@@taylorcarman404 Lol, I have to agree... Isiah Sharkey in 5 minutes??? But having watched it...... what an excellent post! Now to practice it..........😊
Absolutely agreed I'm incredibly excited to his content blow up I've enjoyed these videos for a few days now and can't believe I haven't seen them before
The "???" made me burst out laughing!! Because that's exactly what I do, I follow his chord shapes until he does something completely unrecognisable and I pretend like I still know what's up. Great vid!
Great breakdown - I’ve realized that the altered dominant has most of the sounds I love, and it’s the least of the stuff I’ve put my time into 😖 - but it’s never too late to go after it.
You have amazing videos! I can't understand half of them, but i will get there hahaha. I have a question: i saw some of your videos, and i noticed that its often that the chords are written as flats instead of sharps, e.g. Gb7 instead of F#7. Could you pls explain why? I seem to notice it a lot in jazz music especially (or latin music too). Thank you in advance!
Thanks a lot! We tend to use flats because you'll get less altered notes in most cases. For example C# has 7 sharps whereas Db has 5 flats. Makes things easier
Very interesting explanation! Thank's for sharing you'r knowledge. I had a question (not directly related to the licks but...) at 0min48sec when you show the C major scale you use chord in between each degrees. I think I understand that for C to D you use the fifth chord of D and same for E to F. But i dont understand why the Eb°7 ? Thank's again for you'r video!
@@CapitaineBuisson To understand it fully you can thing of it as a B7b9 without the root, so it serves the same role as the A7 to go to Dm and the C7 to FM7
![FNAF vs TF2 - Episode 2 [SFM]](http://i.ytimg.com/vi/z5b3V2-VLb0/mqdefault.jpg)
Thanks ! keep up the good work explaining Sharkey moves
Thank you!
Claude your videos are amazing!!! Please, please, please keep them coming!
Thank you very much. I’ve been extremely busy with work but I want to get back to making videos for sure! These kinds of comments really motivate me
This content is way too good compared to the views, you’re channel will hit the algorithm any day now
Thank you
Like seriously, I clicked on your channel a few times, I thought you had like a million based off quality
@@taylorcarman404 Lol, I have to agree... Isiah Sharkey in 5 minutes???
But having watched it...... what an excellent post! Now to practice it..........😊
Absolutely agreed I'm incredibly excited to his content blow up I've enjoyed these videos for a few days now and can't believe I haven't seen them before
The "???" made me burst out laughing!! Because that's exactly what I do, I follow his chord shapes until he does something completely unrecognisable and I pretend like I still know what's up. Great vid!
Haha Thanks!
You are an Incredible content maker! Unravelling all the things I want unravelling haha.
Thank you so much! I'm very happy my content is helping someone
Great breakdown - I’ve realized that the altered dominant has most of the sounds I love, and it’s the least of the stuff I’ve put my time into 😖 - but it’s never too late to go after it.
It's a great sound to incorporate. At first, I found it tricky to connect it to the rest of my vocabulary. I'm still working on it
Love the content. Super concise and informative.
Would recommend making the tabs/diagrams bigger. As a mobile viewer hard to follow along sometimes.
Thanks a lot! Thant's a good point I did not think of that. I'll think abut making things bigger moving forward
You have amazing videos! I can't understand half of them, but i will get there hahaha. I have a question: i saw some of your videos, and i noticed that its often that the chords are written as flats instead of sharps, e.g. Gb7 instead of F#7. Could you pls explain why? I seem to notice it a lot in jazz music especially (or latin music too). Thank you in advance!
Thanks a lot! We tend to use flats because you'll get less altered notes in most cases. For example C# has 7 sharps whereas Db has 5 flats. Makes things easier
@@ClaudeRuelle aaah i got it! thank you so much! it really cleared things up for me
Very interesting explanation! Thank's for sharing you'r knowledge. I had a question (not directly related to the licks but...) at 0min48sec when you show the C major scale you use chord in between each degrees. I think I understand that for C to D you use the fifth chord of D and same for E to F. But i dont understand why the Eb°7 ? Thank's again for you'r video!
Thanks for your comment! To make it simple; you can basically approach any chord with a diminished chord a semitone below.
@@ClaudeRuelle Thank's for this little tip ^^
@@CapitaineBuisson To understand it fully you can thing of it as a B7b9 without the root, so it serves the same role as the A7 to go to Dm and the C7 to FM7
nice dude
Thanks!
I never comment.. great content!!
These videos must take a lot lot lot of time sir, but keep at it, it's gonna pay off! Thank you.
They do but they're fun to make. Thanks a lot for the kind words!
hey man is that a merseyrail train at 0:19
I'm not sure
yes it was like a shot to the face