Very cool video. By the way, that red cursor highlighter is super helfpul when watching this video on a smartphone. As for another reverb worth mentioning, the Gated Reverb is a pretty awesome technique to avoid cluttering the mix.
An "add on" tip for the Reverb Pad tip, if your Reverb has a "Freeze" button (which the standard Ableton reverb has), put a reverb on a vocal with a long decay, play it and press Freeze and what ever point the reverb was at when you pressed Freeze will play continuously, allowing you to record that into a new audio track, giving you the bones of a vocal pad created from your original vocal.
@@EDMTips If possible, a detailed video which provides a better understanding with regards to the frequency range, how to fit elements together, picking out clashing frequencies and how to fix them etc. I feel I struggle with this as I try and layer sounds, e.g having several layers of bass but it results in other elements being drowned out. Thanks!
Thanks Will! Again a great pragmatic tutorial 👍. Highly interesting For me you were a bit too fast on the washout reverb, but fortunately I can rewind. Sidechained reverb triggered by the dry signal is absolutely great. Even more if you use a slow stutter/gate on that dry signal 😎
You can also "Bounce" the audio in Ableton as well by clicking on "Freeze" and after that click on " Ftlatten" and you will get the audio with the effect on it bounced on the same track
Thanks, Will. The first time I remember hearing reverse reverb/delay effects was on God's voice in Time Bandits. "R-R-Return what you have stolen from me!"
Hi Will! Thanks for the amazing content. What do you think about covering the music style of Lost Frequencies? His guitar sounds are quite unique, and difficult to reproduce only with the DAW.
I'm quite new to production and I've been watching loads of your mixing videos and I can say they're most helpful on RUclips Imo :). I was wondering how many types of Reverbs and delay sends I should typically have on a track? my Vocals have their own reverb and delay, I have a room reverb for supporting elements like drum hits and fills. then I have a hall reverb and delay for my leads. should my chords be given the same reverb send as my leads? I make UKhardcore/happy hardcore, its quite similar to hard trance or scousehouse but at 170bpm, lots of supersaws ect
Can you do a “fidget” house tutorial (i fidget track I like is Day’N Night Crookers remix) I was searching for some fidget house tutorials but I couldn’t find anything and the genera has a big fanbase but not much tutorials (btw I find out about the existing of this genre since a day of 2 now) so yes hope you do a tutorial about it! Greetings, John
Ooh another question. With the Pad trick you said to pick the note of C if I was making a song in the key of G and the scale of my Push was set to G should I pick the root note G rather than C? So I can play along in key on my Push?
Hi Will another great video mate I have a query and apologies in advance cos I’m an fl studio user Basically I have a reverb on a send channel, the send channel goes to the master bus bypassing any other buses created by myself, so then if I put say a automated high pass filter on my instrument bus, only the instruments are filtered the reverb bypass the bus and the filter and comes straight out the master bus Do you know anyway How can I fix this? Or a workaround Again I know you are not an fl user but thought maybe it’s a similar case with ableton Sorry for the massive comment 😆
It sounds like the signal is being sent to the aux channel BEFORE it hits your filter. I'm not sure of how the routing works on FL, but that'll be the issue :)
Great tips, and great channel but the first one is not quite right. Strictly speaking you're better off reversing the original audio before applying reverb, then reversing the end product. Sorry for being pedantic :)
Are there any reverb tips I've missed? Let me know in the comments! 😎👇
Very cool video. By the way, that red cursor highlighter is super helfpul when watching this video on a smartphone. As for another reverb worth mentioning, the Gated Reverb is a pretty awesome technique to avoid cluttering the mix.
Please continue this "tricks" type of series, Will! I loved it!
An "add on" tip for the Reverb Pad tip, if your Reverb has a "Freeze" button (which the standard Ableton reverb has), put a reverb on a vocal with a long decay, play it and press Freeze and what ever point the reverb was at when you pressed Freeze will play continuously, allowing you to record that into a new audio track, giving you the bones of a vocal pad created from your original vocal.
Great tip! Thanks for sharing :)
Sweet stuff!! Time to start testing stuff now!!!
Let me know how you get on!
@@EDMTips for sure...
You can also bounce out your verb tracks, pitch shift them and stutter them for great transition effects.
So many useful tips I picked up from this vid thanks dude
Glad I could help
Great tips! Many thanks.
You're welcome, Steve!
Another awesome video. Take care of yourself.
Thanks, you too!
Nice tips !
Thanks!
Thx. These are massive edmtips !!
You're welcome! 🙂
Great tips, mate! Thanks for making these priceless video's. Always looking for new things to add to my tunes.
This video is fantastic!!!
Great video! Would be keen for more producer tips tutorials like this. 🙌
Cool! Anything in particular you want me to cover?
@@EDMTips If possible, a detailed video which provides a better understanding with regards to the frequency range, how to fit elements together, picking out clashing frequencies and how to fix them etc. I feel I struggle with this as I try and layer sounds, e.g having several layers of bass but it results in other elements being drowned out. Thanks!
Great video, nice tips.
Cheers :)
Great video!
Thanks!
nice sounding track will! thanks for the tips
No problem!
Thanks for this Will! Really appreciate this. :).
You're welcome! 🙂
This is the GUY!
😎
Fabfilter Pro Q3 - dynamic side chain EQ sounds really nice too instead of side chain compression.
Good tip!
Cheers Will for another awesome tutorial, you really are the best in the bis, I'd love to see you recreate\tutorial for Chris Stussy or Djoko
Thanks man! I appreciate the support :)
Great tips!
Thanks for watching!
