Every individual contributed to this piece showcasing their individual talents. I love bass driven rock 'n' roll. The width of a circle (studio version) by David Bowie is one that comes to mind...
No wonder why Jimmy Page is the king of riffs. This song couldve been better only if it had a guitar solo. Thanks Andy for teaching good music to the people that think LZ is just about Stairway To Heaven. Theres so much more than that! :D
***** People who only like Led Zeppelin for Stairway need to hear Achilles Last Stand, Black Dog, Out on The Tiles, Kashmir, In The Light, In My Time Of Dying, Good Times Bad Times, Whole Lotta Love, When The Levee Breaks, The Rain Song, Houses of The Holy, No Quarter, Down By The Seaside, Going To California, and pretty much every song they ever released. Don't forget Dazed and Confused, Since I've Been Loving You, and Babe I'm gonna leave you.
One of Zeppelins most groovin, catchy riffs they ever wrote. This song is tricky to play in 7/8 time, but once you get the hang of it , it is really satisfying to play. Bonzo was the man. Hard to find a drummer that can play his grooves.
Thanks so much for noticing! I imported a basic MIDI cover tune into Cubase and then triggered actual Ludwig Vistalites with Kontakt (along with some MIDI tweaking for feel). -Andy
the riff is wrong though PGS! the beginning of the main riff is F#, Bb, C#, F# The second note of the riff is played and taught as an A, but its a Bb on the first fret.
Ochomarvo - Almost certain outside of weird and open tunings, Zeppelin always used standard tuning. The fun part comes in if you want to play along with some songs is that Page would change the tape speed on the recording to give different feeling which yes; does change the tuning slightly. Don't forget they also liked to drag the beat which is where they would play behind the tempo to create a pull in the song. It's fairly common in blues. Hendrix on the other hand played ahead of the beat to lead the song.
Dude your really good with the Zeppelin stuff. Do you give online lessons one on one? like skype or something? I would really love to learn a lot of zeppelin.
Check out Moby Dick from 7-17-1977 in Seattle. The opening is Out on the Tiles. If you watch you can clearly see Page slide up to the A# on the 6th fret of the E string before playing the 4th fret A and D strings with his index finger.
PGS - hate being "this guy" but how about some reverend Horton heat - Andy has done some great D for dangerous covers, would love to know Andy's go to picks for sound. Keep up the great work
Yeah the main riff is A# instead of A, but too late now! However, the big bend definitely starts on G, just like Heartbreaker. It’s classic Page! Also you can hear closely where he bends it back down to G is a spot or two. Thanks, glad these old lessons are still helping!
if there could be one this song may have been Zeppelin's finest moment .... I've wanted to learn this song ever since I saw Page switch the intro of 'MOBY DICK' to this song @ MSG in NYC on the '77 tour !
great choice...what an amazing driving guitar riff. page rules....and that bonham beat is just phenomenal....tho the guy doing the drum track played the kick rolls a little too "clean" imo. either way...keep it up!
Andy, you have to know by now. We have all been subscribers of PGS for a long time now. Maybe you can cut out the line "Feel free to subscribe......." at the end of each video.......
Very good but something not quite right. Don't know what, can't find it myself!
Could be that the second note is not A but Bb. Thanks for checking out this old lesson, these were a lot fun!
Andy
@@ProGuitarShopDemos is it Bb? So hard to tell listening to the disc.
The most underrated Zep song in my opinion
Very true!
Definitely
It gets forgotten on Zep 3 due to it being an “acoustic album.”
Totally also “The Rover” from Physical Graffiti is heavily underrated
@@darthmater691 Fav Zep song!!
It's JPJ's bass on EVERY Zep tune that makes Page's guitar sound muscular.
andrewt248 agreed brother
The best background man ever
andrewt248 JPJ is one ☝🏾 bad brother with all the skills of any bass player and can play any fucking instruments true musician
That's one hell of a string duo my man.
Every individual contributed to this piece showcasing their individual talents.
I love bass driven rock 'n' roll. The width of a circle (studio version) by David Bowie is one that comes to mind...
jimmy page wrote the coolest riffs,nice job!
this was written john bonham
When you hear John Bonham's riffs programmed in midi, it reminds you just how brilliant he was. That timing...
Joshua Murray
Since John Bonham.
Joshua Murray Riffs, grooves, patterns, whatever you want to call it ;-)
My favorite Bonham track! This one has it all...
Without the vocals you can hear just how well the music leaves space for the vocal melody and vice versa. Such a great song!
That Les Paul is gorgeous!
Also great lesson, thanks again!
Im 43 and you actually inspire me. Thanks, man! You make me wanna be a better guitar player. haha...
Love this tutorial. This song absolutely rips. If you ever need to get any work done, just put it on repeat and rage.
Love your teaching style, Andy. Right to it, no b.s. This song personifies Zeppelin to me. No other song like it, great riff and groove. Thanks. o/
Perfect as always, Andy! Damn, bro! You are always precise!
Andy sounds great my friend thanks for taking the time and patience to show us this great performance and lesson keep them coming..
No wonder why Jimmy Page is the king of riffs. This song couldve been better only if it had a guitar solo.
Thanks Andy for teaching good music to the people that think LZ is just about Stairway To Heaven. Theres so much more than that! :D
Led Zeppelin is so much more than Stairway!
*****
People who only like Led Zeppelin for Stairway need to hear Achilles Last Stand, Black Dog, Out on The Tiles, Kashmir, In The Light, In My Time Of Dying, Good Times Bad Times, Whole Lotta Love, When The Levee Breaks, The Rain Song, Houses of The Holy, No Quarter, Down By The Seaside, Going To California, and pretty much every song they ever released. Don't forget Dazed and Confused, Since I've Been Loving You, and Babe I'm gonna leave you.
