vous avez eu l'occasion d'écouter ces concerts. À cause du COVID-19, je ne suis pas allée dans une salle de concert depuis février ...
The first movement of this concerto and J L Dussek's concerto #11 in E flat Op. 70 are very similar. I wonder if either of the two composers got ideas from the other.
If one of them was inspired by the other's music, then I think Herold is "the guilty": Dussek's music was very popular, Dussek wrote his concert in 1810, and Herold wrote his piano concertos between 1811-1813. Whatever the truth, I thank you for your comment that made me re-listen to both concertos.
Herold was a wonderful melodist and used his talent well to produce four fine piano concertos. I'm glad that three of them are on YT in great performances; is the First Concerto lost, or merely unrecorded, I wonder?
Thank you for your interest in Herold's music. About concert no 1 I know only what is written in the album notes: "the present recording voluntarily omits Concerto no.1 in E major, the manuscript of which is difficult to decipher because of the large number of erasures, second thoughts and cuts of various kinds it contains. So much so, in fact, that we can by no means be sure of restoring a version Herold would have approved. Proceeding from the principle that not every rarity is necessarily worth rehabilitating, we decided it was preferable not to include the work in the programme of the present disc."
@@knownfact4905 Ries composed only 8 piano concertos. Since his first concerto was for violin and it was numbered with no. 1 (in his native Bonn Beethoven had been taught violin by Ries’s father), his piano concertos were given numbers 2-9. So there is no mystery! :) Thank you!
Perhaps Herold favored the piano over the violin - as far as I know he wrote no solo works for the violin. I like this concerto although i don't think I could sight read it. I love the violin solo in this piece at 9:24. Thank you 101 - once again. (I believe the numbers you posted are the length of each movement and not the beginning of each movement?)
Yes, indeed, I have always written the length of each movement, as it is on the CD, not the beginning. The truth is that I "re-record" every piece of music before posting it, shortening the breaks between movements that seem too long on the CD. That's why it's a little difficult for me to indicate the very beginning of each movement. Thank you. I wish you a nice weekend.
Waouh qu'est ce que c'est beau ! L'énergie manifeste n'exclue pas l'harmonie, la joliesse exprimée par le piano, un ravissement. L'Andante est à tomber ! Le Rondo est d'un charme absolu, autant de perles pour mon cœur 🙏🎶💓🎶✨
The second movement here is divinely beautiful and romantic. It almost sounds like a modern melody and nothing like something from the 18th century.
Наслаждаюсь.Эта музыка отвлекает от горечи отсутствия уехавших внуков.спасибо ❤
I am sorry that you are sad and I understand that your reasons are serious. But it's true, music can improve your mood.
Dieses magische Konzert erweckt in der Seele ein wunderbares Gefühl - Gnade für alle (und das ist von Gott) !!! Tepper Michael.
Another truly lovely selection!!!! I certainly apprrciate all of your efforts!!!! My sincerest thanks!!!!
This magic concert awakens in the soul a wonderful feeling - Grace to all (and this is from God) !!! Tepper Michael.
Thank you very much for the beautiful upload
tres beau concerto pour piano a ecouter souvant excellent morceau
Merci à Jean-Frédéric Neuburger de nous permettre découvrir ces concerti méconnus qu'il joue avec une grande sensibilité comme il le fait depuis son premier enregistrement pour les enfants du Soudan.
Merci à vous pour ces commentaires!
@@sibarit101 ... et merci à vous de nous faire découvrir ces très beaux concerti que joue admirablement bien Jean-Frédéric Neuburger que je suis allé écouté hier à la Philarmonie et qui m'a ébloui une fois de plus dans le Concerto de Schumann.
Sybaritement votre.
@jean-michel Mathieu ... merci encore, je suis contente que vous avez eu l'occasion d'écouter ces concerts. À cause du COVID-19, je ne suis pas allée dans une salle de concert depuis février ...
Piano concerto no.3:
I. Allegro maestoso 0:00
II. Andante con violino obligato 9:24
III. Rondo Moderato 14:14
Thank you.
The first movement of this concerto and J L Dussek's concerto #11 in E flat Op. 70 are very similar. I wonder if either of the two composers got ideas from the other.
If one of them was inspired by the other's music, then I think Herold is "the guilty": Dussek's music was very popular, Dussek wrote his concert in 1810, and Herold wrote his piano concertos between 1811-1813.
Whatever the truth, I thank you for your comment that made me re-listen to both concertos.
Thank for your comment. It is fun to hear about how composers got their ideas.
Herold was a wonderful melodist and used his talent well to produce four fine piano concertos. I'm glad that three of them are on YT in great performances; is the First Concerto lost, or merely unrecorded, I wonder?
Thank you for your interest in Herold's music.
About concert no 1 I know only what is written in the album notes: "the present recording voluntarily omits Concerto no.1 in E major, the manuscript of which is difficult to decipher because of the large number of erasures, second thoughts and cuts of various kinds it contains. So much so, in fact, that we can by no means be sure of restoring a version Herold would have approved.
Proceeding from the principle that not every rarity is necessarily worth rehabilitating, we decided it was preferable not to include the work in the programme of the present disc."
@@sibarit101 Thanks for the reply and the interesting information.
@@sibarit101 Kind of like looking all over for Ries' mysteriously missing first piano concerto
@@knownfact4905 Ries composed only 8 piano concertos. Since his first concerto was for violin and it was numbered with no. 1 (in his native Bonn Beethoven had been taught violin by Ries’s father), his piano concertos were given numbers 2-9. So there is no mystery! :)
Thank you!
Very good review of the site. In this concert, in the andante, the presence of the "obligato" violin is appreciated.
Thank you for your comment.
You are always welcome.
Feliz!
Perhaps Herold favored the piano over the violin - as far as I know he wrote no solo works for the violin. I like this concerto although i don't think I could sight read it. I love the violin solo in this piece at 9:24. Thank you 101 - once again. (I believe the numbers you posted are the length of each movement and not the beginning of each movement?)
Yes, indeed, I have always written the length of each movement, as it is on the CD, not the beginning. The truth is that I "re-record" every piece of music before posting it, shortening the breaks between movements that seem too long on the CD. That's why it's a little difficult for me to indicate the very beginning of each movement.
Thank you. I wish you a nice weekend.
Thank you. We are enjoying wonderful weather so it will be good. You too!!!