Thanks Will!
Again a great pragmatic tutorial 👍. Highly interesting
For me you were a bit too fast on the washout reverb, but fortunately I can rewind.
Sidechained reverb triggered by the dry signal is absolutely great. Even more if you use a slow stutter/gate on that dry signal 😎
Glad it was helpful!
More great tips thanks Will
You're welcome, David! Loved your track last week :)
@@EDMTips Thanks Will, I’m going to try some of these Reverb tricks this weekend
Amazing turtials straight to the point and easy to follow for a noob like me! Would love to see some Tiger Stripes drumcode style breakdowns ! :)
Great tips! Love it! :)
Thanks so much!
hell yeh brother I’ll be using all of the above
BOOM! 🙌🙌
This was a great tutorial !!!
Thank you!!
Great tips
Glad you like them!
Not sure if it's been said, but this song is fire in addition to the tips.
Very helpful tips thanks bro🙏🏻🖤
Thank you so much will ♥️
You're welcome! 🙂
Thanks Will, you look shattered mate, don't forget to take a break every now and again.. health is very important too! 👍
That is definitely advice I should be taking!
Nice !!! Do you mix your songs with headphone or both. ? Do you rely on headphone mostly?
Headphones mostly at the moment, as I haven't set up my new studio yet
Nice!
Thanks for watching!
You can also "Bounce" the audio in Ableton as well by clicking on "Freeze" and after that click on " Ftlatten" and you will get the audio with the effect on it bounced on the same track
Yes, indeed!
Thanks, Will. The first time I remember hearing reverse reverb/delay effects was on God's voice in Time Bandits. "R-R-Return what you have stolen from me!"
Time Bandits! Oh wow....it's been a while
really useful tutorial. anyway. the song. has it been released? i loved it
Thanks! Not yet, though!
Hi Will! Thanks for the amazing content. What do you think about covering the music style of Lost Frequencies? His guitar sounds are quite unique, and difficult to reproduce only with the DAW.
Great suggestion! What's your favourite track of his?
Listen especially to 1:52 ;) Thanks
Excellent 👌👌👌👌
Thanks Jason!
Love it, thanks
You're welcome! 🙂 Thanks for watching
Amen Brother!
🙌🙏
That's a great video
Thanks for this
Damn I really gotta use that drum rack more...I didnt realize how versatile that thing was
Yeah, it's a killer :)
Hey is there any updates on the demo competition? Are we supposed to be voting??
The votes happened last week on the Facebook group!
@@EDMTips Oh I was looking on your Facebook page - you have to be doing a course to participate?
I'm quite new to production and I've been watching loads of your mixing videos and I can say they're most helpful on RUclips Imo :). I was wondering how many types of Reverbs and delay sends I should typically have on a track? my Vocals have their own reverb and delay, I have a room reverb for supporting elements like drum hits and fills. then I have a hall reverb and delay for my leads. should my chords be given the same reverb send as my leads? I make UKhardcore/happy hardcore, its quite similar to hard trance or scousehouse but at 170bpm, lots of supersaws ect
More minimal techno please
Any particular artists or tracks you're digging at the moment?
@@EDMTips yes a new Boris Brejcha or sth like Deniz bul etc. But i prefer a new boris 🤣 ( Tracks: „never look back“ or „saw“ by boris brejcha)
Can you do a “fidget” house tutorial (i fidget track I like is Day’N Night Crookers remix) I was searching for some fidget house tutorials but I couldn’t find anything and the genera has a big fanbase but not much tutorials (btw I find out about the existing of this genre since a day of 2 now) so yes hope you do a tutorial about it!
Greetings, John
is there a link for the song used ??? it sounds really nice
Check it out here! ruclips.net/video/3Sj_JQ_hoYw/видео.html
Use fruity peak controller to sidechain the verb to the vocals. It's 10x more controllable and a lot more smooth with no latency.
Ooh another question. With the Pad trick you said to pick the note of C if I was making a song in the key of G and the scale of my Push was set to G should I pick the root note G rather than C? So I can play along in key on my Push?
Aloha! My name is Sean and I work with Aixdsp. What's the best way the get our software to you for review?
Hi Will another great video mate
I have a query and apologies in advance cos I’m an fl studio user
Basically I have a reverb on a send channel, the send channel goes to the master bus bypassing any other buses created by myself, so then if I put say a automated high pass filter on my instrument bus, only the instruments are filtered the reverb bypass the bus and the filter and comes straight out the master bus
Do you know anyway How can I fix this? Or a workaround
Again I know you are not an fl user but thought maybe it’s a similar case with ableton
Sorry for the massive comment 😆
It sounds like the signal is being sent to the aux channel BEFORE it hits your filter. I'm not sure of how the routing works on FL, but that'll be the issue :)
@@EDMTips thanks for replying Will I’ll delve in to this right now 👍🏻
Excellent video...still confused lol
Oh no! Which part?
Great
Pleaseee
Tech house like dennis cruz 🙏
Let's go
😎
Great tips, and great channel but the first one is not quite right. Strictly speaking you're better off reversing the original audio before applying reverb, then reversing the end product. Sorry for being pedantic :)
Great video! Video? Do you have an email? I have some questions I want to ask. Thank you so much.
Sure! Email team@edmtips.com
Could you not just use endless smile to create the same effect?
KAS:ST OR ZHU HOW TO MAKE VİDEO PLEASE
👍👍👍👍
Reverse reverb is meant for a guitar with a trem bar
666 likes...
This shouldn't be free.
Great tips!
Glad it was helpful!
Thanks for this
You're welcome! 🙂