Darlene, The Wanton, That's The Way...and the list goes on!
***** Don't forget Battle of Evermore and Misty Mountain Hop.
great !!! superlike.
THANK GOD I ACTUALLY FOUND IT, IVE BEEN WATCHING OVER THE TOP SEARCHING FOR A SONG NAME. im so happy now i can learn this
One of Zeppelins most groovin, catchy riffs they ever wrote. This song is tricky to play in 7/8 time, but once you get the hang of it , it is really satisfying to play. Bonzo was the man. Hard to find a drummer that can play his grooves.
My favorite Zep riff for sure. Thanks!
Love that drum groove !!!! The rifff !!! Everything about this song is amazing!!!
THE coolest lesson thus far
One of my favorites.
Thank you Andy! That was awesome! You're a great teacher and an excellent player!
Andy got the goods!
Andy...you are a bad mo' fo' with that Gibson ! Great sound, sir !
Great job! thank you.
Great lesson!
Recently came to realize there's a slight swing feel to oott's that makes it more fun to play now than in the past.
L&S'd.o,0 Thanks!
Love it!!
Great song, Great lesson, Thanks.
More Zeppelin!!!!!
ROCK ON
programmed drums crushing it 😮
Thanks so much for noticing! I imported a basic MIDI cover tune into Cubase and then triggered actual Ludwig Vistalites with Kontakt (along with some MIDI tweaking for feel).
-Andy
Andy rules!
It's a beauty guitar
Subbed. Nice job.
Awesome!!! Thanks!!!
the riff is wrong though PGS! the beginning of the main riff is F#, Bb, C#, F# The second note of the riff is played and taught as an A, but its a Bb on the first fret.
Scott Card
Ain't not
I agree, but it's an F#, A#, C#, F#...Same note. :)
try it in a 440
Can ya play the whole song from start to finish with the same arrangement and backing music. Cause I really enjoy it!
Sorry, I don’t do these lessons anymore but thanks for watching it!
@@AndyDemos Pity, sound's better than the oridge'
I can play this, it seems the tuning is slightly off from standard. am I correct ?
Ochomarvo - Almost certain outside of weird and open tunings, Zeppelin always used standard tuning. The fun part comes in if you want to play along with some songs is that Page would change the tape speed on the recording to give different feeling which yes; does change the tuning slightly. Don't forget they also liked to drag the beat which is where they would play behind the tempo to create a pull in the song. It's fairly common in blues. Hendrix on the other hand played ahead of the beat to lead the song.
excellent
Dude your really good with the Zeppelin stuff. Do you give online lessons one on one? like skype or something? I would really love to learn a lot of zeppelin.
Wow now i got where Rivals Sons get their inspiration.
Where do you guys get the backing tracks from??
do Ramble On!
How do you get just the drum track to rock with?
hey andy is that les paul traditional or standard you use in your videos?
Excdellent!
Are you sure the second note of the verse riff is an A and not an A-sharp (the major third of F sharp). i’ve seen it played both ways.
It could be A#, I just went with the way I always played it. Thanks!
@@ProGuitarShopDemos no worries. The note goes by so fast it is hard to tell.
Check out Moby Dick from 7-17-1977 in Seattle. The opening is Out on the Tiles. If you watch you can clearly see Page slide up to the A# on the 6th fret of the E string before playing the 4th fret A and D strings with his index finger.
PGS - hate being "this guy" but how about some reverend Horton heat - Andy has done some great D for dangerous covers, would love to know Andy's go to picks for sound. Keep up the great work
I'm pretty sure Andy uses a pick on these cover/riff lesson...or at least he used to, I dunno.
Is this a live drum track or a machine?
Pretty sure on the record Page & Jones bend from the 4th fret G#, NOT the 3rd fret G.
nah it's G, a pretty common Page lick. Listen to the very beginning as he bends down the note rest on G. Just like the beginning of Heartbreaker
Keep in mind that he's known to use very light gauge strings.
Ohh yeah oooh yeaha!
what is the guitar tuning?
Try G# not G on "Big Bend" and Main Riff is F#-A#-C#-F#. It might sound a bit better. On the chorus, play E with open B & E strings.
Yeah the main riff is A# instead of A, but too late now! However, the big bend definitely starts on G, just like Heartbreaker. It’s classic Page! Also you can hear closely where he bends it back down to G is a spot or two. Thanks, glad these old lessons are still helping!
if there could be one this song may have been Zeppelin's finest moment .... I've wanted to learn this song ever since I saw Page switch the intro of 'MOBY DICK' to this song @ MSG in NYC on the '77 tour !
great choice...what an amazing driving guitar riff. page rules....and that bonham beat is just phenomenal....tho the guy doing the drum track played the kick rolls a little too "clean" imo. either way...keep it up!
***** can't MIDI Bonham....he's just too slippery!
Eli Friedmann AKai MPC can ! best swing algorithm ever.
nice tutorial. just subs.
To my ears, that arpeggio should be F# major, not minor. Though it goes by fast enough to barely make a difference.
@Lickah Agreed
Andy, you have to know by now. We have all been subscribers of PGS for a long time now. Maybe you can cut out the line "Feel free to subscribe......." at the end of each video.......
And the intro bro??? The title says guitar lesson but you forgote to show the intro
Why not just a Marshall! LOL! Their everywhere and very affordable!
This is the riff that Rival Sons ripped off
Just you know, Peter Grant would have broken your fingers
è sbagliata..
No quite right tempo/rhtym. / attack. Needs more hard quack and aggressive attack from player.
he is also playing it wrong, the verse is 2-6 on the low E, he plays 2-5 a tiny error :)
wrong, not how out on the tiles was played. no offence
The second note is not technically correct (should be A#) but still I'd hardly call it wrong. Thanks for watching!